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    <loc>https://www.dbdowd.com/graphic-tales-blog</loc>
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    <lastmod>2026-03-02</lastmod>
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      <image:title>Graphic Tales</image:title>
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  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2020/11/25/ao31zkki0dmkg674gceldlc6wmioqx-rl8cn</loc>
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    <lastmod>2026-03-19</lastmod>
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      <image:title>Graphic Tales - On Creative Traveling Companions 2026</image:title>
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      <image:title>Graphic Tales - On Creative Traveling Companions 2026</image:title>
      <image:caption>Francis Criss, Untitled (Cityscape), 1938. A precisionist who has received more attention in recent years. Captures a grand-but-crappy urban experience. Criss also illustrated, but less persuasively. (Unlike say N.C. Wyeth, whose paintings were mostly dusty, backward-looking things in contrast to his much more vital illustrations.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1616624991734-0ABTN2PL70QCJBTIW8SX/IMG_1933.jpg</image:loc>
      <image:title>Graphic Tales - On Creative Traveling Companions 2026</image:title>
      <image:caption>Title Screen, Winky Dink and You, a television show aired on CBS from 1953 to 1957. The first interactive electronic experience, the show required children to draw with crayons on a plastic sheet placed over the screen to help Winky Dink conduct his adventures. Hosted by Jack Barry.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1616620812494-BWZ187Z8AANHXUOVH7XA/Screen+Shot+2021-03-24+at+4.17.59+PM.png</image:loc>
      <image:title>Graphic Tales - On Creative Traveling Companions 2026</image:title>
      <image:caption>Kayren Draper, Illustration from The Sunshine School, Ginn and Company, 1928. Detail under magnification.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1616602221450-KBDPI39LV32B2MVJMS3Z/Screen+Shot+2021-03-24+at+11.09.55+AM.png</image:loc>
      <image:title>Graphic Tales - On Creative Traveling Companions 2026</image:title>
      <image:caption>Stuart Davis, Pochade. 1956-58 I go back to the Stuart Davis well every so often, and I am never disappointed. Someday I want to write an essay and maybe edit a collection on his influence. A major figure for a wide variety of folks.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Graphic Tales - On Creative Traveling Companions 2026</image:title>
      <image:caption>H. A. Rey, detail shot from Find the Constellations, 1954.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1617255039806-4C0I1XOHJ1LVL261PNIU/Rooftops_right.jpg</image:loc>
      <image:title>Graphic Tales - On Creative Traveling Companions 2026</image:title>
      <image:caption>D.B. Dowd, Paris Rooftops, from Spartan Holiday No. 3 French Lesson, Spartan Holiday Books, 2019.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1617253627680-LCHO0JLNZ9YYRD6WK5HW/1K_Knowledge_sm.jpg</image:loc>
      <image:title>Graphic Tales - On Creative Traveling Companions 2026</image:title>
      <image:caption>D.B. Dowd, K is for Knowledge spread from A is for Autocrat: A Trumpian Alphabet, Illustrated. Spartan Holiday Books, 2020. Graphic design by Scott Gericke.</image:caption>
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    <image:image>
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      <image:title>Graphic Tales - On Creative Traveling Companions 2026</image:title>
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      <image:title>Graphic Tales - On Creative Traveling Companions 2026</image:title>
      <image:caption>Sifo wooden puzzle, circa 1950. I collect these things.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1616625400552-RLWH2WCS7EYDGT0FRWAR/Mustardville_print_3_cherry_street_crop.jpg</image:loc>
      <image:title>Graphic Tales - On Creative Traveling Companions 2026</image:title>
      <image:caption>DB Dowd, View from Cherry Street, Plate 2 from Cry Mustardville: Reports from the Recent Calamity and Commentary Thereupon, Charles Bevan Press. 1995. Linoleum reduction cut printed in two colors. The first major project I produced in which the writing, illustration, design, and printing were all conceived as an integrated whole (although text and image appeared on separate pages, so not truly integrated—thoughtfully juxtaposed and sequenced, but distinct. It would take longer for me to see word and image as truly fluid.</image:caption>
    </image:image>
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      <image:title>Graphic Tales - On Creative Traveling Companions 2026</image:title>
      <image:caption>James Barrett &amp; Sons, five textile printing blocks from a set of nine used to print a paisley pattern on silk. Dartford, England. 1880-1910. On display at the Winterthur Museum and Garden, New Castle County, Delaware.</image:caption>
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      <image:title>Graphic Tales - On Creative Traveling Companions 2026</image:title>
      <image:caption>Block printed textile, 19th century. Winterthur Museum and Garden.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1606331472706-0NERJXNOX8OS5GH1013W/Screen+Shot+2020-11-25+at+1.10.38+PM.png</image:loc>
      <image:title>Graphic Tales - On Creative Traveling Companions 2026</image:title>
      <image:caption>DB Dowd, Only to wanderers can come, hand lettering Spartan Holiday No. 2, 2014.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Graphic Tales - On Creative Traveling Companions 2026</image:title>
      <image:caption>Herbert Matter, advertising design for Knoll Associates. This is from the Herbert Matter Archive in the Modern Graphic History Library at Washington University, all of which pertains to his work for Knoll.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1617227256509-8NSRGTSS4Z0KD3BQOGS1/Tums_ad_1953.jpg</image:loc>
      <image:title>Graphic Tales - On Creative Traveling Companions 2026</image:title>
      <image:caption>Illustrator uncredited, agency unknown, undersea troubles in TUMS ad, Cleveland Plain Dealer, December 27, 1953. I enjoy the transparent characters—how the contour lines of the figures are complemented and undercut by the negative shapes of light on dunes or whatever those suggestive forms are meant to convey. (We’re underwater is clear enough.) The octopus and the sword/sawfish are up to no good.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1606332920248-SDOE1IIO73OZ52SRLBXR/IMG_4262.jpg</image:loc>
      <image:title>Graphic Tales - On Creative Traveling Companions 2026</image:title>
      <image:caption>Ben Shahn, Typewriter. 1956.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2026/1/13/on-reading-and-looking</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-18</lastmod>
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      <image:title>Graphic Tales - On Reading and Looking - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/f779f020-0cc5-4079-b3c2-ee8e55d5dcab/Screenshot+2026-01-17+at+9.41.20+AM.png</image:loc>
      <image:title>Graphic Tales - On Reading and Looking - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/2a7effdd-af02-48c4-b6d6-d3ea952a3f05/Screenshot+2026-01-17+at+9.38.41+AM.png</image:loc>
      <image:title>Graphic Tales - On Reading and Looking - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2025/4/2/drawing-in-the-field-immediacy-process-and-planning</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/464d9f16-f9fb-4d82-be28-d14c8037dcb8/Screenshot+2025-04-02+at+10.57.43+AM.png</image:loc>
      <image:title>Graphic Tales - Drawing in the Field: Immediacy, Process, and Planning - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2025/2/8/2025-errata-for-stick-figures-drawing-as-a-human-practice</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/c7e80854-6d1f-42cb-ac27-97338bc73aa9/Screenshot+2025-02-08+at+10.24.57+PM.png</image:loc>
      <image:title>Graphic Tales - 2025 Errata for Stick Figures: the Optical Mode - Make it stand out</image:title>
      <image:caption>Fremont Petroglyph, Bighorn Sheep, Thompson Wash, southern Utah, circa 1000 CE, and Automobile Damage Schematic, St. Louis Tag Company, 2017.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/2ab75dac-1ef4-4f26-afdb-5f2cc9bf81f1/1024px-Ad_Parnassum_%28originaler%2C_gefasster_Holzrahmen%29%2C_Paul_Klee_%281932%29.jpg</image:loc>
      <image:title>Graphic Tales - 2025 Errata for Stick Figures: the Optical Mode - Make it stand out</image:title>
      <image:caption>Paul Klee, Ad Parnassum, 1932. This image is not in Stick Figures, but it demonstrates how the glyphic and optical modes can coexist in the same work. I first saw it in the flesh in an exhibition at the Cleveland Museum of Art in 1987.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/86913a84-ddf9-45e6-b334-c477d79f716a/Screenshot+2025-02-04+at+12.43.28+PM.png</image:loc>
      <image:title>Graphic Tales - 2025 Errata for Stick Figures: the Optical Mode - Make it stand out</image:title>
      <image:caption>On the Plain of Kasuga, woodcut illustration for Coming of Age, the first episode in the tenth century classic Tales of Ise, published by Suminokura Soan (1608-10). The first illustrated book printed in Japan. Hon'ami Koetsu’s calligraphy was used as a source for the moveable kana type, part of a short-lived experiment. Xylography prevailed after 1640. For our purposes, the work can be located within the glyphic mode and graphic sensibility.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/90a81428-4145-4efc-8f98-ee9c2ab09808/Screenshot+2025-02-08+at+10.36.24+PM.png</image:loc>
      <image:title>Graphic Tales - 2025 Errata for Stick Figures: the Optical Mode - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2023/2/9/super-bowl-sunday-visual-journalism</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/89781b3b-41ed-47b5-b50b-a2200b8a5434/football_trio_sm.jpg</image:loc>
      <image:title>Graphic Tales - Super Bowl Sunday 2025: Visual Journalism - Make it stand out</image:title>
      <image:caption>D.B. Dowd, Sketchbook drawing from high school football game, 2008. Pencil. The notes with the illustrations for this post include thoughts about how and when things were made. The different approaches employed may be of use to you.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/f044f6ea-d68b-418a-8a91-d6f55caf4580/Screen+Shot+2023-02-10+at+12.22.50+AM.png</image:loc>
      <image:title>Graphic Tales - Super Bowl Sunday 2025: Visual Journalism - Make it stand out</image:title>
      <image:caption>D.B. Dowd, Massillon versus St. Mary-St. Vincent, 2014. Massillon, Ohio, 2014-2018. I “saw” this picture before I worked on it. There is a tiny little marker maquette somewhere of the idea, a doodle about orange, green, and black. I built the whole thing from photo reference well after the fact, but made the underlying pencil while the experience was still fresh. Appears in Spartan Holiday No. 3.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/759520bf-79df-4e5b-b81a-0b09e95fd1f1/after_the_game_right_K_flat.jpg</image:loc>
      <image:title>Graphic Tales - Super Bowl Sunday 2025: Visual Journalism - Make it stand out</image:title>
      <image:caption>D.B. Dowd, After the game. Pencil 2008, ink much later. I make brush drawings over pencils very often.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/fb86aaf9-5bc7-476f-aefb-998dfb19ce48/dbdowd_normandy_sm.jpg</image:loc>
      <image:title>Graphic Tales - Super Bowl Sunday 2025: Visual Journalism - Make it stand out</image:title>
      <image:caption>D.B. Dowd, Halftime Talk, Clayton versus Normandy, 2008. A pencil that got turned into a goauche painting in the sketchbook, pretty soon after making the pencil.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/8e419c0f-deef-4e02-b188-4c643d30c5cf/SH3_cover.png</image:loc>
      <image:title>Graphic Tales - Super Bowl Sunday 2025: Visual Journalism - Make it stand out</image:title>
      <image:caption>D.B. Dowd, cover, Spartan Holiday No. 3: French Lesson, 2019. A collaboration with graphic designer Scott Gericke. The eleven-year old pencil drawing shown at the top of this post was inked and used for this project.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2020/1/28/jumpin-jucika</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1580275987311-I7MPXK6W5Z10UDZIRSHW/Screen+Shot+2020-01-28+at+9.19.34+PM.png</image:loc>
      <image:title>Graphic Tales - Jumpin' Jucika!</image:title>
      <image:caption>Pál Pusztai, Jucika. Undated. An awkward incident, inventively solved.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1580275906336-M2K4BNT6IJ79QIEZKCA2/Screen+Shot+2020-01-28+at+9.20.27+PM.png</image:loc>
      <image:title>Graphic Tales - Jumpin' Jucika!</image:title>
      <image:caption>Pál Pusztai, Jucika. Undated. Boss in a foul mood as you walk in late? Pretend you’ve been here all morning!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1580275834578-PQV2NDQEGLDMPN72DC40/Screen+Shot+2020-01-28+at+9.20.55+PM.png</image:loc>
      <image:title>Graphic Tales - Jumpin' Jucika!</image:title>
      <image:caption>Pál Pusztai, Jucika. Undated. Party runs too long? Flirt with your clueless guest, to get him booted</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1580336796526-2N0FEDD8JOXNOT8F2BQB/Screen+Shot+2020-01-28+at+9.23.58+PM.png</image:loc>
      <image:title>Graphic Tales - Jumpin' Jucika!</image:title>
      <image:caption>Pál Pusztai, Jucika. Undated. Boyfriend makes a move on the maid? Dismiss the lout, not the help!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1580337171899-AYXY02SEIZYFKY4K0GAY/Screen+Shot+2020-01-28+at+9.27.39+PM.png</image:loc>
      <image:title>Graphic Tales - Jumpin' Jucika!</image:title>
      <image:caption>Pál Pusztai, Jucika. Undated. It’s cold in here! Let’s go the tropics…</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1580338632493-MPQSQSZP2PP2YM27RGAO/Screen+Shot+2020-01-28+at+9.22.05+PM.png</image:loc>
      <image:title>Graphic Tales - Jumpin' Jucika!</image:title>
      <image:caption>Pál Pusztai, Jucika. Undated. Lose a stocking, gain an urn. (And vice versa!)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1580337274726-0XACK2S2KMY2YLO4H0YL/Screen+Shot+2020-01-28+at+9.30.41+PM.png</image:loc>
      <image:title>Graphic Tales - Jumpin' Jucika!</image:title>
      <image:caption>Pál Pusztai, Jucika. Undated. Here we go full-on pin up to solve a rather flimsy plot problem. My favorite aspect of this strip is the photo-collage. Welcome to Budapest!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1580337393809-YZTDZKZV6VZUWJF7S218/Screen+Shot+2020-01-28+at+9.28.21+PM.png</image:loc>
      <image:title>Graphic Tales - Jumpin' Jucika!</image:title>
      <image:caption>Pál Pusztai, Jucika. Undated. From snow bunny to sunbathing surf-boarder</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1580337536621-DX9QQGMSDMKP5013P7I1/Screen+Shot+2020-01-28+at+9.27.02+PM.png</image:loc>
      <image:title>Graphic Tales - Jumpin' Jucika!</image:title>
      <image:caption>Pál Pusztai, Jucika. Undated. Out of style? There’s a fix for that! (Nice break in the frame between 1 and 2 to compress time.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1580338516646-SD21USKS885G9HICGNON/Screen+Shot+2020-01-28+at+9.25.40+PM.png</image:loc>
      <image:title>Graphic Tales - Jumpin' Jucika!</image:title>
      <image:caption>Pál Pusztai, Jucika. Undated. Okay, one more. It’s cold today! This seems fitting.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/30/an-illustrated-affair</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404142734968-RWNWMPBAW5XXXEC2TRBM/dbdowd_wedding_painted_chuppah_det.png</image:loc>
      <image:title>Graphic Tales - An Illustrated Affair</image:title>
      <image:caption>Dowd, Meyer-Hirshon Wedding Ceremony, Gouache treatment of sketchbook drawing. Detail of bridesmaids. Gouache. 2012.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404142498213-A6XDQ97M8DR7NNTLVW4X/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - An Illustrated Affair</image:title>
      <image:caption>Dowd, Snips &amp; Tape + Photos in Kitchen. Sketchbook drawing. 2012.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404142523448-CTSULCNCK7YEWH7Z2J0W/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - An Illustrated Affair</image:title>
      <image:caption>Dowd, Photographer Coaching. Sketchbook drawing. 2012.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404142553705-NEE9NCS9GVTLR8F6UXLT/dbdowd_wedding_stepladder_v3.jpg</image:loc>
      <image:title>Graphic Tales - An Illustrated Affair</image:title>
      <image:caption>Dowd, Stout Photographer on Portable Stair. Sketchbook drawing. 2012.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404142625528-PFB7HTAJ8FKJUSA4907J/dbdowd_wedding_bridesmaids_v3.jpg</image:loc>
      <image:title>Graphic Tales - An Illustrated Affair</image:title>
      <image:caption>Dowd, Bridesmaids &amp; Robin. Sketchbook drawing. 2012.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404142637110-FFHTJA5MWM761L0MCO0K/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - An Illustrated Affair</image:title>
      <image:caption>Dowd, Mrs. Hirshon. Sketchbook drawing. 2012.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404142674012-2ZXYJKCYN815PU5QDWY9/dbdowd_wedding_ketubah_spread_v3.jpg</image:loc>
      <image:title>Graphic Tales - An Illustrated Affair</image:title>
      <image:caption>Dowd, The Ketubah. Sketchbook drawing. 2012.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404142706248-7IFXHZN559AKNSHSVC7R/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - An Illustrated Affair</image:title>
      <image:caption>Dowd, Setting. Sketchbook drawing. 2012.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404142753579-QQGYXONR524W0AZW9XGC/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - An Illustrated Affair</image:title>
      <image:caption>Dowd, Meyer-Hirshon Wedding Ceremony. Sketchbook drawing. 2012.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404142475871-6127OMA390MJ8VL1KTPX/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - An Illustrated Affair</image:title>
      <image:caption>Dowd, Meyer-Hirshon Wedding Ceremony. Gouache treatment of sketchbook drawing. 2012.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404142831001-LGM647NEWQSE03JY5ART/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - An Illustrated Affair</image:title>
      <image:caption>D.B. Dowd, Little Girls Dancing to Satin Doll, Meyer-Hirshon Wedding Reception. Sketchbook drawing. 2012.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404142403016-7A3PMUU5C922PWQKTUXP/image-asset.png</image:loc>
      <image:title>Graphic Tales - An Illustrated Affair</image:title>
      <image:caption>D.B. Dowd, Detail of Saxophonist at Meyer-Hirshon Wedding Reception. Sketchbook drawing. 2012.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404142856783-TCLCD9E87Y9D9IRXYJP9/dbdowd_wedding_conversation_spread_v3.jpg</image:loc>
      <image:title>Graphic Tales - An Illustrated Affair</image:title>
      <image:caption>D.B. Dowd, Women and Rabbi at Meyer-Hirshon Wedding Reception. Sketchbook drawing. 2012.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404142887326-4MI0PEUCWJ0HC3GPH8CH/dbdowd_wedding_bridetrio_v3.jpg</image:loc>
      <image:title>Graphic Tales - An Illustrated Affair</image:title>
      <image:caption>D.B. Dowd, Robin with Mom and Dad before the Meyer-Hirshon Wedding. Sketchbook drawing. 2012.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2019/2/16/composing-spreads-visual-essay</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1550327507734-HFSE9MO14JYT4TH03O1J/Spread+Plans.jpg</image:loc>
      <image:title>Graphic Tales - Composing Spreads Redux</image:title>
      <image:caption>Quickie thumbnails, showing plans for spreads. (Sharpie plus digital color)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1550326284543-3EUOTZNDK700YKHTN9ZP/weaver-sprtrain2.jpg</image:loc>
      <image:title>Graphic Tales - Composing Spreads Redux</image:title>
      <image:caption>Robert Weaver, Spring Training, 1962.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1550328149460-D4ROPR2OAMCJLOSTX5NX/Spread+Plan+D.jpg</image:loc>
      <image:title>Graphic Tales - Composing Spreads Redux</image:title>
      <image:caption>Spread Plan D (alternate version)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1550329516143-XQOV87QQYFTRQGEDV3XX/Spread+Plan+D+neg.jpg</image:loc>
      <image:title>Graphic Tales - Composing Spreads Redux</image:title>
      <image:caption>Spread Plan D (alternate version) Negative shape!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1550324810275-WNT7CHEYIX1Q4VL1M6NI/parker-grandprix1.jpg</image:loc>
      <image:title>Graphic Tales - Composing Spreads Redux</image:title>
      <image:caption>Al Parker, 22nd Monaco Grand Prix, Sports Illustrated, May 11, 1964.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1550325140610-SO5IFHC4R6DBHFJD779S/weaver-sptrain3.jpg</image:loc>
      <image:title>Graphic Tales - Composing Spreads Redux</image:title>
      <image:caption>Robert Weaver, Spring Training: Fresh Starts and Old Hopes, Sports Illustrated, March 5, 1962.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1550328191970-5U6EDLICF2XE6Z9ISIWA/Spread+Plan+G.jpg</image:loc>
      <image:title>Graphic Tales - Composing Spreads Redux</image:title>
      <image:caption>Spread Plan G</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1550325943982-PBKHUS3INCAEI708UCRO/weaver-sptrain4.jpg</image:loc>
      <image:title>Graphic Tales - Composing Spreads Redux</image:title>
      <image:caption>Robert Weaver, Spring Training, 1962.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2023/2/5/a-return-to-figure-drawing</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/cd201ab3-356b-4298-86d7-58a527f6580c/Beckhoff_Elks_crop_sm.jpg</image:loc>
      <image:title>Graphic Tales - A Return to Figure Drawing - Make it stand out</image:title>
      <image:caption>Harry Beckhoff, cover illustration for Elks Magazine, April 1950. One of my very favorite illustrators. Magnificent two-color work for Collier’s in the late 30s and early 40s.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/f7b3c307-ab2a-44ae-bac4-034342c5bac6/Screen+Shot+2023-02-05+at+5.01.45+PM.png</image:loc>
      <image:title>Graphic Tales - A Return to Figure Drawing - Make it stand out</image:title>
      <image:caption>Illustrator uncredited, dramatis personae fiction illustration, The Illustrated Drum Song of the 1000 Year Colt, 1905.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/7ddf1f5b-45cd-4ddd-90e1-0bd70900dd47/SF_701_WU_drawingclassSM.jpg</image:loc>
      <image:title>Graphic Tales - A Return to Figure Drawing - Make it stand out</image:title>
      <image:caption>Drawing Session from plaster casts, Washington University, 1905.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/b957199b-1956-4665-bbc8-e0be1d1ff5e9/Screen+Shot+2023-02-05+at+4.43.02+PM.png</image:loc>
      <image:title>Graphic Tales - A Return to Figure Drawing - Make it stand out</image:title>
      <image:caption>Shunsai Toshimasa, Great Naval Maneuvers in Taketoyo Bay, 1890. A coming-out party for the modern, mechanized Japanese Imperial Navy. (Arrangement of figures highly formal) Intriguing example of theatrical handling of figures combined with grand, cinematic distances.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/cc6e98a1-71aa-43da-8920-0ca000669361/Screen+Shot+2023-02-05+at+4.50.23+PM.png</image:loc>
      <image:title>Graphic Tales - A Return to Figure Drawing - Make it stand out</image:title>
      <image:caption>Illustrator uncredited, Spring Fashions illustrations showing Butterick Pattern options in The Delineator, January 1918. (These are effectively ads, which suggests why the pictures are uncredited. Other illustrations in the magazine [owned by Butterick] are signed.) I included this as a reminder that clothing creates shape. Hands and feet are shrunk and delivered with abbreviation, keeping the viewer focused on the garment.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/de281b74-93c3-4dcb-9894-1e9d872fb4a0/parker_57a_expression.jpg</image:loc>
      <image:title>Graphic Tales - A Return to Figure Drawing - Make it stand out</image:title>
      <image:caption>Al Parker, Expression of Love, fiction illustration (cropped) circa 1957</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/0f69acf7-1c82-4cf3-a107-48496a115cf0/NewspaperRock2.jpg</image:loc>
      <image:title>Graphic Tales - A Return to Figure Drawing - Make it stand out</image:title>
      <image:caption>Newspaper Rock, petroglyph site near the entrance to the Needles District of Canyonlands National Park. Pecked into the desert varnish of Wingate sandstone by Fremont culture artists, followed by historic Ute and Anasazi Native American tribes. Photograph by D.B. Dowd, December 2022.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/8a1a3163-2ea3-4d07-98cf-d766638423c5/Screen+Shot+2023-02-05+at+4.46.40+PM.png</image:loc>
      <image:title>Graphic Tales - A Return to Figure Drawing - Make it stand out</image:title>
      <image:caption>Benjamin West, The Death of General Wolfe, 1770.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2022/12/30/from-tiger-to-lion-mark-steven-dowd-1965-2022-1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/d64d772b-1425-4d43-8cf7-8dad705ee1c8/MarkDowd.jpg</image:loc>
      <image:title>Graphic Tales - From Tiger to Lion: Mark Steven Dowd (1965-2022) - Make it stand out</image:title>
      <image:caption>Mark S. Dowd on July 9, 2021. Macatawa, Michigan, celebrating Lori Dowd’s birthday. A grand time. He was in fine, fine form.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/2e545cef-3670-4aaa-84d8-f20186ec248c/ISAIAH_resized_5x7_export.rgb.jpg</image:loc>
      <image:title>Graphic Tales - From Tiger to Lion: Mark Steven Dowd (1965-2022) - Make it stand out</image:title>
      <image:caption>D.B. Dowd, Every Valley, 2021. Last year’s holiday card, made from Mark’s condo, and sent out just before the end of the year. The passage from Isaiah seemed correct somehow, and the lettering was soothing to build. I drew the crude bird on a piece of copier paper and shot it with an iPhone. All very provisional, which matched the time. As if on a raft somewhere, phenomena sloshing at the edges.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/70dc9a29-3f10-4b7f-9d42-0546ab8e82eb/Obie.jpg</image:loc>
      <image:title>Graphic Tales - From Tiger to Lion: Mark Steven Dowd (1965-2022) - Make it stand out</image:title>
      <image:caption>The tiger in question. Obie the Tiger, the Massillon High School Football mascot. Mark was a second generation Massillon Tiger (graduated 1983) after our father David (1947) and his two brothers Jack (1951) and Jim (1956) Our elder brother David (1975) was also a Tiger. O stands for orange and B for black; Obie became the mascot in 1926. I do not know whom to credit for the drawing, or the date of its composition.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/96a8c2d1-541e-4e42-b271-61fe3ed3f3f1/Screen+Shot+2023-01-03+at+10.15.32+PM.png</image:loc>
      <image:title>Graphic Tales - From Tiger to Lion: Mark Steven Dowd (1965-2022) - Make it stand out</image:title>
      <image:caption>D.B. Dowd, Jan’s Bouquet, illustration for memorial program, May 25, 2021. My mother-in-law Jan Lambright sent a floral arrangement to our home in St. Louis after we returned following Mark’s death. I didn’t know what to do with myself for days, so as the bouquet began to wither I pencilled and inked it.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/94c32bc4-7dad-45db-aa0d-9dedf057723c/Screen+Shot+2023-01-03+at+10.15.47+PM.png</image:loc>
      <image:title>Graphic Tales - From Tiger to Lion: Mark Steven Dowd (1965-2022) - Make it stand out</image:title>
      <image:caption>Graphic design by Scott Gericke, my longtime collaborator. Photograph of Mark and Maxwell, also from that charmed weekend in Michigan.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2022/12/30/from-tiger-to-lion-mark-steven-dowd-1965-2022</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/fcfcfe40-12f6-49d6-9c45-ff2c77bfaf66/New+Years+Eve+2022+Setup.jpg</image:loc>
      <image:title>Graphic Tales - December 31: Auld Lang Syne with Brother Mark - Make it stand out</image:title>
      <image:caption>Auld Lang Syne for Mark Steven Dowd. A Little Remembrance on what has become His Night.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2022/10/26/remembering-noah-macmillan</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/45fdbf5d-693b-4607-9c81-07f776bb9a26/Screen+Shot+2022-10-31+at+12.05.35+AM.png</image:loc>
      <image:title>Graphic Tales - Remembering Noah MacMillan - Make it stand out</image:title>
      <image:caption>The late Noah MacMillan in front of his Underground City at the City Museum in St. Louis. 2016. Photograph by RJ Hartbeck. More photography of this project here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/7dcb8239-4cd4-4bad-ba9e-3e17749a6f88/Screen+Shot+2022-10-31+at+12.04.10+AM.png</image:loc>
      <image:title>Graphic Tales - Remembering Noah MacMillan - Make it stand out</image:title>
      <image:caption>Noah MacMillan, St. George and the Covid Dragon, 2020. Noah wrote of this image, “A tribute to the healthcare workers that put themselves in harm's way to keep us safe.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/df359913-b442-42e8-9aca-19f6720b00c7/Screen+Shot+2022-10-31+at+12.10.39+AM.png</image:loc>
      <image:title>Graphic Tales - Remembering Noah MacMillan - Make it stand out</image:title>
      <image:caption>Noah MacMillan, Airbnb Disaster, 2019. In Diablo Magazine. “For an article about a small town's reaction to a horrific shooting that took place during an out of control party at an Airbnb home.” I chose this piece because it shows an atmospheric side of Noah’s work that complements his frequent use of strong edges and contrasts.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/2b45525e-a327-48ca-a670-d5599b67619b/Screen+Shot+2022-10-26+at+11.52.42+AM.png</image:loc>
      <image:title>Graphic Tales - Remembering Noah MacMillan - Make it stand out</image:title>
      <image:caption>Noah MacMillan, illustration for U.S. Women’s National Soccer Team stamp design for the United States Postal Service, designed by Antonio Alcalá. 2022. An October 25 article in USA Today reported that “[the] stamp issuance celebrates women’s soccer in the United States,” the USPS said. “…Millions of girls and women throughout the country participate in this fast-paced, competitive sport. The graphic stamp artwork depicts a female soccer player in action, walloping a ball with a side volley.” Walloping is a verb that Noah would have appreciated.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/90cac58e-50ae-4959-a896-2dcb102bdf78/Screen+Shot+2022-10-30+at+11.44.18+PM.png</image:loc>
      <image:title>Graphic Tales - Remembering Noah MacMillan - Make it stand out</image:title>
      <image:caption>D.B. Dowd and Noah MacMillan with StoryTrack. Animation still. Lehigh Valley Logistics Center Case Study Teaser, Rockefeller Group, screened at NAIOP conference, 2017.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/eb26b94d-2b51-4f18-b01d-dd0a967a102e/Screen+Shot+2022-10-31+at+12.01.28+AM.png</image:loc>
      <image:title>Graphic Tales - Remembering Noah MacMillan - Make it stand out</image:title>
      <image:caption>D.B. Dowd and Noah MacMillan with StoryTrack. Animation still. Lehigh Valley Logistics Center Case Study Teaser, 2017.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/bcdb42a5-95ae-4bee-8c6d-a17701e72619/Screen+Shot+2022-10-30+at+11.44.39+PM.png</image:loc>
      <image:title>Graphic Tales - Remembering Noah MacMillan - Make it stand out</image:title>
      <image:caption>D.B. Dowd and Noah MacMillan with StoryTrack. Animation still. Lehigh Valley Logistics Center Case Study Teaser, 2017.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/b2c81468-9b2d-44e7-861b-f0d7d75fb913/av8f186pirzxgs1qmxu1.jpg</image:loc>
      <image:title>Graphic Tales - Remembering Noah MacMillan - Make it stand out</image:title>
      <image:caption>William Blake, Orpheus returning from the Shades. 1885.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/95d550bb-fd44-4979-af50-784fbd6d230d/IMG_1988.jpeg</image:loc>
      <image:title>Graphic Tales - Remembering Noah MacMillan - Make it stand out</image:title>
      <image:caption>Jeffrey MacMillan, Noah’s father, holding up a rotated print of Blake’s Orpheus next to one of Noah’s soccer illustrations of a diving goalie. The photograph was shot during Noah’s memorial on October 23 in Takoma Park, Maryland.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Graphic Tales - Thirty-one Pictures - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Graphic Tales - Thirty-one Pictures - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Graphic Tales - Thirty-one Pictures - Make it stand out</image:title>
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      <image:title>Graphic Tales - Thirty-one Pictures - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Graphic Tales - Thirty-one Pictures - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Graphic Tales - Thirty-one Pictures</image:title>
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      <image:title>Graphic Tales - Thirty-one Pictures - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Graphic Tales - Thirty-one Pictures - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Graphic Tales - Thirty-one Pictures - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Graphic Tales - Thirty-one Pictures - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Graphic Tales - Thirty-one Pictures - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Graphic Tales - Thirty-one Pictures - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Graphic Tales - Thirty-one Pictures - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Graphic Tales - Thirty-one Pictures - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Graphic Tales - Thirty-one Pictures</image:title>
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      <image:title>Graphic Tales - Thirty-one Pictures - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Graphic Tales - Thirty-one Pictures</image:title>
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      <image:title>Graphic Tales - Thirty-one Pictures - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>Graphic Tales - Thirty-one Pictures</image:title>
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      <image:title>Graphic Tales - Thirty-one Pictures - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Graphic Tales - Thirty-one Pictures - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2022/2/26/an-abc-for-ukraine-russia-and-the-right-wing-in-america</loc>
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    <lastmod>2025-12-16</lastmod>
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      <image:title>Graphic Tales - An ABC for Ukraine, Russia, and the Right Wing in America - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Graphic Tales - An ABC for Ukraine, Russia, and the Right Wing in America - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Graphic Tales - An ABC for Ukraine, Russia, and the Right Wing in America - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Graphic Tales - An ABC for Ukraine, Russia, and the Right Wing in America - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Graphic Tales - An ABC for Ukraine, Russia, and the Right Wing in America - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Graphic Tales - An ABC for Ukraine, Russia, and the Right Wing in America - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Graphic Tales - An ABC for Ukraine, Russia, and the Right Wing in America - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Graphic Tales - An ABC for Ukraine, Russia, and the Right Wing in America - Make it stand out</image:title>
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      <image:title>Graphic Tales - An ABC for Ukraine, Russia, and the Right Wing in America - Make it stand out</image:title>
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      <image:title>Graphic Tales - An ABC for Ukraine, Russia, and the Right Wing in America - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Graphic Tales - An ABC for Ukraine, Russia, and the Right Wing in America - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Graphic Tales - An ABC for Ukraine, Russia, and the Right Wing in America - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Graphic Tales - An ABC for Ukraine, Russia, and the Right Wing in America - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/8da31b60-f201-4980-becc-1ee2b84b2529/Screen+Shot+2022-02-26+at+10.06.45+AM.png</image:loc>
      <image:title>Graphic Tales - An ABC for Ukraine, Russia, and the Right Wing in America - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/e8356812-71d4-4b85-b199-ae2f1fdd200b/Screen+Shot+2022-02-26+at+11.08.59+AM.png</image:loc>
      <image:title>Graphic Tales - An ABC for Ukraine, Russia, and the Right Wing in America - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/181d8569-88f9-4d62-9d1c-a33e8d527602/Screen+Shot+2022-02-26+at+9.48.46+AM.png</image:loc>
      <image:title>Graphic Tales - An ABC for Ukraine, Russia, and the Right Wing in America - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2021/10/3/jucika-redux-and-senior-adventures</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1633324480306-QQXBVE4YRGUX921HGC6D/IMG_4421.jpg</image:loc>
      <image:title>Graphic Tales - Jucika Redux: Amusing Efficiency - Make it stand out</image:title>
      <image:caption>Pál Pusztai, Jucika. Steamy reading!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1633322012750-KZHNQR33RZJ9R72WT3C7/IMG_4735.jpg</image:loc>
      <image:title>Graphic Tales - Jucika Redux: Amusing Efficiency - Make it stand out</image:title>
      <image:caption>Pál Pusztai, Jucika. Shoe-shopping among wolves!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1633321402617-D090X5MQH41RN6W4FW2K/IMG_4382.jpg</image:loc>
      <image:title>Graphic Tales - Jucika Redux: Amusing Efficiency - Make it stand out</image:title>
      <image:caption>Pál Pusztai, Jucika. Undated. Sweater too big? She’s got a solution for that!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1633321218340-ALXCATZYDM8U1VWYHIXD/IMG_3777.jpg</image:loc>
      <image:title>Graphic Tales - Jucika Redux: Amusing Efficiency - Make it stand out</image:title>
      <image:caption>Pál Pusztai, Jucika. Undated. A versatile bus, it would seem. Indoor-outdoor!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1633322313538-FJQBMKPL1H4XE6XEKXXE/IMG_4508.jpg</image:loc>
      <image:title>Graphic Tales - Jucika Redux: Amusing Efficiency - Make it stand out</image:title>
      <image:caption>Pál Pusztai, Jucika. Undated. Cold feet!!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1633321159006-KP50GQ1VNSVTZYTITX7K/IMG_3523.jpg</image:loc>
      <image:title>Graphic Tales - Jucika Redux: Amusing Efficiency - Make it stand out</image:title>
      <image:caption>Pál Pusztai, Jucika. Undated. Dreaming of a dreamy doc.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1633321821227-PAYZTA1T1OJ8Y9Z8FO1Y/IMG_4301.jpg</image:loc>
      <image:title>Graphic Tales - Jucika Redux: Amusing Efficiency - Make it stand out</image:title>
      <image:caption>Pál Pusztai, Jucika. Undated. An upper berth.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2021/1/19/3ckj72886z8io2c377g3wqe48wehrx</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1611159155282-JXOSNSW79BUNZ20YRUXV/Screen+Shot+2021-01-20+at+11.05.58+AM.png</image:loc>
      <image:title>Graphic Tales - Haikus for an Autocrat (en route to Florida)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1611159349863-NIZFC2C4FZLA3T1XYX2N/Screen+Shot+2021-01-20+at+11.09.45+AM.png</image:loc>
      <image:title>Graphic Tales - Haikus for an Autocrat (en route to Florida)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1611159201302-M2ODTYV4NY19OBNA1CUJ/Screen+Shot+2021-01-20+at+10.58.51+AM.png</image:loc>
      <image:title>Graphic Tales - Haikus for an Autocrat (en route to Florida)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1611159666655-NH7RQ8D6934YQXURHKXZ/Screen+Shot+2021-01-20+at+11.07.44+AM.png</image:loc>
      <image:title>Graphic Tales - Haikus for an Autocrat (en route to Florida)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1611159737243-VJV7E2SS5JWY3SPQD7LD/Screen+Shot+2021-01-20+at+11.11.25+AM.png</image:loc>
      <image:title>Graphic Tales - Haikus for an Autocrat (en route to Florida)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1611159854583-DFI172KJ78COTMH1SQDM/Screen+Shot+2021-01-20+at+11.09.00+AM.png</image:loc>
      <image:title>Graphic Tales - Haikus for an Autocrat (en route to Florida)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1611159306985-E58MNQ5AJ2YB2HJWTP05/Screen+Shot+2021-01-20+at+11.04.49+AM.png</image:loc>
      <image:title>Graphic Tales - Haikus for an Autocrat (en route to Florida)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1611159381150-SGK4CDYKMSQAYRAYL1DY/Screen+Shot+2021-01-20+at+11.07.06+AM.png</image:loc>
      <image:title>Graphic Tales - Haikus for an Autocrat (en route to Florida)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1611159479843-64M2USTV0EH3E1XO9IVQ/Screen+Shot+2021-01-20+at+11.07.25+AM.png</image:loc>
      <image:title>Graphic Tales - Haikus for an Autocrat (en route to Florida)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1611159447591-W5V8DHCYRO9FCDXDO5WF/Screen+Shot+2021-01-20+at+11.10.48+AM.png</image:loc>
      <image:title>Graphic Tales - Haikus for an Autocrat (en route to Florida)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1611159531833-1MO7QFEWOQDZM953O2JA/Screen+Shot+2021-01-20+at+11.08.34+AM.png</image:loc>
      <image:title>Graphic Tales - Haikus for an Autocrat (en route to Florida)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1611159573844-41Q4WSD4ZLI1RED4NOGH/Screen+Shot+2021-01-20+at+11.09.56+AM.png</image:loc>
      <image:title>Graphic Tales - Haikus for an Autocrat (en route to Florida)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1611159913255-5U10FWZ8T7TAAJAQOY04/Screen+Shot+2021-01-20+at+11.09.16+AM.png</image:loc>
      <image:title>Graphic Tales - Haikus for an Autocrat (en route to Florida)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1611159626328-8XI2S9B3KZ4WZWBCHE5H/Screen+Shot+2021-01-20+at+11.08.17+AM.png</image:loc>
      <image:title>Graphic Tales - Haikus for an Autocrat (en route to Florida)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1611159704459-0D55OTI83ZNZMLT89B83/Screen+Shot+2021-01-20+at+11.10.18+AM.png</image:loc>
      <image:title>Graphic Tales - Haikus for an Autocrat (en route to Florida)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1611159816833-CQFWKAYEH8BPVBXLG5VB/Screen+Shot+2021-01-20+at+11.11.46+AM.png</image:loc>
      <image:title>Graphic Tales - Haikus for an Autocrat (en route to Florida)</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2021/1/19/on-flying-writings-and-the-truth</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1611115564082-PNBI8YQPPNA4L2LMHVOU/Screen+Shot+2021-01-19+at+11.05.16+PM.png</image:loc>
      <image:title>Graphic Tales - Propaganda and the Truth</image:title>
      <image:caption>Norman Rockwell, Freedom from Want and Freedom from Fear, painted 1942 and published in the Saturday Evening Post as interior illustrations in 1943, subsequently repurposed as war bond posters to great effect later that year. I wrote about these images in a catalogue essay for Enduring Ideals: Roosevelt, Rockwell, and the Four Freedoms (Abbeville Press, 2018.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1611113623488-6LGQK1XX7Q3PE8ZK1BFQ/Screen+Shot+2021-01-19+at+10.32.54+PM.png</image:loc>
      <image:title>Graphic Tales - Propaganda and the Truth</image:title>
      <image:caption>A preposterous slogan—”Stop the Steal”—worked for a segment of the population living in a sealed bubble of information. On Planet Earth, more than 60 court proceedings—many presided over by federal judges appointed by Donald Trump—set aside the president’s claims, finding them without merit. “The Steal” was a cynical fantasy, designed to stir up a mob.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1611113033898-HP47Q9P252A29LG1YB5U/image-asset.png</image:loc>
      <image:title>Graphic Tales - Propaganda and the Truth</image:title>
      <image:caption>Lucas Cranach, woodcut illustrations Passional Christ und Antichrist 1521. This wildly successful pamphlet worked on a simple scheme. At left, a scene from the the life of Jesus: here, overturning the tables of the money changers. On the right, the pope selling indulgences. The texts below amplify the pictures. Cranach’s illustrations served Luther’s argument, and the package hit home. But only because the underlying truth of the early modern Church was laid bare in the process. The Catholic Church had grown corrupt. The propaganda worked largely because it was true.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1611116144347-G6XZ3SDQLH9GDJ05DF1F/Autocrat_Intro2_A_Crop.jpg</image:loc>
      <image:title>Graphic Tales - Propaganda and the Truth</image:title>
      <image:caption>D.B. Dowd, Pages 2-3 from A is for Autocrat: A Trumpian Alphabet, Illustrated. Spartan Holiday Books, 2020. Graphic design by Scott Gericke.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1611116676292-QOERG0NHCKLDICHR163A/Autocrat_NO_Crop.jpg</image:loc>
      <image:title>Graphic Tales - Propaganda and the Truth</image:title>
      <image:caption>D.B. Dowd, A is for Autocrat: A Trumpian Alphabet, Illustrated. Spartan Holiday Books, 2020. Graphic design by Scott Gericke.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1611117245897-R4TEX6E64WBCMGFZN5BM/Screen+Shot+2021-01-19+at+11.32.43+PM.png</image:loc>
      <image:title>Graphic Tales - Propaganda and the Truth</image:title>
      <image:caption>A is for Autocrat YouTube channel.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2020/10/26/autocrats-freedoms-elections</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1603770391501-H85X7SE3SPS1AB11M3EG/Turkey+November+is+Coming+Autocrat.png</image:loc>
      <image:title>Graphic Tales - Autocrats &amp;amp; Freedoms</image:title>
      <image:caption>D.B. Dowd, back cover illustration detail, A is for Autocrat, 2020.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1603771437573-4UBQBPN34VTFETIC3J3L/Dowd_8_Rockwell_Want_det.png</image:loc>
      <image:title>Graphic Tales - Autocrats &amp;amp; Freedoms</image:title>
      <image:caption>Norman Rockwell, Freedom from Want, 1943. Detail. Because nobody can even see the whole painting at this point; the parodies and repetition have rendered the image invisible, even when in plain sight.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1603771854110-LBE534YDU7YP5UV812DW/Cox_Munseys_02_1898_det.jpg</image:loc>
      <image:title>Graphic Tales - Autocrats &amp;amp; Freedoms</image:title>
      <image:caption>Kenyon Cox, cover illustration, McClure’s Magazine, February 1898. Detail of Columbia, in Phyrgian cap crowning an American sailor with a laurel wreath. Corny as they are, something about these images feels current all of a sudden—we’re bucking each other up for battle.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1603771061497-G8KQUI9GXUFV6ZYH8083/image-asset.png</image:loc>
      <image:title>Graphic Tales - Autocrats &amp;amp; Freedoms</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1603771616027-1V1XAR8HL24F71VYBUHM/Screen+Shot+2020-10-26+at+10.22.10+PM.png</image:loc>
      <image:title>Graphic Tales - Autocrats &amp;amp; Freedoms</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1603772423542-XZWK75V7KPHODFSRNALU/Autocrat_H_Crop.jpg</image:loc>
      <image:title>Graphic Tales - Autocrats &amp;amp; Freedoms</image:title>
      <image:caption>D.B. Dowd, H is for Hubris spread, A is for Autocrat, 2020.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2020/1020/figures</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1508537343499-Y4OUKXPRCB0DHUQG4N99/gillespie_pictorialreview_000122_smaller.jpg</image:loc>
      <image:title>Graphic Tales - 100 Drawings, Late Pandemic Style</image:title>
      <image:caption>Jessie Gillespie, As Bad as She's Painted? detail of illustration for Pictorial Review, January 1922.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1603214057007-BJVLH5WM10P5D5ZRVVDO/SF_174_Brunetti_det.jpg</image:loc>
      <image:title>Graphic Tales - 100 Drawings, Late Pandemic Style</image:title>
      <image:caption>Ivan Brunetti, detail, Dressing Down, New Yorker cover illustration, November 1, 2010. Wonder woman and Edgar Allen Poe, delivered with minimal information but unmistakable clarity.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1603214435888-DC8WDQ63PS0T3DBJO6M3/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - 100 Drawings, Late Pandemic Style</image:title>
      <image:caption>Ethel Hays, detail, We Moderns—Angles, Angles Everywhere, Sunday comic supplement page, 1928.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404143816612-0X1DF2K2VCEGBU9FZP7B/SJS_Petroglyph_ninemile.png</image:loc>
      <image:title>Graphic Tales - 100 Drawings, Late Pandemic Style</image:title>
      <image:caption>Petroglyph Group, Fremont culture, Nine Mile Canyon, Utah. Circa 700 to 1300 CE. Photo by Stan Strembicki.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404143868518-WW1ZZ6MD9N2M9G32G2RD/lego_cop.png</image:loc>
      <image:title>Graphic Tales - 100 Drawings, Late Pandemic Style</image:title>
      <image:caption>A Lego policeman, reminding us the range is broader than we imagine.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1541047034760-RTFOYYB2X1PO3EL81GCN/DS+Martin_jam_session+copy-2.jpg</image:loc>
      <image:title>Graphic Tales - 100 Drawings, Late Pandemic Style</image:title>
      <image:caption>David Stone Martin, Jam Session, illustration for record jacket, Mercury Records, circa 1960.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404144013288-VFXLHBCGMXYUEH2VDCQF/image-asset.png</image:loc>
      <image:title>Graphic Tales - 100 Drawings, Late Pandemic Style</image:title>
      <image:caption>Mickey may not be people, strictly speaking, but his gigantic hands and feet are relevant for cartoon personages. From Steamboat Willie, 1928.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404143921613-IW2HQOQP37BKTBWQ93XD/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - 100 Drawings, Late Pandemic Style</image:title>
      <image:caption>Or people among trees. Milton Caniff, the Steve Canyon Sunday strip published on October 14, 1947.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1541040863577-F6BEH35VFVL60XN9XJJM/Raymond_Kirby1_det.jpg</image:loc>
      <image:title>Graphic Tales - 100 Drawings, Late Pandemic Style</image:title>
      <image:caption>Kismet, a femme fatale in Alex Raymond’s Rip Kirby, the daily strip for February 1, 1955. (Color field added.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404144045827-F5OGII38ELZ4ROFEVRV0/Robert_O_Reid_Colliers_101439.png</image:loc>
      <image:title>Graphic Tales - 100 Drawings, Late Pandemic Style</image:title>
      <image:caption>In a weekend languor–ooh, maybe another time–a Robert O. Reid Collier's cover girl, from October 14, 1939. Good luck everybody!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1603216860356-RQCJ1N9YZ5P5BJLCLY5R/inked+kneeling+football+players_crop.jpg</image:loc>
      <image:title>Graphic Tales - 100 Drawings, Late Pandemic Style</image:title>
      <image:caption>D.B. Dowd, Injury Time Out. 2019.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1603215031370-8EBGSO51X7HX84JG37TR/phillips_LIFE_091411+copy.jpg</image:loc>
      <image:title>Graphic Tales - 100 Drawings, Late Pandemic Style</image:title>
      <image:caption>Coles Phillips, Summer Fiction, Life Magazine cover illustration, September 14, 1911.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1541044684635-TWOMWKINRBMX9JFOARFQ/hip_hop_deejay_resolved2.jpg</image:loc>
      <image:title>Graphic Tales - 100 Drawings, Late Pandemic Style</image:title>
      <image:caption>D.B. Dowd, Dee Jay Dude, Music Series 2014.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1603215931634-BFGKRUIKAYWHPC07ECE5/772049.jpg</image:loc>
      <image:title>Graphic Tales - 100 Drawings, Late Pandemic Style</image:title>
      <image:caption>W. W. Denslow, Scarecrow, 1904.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1541045360104-3HDPK487ZT62YEOQCSSZ/tumblr_n9c4zrdI2t1rrnekqo1_1280.jpg</image:loc>
      <image:title>Graphic Tales - 100 Drawings, Late Pandemic Style</image:title>
      <image:caption>Clara Elsene Peck, cover illustration Theatre Magazine, March 1922.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1508610237212-XDCTNMLYCUR2RH0RR8HP/condak03_trim.jpg</image:loc>
      <image:title>Graphic Tales - 100 Drawings, Late Pandemic Style</image:title>
      <image:caption>Cliff Condak, New NBA Season special feature, Sports Illustrated, October 28, 1963</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1508610882551-6J3RE2E2X9X7W3XM4S2P/Jetsons-Elroy-Sister-Dog-Coloring-Page.jpg</image:loc>
      <image:title>Graphic Tales - 100 Drawings, Late Pandemic Style</image:title>
      <image:caption>Ed Benedict (?) Judy Jetson, Astro and Elroy Jetson, Character Designs for the Jetsons, Hanna-Barbera Productions,, circa 1960. The source drawing seems to have been scanned and live-traced, a regrettable choice.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1603214697013-OOJLRFSZNYR3ZDA1FS1S/Bert_and_Ernie_Screenshot_600_by_400.jpg</image:loc>
      <image:title>Graphic Tales - 100 Drawings, Late Pandemic Style</image:title>
      <image:caption>Bert and Ernie, Children’s Television Workshop, 1969. They were part of pilot episode for Sesame Street that year, and became a staple of the show. Performed by Jim Henson and Frank Oz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1541040209430-2PXBBQBVUG0FRWEEHX84/Beckhoff_Elks_crop.jpg</image:loc>
      <image:title>Graphic Tales - 100 Drawings, Late Pandemic Style</image:title>
      <image:caption>Harry Beckhoff, detail, cover Illustration, The Elks Magazine, April 1950.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404143782699-RBQU02RH8PIRHS759H76/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - 100 Drawings, Late Pandemic Style</image:title>
      <image:caption>Harry Beckhoff, "You must take this thing out of here," MIndy says, "especially as calfs are seldom housebroke." Interior fiction illustration for Collier's, June 12, 1941.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404143832284-B6GB4KZVQNDGSNGMN5H7/image-asset.png</image:loc>
      <image:title>Graphic Tales - 100 Drawings, Late Pandemic Style</image:title>
      <image:caption>From Harlan Tarbell's Chalk Talk Stunts, Denison and Company, 1926. Recollections of the war in France inform these pictures, which are among the least objectionable in the entire book. (Another time.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1634752756584-6FFO4LMLKMCG2TM18EG2/Screen+Shot+2021-10-20+at+12.55.35+PM.png</image:loc>
      <image:title>Graphic Tales - 100 Drawings, Late Pandemic Style - Make it stand out</image:title>
      <image:caption>Nina Chanel Abney, 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404143849900-DFF7FFRIFFASODYYIS5L/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - 100 Drawings, Late Pandemic Style</image:title>
      <image:caption>Some different French figures, also rendered in line, printed several hundred years earlier: Death makes new friends, 15th or 16th century. The skeleton with the dark patch on his belly isn't a skeleton, but a dried-out partially decayed corpse, probably washed from an overcrowded (five or six deep) Parisian grave during a storm.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404143901927-ZAW5PV6YGL11TQCKGP2M/Klimt.png</image:loc>
      <image:title>Graphic Tales - 100 Drawings, Late Pandemic Style</image:title>
      <image:caption>Gustav Klimt, Adele Bloch-Bauer I. 1907. Fluctuating between forest and trees.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404143951952-M4U6FQ3Q2NUWTU1XAH82/image-asset.png</image:loc>
      <image:title>Graphic Tales - 100 Drawings, Late Pandemic Style</image:title>
      <image:caption>Richard Scarry, in Cars and Trucks, a Golden Book. 1951. A detail of a bus-boarding process.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404143988042-TZKLA9PTLOF1IYK0XNUW/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - 100 Drawings, Late Pandemic Style</image:title>
      <image:caption>Elegance is possible, too. From Gerlach's Allegories, 1900.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1603215438781-P1VQLLODYX60S4S89O8J/Screen+Shot+2020-10-20+at+12.36.38+PM.png</image:loc>
      <image:title>Graphic Tales - 100 Drawings, Late Pandemic Style</image:title>
      <image:caption>Ernie Bushmiller, detail, Nancy comic strip, June 3, 1947.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2020/7/5/incoming</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1594228471351-VCF38R335LYC4BZ0T9AW/A_autocrat1.jpg</image:loc>
      <image:title>Graphic Tales - Incoming: Project X!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1593976642421-C9TRM09XH7LHPFZJJS6U/IMG_3515.jpg</image:loc>
      <image:title>Graphic Tales - Incoming: Project X!</image:title>
      <image:caption>D.B. Dowd, project in development, 2020.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1593967059296-O290BUKS755FN1BERIUE/still13.jpg</image:loc>
      <image:title>Graphic Tales - Incoming: Project X!</image:title>
      <image:caption>D.B. Dowd, still from Scenes from Starkdale, Ohio, 2006.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1593976339826-UXNFVYWJAZKEIIXSY56X/IMG-3572+copy.PNG</image:loc>
      <image:title>Graphic Tales - Incoming: Project X!</image:title>
      <image:caption>D.B. Dowd, project in development, 2020.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1593976571148-UB08IVC54ZA8HF4LND3T/IMG_3486.jpg</image:loc>
      <image:title>Graphic Tales - Incoming: Project X!</image:title>
      <image:caption>D.B. Dowd, project in development, 2020.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1595509791872-0O4N4M8DPY5C2C5PEFJ6/Mustardville_print_3_cherry_street.jpg</image:loc>
      <image:title>Graphic Tales - Incoming: Project X!</image:title>
      <image:caption>D.B. Dowd, linoleum reduction print, Cry Mustardville, 1995.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1595509915958-YDFEYYSMJWBW33B8RX7C/Screen+Shot+2014-11-06+at+12.36.59+PM.png</image:loc>
      <image:title>Graphic Tales - Incoming: Project X!</image:title>
      <image:caption>D.B. Dowd, opening pages, Sam the Dog Revisited No. 2, 2014; original feature St. Louis Post Dispatch, 1997-99.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2020/6/17/quaker-oats-cries-uncle-on-aunt-jemima</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1592458678573-XH9Z01QQ5H01TV8TIT27/Disney_Wyeth_AuntJemima_lowres.jpg</image:loc>
      <image:title>Graphic Tales - Quaker Oats Cries Uncle on Aunt Jemima</image:title>
      <image:caption>The Story of Aunt Jemima, yesterday, today, and now! At Disneyland. Paper placemat, Aunt Jemima’s Kitchen, Disneyland, Anaheim, California. Circa 1960. N.C. Wyeth illustrations recreated in simplified form, uncredited. Drawing of the restaurant by Felix Palm.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1592461757778-L6YK7RD21EHO6YT3WSEW/DOWD+Fig+8+Benton_COW_det.jpg</image:loc>
      <image:title>Graphic Tales - Quaker Oats Cries Uncle on Aunt Jemima</image:title>
      <image:caption>Harry Stacy Benton, Detail of Frank White as Rastus in Our Platform: Cream of Wheat, 1907 advertisement. Dowd Modern Graphic History Library, Washington University.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1592460562695-7GV1EEXFH9NUYE9VBTMW/Disney_Wyeth_AuntJemima_det1.jpg</image:loc>
      <image:title>Graphic Tales - Quaker Oats Cries Uncle on Aunt Jemima</image:title>
      <image:caption>Synopses of NC Wyeth ads from 1920, printed on circa 1960 disposable paper placemat for Aunt Jemima’s Kitchen, Disneyland. (In operation from 1955 to 1970.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1592460607545-NXBPIWDOJGKSZ3T5RLRA/Disney_Wyeth_AuntJemima_det2.jpg</image:loc>
      <image:title>Graphic Tales - Quaker Oats Cries Uncle on Aunt Jemima</image:title>
      <image:caption>Synopses of NC Wyeth ads from 1920. There is something truly obnoxious in the way the two grain-trading swells come jauntily ashore, the old Confederate with the Van Dyck beard between them. How grand! What a time was had back in the day at Higbee’s Landing!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1592460657745-40B0LSUBCUS1XK02N65E/Disney_Wyeth_AuntJemima_det3.jpg</image:loc>
      <image:title>Graphic Tales - Quaker Oats Cries Uncle on Aunt Jemima</image:title>
      <image:caption>Synopses of NC Wyeth ads from 1920.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1592462826451-6DWE09JZNDKSMVSU7YGE/Disney_Wyeth_AuntJemima_det6.jpg</image:loc>
      <image:title>Graphic Tales - Quaker Oats Cries Uncle on Aunt Jemima</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1592460722291-SHNUP4Z2HLLC9F613LWB/Frost_sm.jpg</image:loc>
      <image:title>Graphic Tales - Quaker Oats Cries Uncle on Aunt Jemima</image:title>
      <image:caption>A.B. Frost, Aunt Jemima, 1890. Dowd Modern Graphic History Library, Washington University.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1592461033980-815FBD6IGG8J3ZUW42JW/Wyeth_GrayMorn_Jemimia_crop+on+box.jpg</image:loc>
      <image:title>Graphic Tales - Quaker Oats Cries Uncle on Aunt Jemima</image:title>
      <image:caption>A.B. Frost, Aunt Jemima branding bug, Gray Morn advertisement (but standard on all such ads) 1920.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1592464608968-8DOD4OWETZEMZBBWTUGX/Wyeth003.jpg</image:loc>
      <image:title>Graphic Tales - Quaker Oats Cries Uncle on Aunt Jemima</image:title>
      <image:caption>N.C. Wyeth, Cream of Wheat advertisement, 1907. This ad recalls NCW’s Bucking Bronco Saturday Evening Post cover that launched his career in 1903.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1592462453532-75JQYYUQGGDHVJEVXXGG/Wyeth028a.jpg</image:loc>
      <image:title>Graphic Tales - Quaker Oats Cries Uncle on Aunt Jemima</image:title>
      <image:caption>N.C. Wyeth, Coca-Cola at the North Pole(?), advertisement, National Geographic back cover, August 1936. Some of Wyeth’s ad work is quite memorable. Most of it is pretty workaday or worse, creepingly nativist. This is a relatively late totally innocuous project that would have been purely for the fee.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1592463649150-BDFDEVPN8MNIZ6FMZ0IL/Wyeth011_sm.jpg</image:loc>
      <image:title>Graphic Tales - Quaker Oats Cries Uncle on Aunt Jemima</image:title>
      <image:caption>N.C. Wyeth, Custer’s Last Stand, from Nature in the Raw is Seldom Mild campaign. Advertisement for Lucky Strike Cigarettes, circa 1932. A different strand of American cultural chauvinism.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1592462165040-YYROEQ9JG8T59PTU70ZQ/Wyeth_GrayMorn_Jemimia_crop.jpg</image:loc>
      <image:title>Graphic Tales - Quaker Oats Cries Uncle on Aunt Jemima</image:title>
      <image:caption>N. C. Wyeth. “Gray Morn,” advertisement for Aunt Jemima Pancake Mix, as reproduced in Woman’s Home Companion, December 1920. This is the two-color version of the ad. There was a four-color and black-and-white. No matter the palette, a ludicrous cultural narrative.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1592463177275-E23SZI18N4F8P19SX3TY/Wooden_Shoe_Signage.jpg</image:loc>
      <image:title>Graphic Tales - Quaker Oats Cries Uncle on Aunt Jemima</image:title>
      <image:caption>Wooden Shoe Entertainment Complex, Holland, Michigan.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1592464925488-2YUBRN7GYQVGA9OVTLTR/Disney_Wyeth_AuntJemima_det9.jpg</image:loc>
      <image:title>Graphic Tales - Quaker Oats Cries Uncle on Aunt Jemima</image:title>
      <image:caption>Haddon Sundblom, Aunt Jemima, refurbished identity from 1937.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2020/4/14/constructing-people-drawing-figures</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1586889382753-Q9RKIMBVLZ6A2GBC72H4/Screen+Shot+2020-04-13+at+5.52.51+PM.png</image:loc>
      <image:title>Graphic Tales - Constructing People, Drawing Figures: Round-Up</image:title>
      <image:caption>Harry Beckhoff, Slowly the clawlike blades closed over the cigarettes, gently lifted it off the table, and pulled it through a hole in the ceiling. Story illustration for Collier’s Weekly, January 29, 1938.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1586888941622-9CDSTWZNCUC9AXEVILLL/IMG_2916.jpg</image:loc>
      <image:title>Graphic Tales - Constructing People, Drawing Figures: Round-Up</image:title>
      <image:caption>Pál Pusztai, Jucika. Undated. A dispute over a dress, solved Solomonically.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1586889909055-C9LFUEVANX7U4RF5RIVS/Chwast_ink_children_pp21_1959.jpg</image:loc>
      <image:title>Graphic Tales - Constructing People, Drawing Figures: Round-Up</image:title>
      <image:caption>Seymour Chwast, illustration in Pushpin #21, 1959.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1586890184971-J47GTMRVAB88535JCVFG/Screen+Shot+2020-04-14+at+1.46.58+PM.png</image:loc>
      <image:title>Graphic Tales - Constructing People, Drawing Figures: Round-Up</image:title>
      <image:caption>Illustrator uncredited, detail, Walls and Floors, section divider illustration, Better Homes &amp; Gardens Handyman's Book, Meredith Corporation, 1957.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1586890588789-6IXATWSSJPMFQ20ZVX06/Beebe_Snoot_pg134%26135.jpg</image:loc>
      <image:title>Graphic Tales - Constructing People, Drawing Figures: Round-Up</image:title>
      <image:caption>Rea Irvin, They’re all kings and dukes, fiction illustration for Snoot if You Must, by Lucius Beebe, 1943.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2020/3/27/on-illustrators-and-cartoonists-self-identification</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1585342534812-TXB1RGGA4JGIXNRZRXWV/Screen+Shot+2020-03-23+at+1.52.36+PM.png</image:loc>
      <image:title>Graphic Tales - On Illustrators and Cartoonists: Self-Identification</image:title>
      <image:caption>Split-screen: Maxfield Parrish, detail, Alarums and Excursions, 1899, collection of the Cleveland Museum of Art, and Ivan Brunetti, Dressing Down, cover illustration for The New Yorker, November 1, 2010. See comparative discussion below.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1585343152145-NEHJYG139A8KOF5ZFEWM/Screen+Shot+2020-03-26+at+2.05.40+PM.png</image:loc>
      <image:title>Graphic Tales - On Illustrators and Cartoonists: Self-Identification</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1585347982328-LI0DTDXBL1S3JZEOJETI/phillips02_sm.jpg</image:loc>
      <image:title>Graphic Tales - On Illustrators and Cartoonists: Self-Identification</image:title>
      <image:caption>Coles Phillips, advertisement, Holeproof Hosiery, circa 1915. An illustration, made by an illustrator.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1585348480020-49KOHOT3AYRGMCKOY76E/Gould1_TRACY_DET.jpg</image:loc>
      <image:title>Graphic Tales - On Illustrators and Cartoonists: Self-Identification</image:title>
      <image:caption>Chester Gould, two panels from a Dick Tracy daily strip, November 10, 1965. A cartoon, drawn by a cartoonist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1585348829849-E9HWC1ZGNJLKY2WI7WYG/LIFE_ILLO_goodlife_elks_fishing_beckhoff_SMALLER.jpg</image:loc>
      <image:title>Graphic Tales - On Illustrators and Cartoonists: Self-Identification</image:title>
      <image:caption>Harry Beckhoff, Elks Magazine cover illustration, April 1950. Normatively speaking, this is an illustration, made by a person who identified as an illustrator. But the characterizations, as often in Beckhoff, look cartooned, and the narrative is freestanding, in its way—although all magazine covers “illustrate” their mastheads. More the case for the Saturday Evening Post than Elks magazine.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1585348850665-OWNPQV14FS9J7Q2UPNUB/LIFE_ILLO_goodlife_elks_fishing_beckhoff_DET.jpg</image:loc>
      <image:title>Graphic Tales - On Illustrators and Cartoonists: Self-Identification</image:title>
      <image:caption>Harry Beckhoff, detail, Elks Magazine cover illustration. If the character suggest cartoon drawing, they are also accurately proportioned and specifically costumed. All told, the illustration sensibility wins out, but not by much.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1585341546193-OO87T08BKXW82YXXN435/Screen+Shot+2020-03-27+at+3.37.20+PM.png</image:loc>
      <image:title>Graphic Tales - On Illustrators and Cartoonists: Self-Identification</image:title>
      <image:caption>Charles Schultz, Peanuts. Snoopy’s doghouse is a generalized, abstract structure, not a particular one.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1585406082068-LFS5LL70CRBXJTWFMD3Q/SF_174_Brunetti_det.jpg</image:loc>
      <image:title>Graphic Tales - On Illustrators and Cartoonists: Self-Identification</image:title>
      <image:caption>A detail of the Brunetti. Wonder Woman and Edgar Allen Poe show up at the costume party. Bobbleheads and insect appendages, supplemented by precise expression (Poe looks strung out) and well chose props (quoth the raven, “Nevermore,” and WW’s tiara + whip).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2017/2/4/the-visual-correspondent</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1486347221682-EPTFTWHYC45GHPODCIDB/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - The Visual Correspondent</image:title>
      <image:caption>D.B. Dowd, Two Views of the Pizza Oven on West Tuscarawrus, Canton, Ohio. 2010.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1486346435222-HETQZ00NQ6GNCXPG8RAH/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - The Visual Correspondent</image:title>
      <image:caption>Chris Ware, Jimmy Corrigan, The Smartest Kid in the World. This serialized graphic novel tells a story in flashback. Repetition and a lovely page design communicate the passage of time.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1486342950152-E3A2M5Q90J7PA7PUQJKW/Lynn_Pauley_editorial17.jpg</image:loc>
      <image:title>Graphic Tales - The Visual Correspondent</image:title>
      <image:caption>Lynn Pauley, Bombed Murrah Building, Oklahoma City, on assignment for the New Yorker, April 1994. Unpublished.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1486345398469-JRS49I0W4FTE9ZGH8TKE/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - The Visual Correspondent</image:title>
      <image:caption>Cliff Condak, Tom Hawkins Driving, 1963. Made (but unpublished) for “Big Men on the Move,” Sports Illustrated, October 28, 1963.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1486345226357-7N1FWO7GD544HGJ4HPOD/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - The Visual Correspondent</image:title>
      <image:caption>William Glackens, Loading Horses on the Transports at Port Tampa, Inkwash and Chinese white, field sketch on assignment for McClure’s Magazine, 1898. This drawing is in the Library of Congress collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1486359174260-4ZSDZ050ICQ7O119EAXZ/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - The Visual Correspondent</image:title>
      <image:caption>Austin Briggs, Highway Billboards with Cotton Pickers, illustration for “The Fast-changing South," written by George B. Leonard, Look, November 16, 1965.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1486345912856-UBJ2F20YXW0PEJRUX561/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - The Visual Correspondent</image:title>
      <image:caption>Mike HIrshon, Construction Site Drawing. 2016. An alum of the undergraduate communication design program at Washington University. He went on to get his MFA at the School of Visual Arts program started by Robert Weaver: Illustration as Visual Essay. For others in this series (one of which has just appeared in the new American Illustration annual, click here.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1580662676335-OX6N05WT9KMFBX3EB87I/Screen+Shot+2020-02-02+at+10.54.41+AM.png</image:loc>
      <image:title>Graphic Tales - The Visual Correspondent</image:title>
      <image:caption>Klaus von Mirbach, Town Drawing, August 2019.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1580659534077-S8JQSAEXIMWGILA1SO0W/SF_163_Gould_PLACEHOLDER.png</image:loc>
      <image:title>Graphic Tales - The Visual Correspondent</image:title>
      <image:caption>J.J. Gould, news illustration of political convention, circa 1900, probably from the Philadelphia News.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1580659566170-SW6KFZV9NPVNX2A2NO48/SF_163_JJGould_Convention_Drawing_det.jpg</image:loc>
      <image:title>Graphic Tales - The Visual Correspondent</image:title>
      <image:caption>J.J. Gould, detail of above.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1486343020293-5JEFIGMZZL7NN1QDHC0K/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - The Visual Correspondent</image:title>
      <image:caption>A. Berhaus and C. Upham, Washington, D.C.––The attack on the President’s life––Scene in the ladies’ room of the Baltimore and Ohio Railroad depot––The arrest of the assassin; from sketches by our special artist’s [sic] A. Berhaus and C. Upham; Frank Leslie’s Illustrated Newspaper, July 16, 1881. President James A. Garfield twists in pain, having been shot in the back. An onrushing crowd approaches from the right. Secretary of State JamesG. Blaine supports the president while turning to gesture toward the assassin, Charles Guiteau, Having lost his bowler in the fracas, we see Guiteau set upon by witnesses at left to the rear. One grabs his left arm, another the back of his coat; a third prepares to club him with a cane. Garfield died twelve weeks later, having never resumed his duties.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1486347327210-0EMP3D5EL8KOADHURMQ2/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - The Visual Correspondent</image:title>
      <image:caption>Joe Deal, From the Beach Cities Series, Zuma Beach, 1978. Gelatin silver print. Photography plays an enormous role in the story of visual journalism. Deal was no journalist, but an attentive viewer of landscape. One of the photographers who came to prominence in the New Topographics movement, his work is totally relevant in such discussions. I included his work in the Kemper show in 2015. He was also my friend and onetime boss, having hired me to work at Wash U in his role as dean of the School of Fine Arts. (In 1992!)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1486357249171-7TWZOZEC9EBRTK1YGT4N/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - The Visual Correspondent</image:title>
      <image:caption>Robert Weaver, Spring Training Sketchbook, installation shot from Parallel Modes, 2015.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1486359003434-QBD75XPAQ0QONLRSIWEZ/image-asset.png</image:loc>
      <image:title>Graphic Tales - The Visual Correspondent</image:title>
      <image:caption>Robert Andrew Parker, The Private Strategy of Bethlehem Steel, cover illustration for Fortune Magazine, April 1962.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1486347003078-HDWD2OIQA0EZWIVV8J3X/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - The Visual Correspondent</image:title>
      <image:caption>Wayne Thiebaud, Down Penn Street, 1978. The plasticity of the space is of particular interest. (Hat tip to Mike Hirshon for the citation.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1486388159059-F007MIV2CEGZZLPT48V0/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - The Visual Correspondent</image:title>
      <image:caption>D.B. Dowd, Lulu's on Olive. 2015.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1486349439507-IYYJEZRJ3AK1UR3KXEEM/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - The Visual Correspondent</image:title>
      <image:caption>Steve Mumford, cover illustration for Harper's, October 2013. Evidence for the proposition that illustrated journalism is inching back into view–if mostly online, as opposed to print. This project is an exception. Mumford published Baghdad Journal, a book of reportage drawings he produced on location in Iraq 2003-04, with Drawn &amp; Quarterly, in 2006.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1486345142137-27BX3SP6LN1ASUXLMOSD/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - The Visual Correspondent</image:title>
      <image:caption>Steve Mumford, Guantanamo Exterior, illustration for "A Kangaroo in Obamas' Court," by Lawrence Douglas. Harper's, October 2013.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1580662600053-367IRMRQ57AUJ3DQ5TBT/Rooftops_right_sm.jpg</image:loc>
      <image:title>Graphic Tales - The Visual Correspondent</image:title>
      <image:caption>D.B. Dowd, Paris Rooftops, 2017.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/11/s6wemue86ot5ohag3aajvvi6mfnigu</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1402509480476-RF8E2G8OT7DHKP1RHN0E/illhouse_conner_sep_1951.jpg</image:loc>
      <image:title>Graphic Tales - Tonic in the Air!</image:title>
      <image:caption>Mac Conner, advertisement illustration, There's tonic in the air, for the Carrier corporation. Circa 1955.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1402509155775-XHPDF01X016NTUBWB9VP/image-asset.png</image:loc>
      <image:title>Graphic Tales - Tonic in the Air!</image:title>
      <image:caption>Conner, child bounding out of his hospital bed due the healing properties of air conditioning! Note a) closed window with tiny patch of green, and b) the excellent bucking bronco pajamas that little Chip is sporting today. I have read correspondence pertaining to this ad, which was produced by N.W. Ayer in Philadelphia, a historic ad agency. The amount of art direction devoted to making absolutely sure that the window was closed would astonish most readers. There’s a reason that advertising work then and now is lucrative: you lose your mind doing it. Conner was no exception.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1402509327268-Z8N41FYHUDJLVH6H0QHD/image-asset.png</image:loc>
      <image:title>Graphic Tales - Tonic in the Air!</image:title>
      <image:caption>Chip &amp; his mother head home from the hospital. Note Mom's get-up: swanky hat and black gloves complementing a swell-looking dress.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1402509537431-APT7UJD8UJWXNYERCOKE/image-asset.png</image:loc>
      <image:title>Graphic Tales - Tonic in the Air!</image:title>
      <image:caption>Conner, inset illustrations, Carrier ad.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1402509609198-YPFA720QNDCAZZJ08QT1/Screen+Shot+2014-04-14+at+5.03.05+PM.png</image:loc>
      <image:title>Graphic Tales - Tonic in the Air!</image:title>
      <image:caption>Are those bed frames or prison bars?</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1402509875257-1GA8RXB7AXUJDKEJ6ESL/Screen+Shot+2014-04-14+at+6.12.28+PM.png</image:loc>
      <image:title>Graphic Tales - Tonic in the Air!</image:title>
      <image:caption>Such a crisp white uniform!</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2019/10/21/midterm-writing-exercise</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1571668430537-JKF4NMAITLI9TSNE4OPG/homer_leslies_1866_iceskating+copy.jpg</image:loc>
      <image:title>Graphic Tales - Midterm Writing Exercise</image:title>
      <image:caption>Winslow Homer, Our National Winter Exercise—Skating. Broadsheet-sized wood engraving, Frank Leslie’s Illustrated Newspaper, January 13, 1866.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1571668574776-7GXVFBQ4H5O2DC3PI0EU/Gillespie_group_49cents+copy.jpg</image:loc>
      <image:title>Graphic Tales - Midterm Writing Exercise</image:title>
      <image:caption>Jessie Gillespie, 49 Cents, Today Only. Cartoon drawing for Life Magazine, circa 1912.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1571669354921-P4UR4BXF7M5H8SISLXOX/phillips_overland03+copy_sm.jpg</image:loc>
      <image:title>Graphic Tales - Midterm Writing Exercise</image:title>
      <image:caption>Coles Phillips, magazine advertisement for Overland Motorcars, 1915.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1571668678375-4KJXER8YF1QRLVCPRJ5E/leyendecker-cover.jpg</image:loc>
      <image:title>Graphic Tales - Midterm Writing Exercise</image:title>
      <image:caption>J.C. Leyendecker, Thanksgiving, 1628-1928. Cover illustration, Saturday Evening Post, November 24, 1928.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1571676959800-A3K9J23ZL7BF804MJ0J1/Noir03.jpeg</image:loc>
      <image:title>Graphic Tales - Midterm Writing Exercise</image:title>
      <image:caption>Tom Howard, Execution of Ruth Snyder, clandestine photograph made at Sing Sing Prison, January 12, 1928. Published in the New York Daily News the following day.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1571668723332-9HEKG990SBMSRQMG3SZN/Gladney_Shadow_Fifth_Face_081540.png</image:loc>
      <image:title>Graphic Tales - Midterm Writing Exercise</image:title>
      <image:caption>Graves Gladney, The Fifth Face. Cover illustration for The Shadow, August 15, 1940.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1571679512306-N7RLMSV7BYLL5BPF2NW2/Penfield_Harpers_August_1894.png</image:loc>
      <image:title>Graphic Tales - Midterm Writing Exercise</image:title>
      <image:caption>Edward Penfield, poster for Harpers Monthly, August 1894.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1571668523546-GJOWMOIU59O25USTMNT8/Alice_Barber_Stephens%2C_The_Women_in_Business%2C_1897+copy.jpg</image:loc>
      <image:title>Graphic Tales - Midterm Writing Exercise</image:title>
      <image:caption>Alice Barber Stephens, The Woman in Business. Cover illustration, Ladies Home Journal, September 1897.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1571676362871-YLUD5T0IPMPYCE2AZJ8R/shippeng_1904_007.jpg</image:loc>
      <image:title>Graphic Tales - Midterm Writing Exercise</image:title>
      <image:caption>Elizabeth Shippen Green, Playing Parcheesi, March/April calendar page for The Child, a promotional calendar jointly published by ESG and Jessie Willcox Smith, 1904.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1571678302258-SZM40ODHXWTU66CM00Y4/Parrish011.jpg</image:loc>
      <image:title>Graphic Tales - Midterm Writing Exercise</image:title>
      <image:caption>Maxfield Parrish, The King and Queen might eat thereupon, and noblemen besides. Magazine advertisement for Jell-O, 1922.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1571678678903-SOTVDWVNQ5YFR953S9AO/Screen+Shot+2019-10-21+at+12.24.08+PM.png</image:loc>
      <image:title>Graphic Tales - Midterm Writing Exercise</image:title>
      <image:caption>Stuart Davis, cover illustration, The New Masses, June 1926. (The Masses folded in 1917; The New Masses was published from 1926 to 1942.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1571676727185-W761G9T4FVU8STQ6TLPB/Wyeth011.jpg</image:loc>
      <image:title>Graphic Tales - Midterm Writing Exercise</image:title>
      <image:caption>N.C. Wyeth, Custer’s Last Stand, Lucky Strike magazine advertisement, 1930.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/27/drawing-meets-design-line-shape</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1568082146875-8O93SAFLPB5S938CFVQA/phillips_ladieshomejournal_050024_crop_sm.jpg</image:loc>
      <image:title>Graphic Tales - Drawing Meets Design: Line &amp;amp; Shape</image:title>
      <image:caption>Coles Phillips, Advertisement for Wamsutta Percale, a purveyor of sheets and pillow cases. Ladies Home Journal, May 1924. Note how the figure is formed by edges of the lavender pattern on the dark blue field. The woman’s dress has no line around it. Note also the striking shape of the drapery (also defined completely by edge, not line) which had to be observed. Mr. Phillips did not make that up.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403905107732-P2T5TJ8ZTA057NSIQH8B/Chwast_ink_children_pp21_1959.jpg</image:loc>
      <image:title>Graphic Tales - Drawing Meets Design: Line &amp;amp; Shape</image:title>
      <image:caption>Seymour Chwast, illustration in Pushpin #21, 1959.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403905130264-NETTLZLUPRVV61KZ9E7S/Benedict_Deputy_sm.jpg</image:loc>
      <image:title>Graphic Tales - Drawing Meets Design: Line &amp;amp; Shape</image:title>
      <image:caption>Ed Benedict, character sheet for Deputy Droopy, MGM Animation directed by Tex Avery, 1955</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403905150027-CCNRF8OT81VCDEXJIQ1R/benedict_shapes.jpg</image:loc>
      <image:title>Graphic Tales - Drawing Meets Design: Line &amp;amp; Shape</image:title>
      <image:caption>Shape vocabulary, Deputy Droopy character designs.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403905170999-SACUNZ72BPO1FJIX2A5H/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Drawing Meets Design: Line &amp;amp; Shape</image:title>
      <image:caption>Designer unknown, Marty Mayrose advertising character for Mayrose Meats, circa 1967</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403905197425-AW4CML5UODYXQTG6SJWG/Eulalie_Gingerbread_Boy_int_bw.jpg</image:loc>
      <image:title>Graphic Tales - Drawing Meets Design: Line &amp;amp; Shape</image:title>
      <image:caption>Eulalie Banks, Chicken Little in the children's book of the same name, for Platt and Munk, 1932</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403905240735-7JOF0AUK78RRUJFL0A9T/cards_sm.jpg</image:loc>
      <image:title>Graphic Tales - Drawing Meets Design: Line &amp;amp; Shape</image:title>
      <image:caption>Jehan Volay, publisher, Playing Cards with Spanish Suits, 18th century (reproduced in the Dover book Antique Playing Cards, 1996)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403905246921-3DZX7JKW3IJ8K99EVW27/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Drawing Meets Design: Line &amp;amp; Shape</image:title>
      <image:caption>Toby Thane Neighbors, illustration for Faesthetic No. 13</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403905316454-D04HSG5KFR3OM5JYSX7J/gerlach_allegory_left_det.jpg</image:loc>
      <image:title>Graphic Tales - Drawing Meets Design: Line &amp;amp; Shape</image:title>
      <image:caption>Karel Spillar, Music, Poetry, Painting in Gerlach's Allegorien, 1898</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403905275022-Z7ZJKUN71EH3JOBRYHTW/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Drawing Meets Design: Line &amp;amp; Shape</image:title>
      <image:caption>Karel Spillar, detail from Music, Poetry, Painting.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403905341251-W4K3AL4NXB9T3YG44SQO/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Drawing Meets Design: Line &amp;amp; Shape</image:title>
      <image:caption>Karel Spillar, detail from Music, Poetry, Painting.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403905372353-LWCI8VWHAVPK6F54ZD64/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Drawing Meets Design: Line &amp;amp; Shape</image:title>
      <image:caption>Ruth Chrisman Gannett, illustration for My Father's Dragon, by Ruth Stiles Gannett, 1948</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403905410567-AA7ORN06NVM5O0QPJ4TD/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Drawing Meets Design: Line &amp;amp; Shape</image:title>
      <image:caption>D.B. Dowd, Mother Hen, from In Pursuit of God's Kingdom, by the Rev. James F. Dowd [my uncle] 2011</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403905491276-EYUUM93J91WN5JIM3047/Steinweiss_pines_rome.jpg</image:loc>
      <image:title>Graphic Tales - Drawing Meets Design: Line &amp;amp; Shape</image:title>
      <image:caption>Alex Steinweiss, album cover design for Respighi: The Pines of Rome, conducted by Eugene Ormandy, Columbia Records, 1946</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403905504844-M8YDAVT83RH825I0WQ5Z/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Drawing Meets Design: Line &amp;amp; Shape</image:title>
      <image:caption>Steinweiss, detail, Respighi cover</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404139681923-PKQ7KHUV04FISR8ZNB7G/Eksell_1.jpg</image:loc>
      <image:title>Graphic Tales - Drawing Meets Design: Line &amp;amp; Shape</image:title>
      <image:caption>Olle Eksell, children's book design comps, 1958</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404139722562-NUTE9JZO5ZTNWPJQ55OL/Eksell_2.jpg</image:loc>
      <image:title>Graphic Tales - Drawing Meets Design: Line &amp;amp; Shape</image:title>
      <image:caption>Olle Eksell, children's book design comps, 1958</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404139732721-8XZMJMBARVKHJ4UO2JQZ/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Drawing Meets Design: Line &amp;amp; Shape</image:title>
      <image:caption>Designer unknown, Dutch Girl advertising character, 1956</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404139757613-6ZMS0J8E9J7KHZQ4AW3I/05_beckhoff-colliers-061241-2.jpg</image:loc>
      <image:title>Graphic Tales - Drawing Meets Design: Line &amp;amp; Shape</image:title>
      <image:caption>Harry Beckhoff, Calfs Ain't Housebroke, fiction illustration for Collier's June 12, 1941</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1568084533139-GHQG3KPUAE62SW0PNEWP/Flora-pg77-1955.jpg</image:loc>
      <image:title>Graphic Tales - Drawing Meets Design: Line &amp;amp; Shape</image:title>
      <image:caption>Jim Flora, album cover design for Till Eulenspiegel by Richard Strauss, The NBC Symphony Orchestra, RCA Victor, 1955.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1568085587437-88LOMJ537PAB2YCRU0AI/gillespie_silhouette_pair-crop_sm.jpg</image:loc>
      <image:title>Graphic Tales - Drawing Meets Design: Line &amp;amp; Shape</image:title>
      <image:caption>Jessie Gillespie, periodical illustration, circa 1919.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/colorful-structures</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1568059578896-9FMVTHL538YJKP9O762U/Screen+Shot+2019-09-09+at+3.04.58+PM.png</image:loc>
      <image:title>Graphic Tales - Colorful Structures Redux</image:title>
      <image:caption>Screenshot, Color Picker in Photoshop, HSB Mode, isolating value and chroma—the digital equivalent of a chroma section in the Munsell system. Value is vertical, saturation is horizontal.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403804585673-V2BMFGVAE41NSG0VEGHY/image-asset.gif</image:loc>
      <image:title>Graphic Tales - Colorful Structures Redux</image:title>
      <image:caption>Alfred Munsell (circa 1905) a landscape painter and gifted standardizer of color notation in the early days of industrial color.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1568065161139-UEIN7IOEPNB4L5HL90LV/FloraExplan1HueCircle1ALT.jpg</image:loc>
      <image:title>Graphic Tales - Colorful Structures Redux</image:title>
      <image:caption>My home-made translation of the Munsell Hue Circle.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1568067147797-MEYN8I8CW9EL5JEY8HBY/Munsell+color+Leaf.png</image:loc>
      <image:title>Graphic Tales - Colorful Structures Redux</image:title>
      <image:caption>A value and chroma scale for red. Courtesy of Encyclopedia Britannica. 2012. Look at rows 4 and 5. The grays on the far left are of the same value as the bright reds on the far right. Squint to see the value relationship; by blocking light you shut down your cones (which see color wavelengths) and rely on your rods (which see only light and dark). It takes time and practice to discern between value and chroma, or saturation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1568067576275-13JOYAIQUL147C2WO2GC/Munsell_1943_color_solid_cylindrical_coordinates.png</image:loc>
      <image:title>Graphic Tales - Colorful Structures Redux</image:title>
      <image:caption>Representation of Munsell Color Solid, updated in 1943.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1568065309116-B2UJBUN7UTT99I49M1RI/Flora-pg31-armstrongcover-1947.jpg</image:loc>
      <image:title>Graphic Tales - Colorful Structures Redux</image:title>
      <image:caption>Jim Flora, jacket design for Louis Armstrong's Hot Five, a 1928 jazz reissue by Columbia records (1947).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1568066662427-PM4XR76G2W60426IEIW0/FloraExplan2HueCircle2ALT.jpg</image:loc>
      <image:title>Graphic Tales - Colorful Structures Redux</image:title>
      <image:caption>Flora's palette arrayed on the hue circle sans adjustment of value or saturation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1568065513783-5DYPV1NYKUAUE7BSGJWC/FloraExplan5ColorSchemeREVISED2ALT.jpg</image:loc>
      <image:title>Graphic Tales - Colorful Structures Redux</image:title>
      <image:caption>Schematic rendering of Flora's palette according to values, lightest to darkest, rotating clockwise.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1411358015063-758FC0GZ8UYUX2BHZXBI/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Colorful Structures Redux</image:title>
      <image:caption>Procession scene, Sleeping Beauty, Walt Disney Studios, 1959. Eyvind Earle was responsible for background paintings and the palettes on this film.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1568065801212-L3A12ZDW7OM9A7OFZCN3/hue+circle+capture+sleeping+beautyALT.jpg</image:loc>
      <image:title>Graphic Tales - Colorful Structures Redux</image:title>
      <image:caption>Eyvind Earle's Sleeping Beauty procession palette arrayed on the hue circle sans adjustment of value or saturation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1568065928201-7V1QX6C8ZZ8JDLH11O5X/hue+circle+chroma+adjustment+sleeping+beauty1ALT.jpg</image:loc>
      <image:title>Graphic Tales - Colorful Structures Redux</image:title>
      <image:caption>The same palette, adjusted to spectrum values.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1568066014611-FYV48FM288I30AKM6VS3/hue+circle+chroma+w+triad+sleeping+beautyALT.jpg</image:loc>
      <image:title>Graphic Tales - Colorful Structures Redux</image:title>
      <image:caption>Analysis of Earle's palette as a rough triad. Color schemes like triads, tetrads and analogous wedges are most useful as 1) descriptors and 2) get-out-jail-free cards. A little such analysis can get you out of trouble. Using schemes as recipes can yield somewhat tedious results.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/picture-lotto</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403820836034-D2TA1687FCSHO117HB1R/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Owls, Devils, Wagons: Adventures in Picture Lotto</image:title>
      <image:caption>C. Clement, Picture Lotto Game Card, Samuel Gabriel Sons and Company, circa 1950</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403820861943-FH1LIODMRKZ07EPQYNUN/draw_me_screen_shot.jpg</image:loc>
      <image:title>Graphic Tales - Owls, Devils, Wagons: Adventures in Picture Lotto</image:title>
      <image:caption>Draw Me form, Image and Story assignment (a version of which has been used from 2010-2016).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1473396787579-Y86609B777RPSZWQGRZB/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Owls, Devils, Wagons: Adventures in Picture Lotto</image:title>
      <image:caption>C. Clement, Wagon, circa 1950</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1473397599503-WCJ8O6A9KOGXVEATZTNE/image-asset.png</image:loc>
      <image:title>Graphic Tales - Owls, Devils, Wagons: Adventures in Picture Lotto</image:title>
      <image:caption>D.B. Dowd, screenshot detail, Animated Ulcer City Landing Page, 2004. This project was animated by Melanie Reinert who worked in my shop back in the days of Macromedia Flash. That's a self-portrait on the phone, along with a rat (a favored trope of Melanie's) and a winking devil with flaming charcoal briquet. The devil illustration had been created a few years earlier for a tee shirt design to commemorate a family vacation at Seven Devils, North Carolina. He's been squashed a little to fit in the elliptical sign shape. The same character also appears very briefly in Scenes from Starkdale, Ohio, an experimental animated project from 2006-07.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1473452055140-3XWHELJK44BGAOPNA0LT/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Owls, Devils, Wagons: Adventures in Picture Lotto</image:title>
      <image:caption>Ward Kimball, character design for Professor Owl in Toot, Whistle, Plunk and Boom, an Oscar-winning educational short from 1953.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1473451496021-QB4BKUCX5LKESGB9EFFM/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Owls, Devils, Wagons: Adventures in Picture Lotto</image:title>
      <image:caption>D.B. Dowd, Kokosinger Owl, 2-color version. 2016. This design was used on a baseball cap for the 50th anniversary of the Kokosingers' founding in academic year 1965-66. The a cappella group got its name from the Kokosing River, which is alleged to mean "owl creek" in the American Indian language (Miami? Delaware?) of origin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403820896849-72V4KJT3EZWQAIIC3F6W/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Owls, Devils, Wagons: Adventures in Picture Lotto</image:title>
      <image:caption>Picture Lotto Game, Samuel Gabriel Sons and Company.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1563836234448-BJDPL5LDJOU8116PX1PT/Screen+Shot+2019-07-22+at+5.53.44+PM.png</image:loc>
      <image:title>Graphic Tales - Owls, Devils, Wagons: Adventures in Picture Lotto</image:title>
      <image:caption>Scott Gericke, cover design, Stick Figures: Drawing as a Human Practice (Spartan Holiday Books in association with the Norman Rockwell Museum, 2018.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403820943721-OUP0NNFSDFC7T0YGYZRJ/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Owls, Devils, Wagons: Adventures in Picture Lotto</image:title>
      <image:caption>Golden Funtime Punch-Out Books. Golden Press, 1962.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403820963778-3CV6QKSYORUZVSBJD1OB/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Owls, Devils, Wagons: Adventures in Picture Lotto</image:title>
      <image:caption>Illustrator Uncredited. Golden Funtime Punch-Outs: Toys and Things We Use. 1962.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1473432509475-ZT9I7VAM8VLUOQ5KTRY9/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Owls, Devils, Wagons: Adventures in Picture Lotto</image:title>
      <image:caption>Illustrator Uncredited, Flash Cards from Uno: A Phonics Game, manufactured by Kenworthy Educational Service, Inc., of Buffalo, NY. No. 2192. Published 1957, following several editions with different illustration and typography from the mid 1940s. I found a library entry in Melbourne Austraila that credits guide book authorship to one Stella I. Wood. My set does not include a guide, though there is a pad of score sheets.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403820986736-6OM84CS1V63D87B0YYQW/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Owls, Devils, Wagons: Adventures in Picture Lotto</image:title>
      <image:caption>C. Clement, Television, circa 1950.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1473400575382-6JZZZE4HSX42RTU424RG/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Owls, Devils, Wagons: Adventures in Picture Lotto</image:title>
      <image:caption>Illustrator Uncredited. Golden Funtime Punch-Out. A television that looks sort of like a radio. The puppet is the point. 1962.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403821010529-Z1RNW6MW18NAD80T1QMC/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Owls, Devils, Wagons: Adventures in Picture Lotto</image:title>
      <image:caption>Fran Allison with Kukla and Ollie. Circa 1950.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1473451682918-PI7DZTURBKPTZWF0ARCB/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Owls, Devils, Wagons: Adventures in Picture Lotto</image:title>
      <image:caption>The Hollings (Holling C. Holling and Lucille Webster Holling), Netting Fish, in Children of Other Lands, Platt &amp; Munk, 1929.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1473451805625-WQQ0HGBOUBZODBV126YD/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Owls, Devils, Wagons: Adventures in Picture Lotto</image:title>
      <image:caption>The Hollings (Holling C. Holling and Lucille Webster Holling), detail, title page, Children of Other Lands, Platt &amp; Munk, 1929.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2019/6/28/spartan-holiday-no-3-french-lesson-now-available</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1561743252039-S64UDUFGJZRGXIVZGHFR/Spartan_Product-45_trim.jpg</image:loc>
      <image:title>Graphic Tales - Spartan Holiday No. 3 "French Lesson" Now Available</image:title>
      <image:caption>Spartan Holiday No. 3: French Lesson. 2019. Written and Illustrated by D.B. Dowd. Graphic Design by Scott Gericke.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1561743298608-GE3AT2WI959HLC6CAIOM/SH_FL_Mockup1_trim.jpg</image:loc>
      <image:title>Graphic Tales - Spartan Holiday No. 3 "French Lesson" Now Available</image:title>
      <image:caption>D.B. Dowd, illustrations and hand lettering, “Since I was raised in a place named for a Frenchman.” Spartan Holiday No. 3. 2019. The illustration is of a game between the Massillon Tigers and the Akron St. Mary’s-St. Vincent Fighting Irish, October 2013.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1561743368993-F7ZLC3NJ1OSGZELMP8CD/Spartan_Product-36_sq.jpg</image:loc>
      <image:title>Graphic Tales - Spartan Holiday No. 3 "French Lesson" Now Available</image:title>
      <image:caption>D.B. Dowd, Parisian Alphabet (annotated), Spartan Holiday No. 3. Observed lettering, documented as a character set (minus W, for which la langue française has no use).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1561744850932-RHHR9J4JD3NIUFYD4XDA/submarine+picture.jpg</image:loc>
      <image:title>Graphic Tales - Spartan Holiday No. 3 "French Lesson" Now Available</image:title>
      <image:caption>D.B. Dowd, Farfadet Salvage Operation, redrawn cover image, Le Petit Journal illustrée, July 23, 1905 issue, Spartan Holiday No. 3.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1561745104378-1Y322M6S7BPVRB85O8IY/football+mural_sm.jpg</image:loc>
      <image:title>Graphic Tales - Spartan Holiday No. 3 "French Lesson" Now Available</image:title>
      <image:caption>D.B. Dowd, “The French suffer from grandiloquence. But not only the French.” SH 3, 2019.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/27/key-plates-key-figures-key-questions</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
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      <image:title>Graphic Tales - Key Plates, Key Figures, Key Questions</image:title>
      <image:caption>Mass of St. Gregory, hand-colored woodcut; South German, 1420-1430</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403893159451-37FGF5KQ0E3AMFIKXCAN/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Key Plates, Key Figures, Key Questions</image:title>
      <image:caption>Harry Beckhoff, Thumbnail Sketch, magazine illustration circa 1940</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403893183840-3I20WOI61HJO7SFB3ID9/Gruger-SEP-121330.jpg</image:loc>
      <image:title>Graphic Tales - Key Plates, Key Figures, Key Questions</image:title>
      <image:caption>Frederic Gruger, Saturday Evening Post, December 13, 1930</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403893205381-NSNF0QD5LYZA0XEXEYZS/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Key Plates, Key Figures, Key Questions</image:title>
      <image:caption>Moab Man, Fremont Culture Petroglyph, circa 1000 CE, Moab, Utah, photograph by DB Dowd, 2008</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403893233637-QO37EO96DR2Q68X3PS1T/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Key Plates, Key Figures, Key Questions</image:title>
      <image:caption>Explanation of Duotype, Commercial Engraving and Printing; A Manual of Practical Instruction, by Charles Hackleman, published by Commercial Engraving Publishing Company, Indianapolis</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403893274659-73IG5C58R09TBUK9SX3C/Caniff-terryandpirates-7-2.jpg</image:loc>
      <image:title>Graphic Tales - Key Plates, Key Figures, Key Questions</image:title>
      <image:caption>Milton Caniff, Terry and the Pirates, daily comic strip, November 22, 1937</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403893284242-ITJQ8JEC7AMV8AYGTGJR/Milton_Caniff_Terry_006_det.jpg</image:loc>
      <image:title>Graphic Tales - Key Plates, Key Figures, Key Questions</image:title>
      <image:caption>Caniff, Terry, single panel from Sunday strip published on September 10, 1944</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403893312643-S9EV04XA1H73Y8UZVB4F/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Key Plates, Key Figures, Key Questions</image:title>
      <image:caption>David Stone Martin, Roy Eldridge Collates, album cover illustration, Mercury/Clef Records, 1952</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403893321801-9ADUD051W3K0DG3RJBB3/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Key Plates, Key Figures, Key Questions</image:title>
      <image:caption>Caniff, Terry, single panel from Sunday strip published on September 10, 1944 David Stone Martin, Roy Eldridge Collates, album cover illustration, Mercury/Clef Records, 1952</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403893366042-43SIJMKWUQGIX5RJ50RW/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Key Plates, Key Figures, Key Questions</image:title>
      <image:caption>Lew Keller, Concept Art, The Four Poster, United Productions of America, directed by John Hubley, 1952</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403893389701-4BZJOWXR6O02RGWR4BR4/Four_poster_UPA_conceptart_left_detail.jpg</image:loc>
      <image:title>Graphic Tales - Key Plates, Key Figures, Key Questions</image:title>
      <image:caption>Lew Keller, Concept Art, The Four Poster, United Productions of America, directed by John Hubley, 1952</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403893429548-GBJ7U0XSY7O62VNV9XIL/Hess_2color_Bug_Gun_left.jpg</image:loc>
      <image:title>Graphic Tales - Key Plates, Key Figures, Key Questions</image:title>
      <image:caption>Lowell Hess, Who's Afraid of the Big Bad Bug! interior magazine spread illustration, Every Woman Magazine, 1961</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403893439756-NNRUZP2G8BX7YK3AG8B8/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Key Plates, Key Figures, Key Questions</image:title>
      <image:caption>Harry Beckhoff, Slowly the Clawlike Blades Closed Over the Package of Cigarettes, interior magazine illustration, Collier's, January 29, 1938</image:caption>
    </image:image>
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      <image:title>Graphic Tales - Key Plates, Key Figures, Key Questions</image:title>
      <image:caption>Martin, Jam Session #2, album cover illustration, Mercury/Clef Records, 1953 (?)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403893512600-8UY28ZSJ3TZETPV7TVQO/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Key Plates, Key Figures, Key Questions</image:title>
      <image:caption>Rea Irvin, book illustrations from Snoot If You Must, by Lucius Beebe; D. Appleton-Century Company, New York. 1943</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/11/display-that-examples-commentary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1402511005117-SUO3F95DZDMEC2WKKZUE/Star_Observation_Calendar_Image+copy.jpg</image:loc>
      <image:title>Graphic Tales - Display That! Adventures in Collections</image:title>
      <image:caption>D.B. Dowd, Cassiopeia Does the Twist, an evening's worth of stargazing notes, August 10-11, 2008, near Moab, Utah.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1402511044694-BI05CKTKS88Y4UUMGD1Q/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Display That! Adventures in Collections</image:title>
      <image:caption>D.B. Dowd, 1967 Chrysler New Yorker and 1965 Ford Econoline Pickup, from "Shanghai Pictorial," Spartan Holiday No. 1, 2012.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1551542114275-E9OMX5S8E0FCBEIYN2TC/eskell_creatures+copy.jpeg</image:loc>
      <image:title>Graphic Tales - Display That! Adventures in Collections</image:title>
      <image:caption>Olle Eskell, Imaginary Creatures (reproduced in Olle Eskell, Swedish Graphic Designer).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1402510981145-2N4S356DJRJV9V3QICDZ/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Display That! Adventures in Collections</image:title>
      <image:caption>Milt Groth, Automobile Paper Dolls, center "Playtime" spread, Jack and Jill Magazine, circa 1950. Usually the center spread was a paper doll activity which appealed to girls. They tried this as a sop to the boys, and probably as an office joke, too.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1551545568014-QV4TA9II558FAF9YPCRQ/kool_aid_indians_9+copy.png</image:loc>
      <image:title>Graphic Tales - Display That! Adventures in Collections</image:title>
      <image:caption>An arrangement without depth or overlapping. Kids’ heads, from a Kool-Aid television advertisement, 1950s.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1551543176698-2KI6RNBIAU25PLHYMY0L/french_vocabulary+tint.jpg</image:loc>
      <image:title>Graphic Tales - Display That! Adventures in Collections</image:title>
      <image:caption>A straightforward gridded presentation of French vocabulary words. Uncredited illustration from cours de la langue et la civilisation Françaises I, Librairie Hachette, 1953.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1424788552989-DPZHLSCT08D5XHCTEJ09/image-asset.png</image:loc>
      <image:title>Graphic Tales - Display That! Adventures in Collections</image:title>
      <image:caption>Another representation of strata, at rather a different scale than the skin illustration at right. Oil Exploration, still from Destination Earth, an industrial film from 1956 with a modernist sensibility. John Sutherland Productions. Directed by Carl Urbano, Production Design by Tom Oreb and Victor Haboush. (More stills from this film here.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1402512114509-SFF6MNPRMOUYICSF3MGA/image-asset.png</image:loc>
      <image:title>Graphic Tales - Display That! Adventures in Collections</image:title>
      <image:caption>Henri Matisse, The Red Studio, 1911. Matisse flattens with color, erasing depth from a putatively descriptive picture: the Red Studio. Militant two-dimensionality.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1402511745276-HLZWPJZALZRQBMQFIB4I/Screen+Shot+2014-06-11+at+1.31.54+PM.png</image:loc>
      <image:title>Graphic Tales - Display That! Adventures in Collections</image:title>
      <image:caption>Can I drive this car in heels? Reasons to buy a Dodge Polaris, especially if you're female in the mid 20th century. Illustrator uncredited, advertisement, 1960 Dodge Polaris. (Car advertisements began addressing women as consumers in the 1910s, and the intersection of driving and women’s clothing was a subject all along.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1551334017411-JJVAYDBFZLHELMYVC4PO/SF_125_buchsbaum1938_obelia.png</image:loc>
      <image:title>Graphic Tales - Display That! Adventures in Collections</image:title>
      <image:caption>Elizabeth Buchsbaum, Polyp Types, Obeilia, from Animals Without Backbones, 1937. An essay in line weight, by Elizabeth Buchsbaum, from Animals Without Backbones. I have written about her before. (I would really like to locate her drawings for exhibition purposes. I once heard from someone in the Buchsbaum clan, but then the line went dead. Anybody out there?)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1402512318284-UAH0COSQIYN4W90ODBII/Screen+Shot+2014-06-11+at+1.36.46+PM.png</image:loc>
      <image:title>Graphic Tales - Display That! Adventures in Collections</image:title>
      <image:caption>Google Street View before the fact. Illustrator uncredited, a fragment of a broadsheet-sized rendering of the Astor family real estate empire, published on January 1, 1899 by the New York World.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1551544674392-WLI5XWBAKTDO9DC5TWDT/Hawaii.jpeg</image:loc>
      <image:title>Graphic Tales - Display That! Adventures in Collections</image:title>
      <image:caption>World Geographic Atlas, designed by Herbert Bayer. Published by the Container Corporation of America (CCA) in 1953. This is a breathtakingly beautiful book. Bayer was a Bauhaus graphic designer relocated to the States. This particular image shows flora and fauna of the Hawaiian Islands. The items overlap but retain their integrity through color and contrast. An approach which all but eliminates an implied “container” for the illustrations (contrast, for example, with the French vocabulary words). This is a fragment of a large page, dense with information but intelligently placed.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1402512502944-8VZFFSAB7UKKEV3WFHY1/image-asset.png</image:loc>
      <image:title>Graphic Tales - Display That! Adventures in Collections</image:title>
      <image:caption>An index of weaponry. Spearheads. A Scandinavian expert memorably named Worsaae catalogued Viking artifacts in the British Isles in 1846-47. This is one of 12 watercolors (No. 3, to be precise) to appear in An Account of the Danes and Norwegians in England, Scotland, and Ireland in 1851-52.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1402512801332-NPAPNZT9MVGKUYKWCC5O/Screen+Shot+2014-06-11+at+1.37.05+PM.png</image:loc>
      <image:title>Graphic Tales - Display That! Adventures in Collections</image:title>
      <image:caption>Gameboards are relevant. Snakes and Ladders, forerunner of MB's Chutes and Ladders. N.D. Snakes is creepier, but way cooler, too.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1402512767597-2S4FCBQBGDSEWF78EC9W/image-asset.png</image:loc>
      <image:title>Graphic Tales - Display That! Adventures in Collections</image:title>
      <image:caption>More arrangement of zones, in this case on a purely decorative basis. Kolor-Blox game board, circa 1935.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1551545887313-UAZZ0M7GI1ZO8A0E8U65/meyers_lexicon_chickenvarieties+copy.jpg</image:loc>
      <image:title>Graphic Tales - Display That! Adventures in Collections</image:title>
      <image:caption>Chicken breeds, balancing spatial presentation with display of critical information. There is a little cheating going on: the ground plane has been tipped up, and scale shifts have been downplayed. Cleverly done. From Meyer’s Lexikon (1896) , a German encyclopedia interspersed with lovely chromolithographs like this one.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1551546605302-KM6NDPE8OQRR9CEOXUU7/pillow_talk_14+copy.png</image:loc>
      <image:title>Graphic Tales - Display That! Adventures in Collections</image:title>
      <image:caption>Finally, even a split screen in a film is a kind of display. Here, Doris Day and Rock Hudson in Pillow Talk, 1959. Directed by Michael Gordon. Hudson, (unknown to the movie-going public) a gay man, plays a smoothie-lothario who pretends to be gay at points. Jean Louis did Doris Day’s costumes, which are incredible.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1402511083122-TZXNZRBPD94VUD4DNA1X/image-asset.png</image:loc>
      <image:title>Graphic Tales - Display That! Adventures in Collections</image:title>
      <image:caption>For starters: a set of scientific instruments, translated into engaging form using a slightly abstract sensibility and a two-color palette. Jim Flora, cover illustration, Research and Engineering, January 1956.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1551541734219-JF1NXXV8CVAJPL0S8EML/Strata.jpeg</image:loc>
      <image:title>Graphic Tales - Display That! Adventures in Collections</image:title>
      <image:caption>Illustration of archaeological dig, Dordogne, France in Early Man, Time-Life Books, 1965. Art direction by Sheldon Cotler; illustrator uncredited. (1 of 2) Note that we see the excavated matter from three sides, to provide spatial context and scale reference for the schematic representations of several layers called out in diagrams—one of which is shown below.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1551541957487-P5R0J4LUKI99BUQS89XU/SChematic+1.jpeg</image:loc>
      <image:title>Graphic Tales - Display That! Adventures in Collections</image:title>
      <image:caption>Schematic representation of material excavated from one layer (see illustration above). Early Man, Time-Life Books, 1965. (2 of 2)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1551538799064-ICFFWAL94LJXTF078U9H/seibold_mrlunch_boats72.jpg</image:loc>
      <image:title>Graphic Tales - Display That! Adventures in Collections</image:title>
      <image:caption>Mr. Lunch saw many different types of boats. A display of semi-silly vessels (love the soda-pop boat) for a children’s book about a dog who steals a canoe. J. Otto Seibold, Types of Boats, Mr. Lunch Borrows a Canoe, 1994. A “zany” presentation, yet with a highly controlled palette. The delightful personality of the illustration dominates.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1402511288292-O0BCXP39QSLTF74Y530W/Screen+Shot+2014-06-11+at+1.25.10+PM.png</image:loc>
      <image:title>Graphic Tales - Display That! Adventures in Collections</image:title>
      <image:caption>An astronomical diagram with type, from the mid 19th century: John Emslie, Transparent Solar System Displaying the Planets with Their Orbits, as Known at the Present Day, published by James Reynolds and Sons, London, circa 1844.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1402511275505-XW4NIOTLE3SIOEKE6XSZ/image-asset.png</image:loc>
      <image:title>Graphic Tales - Display That! Adventures in Collections</image:title>
      <image:caption>A cross section of skin, from the 1965 World Book Encyclopedia. Very straightforward: a black-and-white drawing enlivened and clarified with tints. Given a good key drawing (no small thing) it would take about 30 seconds to do this by multiplying the black layer in Photoshop and throwing a little color behind it. (Illustrator credit unavailable.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1402511457800-2E40TITCGZ59TJ6H9PN5/Screen+Shot+2014-06-11+at+1.28.57+PM.png</image:loc>
      <image:title>Graphic Tales - Display That! Adventures in Collections</image:title>
      <image:caption>Several variations on a theme: figures displayed to show relationships or actions on a single plane. Stan Strembicki, Fremont Petroglyphs, Nine Mile Canyon, Utah. 2011. Photographed by my friend and colleague Stan Strembicki a few years back on a documentary expedition (for my book Stick Figures). He climbed up on a ledge to shoot this one, just as I was beginning to figure out that you can drive into Nine Mile Canyon, but you can't drive out the other end. Big bummer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1402511597854-72YZ2AF3AKH180MP871W/image-asset.png</image:loc>
      <image:title>Graphic Tales - Display That! Adventures in Collections</image:title>
      <image:caption>Ed Benedict (?), Character Sheet for The Jetsons, a Hanna-Barbera Show, 1962. George, Jane, Judy et. al., may have been designed by Benedict–they betray his sense of shape. I have never been able to find a character design credit for the show.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1487956986064-ILVO21C6VYJKII97L5CQ/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Display That! Adventures in Collections</image:title>
      <image:caption>Ed Benedict draws Snagglepuss, 1958. The "display" is inadvertent, really: he is just trying things, one next to the other. I shot this on my iPhone (a little grainy) at the Norman Rockwell Museum in February 2017, at the Hanna Barbera Show. Benedict's pencils were the best things in it.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1402512194531-V3PU17TLAQJ762JG5NCL/image-asset.png</image:loc>
      <image:title>Graphic Tales - Display That! Adventures in Collections</image:title>
      <image:caption>Color and density used to convey emphasis. Stefano Buonsignori, Map of France, from the Geographical Panels in the Palazzo Vecchio, Florence. 1576. I stood in this room in 2003, agape. I bought the ridiculously expensive book, which sits among my atlases of various cartographic and typographic personalities. A really beautiful thing; lovely color and variation in treatment.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1402512369031-TDHVFNPP6DDA4AKSV3HW/image-asset.png</image:loc>
      <image:title>Graphic Tales - Display That! Adventures in Collections</image:title>
      <image:caption>Things overlap on another in a landscape view. But look at the treatment of the smaller vehicles in between the double-decker buses. A strong sense of space, yet, but items are enumerated. Miroslav Sasek, Picadilly Square, in This is London, 1960. A fabulous set of books, reissued in this century.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1402512412866-Z78ON7LP0E2P1PF9KLOL/Screen+Shot+2014-06-11+at+1.41.44+PM.png</image:loc>
      <image:title>Graphic Tales - Display That! Adventures in Collections</image:title>
      <image:caption>Olle Eskell, a park with cityscape. The establishment of spatial zones to show particular items appropriate to each. An extremely useful example for strategizing the display of information which relies place or setting, physical or conceptual.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1402512439662-CTR81T97HBEOVWPDQK5X/image-asset.png</image:loc>
      <image:title>Graphic Tales - Display That! Adventures in Collections</image:title>
      <image:caption>Francesca Ryan, Untitled (Megalomanical Obelisk with Tapeworm? Powerline Vaudeville?). 2013. This may not be intelligible, but who can gainsay its urgency? By Francesca Ryan. Children are ferocious intenders. I love this thing. (I pumped the contrast on the pencil, producing that somewhat over-the-top yellow. Not Francesca's fault. Bad art direction!)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1402512638356-UAHKWTUL8K0D0KFKSIQA/Screen+Shot+2014-06-11+at+1.42.16+PM.png</image:loc>
      <image:title>Graphic Tales - Display That! Adventures in Collections</image:title>
      <image:caption>More old stuff from Britain. Specimens from a book of English fossil finds. To some degree like the spearheads above, a stone wall built from tiny pebbles and varied rocks, mortared with negative space. "Eocene Shells at Bracklesham" from The Geology and Fossils of the Tertiary and Cretaceous Formations of Sussex, by Frederick Dixon. 1850. This (and a thousand other printed pictorial excavations) at the wonderful blog Bibliodyssey.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1551548299374-0O1BJOK1FZ5YNW5ZHBVC/Grays_anatomy_The_Blood_Vascular_det.jpg</image:loc>
      <image:title>Graphic Tales - Display That! Adventures in Collections</image:title>
      <image:caption>Articulation of a system embedded in others systems. Illustration by Henry Vandyke Carter, From Gray’s Anatomy. 1858.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1551546142965-CPCTKX3XQHB3ANWH9RH5/mathematics.jpeg</image:loc>
      <image:title>Graphic Tales - Display That! Adventures in Collections</image:title>
      <image:caption>An alternate approach to building a display system with decorative potential: Lowell Hess’s title page illustration for Mathematics. I have written elsewhere about Hess, whose visual range was quite exceptional.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2018/9/5/airport-drawings</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1536259033681-DDG1UF08SA0MTPCZ6JZB/Airport_Predawn_text_new_smaller.jpg</image:loc>
      <image:title>Graphic Tales - Airport Drawings: Prelude</image:title>
      <image:caption>D.B. Dowd, Pre-Dawn Flight to LGA. 2011. Gouache and digital color.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1536258731159-FMF6A9LPJF670IVC0VJ1/Islip_Airport.jpg</image:loc>
      <image:title>Graphic Tales - Airport Drawings: Prelude</image:title>
      <image:caption>D.B. Dowd, Airport, Islip, NY. 2011.Sketchbook drawing.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1536258055160-9J976RKOE26WX4XT5TN9/Supersonic_Totems_AI.jpg</image:loc>
      <image:title>Graphic Tales - Airport Drawings: Prelude</image:title>
      <image:caption>D.B. Dowd, Air National Guard Station Entrance (constructed), Lambert Airport, St. Louis. 2010. Gouache and digital color.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1536257899413-SJESQP59RRYMQDXVZNVH/Airport_Relics_yellow_white.jpg</image:loc>
      <image:title>Graphic Tales - Airport Drawings: Prelude</image:title>
      <image:caption>D.B. Dowd, Conflated Subjects: Airport Parking and Air National Guard, 2009. Gouache and Digital Color.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2018/6/28/5iuthb2ixalc0inmr90n2mzobaivod</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1530312052964-L6TSCO38SMYLEE0BYVQ3/Screen+Shot+2018-06-29+at+5.40.10+PM.png</image:loc>
      <image:title>Graphic Tales - Rolling out Some Major News</image:title>
      <image:caption>Inside front cover, Stick Figures: Drawing as a Human Practice. Hand lettered signage, Robinson's Pecan House, north of Perry, Florida.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1530311865044-BGEGXBQFNE77VZW5BXXJ/SF_cover_promotion.jpg</image:loc>
      <image:title>Graphic Tales - Rolling out Some Major News</image:title>
      <image:caption>Scott Gericke, cover design, Stick Figures: Drawing as a Human Practice. Published by Spartan Holiday Books and Norman Rockwell Museum, July 2018. Photograph by Stan Strembicki.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2018/3/12/celebrazione-di-howard-pyle-a-firenze</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1520862392574-WEAYN7G4SFCTBIB1HIG4/Pyle_pirate_handsome.jpg</image:loc>
      <image:title>Graphic Tales - Celebrazione di Howard Pyle a Firenze</image:title>
      <image:caption>Howard Pyle, The Buccaneer was a picturesque fellow, illustration for "The Fate of a Treasure Town," in Harper's Monthly Magazine, December 1905. Better known as Buccaneer of the Caribbean, republished and so captioned in the posthumous collection, Howard Pyle's Book of Pirates, 1923. Original painting in the Delaware Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1520862159408-7Y6LAK9R2YCPAK3JWJZE/IMG_7334.jpg</image:loc>
      <image:title>Graphic Tales - Celebrazione di Howard Pyle a Firenze</image:title>
      <image:caption>Howard Pyle Plaque Installation, photograph by Jeff Pike (with Rockwellian Flourish of guy in window), Florence, Italy, March 11, 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1520861859183-TSQSAYOR3WDSEEW2WZG9/battle-nashville-painting.jpeg</image:loc>
      <image:title>Graphic Tales - Celebrazione di Howard Pyle a Firenze</image:title>
      <image:caption>Howard Pyle, The Battle of Nashville, 1906. Minnesota Statehouse, Saint Paul, Minnesota.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2018/2/21/wanted-brief-essay-on-sources-and-methods</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1519538872183-SO0PTI1A47SEI4NANCBX/Screen+Shot+2018-02-25+at+12.07.20+AM.png</image:loc>
      <image:title>Graphic Tales - Wanted: Brief Essay on Methods and Sources</image:title>
      <image:caption>Exhibition Brochure, Parallel Modes: Illustrated Visual Journalism and American Photography 1955-1980. January-February 2015.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1519539254997-XSXP65TIAK03BAXTTN0R/Screen+Shot+2018-02-25+at+12.13.53+AM.png</image:loc>
      <image:title>Graphic Tales - Wanted: Brief Essay on Methods and Sources</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1519539168146-6SXQPTYSX946XCZIUSGF/Screen+Shot+2018-02-25+at+12.12.08+AM.png</image:loc>
      <image:title>Graphic Tales - Wanted: Brief Essay on Methods and Sources</image:title>
      <image:caption>Checklist, Parallel Modes, 2015.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1519587978166-GBMAPKGHKNZH6PWPEM22/SRK_AirplaneWindow_BWI-LHR.jpg</image:loc>
      <image:title>Graphic Tales - Wanted: Brief Essay on Methods and Sources</image:title>
      <image:caption>Shreyas R Krishnan, Airplane Window, BWI-LHR, from Transit II, 2015.       </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1519587898276-76DHNTPKKZ1IUHKQ8LH2/SRK_RawlingsConservatory.jpg</image:loc>
      <image:title>Graphic Tales - Wanted: Brief Essay on Methods and Sources</image:title>
      <image:caption>Shreyas R Krishnan, Rawlings Conservatory, from Charm City, 2015.     </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1519537774027-U9JCTLNE4WLYA1E70NWU/0202dc6b52d9adcc34ea02235c7a2ef2.jpg</image:loc>
      <image:title>Graphic Tales - Wanted: Brief Essay on Methods and Sources</image:title>
      <image:caption>Robert Andrew Parker, Cars on Highway, cover illustration, Fortune Magazine, August 1957.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1519537799225-WOYETVODCCWQ7E5WG7O4/9be7cdad24d234dbe143f1bf14fdd110.jpg</image:loc>
      <image:title>Graphic Tales - Wanted: Brief Essay on Methods and Sources</image:title>
      <image:caption>Robert Andrew Parker, The Private Strategy of Bethlehem Steel, cover illustration, Fortune Magazine, April 1962.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1519530960300-HIO3WJ57WPLQD06A6F02/Screen+Shot+2018-02-24+at+9.54.55+PM.png</image:loc>
      <image:title>Graphic Tales - Wanted: Brief Essay on Methods and Sources</image:title>
      <image:caption>Robert Weaver, story illustration for Little Italy: Study of an Italian Ghetto, by Nicholas Pileggi, New York Magazine, August 12, 1968. Art directed by Milton Glaser. (Pileggi later wrote Goodfellas.) We looked at tear sheets for this story in class.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1519528437590-5YPZM1VV72OHFHV8SHMO/weaver-timeline3.jpg</image:loc>
      <image:title>Graphic Tales - Wanted: Brief Essay on Methods and Sources</image:title>
      <image:caption>Robert Weaver, visual essay for undated issue of New York Magazine, about a then-new electronic dispatch system. Circa 1970. Also saw these tear sheets on Wednesday.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1519528600515-Y01XPFOY73MG6MWDYYP0/weaver-timeline6.jpg</image:loc>
      <image:title>Graphic Tales - Wanted: Brief Essay on Methods and Sources</image:title>
      <image:caption>Robert Weaver, visual essay for undated issue of New York Magazine, about a then-new electronic dispatch system. Circa 1970.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1519528494574-MEVY7MEBEQWAA7FN8UBP/Weaver_SpringTraining62_53.jpg</image:loc>
      <image:title>Graphic Tales - Wanted: Brief Essay on Methods and Sources</image:title>
      <image:caption>Robert Weaver, Joe DiMaggio, from Spring Training Sketchbook, unpublished drawing for a project that ran in the March 5, 1962 issue of Sports Illustrated. This sketchbook is in the collections of the Modern Graphic History Library at Washington University.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1519528542121-S4IHVLK0DZJ672C86SPC/Weaver_SpringTraining62_44_LOW-RES.jpg</image:loc>
      <image:title>Graphic Tales - Wanted: Brief Essay on Methods and Sources</image:title>
      <image:caption>Robert Weaver, unpublished drawing, 1962.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1519530765820-RDV7KBBNL704P23M1TFX/weaver-brieflives5-pool.jpg</image:loc>
      <image:title>Graphic Tales - Wanted: Brief Essay on Methods and Sources</image:title>
      <image:caption>Robert Weaver, story illustration for Brief Lives, (speculatively) a book proposal that went unpublished. Which is too bad, as the project is a potent visual essay urban life: a social portrait of young men of color with systematically compromised prospects, courtesy of a hostile justice system and indifferent schools. Ring a bell? Circa 1970.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1519529685792-SHTA4NXSOX88F1INAQXX/condak00_sm.jpg</image:loc>
      <image:title>Graphic Tales - Wanted: Brief Essay on Methods and Sources</image:title>
      <image:caption>Table of Contents, Sports Illustrated, October 28, 1963. Note under Pro Basketball's New Season, "A Portfolio of Paintings."</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1519528703688-WZB9KOH44FBBB03362YZ/condak03_trim+copy.jpg</image:loc>
      <image:title>Graphic Tales - Wanted: Brief Essay on Methods and Sources</image:title>
      <image:caption>Cliff Condak, The locker room before a game, a gray-green world of private worry where each man tries to ready himself. Illustration for "Big Men on the Move," feature in the October 28, 1963 issue of Sports Illustrated. Art directed by Dick Gangel. Notable positioning of the pictures as "paintings," not illustrations.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1519530065243-7RD5ZUMT2RPIO6P50S0A/condak01_det.jpg</image:loc>
      <image:title>Graphic Tales - Wanted: Brief Essay on Methods and Sources</image:title>
      <image:caption>Headline copy with credit.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1519528754304-V5V2SFCI5FDC18YQYCT3/condak01+copy.jpg</image:loc>
      <image:title>Graphic Tales - Wanted: Brief Essay on Methods and Sources</image:title>
      <image:caption>Cliff Condak, "Big Men on the Move," Sports Illustrated, October 28, 1963.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1519596424850-HBNDL48E7M85A31QHPDX/fish_vanityfair_000221_det1.jpg</image:loc>
      <image:title>Graphic Tales - Wanted: Brief Essay on Methods and Sources</image:title>
      <image:caption>Anne Harriet Fish, Vanity Fair, February 1921.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1519596378825-Y09YWJLLIDKYQRKK04EE/fish_harpersbazaar_00129_det.jpg</image:loc>
      <image:title>Graphic Tales - Wanted: Brief Essay on Methods and Sources</image:title>
      <image:caption>Anne Harriet Fish, Harper's Bazaar, January 1929</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1519600177784-ITE8NI4IVSIKK8AFB1HW/Chrysler%2BEconoline.jpg</image:loc>
      <image:title>Graphic Tales - Wanted: Brief Essay on Methods and Sources</image:title>
      <image:caption>D.B. Dowd, Oldsmobile and Ford Econoline Van, from Spartan Holiday 1, 2012.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1519600478549-DQQXFB35I00KSZXDY8UD/Oral_surgery_alt_sm.jpg</image:loc>
      <image:title>Graphic Tales - Wanted: Brief Essay on Methods and Sources</image:title>
      <image:caption>D.B. Dowd, 170 Interchange, Viewed from the Orthodontist's Office, sketchbook drawing, 2010.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1519601394893-R2UX5Q4688MW5RPM0XG7/Airport_Predawn_text_new.jpg</image:loc>
      <image:title>Graphic Tales - Wanted: Brief Essay on Methods and Sources</image:title>
      <image:caption>D.B. Dowd, Delayed Predawn Flight, March 2009. Sketchbook drawing later inked + digital color. 2009.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/27/environmental-narratives</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1517288332070-8ULQD4TODV068PXBYZ5W/Chinese_Sprinkling_pg33X.jpg</image:loc>
      <image:title>Graphic Tales - Environmental Narratives</image:title>
      <image:caption>Chinese Sprinkling. Reproduced in Peasant Paintings from Huhsien County. 1974.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1517288099034-743G5Y9DGH7YFXHYYUJQ/Theibaud.jpg</image:loc>
      <image:title>Graphic Tales - Environmental Narratives</image:title>
      <image:caption>Wayne Thiebaud, San Francisco West Side Ridge, 2001.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1517291667278-B7SS4VBEMDWJL6RJX7NA/freeway-from-the-air.jpg</image:loc>
      <image:title>Graphic Tales - Environmental Narratives</image:title>
      <image:caption>Wayne Thiebaud, Freeway from the Air. N.D.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1517292144497-ABXW1Y6UV9PRO07SV7OX/Chinese_Prefab+Parts_pg29X.jpg</image:loc>
      <image:title>Graphic Tales - Environmental Narratives</image:title>
      <image:caption>Prefabricated Parts. Reproduced in Peasant Paintings from Huhsien County. 1974.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1517289630209-ZKW1XS97PWAF83IP7EBN/2004.30.4_1a.jpg</image:loc>
      <image:title>Graphic Tales - Environmental Narratives</image:title>
      <image:caption>Wayne Thiebaud, Levee Farms, 1998.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1517288467476-7UX75C7GRAR1XKV8FAM4/Chinese_Grasp+Revolution_pg16X.jpg</image:loc>
      <image:title>Graphic Tales - Environmental Narratives</image:title>
      <image:caption>The Chinese Grasp Revolution. Reproduced in Peasant Paintings from Huhsien County. 1974.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1517289004120-0X2T8HQ503BDRG90J3OV/Chinese_Motor%27s+Roar_pg30X.jpg</image:loc>
      <image:title>Graphic Tales - Environmental Narratives</image:title>
      <image:caption>The Motor's Roar. Reproduced in Peasant Paintings from Huhsien County. 1974.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1517288112851-Z5TU6XX3A7DBZ80YIUC5/tumblr_nqi28oGc7f1rlaql2o4_1280.jpg</image:loc>
      <image:title>Graphic Tales - Environmental Narratives</image:title>
      <image:caption>Wayne Thiebaud, Down Penn Street. 1978.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1517289206108-AQE4VF3K2K56W1SPUUAQ/tumblr_nqi28oGc7f1rlaql2o8_1280.jpg</image:loc>
      <image:title>Graphic Tales - Environmental Narratives</image:title>
      <image:caption>Wayne Thiebaud, Hill Street (Day City) 1981.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1517291029982-KS7F4JHN2MV9Z802504S/Chinese_Foolish+Old+Men_pg18X.jpg</image:loc>
      <image:title>Graphic Tales - Environmental Narratives</image:title>
      <image:caption>Foolish Old Men. Reproduced in Peasant Paintings from Huhsien County. 1974.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2017/12/31/james-fullerton-dowd-an-appreciation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1514765912527-F211SKOQWQRHR6C7GGYL/Screen+Shot+2017-12-31+at+6.17.40+PM.png</image:loc>
      <image:title>Graphic Tales - James Fullerton Dowd: A Eulogy</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1514765742560-M8Y7F34FUDPX2UT8JRVJ/Screen+Shot+2017-12-31+at+6.14.53+PM.png</image:loc>
      <image:title>Graphic Tales - James Fullerton Dowd: A Eulogy</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1514768909949-SU6JIP6BD17KZNBEK50W/Screen+Shot+2017-12-31+at+7.07.19+PM.png</image:loc>
      <image:title>Graphic Tales - James Fullerton Dowd: A Eulogy</image:title>
      <image:caption>Susan Ellsworth, page design, D.B. Dowd, illustration, In Pursuit of God's Kingdom.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Graphic Tales - James Fullerton Dowd: A Eulogy</image:title>
      <image:caption>Jim and Betty Dowd in 2014, at Second Presbyterian Church, St. Louis. Photograph by Keltner. I am looking for better photographs of Jim and Betty, and will add same when I am able to.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1514760394607-7J87LQFGUC3IC0WZ4A7T/1021_Oxford_oblique.jpg</image:loc>
      <image:title>Graphic Tales - James Fullerton Dowd: A Eulogy</image:title>
      <image:caption>The house at 1021 Oxford NE, Massillon, Ohio, where Jim Dowd spent his childhood.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1514761772646-M2NH13M1QCZR8WLBU4TC/static1.squarespace.jpg</image:loc>
      <image:title>Graphic Tales - James Fullerton Dowd: A Eulogy</image:title>
      <image:caption>David D. Dowd, Jr., John C. "Jack" Dowd, and James F. Dowd. Family snapshot taken by David D. Dowd, Sr. or Martha Combrink Dowd, late 1940s. Shady Shores Resort, Dowagiac, Michigan. Photo courtesy of Deb Clinebell (née Dowd, daughter to Jim and Betty).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1514762640047-9JE7AQ8O731L8T4TD5JA/06_10_014753.jpg</image:loc>
      <image:title>Graphic Tales - James Fullerton Dowd: A Eulogy</image:title>
      <image:caption>Tinted Photograph Postcard, Shady Shores Resort, Dowagiac, Michigan, circa 1940. The Dowd family began vacationing here in 1938. My Uncle Jim and Aunty Betty Dowd continued this uninterrupted tradition with their own children, which continues to the present day.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1514761995429-4L6NNZVTJE4LO9O839V6/dbdowd_PGK_cover.png</image:loc>
      <image:title>Graphic Tales - James Fullerton Dowd: A Eulogy</image:title>
      <image:caption>D.B. Dowd and Heather Corcoran, Cover Design, In Pursuit of God's Kingdom, Ulcer City Publications, 2011. I was privileged to work on this project, a compilation of Jim's sermons. The cover design is a quotation from the stained glass wall behind the chancel at First Presbyterian Church in Urbana, Illinois.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1514761241315-3Y9MLEAGSK3FBC57FCFL/David%2C+Martha+Dowd+Family_det_Jim.jpg</image:loc>
      <image:title>Graphic Tales - James Fullerton Dowd: A Eulogy</image:title>
      <image:caption>Jim Dowd, in the back; Betty Dowd with Ken Dowd in her lap; Debbie Dowd (now Clinebell) standing center; Martha Combrink Dowd (Jim's mother, my grandmother) at right. This is a detail from a much larger family photograph shot at 1021 Oxford in 1965. That conservative-looking guy in the back was a freedom rider in the South and on the scene for the March on Washington. He heard Martin Luther King Jr.'s "I Have a Dream" speech live. (The audio was garbled and difficult to follow.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1514769137099-O62U698ZTLKODL0H4KFN/Screen+Shot+2017-12-31+at+7.11.09+PM.png</image:loc>
      <image:title>Graphic Tales - James Fullerton Dowd: A Eulogy</image:title>
      <image:caption>Susan Ellsworth, page design, D.B. Dowd, illustration, In Pursuit of God's Kingdom. Each of Jim's sermons got a launch like this one, with all-cap Joanna type and a two color image. This sermon, one from a series on the Lord's Prayer draws on my Aunt Betty's prodigious and skillful weaving to make its point.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1514766026687-GXKRE6PJ4B640LURNFJS/dbdowd_pgk_spot_angel.jpg</image:loc>
      <image:title>Graphic Tales - James Fullerton Dowd: A Eulogy</image:title>
      <image:caption>D.B. Dowd, Angel, spot illustration for In Pursuit of God's Kingdom. I drew this image of damaged statuary at Bellefontaine Cemetery in St. Louis, the city's 19th century Protestant necropolis. I now associate the drawing with Jim.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2017/11/17/lets-make-a-zine</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1510955871391-N1KZIJWXDJ3MOE6FJ2WN/Dowd_Hebdo_1.jpg</image:loc>
      <image:title>Graphic Tales - Let's Make a Zine!</image:title>
      <image:caption>D.B. Dowd, Charlie Hebdo: Pugnacious Elegy, Ulcer City Publications, 2016. Front and back cover. Scott Gericke, graphic designer. I wrote a sort of prose poem about the Charlie Hebdo attacks and "illustrated" it. The project is very zine-like: created for a specific purpose, opinionated, aggressively visual. Most of the type has been stripped out. I printed the run of this thing but have never systematically distributed it. (Write to me if you want one.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1510956141765-QQBR7Q9TMLQ0TLXTS7VB/Dowd_Hebdo_6.jpg</image:loc>
      <image:title>Graphic Tales - Let's Make a Zine!</image:title>
      <image:caption>Dowd, Pugnacious Elegy.  2016. There's a paragraph that goes on the left page about cartoonists--taggers, in effect--and how they "deface our satisfactions." Kilroy quote on the left, Philip Guston's painter (1975) quoted on the right.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1510955735797-LD7G5ELIN03GKO1N66XE/Dowd_Hebdo_2_16_web.jpg</image:loc>
      <image:title>Graphic Tales - Let's Make a Zine!</image:title>
      <image:caption>Dowd, Pugnacious Elegy. 2016. A tip of the hat to Le Charivari and Daumier's pear-king.  These drawings were made in 2015. The project feels differently resonant in the Age of Trump (let it be brief).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1510955367310-JY7ERR643D6ZS6TSZSWM/zine_plan.jpeg</image:loc>
      <image:title>Graphic Tales - Let's Make a Zine!</image:title>
      <image:caption>Schematic, four-page pamphlet.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1510955820307-6320INI8X2I1XE77F55S/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Let's Make a Zine!</image:title>
      <image:caption>Dowd, Pugnacious Elegy. 2016. Did not strip out the text on this one. Concluding spread.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1510957841598-Q1I6UFOFFXBNQ0LB1MW8/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Let's Make a Zine!</image:title>
      <image:caption>Eden Lewis, Home for the Holidays, 2015. I can't remember the precise title of this zine, and at the moment I also can't lay my hands on the artifact. It's hilarious; I can tell you that much.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1510957918612-HGXHCSBNCGNVIEJR9KQU/Lewis%2C+Eden+Zine+Project+3+CSI+FL+14+DBD_web.jpg</image:loc>
      <image:title>Graphic Tales - Let's Make a Zine!</image:title>
      <image:caption>Lewis, Holidays, 2015.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1510957966409-7FR1SNGW5OBQR9N6M4V3/Lewis%2C+Eden+Zine+Project+1+CSI+FL+14+DBD_web.jpg</image:loc>
      <image:title>Graphic Tales - Let's Make a Zine!</image:title>
      <image:caption>Lewis, Holidays, 2015.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1510958216882-NY6MJZSBPQ2I611T4JNM/Kim%2C+Sung+Sub+zine+project+1+CSI+FL14+DBD_web.jpg</image:loc>
      <image:title>Graphic Tales - Let's Make a Zine!</image:title>
      <image:caption>Sung Sub Kim, Apollo 11. 2015.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1510958192358-CSNJVNYDUJXBUSZ7CM56/Kim%2C+Sung+Sub+zine+project+2+CSI+FL14+DBD_web.jpg</image:loc>
      <image:title>Graphic Tales - Let's Make a Zine!</image:title>
      <image:caption>Sung Sub Kim, Apollo 11. 2015.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1510958256686-0MABWGVDFA4ZIZ4CFQ3X/Kim%2C+Sung+Sub+zine+project+3+CSI+FL14+DBD_web.jpg</image:loc>
      <image:title>Graphic Tales - Let's Make a Zine!</image:title>
      <image:caption>Sung Sub Kim, Apollo 11. 2015.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2017/10/22/blade-runner-2049-are-all-hobbesian-worlds-also-misogynistic-ones</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1508729009194-HADNOSXJTBBSYSLKG6JI/TMSEXvG.jpg</image:loc>
      <image:title>Graphic Tales - Blade Runner 2049: Are All Hobbesian Worlds Also Misogynistic Ones?</image:title>
      <image:caption>Painting credit unavailable, matte painting for Blade Runner (1982). Directed by Ridley Scott.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1508730983274-CS5AJTD20XAWOKMVJGNY/Screen+Shot+2017-10-22+at+10.55.28+PM.png</image:loc>
      <image:title>Graphic Tales - Blade Runner 2049: Are All Hobbesian Worlds Also Misogynistic Ones?</image:title>
      <image:caption>Film Still, Blade Runner 2049, (2017) directed by Denis Villeneuve.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1508729475157-2I17O9SKKK5JHGC3U4QR/Screen+Shot+2017-10-22+at+10.27.28+PM.png</image:loc>
      <image:title>Graphic Tales - Blade Runner 2049: Are All Hobbesian Worlds Also Misogynistic Ones?</image:title>
      <image:caption>Film Still, Blade Runner 2049, (2017) directed by Denis Villeneuve.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1508729684625-0HQ5N7ZDDKOJ0F10XOM1/4019561300000578-4485554-Slimed_Blade_Runner_2049_is_the_sequel_to_the_classic_Blade_Runn-m-110_1494280192931.jpg</image:loc>
      <image:title>Graphic Tales - Blade Runner 2049: Are All Hobbesian Worlds Also Misogynistic Ones?</image:title>
      <image:caption>Film Still, Blade Runner 2049, (2017) directed by Denis Villeneuve. . This is the scene referred to above.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1508729874611-MA3SP6NDJ2Y3KHM35YYJ/Robin-Wright-Blade-Runner-2049.jpg</image:loc>
      <image:title>Graphic Tales - Blade Runner 2049: Are All Hobbesian Worlds Also Misogynistic Ones?</image:title>
      <image:caption>Film Still, Blade Runner 2049, (2017) directed by Denis Villeneuve.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1508730349368-8X7BVE8JWZWTXCAZAGN1/furiosa.jpg</image:loc>
      <image:title>Graphic Tales - Blade Runner 2049: Are All Hobbesian Worlds Also Misogynistic Ones?</image:title>
      <image:caption>Film Still of Charlize Theron as Furiosa. Mad Max: Fury Road (2015), directed by George Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1508728556225-P27ERI1E89A4YMOF8HR3/blade+runner+2049+blue+hair-1.gif</image:loc>
      <image:title>Graphic Tales - Blade Runner 2049: Are All Hobbesian Worlds Also Misogynistic Ones?</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2017/10/21/words-of-wisdom-from-abroad-re-100-figures</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1508642112001-R9W7TWOR017IQPS32W7C/Screen+Shot+2017-10-21+at+10.07.52+PM.png</image:loc>
      <image:title>Graphic Tales - Words of Wisdom From Abroad, re: 100 Figures</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1508642149389-XJ7SFXFPWF4ZTPE0JCIU/Screen+Shot+2017-10-21+at+10.09.16+PM.png</image:loc>
      <image:title>Graphic Tales - Words of Wisdom From Abroad, re: 100 Figures</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1508642184224-AG6BQGHRYCVA0Q5B2IYQ/Screen+Shot+2017-10-21+at+10.08.29+PM.png</image:loc>
      <image:title>Graphic Tales - Words of Wisdom From Abroad, re: 100 Figures</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1508642211353-ULG0S5LCUJ99N9A3B324/Screen+Shot+2017-10-21+at+10.08.58+PM.png</image:loc>
      <image:title>Graphic Tales - Words of Wisdom From Abroad, re: 100 Figures</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2017/7/10/back-to-the-source-in-fresh-clothes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1499724262631-HCXFJMMDBTBEHBCJVO9X/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Graphic Tales Reconsidered</image:title>
      <image:caption>Stuart Davis, Eggbeater No. 4, 1928. I have written about the relationship between modernism and the commercial tradition, manifested particularly in advertising and graphic design, but also in illustration and cartooning. Stuart Davis occupies a special position in that discussion.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1499897606854-1VO5FFBDA6X0C34LDAW3/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Graphic Tales Reconsidered</image:title>
      <image:caption>D.B. Dowd, Jazz Drummer, 2015. Brush drawing in ink. This guy played drums for the Lonnie Smith Quartet, who played in St. Louis that summer. He's here because I never really stop thinking about drawing. I wonder ceaselessly: what is the relationship between description and abstraction? I love this question.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2017/6/23/animated-filmmaker-ro-blechmans-ink-tank-archive-comes-to-stl</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1498248511288-EQYUMMZUNOR0610PBUOI/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Animated Filmmaker R.O. Blechman’s Ink Tank Archive Comes to STL</image:title>
      <image:caption>R.B. Blechman, animated Alka-Seltzer commercial, 1967. A man and his stomach go to therapy together. The stomach is voiced by Gene Wilder at his neurotic best. Blechman's animation is delightful.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1498248297811-KT0R58Q09PGTYF6TWUSB/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Animated Filmmaker R.O. Blechman’s Ink Tank Archive Comes to STL</image:title>
      <image:caption>R.O. Blechman, The Soldier’s Tale, PBS, 1983</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1498248362467-VYS0WGAB783YAB09AMP3/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Animated Filmmaker R.O. Blechman’s Ink Tank Archive Comes to STL</image:title>
      <image:caption>R.O. Blechman, The Soldier’s Tale, PBS, 1983</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1498249206369-KAMJB1B52M46C2WYXCAG/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Animated Filmmaker R.O. Blechman’s Ink Tank Archive Comes to STL</image:title>
      <image:caption>Scott Gericke, MGHL identity, 2017.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1498248781502-AQLZJNJJYZ8N7NVBCSUJ/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Animated Filmmaker R.O. Blechman’s Ink Tank Archive Comes to STL</image:title>
      <image:caption>Jean-Philippe Delhomme, painted backdrop for Barney’s New York animated commercial, 1994</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2017/4/4/craft-speed-and-payoff</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1497897236088-A6OHNPTZGYZ7CZ8T0ADE/image-asset.png</image:loc>
      <image:title>Graphic Tales - Lehigh Valley Animation</image:title>
      <image:caption>D.B. Dowd and Noah MacMillan, Title Slate, animation still, Lehigh Valley project, 2017. I made the key drawing and Noah built the sky and the type, plus added color.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1496295216346-2GHK3VVLCLMMBCXZRF7S/dbdowd_runway.png</image:loc>
      <image:title>Graphic Tales - Lehigh Valley Animation</image:title>
      <image:caption>D.B. Dowd and Noah MacMillan, Airport Scene, animation still, Lehigh Valley project, 2017. I drew the airplanes and Noah created the airport backdrop. I was skeptical that the red sky would work, but Noah nailed it. The animation moves and changing focus on this work very nicely, I think.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1497846806994-HPY69MYPNB39YCRH32U7/still15.jpg</image:loc>
      <image:title>Graphic Tales - Lehigh Valley Animation</image:title>
      <image:caption>D.B. Dowd, opening screen, Scenes from Starkdale, Ohio, 2006-07. Media contrast to the Lehigh Valley piece: all of the artwork for animation I produced between 2000 and 2007 was generated using vector translations from drawings (manual translations, not live traces.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1497899437780-YON1LXDHD39FF124OHZX/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Lehigh Valley Animation</image:title>
      <image:caption>D.B. Dowd, Character Ensemble, Sam the Dog.com, 2001. Back in the day I produced online animation based on the characters I created for an illustrated serial that ran in the St. Louis Post-Dispatch, 1997-99. Again, shown for media contrast: all vector.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1496295685547-BFCTMUWCUDGT08KEDVKC/dbdowd_quality_jobs.png</image:loc>
      <image:title>Graphic Tales - Lehigh Valley Animation</image:title>
      <image:caption>D.B. Dowd, Character, Lehigh Valley project. Brush drawing. This was not in my storyboard. Lori Dowd directed the animation session, and made a decision to pull characters from a later group scene and plop them into a frame with some set type to introduce variety toward the beginning of the piece. Several images, including the construction site and the aerial view of the airport (below) were moved to the back of the sequence, where they worked much better.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1497848574460-KJISNO1IC9GIMZK78UAR/image-asset.png</image:loc>
      <image:title>Graphic Tales - Lehigh Valley Animation</image:title>
      <image:caption>D.B. Dowd, Disgruntled Citizens, animation still, Lehigh Valley project. This is the shot from which Lori snatched characters to generate the two new  "head + type" shots, to even out the project. As noted above, a good call. All brush drawings. The lime green sort of turned into Steve Bannon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1497848049364-TSYVPX0AJUQ4CZP5SPKV/image-asset.png</image:loc>
      <image:title>Graphic Tales - Lehigh Valley Animation</image:title>
      <image:caption>Noah MacMillan, Fedex Trucks, Lehigh Valley project still. Noah jumped in to draw and process this shot. The Lehigh Valley development included a huge Fedex Ground Hub facility.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1497848503102-CS4TK5CFIJ5DM1BZGXIO/image-asset.png</image:loc>
      <image:title>Graphic Tales - Lehigh Valley Animation</image:title>
      <image:caption>D.B. Dowd and Noah MacMillan, animation still, Lehigh Valley.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1497847089350-2N71NCPHTIP06KX2EAA4/image-asset.png</image:loc>
      <image:title>Graphic Tales - Lehigh Valley Animation</image:title>
      <image:caption>D.B. Dowd, Aerial View, Airport, still from Lehigh Valley project. An abstracted presentation. The animated frame of this image, including the teeny little blue airplane taking off, is weirdly pleasant to watch (or so it has seemed to me).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1497900762650-CXU5F20JGT3YQPV8ALP5/Lehigh_Storyboard.jpg</image:loc>
      <image:title>Graphic Tales - Lehigh Valley Animation</image:title>
      <image:caption>D.B. Dowd, page 1, storyboard for Lehigh Valley project. Shot 3 got canned by the director during the edit; a character illustration with typeset dialogue was substituted.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1496294756250-LNZU9NH4BOXQ6AWDMO6I/dbdowd_construction.png</image:loc>
      <image:title>Graphic Tales - Lehigh Valley Animation</image:title>
      <image:caption>D.B. Dowd, final art for Shot 2 from Lehigh Valley storyboard (moved later in sequence during edit).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1497900701016-9OXVW9QS3QSASHMWOTSA/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Lehigh Valley Animation</image:title>
      <image:caption>Process materials, shot development for Lehigh Valley. The checked blue box means inked, the checked orange box means colored, and the checked red box means files prepped and uploaded to shared folder with the animation shop.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1497900643000-DWLMLO76WV6OQJQ2QTYR/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Lehigh Valley Animation</image:title>
      <image:caption>Process materials, documented pretty late in the production curve.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/30/lively-pictures-of-boring-things</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404144161780-PSYJIMT6A16HDJ3OSIPT/BetterHomes_HomeRepair_PowerTools.jpg</image:loc>
      <image:title>Graphic Tales - Lively Pictures of "Boring" Things</image:title>
      <image:caption>Lorraine Fox (uncredited), Power Tools, section divider illustration, Better Homes &amp; Gardens Handyman's Book, Meredith Corporation, 1957.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404144197518-BFOPZDQYWFP9JZGPXLNP/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Lively Pictures of "Boring" Things</image:title>
      <image:caption>Lorraine Fox (uncredited), cover illustration, Better Homes &amp; Gardens Handyman's Book, Meredith Corporation, 1957.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404144211330-X0AHNBRKCG7E3AMK76I3/dividertabs009.jpg</image:loc>
      <image:title>Graphic Tales - Lively Pictures of "Boring" Things</image:title>
      <image:caption>Lorraine Fox (uncredited), Fastening Techniques, section divider illustration, BH &amp; G Handyman's Book, 1957.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404144229118-1MDQST65P7570YGFADAJ/BetterHomes_HomeRepair_Windows%2Bdoors.jpg</image:loc>
      <image:title>Graphic Tales - Lively Pictures of "Boring" Things</image:title>
      <image:caption>Lorraine Fox (uncredited), Windows and Doors, section divider illustration, BH &amp; G Handyman's Book, 1957.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404144260913-PQVRB3JWCL2U2DZ1BRVL/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Lively Pictures of "Boring" Things</image:title>
      <image:caption>Lorraine Fox (uncredited), Walls and Floors, section divider illustration, BH &amp; G Handyman's Book, 1957.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404144343800-SR8L7ODAOMF39IY5WYLK/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Lively Pictures of "Boring" Things</image:title>
      <image:caption>Lorraine Fox (uncredited) Building Materials, section divider illustration, BH &amp; G Handyman's Book, 1957.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404144293318-Y58MR7C6DFZSJZVC9LEG/BetterHomes_Handyman_Walls%2BFloors_det.png</image:loc>
      <image:title>Graphic Tales - Lively Pictures of "Boring" Things</image:title>
      <image:caption>Detail, Walls and Floors.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404144367066-IJ68GD8B2S5CFUJIVDQZ/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Lively Pictures of "Boring" Things</image:title>
      <image:caption>Reference Tables, Wood Screws and Nails, section divider verso, BH &amp; G Handyman's Book, 1957.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404144383216-IAUDHIHY76H00EMQZ74M/BetterHomes_HomeRepair_Index%2BGuy.jpg</image:loc>
      <image:title>Graphic Tales - Lively Pictures of "Boring" Things</image:title>
      <image:caption>Lorraine Fox (uncredited), General Index, section divider illustration, BH &amp; G Handyman's Book, 1957.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/9/27/the-colonel-in-clover</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1470538096823-SDDO4ZRW7LK8PHI1V36D/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Godspeed, Father (A Colonel in Clover Update)</image:title>
      <image:caption>David D. Dowd, Jr. Phil Masturzo, Akron Beacon Journal file photograph, 2014.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1470539286080-393Q5MXRK7JYKS6167GZ/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Godspeed, Father (A Colonel in Clover Update)</image:title>
      <image:caption>David D. Dowd, Jr., John C. "Jack" Dowd, and James F. Dowd. David and Jack are looking like some sharp-dressed men. Jim appears downright pugnacious. Family snapshot taken by David D. Dowd, Sr. or Martha Combrink Dowd, late 1940s. Shady Shores Resort, Dowagiac, Michigan. My cousin Deb Clinebell (née Dowd, daughter to Jim and Betty) sent this to me yesterday via a text message. I think she re-photographed a snapshot in an album.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1470588217426-Y0JHFUEWRJVMDDVQSAW7/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Godspeed, Father (A Colonel in Clover Update)</image:title>
      <image:caption>David and Jack both attended the College of Wooster and Michigan Law. Jack was a partner at Squire Sanders &amp; Dempsey, and a major figure in Ohio and Cleveland public project financing. When Jack died, Dad created a book project to memorialize him, which we designed in my shop.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1470590210206-4NIKMT5MPFATV2C0D60Y/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Godspeed, Father (A Colonel in Clover Update)</image:title>
      <image:caption>Jim Dowd went to Cornell and Yale Divinity. He had a distinguished career in the Presbyterian Church. We produced a volume of Jim's sermons, which for which I made illustrations. This angel does double duty today, ushering Dad along.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1411964979996-RACRPGYPQQD0FZX641SF/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Godspeed, Father (A Colonel in Clover Update)</image:title>
      <image:caption>The Original. Daguerrotype of Colonel David Dudley Dowd (1806-1888.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1470587865514-OZ9FMNJ597R2DZ703HWY/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Godspeed, Father (A Colonel in Clover Update)</image:title>
      <image:caption>Medina County, Ohio. Note Seville, bottom center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1411965124228-YYH2K2QRHB0TGWFROML5/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Godspeed, Father (A Colonel in Clover Update)</image:title>
      <image:caption>Photograph of the Dowd monument in Mound Hill Cemetery, in Seville, Ohio. Medina County. I got this photograph and the two historical ones off www.findgrave.com when I entered DDD1's name.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1411965082242-P168OTYEJ73NCW894BUE/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Godspeed, Father (A Colonel in Clover Update)</image:title>
      <image:caption>The top-hatted colonel standing next to his monument. He looks older. Seems likely to have been shot around 1880.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1411917290061-BKMHAM4A6F7KDVVBFQIM/geology_ohio_1873_cover+2_sm.jpg</image:loc>
      <image:title>Graphic Tales - Godspeed, Father (A Colonel in Clover Update)</image:title>
      <image:caption>The Geological Survey of Ohio. Published 1873.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1412834142739-81CJFBX6TGQ54NVRNLHH/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Godspeed, Father (A Colonel in Clover Update)</image:title>
      <image:caption>Inscription signature, Colonel D. D. Dowd, in the leaf of a family copy of The Geological Survey of Ohio. 1873. My father's namesake.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1411917364972-5X3DWSLJ16VRVRGEM8DW/geology_ohio_1873_summit_cty.jpeg</image:loc>
      <image:title>Graphic Tales - Godspeed, Father (A Colonel in Clover Update)</image:title>
      <image:caption>The Geology of Summit County. The yellow, pink and brown colors are printed inks; the orange is hand-applied watercolor.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1411918419332-MJFQZC4W4UPNZYNHFEOL/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Godspeed, Father (A Colonel in Clover Update)</image:title>
      <image:caption>Map Showing LInes of Junction of the Cincinnati Group (near Dayton, Ohio). All three map colors are letterpress: citron, rust and baby blue.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1411918567970-WWMN389J6LSE8BJTMVV4/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Godspeed, Father (A Colonel in Clover Update)</image:title>
      <image:caption>Detail of period hand-lettering.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1411918495431-5CLJRYAPZH42SW09R87Z/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Godspeed, Father (A Colonel in Clover Update)</image:title>
      <image:caption>South of Dayton, near the Mad River, note Lunatic Asylum. Be thankful that you live in the 21st century.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1411918681831-DIIGHWVOKJTQ6X7TGQQC/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Godspeed, Father (A Colonel in Clover Update)</image:title>
      <image:caption>The four-leaf clover stuck between pages 562 and 563.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1411918730207-6HUOL8WRZC2BFA4WR3L8/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Godspeed, Father (A Colonel in Clover Update)</image:title>
      <image:caption>Detail, four-leaf clover.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2016/7/5/arguing-for-aristotle-icon-talk-bibliography</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1467777103359-CK5DLTA918TQX71U3E8M/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - ICON Talk: Bibliography for Liberal Arts + Illustration</image:title>
      <image:caption>Austin Briggs, Flash Gordon Sunday strip. December 21, 1941</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1467777185743-RZJ3PQBLRSA6M32Y9VQJ/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - ICON Talk: Bibliography for Liberal Arts + Illustration</image:title>
      <image:caption>Ivan Brunetti, New Yorker cover illustration, November 1, 2010.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1467777448870-AHBREY4TLEQ71E7T5HYX/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - ICON Talk: Bibliography for Liberal Arts + Illustration</image:title>
      <image:caption>Constantin Guys, Sketches in Madrid. The Illustrated London News, July 28, 1856.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1467777582599-INW4SK5LNPHGTOQM0I8Q/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - ICON Talk: Bibliography for Liberal Arts + Illustration</image:title>
      <image:caption>Rebecca Sugar, Steven Universe, 2013.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1467777832850-1S1UYW1LRNP1LQOXCCMC/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - ICON Talk: Bibliography for Liberal Arts + Illustration</image:title>
      <image:caption>Ethel Franklin Betts, cover illustration, Fairy Tales from Grimm, Edward Stern &amp; Company, 1909.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1467778160770-ZE1FF66N8BC4IGEL93JC/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - ICON Talk: Bibliography for Liberal Arts + Illustration</image:title>
      <image:caption>Neysa McMein, Self Portrait cover illustration for McCall's, June 1932.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1467778701017-AUV0KWDZKBBME3G7OR3Y/Shahn_crowd.jpg</image:loc>
      <image:title>Graphic Tales - ICON Talk: Bibliography for Liberal Arts + Illustration</image:title>
      <image:caption>Ben Shahn, Crowd, n.d.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1467778820968-4F27REQZRR2SKN14NUUU/image-asset.png</image:loc>
      <image:title>Graphic Tales - ICON Talk: Bibliography for Liberal Arts + Illustration</image:title>
      <image:caption>D.B. Dowd, cover illustration, Spartan Holiday No. 3: French Lesson. Summer 2016.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2016/6/3/jaleen-grove-postdoctoral-fellow-at-mghl-and-washington-university</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1464987023945-NW32AARM8X3XLO3ATE2X/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Jaleen Grove Post-Doctoral Fellow at MGHL / Washington University</image:title>
      <image:caption>Oscar Cahén, cover illustration, Maclean's Magazine, October 15, 1951. Jaleen Grove has worked at the Cahén archive, among other important projects. She has just published a monograph on Cahén's work.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1464986744447-MVWC2DYYJZ30B3JVQK12/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Jaleen Grove Post-Doctoral Fellow at MGHL / Washington University</image:title>
      <image:caption>Dr. Jaleen Grove</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/11/harry-and-alfred-make-pictures-of-people</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1402510334308-02DNUPUFH23IQ9MXV7C5/alparker_11_origh_nd_727.jpg</image:loc>
      <image:title>Graphic Tales - Harry and Alfred Make Pictures of People</image:title>
      <image:caption>Al Parker, Restaurant fight breaking out in front of jungle wallpaper, watercolor(?) and gouache with additions in dry media, date and citation unavailable, circa 1940.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1402510372624-Y4MKV38R7QGEN8YJIIZ8/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Harry and Alfred Make Pictures of People</image:title>
      <image:caption>Parker, Be-robed man with plumed knight’s helmet speaking with woman, watercolor(?) and gouache with additions in dry media, date and citation unavailable, circa 1940.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1402510400772-QUAKA97JF7XK9JBMJIF3/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Harry and Alfred Make Pictures of People</image:title>
      <image:caption>Parker, An emblem as famous as the people it serves, two-page spread advertisement for American Airlines, circa 1959.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1402510436586-6BP9K0DBHF6GNYK12S5U/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Harry and Alfred Make Pictures of People</image:title>
      <image:caption>Harry Beckhoff, “Excuse me sir, but it’s the truth!” Collier's Weekly, April 5, 1941 [all of these Beckhoff images are fiction illustrations published in Collier's].</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1402510482654-O300NQCTWXR1YCZNT7FW/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Harry and Alfred Make Pictures of People</image:title>
      <image:caption>Beckhoff, “Calfs are seldom house broke,” June 12, 1941.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1402510511962-9D7JWYJNW56UUHUGT73D/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Harry and Alfred Make Pictures of People</image:title>
      <image:caption>Beckhoff, Miss Wilson gasped at Peter March, June 1, 1939.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1402510540075-QWURTS2Z3YK3KBHD1PYC/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Harry and Alfred Make Pictures of People</image:title>
      <image:caption>Beckhoff, He held is beloved drum aside, March 4, 1939.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1402510565904-5AWJYEV0TUA5L4N99HQQ/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Harry and Alfred Make Pictures of People</image:title>
      <image:caption>Beckhoff, We did a bit of firsting stuff together, April 9, 1938.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1402510600279-40LY7TJA18SQ6RA36N11/Beckhoff-colliers-030141+copy.jpg</image:loc>
      <image:title>Graphic Tales - Harry and Alfred Make Pictures of People</image:title>
      <image:caption>Beckhoff, "Boys, Boys!" March 1, 1941.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1402510633962-ORAIS312311H6FFIIJ87/Beckhoff%2C+%E2%80%9CI+smell+Nassau+in+May%2C%E2%80%9D+June+17%2C+1939.</image:loc>
      <image:title>Graphic Tales - Harry and Alfred Make Pictures of People</image:title>
      <image:caption>Beckhoff, “I smell Nassau in May,” June 17, 1939.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1402510656615-CIL62WL5MME9AASBDIHH/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Harry and Alfred Make Pictures of People</image:title>
      <image:caption>Beckhoff, “Mr. Lethbridge,” cried Sally, “meet my fiancé!”, January 8, 1938.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1402510687057-PBZBD9CD09NR05NKOEAV/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Harry and Alfred Make Pictures of People</image:title>
      <image:caption>Beckhoff, A Sailor pulled in Two Directions, January 16, 1937.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/welcome-to-the-neighborhood-race-rockwell-and-new-hampshire</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403803239807-O4RY6RB1CXGEL7EXZ0TL/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Welcome to the Neighborhood: Race, Rockwell, and New Hampshire</image:title>
      <image:caption>Norman Rockwell, New Kids in the Neighborhood, illustration for “Negro in the Suburbs,” by Jack Star, Look, May 16, 1967</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403803283037-30WPKPR68VX1BF73LMYQ/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Welcome to the Neighborhood: Race, Rockwell, and New Hampshire</image:title>
      <image:caption>Rita Marshall, (detail of) cover design for American Chronicles: the Art of Norman Rockwell, 2007</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403803313360-QPL07R90MLNBQSP4KQQO/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Welcome to the Neighborhood: Race, Rockwell, and New Hampshire</image:title>
      <image:caption>(Left) Sol Sender graphic design, Obama logotype, 2007; (Right) Charlie Neibergall, AP photograph on the evening of the Iowa caucuses, January 3, 2008.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403803340686-458HPYK3P94PGVNA1NGG/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Welcome to the Neighborhood: Race, Rockwell, and New Hampshire</image:title>
      <image:caption>Gustave Courbet, The Stonebreakers, 1849 (destroyed in WW2)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403803381738-M0TKB39N9MM9F1B2UNR0/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Welcome to the Neighborhood: Race, Rockwell, and New Hampshire</image:title>
      <image:caption>Rockwell, The Problem We All Live With, Look, June 14, 1964; the image shows Ruby Bridges between four Marshals on her way into her first day at an all-white school in New Orleans in 1960 (today, Ruby Bridges sits on the NRM board)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403803408506-9XXGE0R9I2COHIT12RJZ/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Welcome to the Neighborhood: Race, Rockwell, and New Hampshire</image:title>
      <image:caption>Hector Rondon, news photograph, Aid from the Padre, taken June 2, 1962, at Puerto Cabello Naval Base, Caracas during a revolt against the Venezuelan government</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403803484858-7TNBBIKJOKJ7P8CLZQUD/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Welcome to the Neighborhood: Race, Rockwell, and New Hampshire</image:title>
      <image:caption>Norman Rockwell, double-page tearsheet for “Southern Justice,” Look, June 29, 1965</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2016/2/22/figures-abstraction-and-description-circa-1925</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1456205352699-4Y4IMAO2830QYELEVMQV/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Figurative Abstraction and Description: Art Deco</image:title>
      <image:caption>Coles Phillips, The Magic Hour, illustration for Oneida Community Plate advertisement, I924.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1456204912822-2KQMPUHMD8VY906BAN6J/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Figurative Abstraction and Description: Art Deco</image:title>
      <image:caption>Coles Phillips, Magazine advertisement for Holeproof Hosiery, 1923.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1456204188262-LJP7LB6XAQQVYPCF8YMG/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Figurative Abstraction and Description: Art Deco</image:title>
      <image:caption>Eric Gill, Illustrated Initial Capital, Matthew 7:28, from The Four Gospels, published by Cockerel Press, 1931. (Note: I have long admired this book. As I was preparing this post, I took a peek to see what a copy of the original 600 copy run would cost, if I were to save my nickels to acquire one. Answer: a gigantic pile of nickels. $22,000 will get you a copy. I think I'll satisfy myself with looking at the one in our rare books collection!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1456201879252-6YG31M6QP49AFT2EXP87/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Figurative Abstraction and Description: Art Deco</image:title>
      <image:caption>Paul Manship, Dancer and Gazelles, 1916. At the Smithsonian Institution. A three-dimensional ensemble, with a very strong 2-dimensional profile.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1456202076728-ZS0OQXKODTD4M7FDTCWU/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Figurative Abstraction and Description: Art Deco</image:title>
      <image:caption>The Reeses (Emily Shaw and Walter O.), Detail, Williams Talc Advertisement, Ladies Home Journal, May 1919. From the Walt Reed Illustration Archive, Modern Graphic History Library, Washington University in St. Louis.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1456202182835-R73QDGD3WQLZLM3CVOH4/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Figurative Abstraction and Description: Art Deco</image:title>
      <image:caption>The Reeses (Emily Shaw and Walter O.), Detail, Warner Corsets Advertisement, Ladies Home Journal, October 1922. From the Walt Reed Archive, MGHL.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1456201743903-F8FTD68205HOXXZT80QT/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Figurative Abstraction and Description: Art Deco</image:title>
      <image:caption>Paul Manship, Acteon #1, 1925. Also at the Smithsonian.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1456201801197-MLWARACJQMLDBOJZCIUP/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Figurative Abstraction and Description: Art Deco</image:title>
      <image:caption>Lee Lawrie, Wisdom, 1933. Bas Relief Panel on adjoining planes, with text. Entrance to main building to Rockefeller Center. I can't find a precise address, but it's tucked back in the complex, off 5th, south of 50th street.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1456201843440-TB0BVDV6A6NJVYAF85XR/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Figurative Abstraction and Description: Art Deco</image:title>
      <image:caption>Lee Lawrie, Progress, 1937. Bas-Relief Panel, 49th Street Entrance to Rockefeller Center, Midtown Manhattan.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/thickets-screens-scrims</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403819516158-F0HG72EJVHUR3MI9FFSJ/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Thickets, Screens, Scrims</image:title>
      <image:caption>Robert Weaver, Man fleeing at dusk, Cosmopolitan, 1962.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403819531791-HJDV1GFGNOHDY1LGGI2I/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Thickets, Screens, Scrims</image:title>
      <image:caption>Robert Weaver, Advocate, Cosmopolitan, 1958.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403819563832-PDMBMEUOECND5A81YIRI/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Thickets, Screens, Scrims</image:title>
      <image:caption>Bob Peak, Stakeout, Cosmopolitan, 1958.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1455553239876-S7ZNM8UWSBT5M66RPKGN/Sasek-NewYork-watertowers.jpg</image:loc>
      <image:title>Graphic Tales - Thickets, Screens, Scrims</image:title>
      <image:caption>Miroslav Sasek, This is New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1455553376018-CY4EJB65Z0DU6AGYMOBN/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Thickets, Screens, Scrims</image:title>
      <image:caption>Miroslav Sasek, This is New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1455553414250-9DZ4LJA8Y0N3MJCK9ULP/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Thickets, Screens, Scrims</image:title>
      <image:caption>Miroslav Sasek, This is San Fransisco.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1455553266847-O3NGLQC1ECYTQ67AJPU9/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Thickets, Screens, Scrims</image:title>
      <image:caption>Miroslav Sasek, This is London.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2016/2/7/of-billkens-and-brush-drawings</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1455201590132-EVO1MYG66LEUVGL1ZZ5N/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Of Billikens and Plaid-Patterned Elephants</image:title>
      <image:caption>The new Saint Louis University Billikens mark, designed by Olson, a brand shop in Minneapolis. 2015.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454881756791-A9FEAOU1SS7UM8F3RII2/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Of Billikens and Plaid-Patterned Elephants</image:title>
      <image:caption>The last iteration of the Billiken, here given three-dimensional form as a courtside costume. Photography credit unavailable (SLU Athletics, 2012). I wrote in 2010: Look at that meandering mouth, the blank yet slightly cross-eyed gaze. Doesn't he look like he's trying to pass a sobriety test? Does he have any hope of intimidating an opponent? Of course not–he's trying to touch his nose! On the positive side, he's got enviable sneakers, and his italicized SLU seems slightly aggressive.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454908813230-251MJJNQK58K64WAQOD1/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Of Billikens and Plaid-Patterned Elephants</image:title>
      <image:caption>Florence Pretz' patent application drawing for her Billiken, 1908.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454909703418-2F6RZVJSW1YG85HJSQPJ/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Of Billikens and Plaid-Patterned Elephants</image:title>
      <image:caption>Revised Saint Louis University wordmark by Olson, a brand shop in Minneapolis. 2015.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454880783935-FW2GJ12VAE1JQR0WN9FQ/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Of Billikens and Plaid-Patterned Elephants</image:title>
      <image:caption>The new Saint Louis University Billiken, designed by Olson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1455202249062-7RQGUA8Y47GLRWRVKYHZ/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Of Billikens and Plaid-Patterned Elephants</image:title>
      <image:caption>Designer Unknown, Toppie, the Top Value Stamps elephant mascot, circa 1957. In Meet Mr. Product, Dotz and Husain, 2003. Toppie was drawn by a person, not a machine.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1455202583941-H7CNYPQ0GYLZG9LYVN31/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Of Billikens and Plaid-Patterned Elephants</image:title>
      <image:caption>Toppie on a lunchbox. From an appreciation of Top Value ads, here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1455202777100-20TTJTIR82UM2JDQVRFP/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Of Billikens and Plaid-Patterned Elephants</image:title>
      <image:caption>Repeating. Note role of the gray.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454909249654-IFZLF1DHEWNZWGZ6X8G6/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Of Billikens and Plaid-Patterned Elephants</image:title>
      <image:caption>Grace Drayton, Dolly Dingle Paper Dolls with Outfits. 1930. Grace (profiled here on my Illustration History blog) was one of the creators of characters associated with products and what would become known as “brands.” Starting in comics at the Philadelphia Press, in 1905 she created “The Campbell’s Soup Kids” who bore a powerful resemblance to characters she created for the rest of her career. She produced these Dolly Dingle paper-cutouts for Pictorial Review as a running gig. Her “kids” were of the same generation of Pretz’ Billken.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2016/2/1/evening-lectures-february-march-2016</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454365559192-1JKBU45RH5MT4JPS8JSH/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Evening Lectures, February-March 2016</image:title>
      <image:caption>Advertising illustration by Coles Phillips for the Overland Roadster, 1915.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/fancy-type-imagey-letterforms</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403820326848-RZJ0393VE3SQX0WZWD3D/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Fancy Type &amp; Imagey Letterforms</image:title>
      <image:caption>Stark Brothers, Clerical Taylors, printed by John Baxter &amp; Son, Artistic Printers, Edinburgh, Scotland; letterpress-printed advertisement 1882, reprinted in The Handy Book of Artistic Printing by Doug Clouse and Angela Voulangas, Princeton Architectural Press, 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403820337531-5Z7TY3C3RFVLIJCDQSPE/Type_Specimen_Chwast_Bestial_Bold.jpg</image:loc>
      <image:title>Graphic Tales - Fancy Type &amp; Imagey Letterforms</image:title>
      <image:caption>Seymour Chwast, Bestial Bold, from "Push Pin Graphic No. 83" issued 1980, reproduced in the Chronicle Books compilation, The Push Pin Graphic, published in 2004, written by Chwast and edited by Steve Heller and Martin Venezky.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403820358225-CDFVRJYK43M3UMZBH9TC/Type_Specimen_HOckney.jpg</image:loc>
      <image:title>Graphic Tales - Fancy Type &amp; Imagey Letterforms</image:title>
      <image:caption>David Hockney, "The Letter N" from Hockney's Alphabet, published in 1991 by Random House in association with the American Friends of the Aids Crisis Trust</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1453908082318-XFYP97ZEUK5JWARPH4FC/image-asset.png</image:loc>
      <image:title>Graphic Tales - Fancy Type &amp; Imagey Letterforms</image:title>
      <image:caption>From the Ship of Fools, 1494. Sebastian Brandt. Annotated citation to come.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1453908176362-OLHUUGB534CF8H3C3T8U/image-asset.png</image:loc>
      <image:title>Graphic Tales - Fancy Type &amp; Imagey Letterforms</image:title>
      <image:caption>A late medieval/early modern calendar. Citation to come.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403820388023-9U5FGYY9PPTARIISF3JM/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Fancy Type &amp; Imagey Letterforms</image:title>
      <image:caption>Morton Goldsholl and John Weber of Goldsholl Associates, Holiday Delight Baking Company Logotype, 1965, reproduced in American Trademark Designs by Barbara Baer Capitman, published by Dover Books, 1976</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403820412983-J8BGEBJJ8EEIXHC5PH5B/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Fancy Type &amp; Imagey Letterforms</image:title>
      <image:caption>Fancy Typefaces, 1878-1895, Artistic Printing</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403820427137-11YF4Y7SRKE9BTHHYZ06/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Fancy Type &amp; Imagey Letterforms</image:title>
      <image:caption>Fancy Typefaces, 1878-1895, Artistic Printing</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403820661606-Z0HHI1P877V15HJP8918/Playing_Cards_French_Revolutionary_Era_left_half.jpg</image:loc>
      <image:title>Graphic Tales - Fancy Type &amp; Imagey Letterforms</image:title>
      <image:caption>Revolutionary Era Question and Answer Cards, French, reproduced in Antique Playing Cards; A Pictorial Treasury, by Henry Rene D'Allemange, first published in 1906 and reissued by Dover in 1996</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403820702099-AQYYYSFGT19KJ9SMKYO4/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Fancy Type &amp; Imagey Letterforms</image:title>
      <image:caption>Mark Todd, Bad Asses book cover design, Blue Q, 2007</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1421081738608-KRJVL0ON9WVLQ8GC94RV/image-asset.png</image:loc>
      <image:title>Graphic Tales - Fancy Type &amp; Imagey Letterforms</image:title>
      <image:caption>Milt Caniff, wordmark for Terry and the Pirates, the comic strip that ran from 1934 to 1973 (although Caniff left the strip at the end of 1946 to create Steve Canyon).  From a Sunday strip, 1944.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2016/1/22/08lhej86qtrzklcuzue2y0cwbgzymk</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1453484649140-P9PZDVFABG9ZBW5KGDSS/image-asset.png</image:loc>
      <image:title>Graphic Tales - Clocking In</image:title>
      <image:caption>Coming and going. Animation still from "Don't Give Up the Sheep," Warner Brothers Studios, 1953. Directed by Chuck Jones.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2015/10/30/on-designing-a-project-looking-ahead</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1446305950601-2QVBULTJFLM2FD6SYH6N/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - On Designing a Project: Looking Ahead</image:title>
      <image:caption>D.B. Dowd, working scan from Massillon v. St.Vincent-St.Mary's (unfinished); illustration for Spartan Holiday No. 3 (upcoming). This project, a collaboration with Scott Gericke, ably assisted by intern Sara Wong, occupied may September and awaits completion in December.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1446307957367-RE617P8U5NKJWP5HMMWZ/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - On Designing a Project: Looking Ahead</image:title>
      <image:caption>D.B. Dowd, detail, Baroque Self-Portrait, from Spartan Holiday No. 3. Yup: Professor Red in a powdered wig. Can't wait to get this project out. I think it's the best Spartan so far. Set in Paris.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1446306627733-1IYMR10O457SHTV3F33M/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - On Designing a Project: Looking Ahead</image:title>
      <image:caption>D.B. Dowd, Japanese Banana, Jardin des Plantes, Paris. 2013.I spent October holed up in an underground bunker (on a TVA lake in Alabama) finishing a book I've been pondering for a dozen years, began writing in 2009, and substantially completed during my Parisian interlude, summer 2013. The last step was to expand, resolve and button up the project. Stick Figures: Symbolic Drawing in the Digital Age will see print in the next year or so: details to come. This drawing figures in Chapter 6.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1446306350848-QBPU3EQO8JMH7X7N8R7I/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - On Designing a Project: Looking Ahead</image:title>
      <image:caption>Austin Briggs, Sketch for New York Railroads Advertisement, circa 1955. Reproduced in Stick Figures.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1446307287571-31XW8N3HCH0N09M9RJFF/peckcl_ALadyOfKingArthur%27sCourt_Sterling_.FrontistPiecetiff_sm.jpg</image:loc>
      <image:title>Graphic Tales - On Designing a Project: Looking Ahead</image:title>
      <image:caption>Clara Elsene Peck, Frontispiece illustration, A Lady of King Arthur's Court, by Sara Hawks Sterling, G.W. Jacobs &amp; Co. 1907. Since last spring, working with Eden Lewis, above mentioned Sara Wong and now Abhi Alwar, I have been working on a curatorial project focusing on women in American illustration, drawing on the Walt Reed Collection at the Modern Graphic History Library, also pulling selectively from my own collection. This project is burbling along; I think Abhi and I will have it ready to go live online in the next six weeks. Stay tuned.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2015/10/29/nonfiction-illustrated-2016-5</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1446176299916-XA81VG0Q5NQDZIYE8CK4/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Nonfiction Illustrated 2016 5</image:title>
      <image:caption>Seth, cover design, It's a Good Life if You Don't Weaken. 1996.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1446179195511-8VMDUPI4FHH5RR8IUU44/Looking-at-Lincoln-cover.jpg</image:loc>
      <image:title>Graphic Tales - Nonfiction Illustrated 2016 5</image:title>
      <image:caption>Maira Kalman, cover illustration, Looking at Lincoln. 2012. Lincoln has never gotten the bubble-gum treatment, til now, til that pink.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1446176378441-S73AQ3JLZ8WJMAM7JYOI/seth-weaken-p88.jpg</image:loc>
      <image:title>Graphic Tales - Nonfiction Illustrated 2016 5</image:title>
      <image:caption>Seth, interior page, It's a Good Life if You Don't Weaken. 1996.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1446176435483-Y0DF172UQGK6RVZNWV85/seth-weaken-p90.jpg</image:loc>
      <image:title>Graphic Tales - Nonfiction Illustrated 2016 5</image:title>
      <image:caption>Seth, interior page, It's a Good Life if You Don't Weaken. 1996.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1446308512527-2LDCGFBQ3SQ6O89O63MJ/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Nonfiction Illustrated 2016 5</image:title>
      <image:caption>John Hendrix. John Brown: His Fight for Freedom. Abrams, 2009.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1446176569585-60U6WPGJZZHI4RKPSCHC/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Nonfiction Illustrated 2016 5</image:title>
      <image:caption>Kate Williamson, At a Crossroads: Between a Rock and my Parents' Place. Princeton Architectural Press, 2008.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1446176975426-IC0X7VJPCA0B3ZPAAWK2/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Nonfiction Illustrated 2016 5</image:title>
      <image:caption>Williamson, Crossroads.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1446176660748-N4COAV9DEY6JZ3F0BIOZ/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Nonfiction Illustrated 2016 5</image:title>
      <image:caption>Willamson, Crossroads.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2015/10/28/nonfiction-illustrated-2016-4</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1446011844261-72RTWOIULCSC0L7F5YS8/Emslie_Strand_London_Longitude_smaller.jpg</image:loc>
      <image:title>Graphic Tales - Nonfiction Illustrated 2016 4</image:title>
      <image:caption>John Emslie, designer. The Longitude. Instructional card, for classroom sharing. Published by Reynolds &amp; Sons. London, circa 1850.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1446011009691-ZP538QYW1A5BF1B959FS/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Nonfiction Illustrated 2016 4</image:title>
      <image:caption>Opening title sequence shot (Cinemascope proportions), Toot Whistle Plunk &amp; Boom, animated short Walt Disney Studios, directed by Ward Kimball and Charles A. Nichols, 1953.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1446012224281-EPEOUU8ZUO9NIK10OEH6/Meteorology.jpg</image:loc>
      <image:title>Graphic Tales - Nonfiction Illustrated 2016 4</image:title>
      <image:caption>John Emslie, illustrator/engraver. Diagram of Meteorology: Displaying the Various Phenomena of the Atmosphere. (Extensive textual content on reverse of card. London, 1846.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1446010614852-ZCSO1J9HA41PEBHNZ6GR/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Nonfiction Illustrated 2016 4</image:title>
      <image:caption>Richard Scarry, Title Page, Cars and Trucks, 1951.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1446187356755-C8GNK9P9Z4F1A3L1RBVX/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Nonfiction Illustrated 2016 4</image:title>
      <image:caption>Snazzy hat + jacket, no? Lovely coat as well.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1446010567066-YTS9FWBNQXN3ZPGKVWRG/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Nonfiction Illustrated 2016 4</image:title>
      <image:caption>Scarry, Boarding the Bus, Cars and Trucks, 1951.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1446187447610-JSDA8IG0AIWHVHCCZ819/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Nonfiction Illustrated 2016 4</image:title>
      <image:caption>Scarry, Ladies at the Grocery Store, Cars and Trucks. In the heyday of postwar affluence. Enjoy while it lasts, people.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1446010642317-IIXK6AMVQ2SKXXEO150N/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Nonfiction Illustrated 2016 4</image:title>
      <image:caption>Richard Scarry, Dumping Coal to Subterranean Coal Rooms and Furnaces, Cars and Trucks. Not that long ago, folks. I remember a coal chute in my grandparents' house.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1446011874859-P2G2OI6ZSNB4PH12FPXW/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Nonfiction Illustrated 2016 4</image:title>
      <image:caption>John Emslie, Transparent Solar System.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1446011901457-2IV1GNQCH4TTVR2JZDVJ/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Nonfiction Illustrated 2016 4</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1446011922468-WK62Y08UPMD36HCYSLN4/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Nonfiction Illustrated 2016 4</image:title>
      <image:caption>John Emslie, detail, Transparent Solar System. Note that the colored sun and planets or conveyed trough translucent colored papers. When you hold card up to the light, the planets glow.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1446011043650-A1S53QEW0C5WU4XYYMAE/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Nonfiction Illustrated 2016 4</image:title>
      <image:caption>Toot Whistle, classroom shot with Professor Owl.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1446011113866-68EQHDNJ6UUX8D38H773/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Nonfiction Illustrated 2016 4</image:title>
      <image:caption>Toot Whistle, cavemen discover musical instrument categories.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1446011144534-6AUERE44VZUQJ8HFVDNC/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Nonfiction Illustrated 2016 4</image:title>
      <image:caption>Toot Whistle, Jazz club interior.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1446011176330-MNE5LUN18N9QA4OEZ9TD/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Nonfiction Illustrated 2016 4</image:title>
      <image:caption>Toot Whistle, Blackface minstrelsy quotation, (regrettable).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2015/10/27/nonfiction-illustrated-2016-3</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1445971864653-4ILL98UWLPPDY30PNX0I/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Nonfiction Illustrated 2016 3</image:title>
      <image:caption>Austin Briggs Highway Billboards with Cotton Pickers, 1965. Oil pastel and oil paint on board, Published in “The Fast-changing South,” written by George B. Leonard, Look, November 16, 1965. Walt Reed Illustration Archive, Modern Graphic HIstory Library, Washington University.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1445972001751-KTUULP1ZT2I7D3T7DHWA/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Nonfiction Illustrated 2016 3</image:title>
      <image:caption>Robert Weaver, Drawing from Spring Training Sketchbook, 1962. Research for “Spring Training: Fresh Starts and Old Hopes,” Sports Illustrated, March 5, 1962. Robert Weaver Collection, MGHL.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1445972263250-8FH0BHVID0Z4VOSGQOGF/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Nonfiction Illustrated 2016 3</image:title>
      <image:caption>Al Parker, Girl on Boat, Monaco Grand Prix, Sports Illustrated, May 11, 1964. This was not in the show, but the crazy cut up photo collage that Parker used to invent it almost was. The space is totally made up.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1445974346770-N1EDMM3914PWR66C4TF9/image-asset.png</image:loc>
      <image:title>Graphic Tales - Nonfiction Illustrated 2016 3</image:title>
      <image:caption>Robert Andrew Parker, The Private Strategy of Bethlehem Steel, cover illustration Fortune Magazine, April 1962. A different Parker than the one directly above, whose work is also in the Modern Graphic History Library.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1445972079465-L3I5RE1481718RN39C5Y/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Nonfiction Illustrated 2016 3</image:title>
      <image:caption>Cliff Condak. Tom Hawkins Driving. Paint, pastel and graphite. Made for (but unpublished in) “Big Men on the Move,” Sports Illustrated, October 28, 1963. MGHL.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1445972576377-RLYWRJJTB032IEY6818B/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Nonfiction Illustrated 2016 3</image:title>
      <image:caption>Joel Meyerowitz, New Mexico. 1972. Meyerowitz was inspired by Robert Frank's street work, and went on to make his own. He was a pioneer of color photography in art practice, when people (bizarrely, to think of it now) were snooty about it.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1445971740945-R00YA9D000GCDJ7H2KI9/image-asset.png</image:loc>
      <image:title>Graphic Tales - Nonfiction Illustrated 2016 3</image:title>
      <image:caption>Leslie Ding, Cooking Clinic, cover illustration, Fox in the Field No. 1, published by the Sam Fox School of Design and Visual Arts.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/nonfiction-illustrated-bibliography-2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1445914931138-6J8TVDW4KZ2NMJ48TVJR/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Nonfiction Illustrated 2016 2</image:title>
      <image:caption>Christian Northeast, Prayer Requested, 2009.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1445914977990-NRLAGPPKFA7V2XRSM6VE/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Nonfiction Illustrated 2016 2</image:title>
      <image:caption>Northeast, Prayer Requested cover.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403818876126-P6UJ0W1WTOF3JBDZPAWH/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Nonfiction Illustrated 2016 2</image:title>
      <image:caption>Mark Todd, Badasses: Darth Vader. 2008.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403818911792-65KBQ77RKW0TIRCBF3HV/BadAsses_cover.jpg</image:loc>
      <image:title>Graphic Tales - Nonfiction Illustrated 2016 2</image:title>
      <image:caption>Todd, Badasses, cover.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403818930541-MMSVVKLLECR2PWWMK5P8/snake-plissken.jpg</image:loc>
      <image:title>Graphic Tales - Nonfiction Illustrated 2016 2</image:title>
      <image:caption>Kurt Russell as Snake Plissken, in Escape from New York. 1981. Directed by John Carpenter. (And shot in St. Louis.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403818967332-0W7D7IYQJ9GE9OSPSSLZ/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Nonfiction Illustrated 2016 2</image:title>
      <image:caption>Todd, Badassess: Arnold Schwarzenegger as theTerminator, and a Gremlin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1445915449584-Q9N1MVNCU73GU8WG09H9/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Nonfiction Illustrated 2016 2</image:title>
      <image:caption>Northeast, Prayers.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1445915486467-E8B3V8ETNSKQPIWWV1CY/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Nonfiction Illustrated 2016 2</image:title>
      <image:caption>Northeast, Prayers.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/nonfiction-illustrated-bibliography-1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1445910109985-CVJ45TUEZJ8SO1PC67JN/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Nonfiction Illustrated 2016 1</image:title>
      <image:caption>Pascal Blanchet, White Rapids, 2007.</image:caption>
    </image:image>
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      <image:title>Graphic Tales - Nonfiction Illustrated 2016 1</image:title>
      <image:caption>Blanchet, White Rapids.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403818458851-LUE79HXKS0R2QNCW9HSZ/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Nonfiction Illustrated 2016 1</image:title>
      <image:caption>Miroslav Sasek, View of Picadilly Square. From This is London. 1959.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403818486449-64TXDN0PF2GAB6SBLFA5/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Nonfiction Illustrated 2016 1</image:title>
      <image:caption>Rea Irvin, "The coffee was hot, both ways." From Snoot if You Must, 1943.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403818509381-5DJBP3N0RJHARGF6Z55Y/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Nonfiction Illustrated 2016 1</image:title>
      <image:caption>Sasek, title page, This is London.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Graphic Tales - Nonfiction Illustrated 2016 1</image:title>
      <image:caption>Title page, Snoot if You Must.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403818557437-AR4FYFLNNYMTABS4R3XP/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Nonfiction Illustrated 2016 1</image:title>
      <image:caption>Irvin, Snoot. 1943.</image:caption>
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      <image:title>Graphic Tales - Nonfiction Illustrated 2016 1</image:title>
      <image:caption>Irvin, Snoot. 1943.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403818618439-EURFL9E4ZAAPYW0MEVJU/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Nonfiction Illustrated 2016 1</image:title>
      <image:caption>Irvin, detail, Snoot.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403818641475-BC64JGO6O9N7BNLTIF5G/Sasek_London_FrontCover_low-res.jpg</image:loc>
      <image:title>Graphic Tales - Nonfiction Illustrated 2016 1</image:title>
      <image:caption>Sasek, cover illustration, This is London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403818678375-WY2T2MK032MXF5RMF5KT/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Nonfiction Illustrated 2016 1</image:title>
      <image:caption>Sakek, interior spread, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403818702319-P7HV1MS29Y5G247R4D4B/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Nonfiction Illustrated 2016 1</image:title>
      <image:caption>Sasek, Interior spread. Man with fish-carrying hat.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1445910282943-WX5AYIA1T4B5Z635YRHF/image-asset.png</image:loc>
      <image:title>Graphic Tales - Nonfiction Illustrated 2016 1</image:title>
      <image:caption>Blanchet, White Rapids.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2015/5/26/pugnacious-elegie-lgie-pugnace</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1432674141397-LUASETL5QL8G8C9VVCYX/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Pugnacious Elegie / Élégie Pugnace</image:title>
      <image:caption>D.B. Dowd, "Pugnacious Elegy", Rotland Inquiry No. 1: Charlie Hebdo, 2015. The left half of the opening two-page spread. The right half of that spread is below.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1432674286489-6N7QNNMG2277QZO4L6MG/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Pugnacious Elegie / Élégie Pugnace</image:title>
      <image:caption>Dowd, "Pugnacious Elegy", right half of opening spread. The citation text at the bottom of this page reads: Drawings after historical scrawlings from left to right across this spread: Honoré Daumier’s Robert Macaire, 1836; Stéphane Charbonnier in CH, 2012; Fremont culture petroglyph, Nine Mile Canyon, Utah, circa 1000 CE; Philip Guston’s Painter, 1975. The picture frame is my device, the desktop memento mori.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1432683294650-QZF1YIEHMO7L64T0ZZEJ/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Pugnacious Elegie / Élégie Pugnace</image:title>
      <image:caption>Dowd, "Pugnacious Elegy," left half of the second spread.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1432683359131-IIP8K6VYICALFAPF53JP/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Pugnacious Elegie / Élégie Pugnace</image:title>
      <image:caption>Dowd, "Elegy," right half of second spread. The citation text at the bottom (which I fear has been cut off in the printed version): Above, hat tip to Daumier’s pear-king; drawing after Hugh Harman and Rudy Ising’s Bosko, the first stock player at Warner Brothers animation, 1929. On the final page of this essay, drawing after St. Denis group from the left portal, Notre Dame de Paris (19th century reconstruction).</image:caption>
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      <image:title>Graphic Tales - Pugnacious Elegie / Élégie Pugnace</image:title>
      <image:caption>Dowd, "Elegy," third spread.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1432683525559-D2C9D816LWT7KD8RAHYY/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Pugnacious Elegie / Élégie Pugnace</image:title>
      <image:caption>Dowd, "Elegy," fourth and final spread.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2015/5/24/pugnacious-elegy-charlie-hebdo</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1432581974635-33M339WC1UTMTHYV9CLF/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Rotland Inquiry No. 1: Charlie Hebdo</image:title>
      <image:caption>Rotland Inquiry No. 1: Charlie Hebdo. 2015. Edited by Ryan Standfest.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1432581909843-SNMRK6WNYONE73AO34H9/image-asset.png</image:loc>
      <image:title>Graphic Tales - Rotland Inquiry No. 1: Charlie Hebdo</image:title>
      <image:caption>Details of pages from Rotland Inquiry No. 1. The center panel shows a fragment of the first page of my own "Pugnacious Elegy," an illustrated essay.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Graphic Tales - Rotland Inquiry No. 1: Charlie Hebdo</image:title>
      <image:caption>Art Spiegelman, Maus, 1991. Spiegelman's feature in Rotland Inquiry No. 1 revives the mouse persona to deliver a nuanced take on the Hebdo killings.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1432582046053-1I27I2HBH9GP6OK647I7/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Rotland Inquiry No. 1: Charlie Hebdo</image:title>
      <image:caption>Honore Daumier, Robert Macaire, Shareholder, published in Le Charivari, May 13, 1838.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1432582811365-2RG108QMLUZYK74JHGLA/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Rotland Inquiry No. 1: Charlie Hebdo</image:title>
      <image:caption>Garry Trudeau, book cover illustration, Doonesbury and the Art of G.B. Trudeau by Brian Walker, Yale University Press, 2010.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1432585833688-AL3Q2NV715B8GSLEHP1D/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Rotland Inquiry No. 1: Charlie Hebdo</image:title>
      <image:caption>Heather Corcoran, cover design, Strips, Toons and Bluesies: Essays in Comics and Culture, D.B. Dowd and Todd Hignite, editors, Princeton Architectural Press, 2006.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1432582003724-AJEJ3OMWCWR8V12WT27I/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Rotland Inquiry No. 1: Charlie Hebdo</image:title>
      <image:caption>Walt Kelly, Pogo Sunday strip, circa 1955.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1432586418982-OGNJSDPSUGJNVL0J7IFC/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Rotland Inquiry No. 1: Charlie Hebdo</image:title>
      <image:caption>Sir Leslie Matthew Ward (pen name "Spy") Caricature of Finley Peter Dunne in Vanity Fair, July 27, 1905.</image:caption>
    </image:image>
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      <image:title>Graphic Tales - Rotland Inquiry No. 1: Charlie Hebdo</image:title>
      <image:caption>D.B. Dowd, spread from Trouble in Trapper City: Sam the Dog Revisited 1, 2014.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2015/5/18/on-sarah-birdsall-the-divine-miss-s-retires</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
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      <image:title>Graphic Tales - On Sarah Birdsall: The Divine Miss S. Retires</image:title>
      <image:caption>Sarah Birdsall with her students, circa 1998. Photograph by Stan Strembicki.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Graphic Tales - On Sarah Birdsall: The Divine Miss S. Retires</image:title>
      <image:caption>Photograph by Stan Strembicki</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2015/3/26/painted-wooden-modernism</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1427386687574-5EX61Q9MC9WSYDQ381TN/playskool_puzzle_tractor2_sm.jpg</image:loc>
      <image:title>Graphic Tales - Painted Wooden Modernism</image:title>
      <image:caption>Designer unknown, Construction Site, Playskool Wooden Puzzle, circa 1950. Look at this thing! An essay in shape, line and edge. Lots of saturated color bracketed by black and white. I might add that these things do not have dotted lines demarcating where the pieces go in the recessed green board. You get a big hole and lots of pieces. Figure it out. An eBay buy of recent weeks.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1427430730789-DH24E2HZBZ4FWB62VD02/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Painted Wooden Modernism</image:title>
      <image:caption>Construction Site pieces. These things feel good in your hand.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1427430744752-71HDXBQAJP4UNPANL1US/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Painted Wooden Modernism</image:title>
      <image:caption>Stuart Davis, Bass Rocks #2, gouache on paper, 1939. The line versus edge investigation, begun in 1927, particularly, with the Egg Beater series, is applied to a seaside landscape. A major painting came of this, with a higher-keyed palette.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1427386772580-942BY49CLSWU5SHZXE70/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Painted Wooden Modernism</image:title>
      <image:caption>Designer unknown, Steam Shovel, Playskool Wooden Puzzle, circa 1950. The linear passages are quite calligraphic here. A little less saturated palette. But that burnt umber color field! Such a surprising choice, and a great one. Maybe late 1940s? eBay.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1427387032692-IYONU5TTA1R7JZS3H1JJ/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Painted Wooden Modernism</image:title>
      <image:caption>Designer unknown, Funky Bus in Orange City, Playskool Wooden Puzzle. The ever-alert Linda Solovic picked this up for me. Somehow, Gary Karpinsky passed on it, so it got out of the house and came to me. Score! Bizarre but fabulous palette. The cream-colored field is a huge part of this. The script logotype suggests (along with that lime green) that this is of later vintage). Among the peculiarities of this image are those buildings, as well as the chunky-boxy cloud. The skyscrapers reminded me instantly of transitional Philip Guston paintings of the late 60s.</image:caption>
    </image:image>
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      <image:title>Graphic Tales - Painted Wooden Modernism</image:title>
      <image:caption>Philip Guston, City, oil on canvas, 1969. God, I love late Guston.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1427386891175-2IETW28ALXRM1TAR5XWD/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Painted Wooden Modernism</image:title>
      <image:caption>Designer unknown, Auto Repair Shop, Playskool Wooden Puzzle, circa 1948(?). The balance of linework and shape isn't quite as good on this one, and the palette feels very late 40s. Another Playskool puzzle I got through Linda Solovic. I wrote about this puzzle before, in a discussion of the gasoline pumps, also in the context of Stuart Davis.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1427465459702-6U8K3VR44OL4V5E37JBS/image-asset.png</image:loc>
      <image:title>Graphic Tales - Painted Wooden Modernism</image:title>
      <image:caption>Playskool is still at it. This is a logo redesign by Selbert Perkins from 2013, which I found on a designer's blog. They do not seem to be using it, as their site shows one more dumbass gradient highlight/shadow lozenge thing: dimensionality because we can. This does not appear on the Selbert Perkins site, so somebody must have put the kibosh on the project. Too bad. Nice work.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2015/3/21/vpwl0xvnqqb8s6bx5s9m8wa883hpyj</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1426946775296-GMT8ZEQM0AGA51FXU7IY/image-asset.png</image:loc>
      <image:title>Graphic Tales - The Walt Reed Archive: A Paper Trail</image:title>
      <image:caption>Front panel, tri-fold brochure design for A Paper Trail, an exhibition of selections from the Walt Reed Illustration Archive, November 2013. Designed by Scott Gericke. Show curated by D.B. Dowd and Skye Lacerte.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1426946651764-507H957N3IYGU2QSZVUY/image-asset.png</image:loc>
      <image:title>Graphic Tales - The Walt Reed Archive: A Paper Trail</image:title>
      <image:caption>From the brochure copy for the image above: Denman Fink, “An Act of Desertion,” Cream of Wheat advertisement, painted in 1908, copyrighted in 1909. Published Saturday Evening Post, July 13, 1918. The readership of the Post was overwhelmingly white and generally culturally conservative. In that light, this troubling ad raises a great many questions. Three possibly interlocking explanations have been offered in recent discussions: one, the “act of desertion” refers to forsaking the stereotypical “slave treat” of watermelon for healthy Cream of Wheat; two, the same “desertion” makes reference to the Great Migration of Southern blacks to the North after 1900, actively resisted by Southern whites–that is, the poor black boy has been abandoned (presumably) by his father; and three, the image offers a nostalgic take on the old racial order, then collapsing, in part through migration. Two things cannot be disputed: the tenderness of Fink’s treatment of the boy, and the disturbing implicit violence of that knife.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Graphic Tales - The Walt Reed Archive: A Paper Trail</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2015/3/20/on-the-passing-of-walt-reed</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1426904278091-H71DI4IAY85Y2BHRL5B0/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - On the Passing of Walt Reed</image:title>
      <image:caption>Walt Reed in his studio in Westport, Connecticut. Courtesy of the Walt Reed Facebook page.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1426905659874-ONZ3IF0NEMELP0S71X69/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - On the Passing of Walt Reed</image:title>
      <image:caption>Robert Fawcett, cover illustration, Famous Artists Magazine, Spring 1959. Our illustrator has paused to paint between rounds of golf. The explicitly bourgeois costume was part of the message. Take that, avant-garde!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1426905572827-EN040XN39BUKQNVCGNYB/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - On the Passing of Walt Reed</image:title>
      <image:caption>Illustrator uncredited, Student working under the supervision of famous illustrators. Detail, Famous Artists School promotional materials, circa 1960. The guy with the thick eyebrows immediately behind the student is Albert Dorne, FAS founder. Norman Rockwell has the pipe; next to Rockwell with the moustache and glasses is Al Parker.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1426905957055-JY8HCMSAVMFKP5A08DEM/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - On the Passing of Walt Reed</image:title>
      <image:caption>Coles Phillips, Overland Automobile advertisement, magazine tear sheet, circa 1915. Walt Reed Illustration Archive, Washington University in St. Louis.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1426907641441-0UOXR03J87LP8R5RMHOB/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - On the Passing of Walt Reed</image:title>
      <image:caption>Walter H. Everett. Periodical illustration for “Paid in Full,” The Country Gentleman, May, 1931. Oil on canvas. Walt Reed Illustration Archive, Washington University.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1426906096945-0F300RFPHLJGOJG96FDU/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - On the Passing of Walt Reed</image:title>
      <image:caption>Elizabeth Shippen Green, "I am proof against their enmity," illustration for Romeo and Juliet in Charles and Mary Lamb's Tales from Shakespeare, 1922. Scanned from the book in the Walt Reed Illustration Archive, Washington University in St. Louis.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1426907526557-DNTY30IMZ5MEQDZRIIRA/fish_abullaandco_det.jpg</image:loc>
      <image:title>Graphic Tales - On the Passing of Walt Reed</image:title>
      <image:caption>Anne Fish, "The Dazzle-Swish," advertisement for Abdulla Cigarettes, 1927. Magazine tear sheet, Walt Reed Illustration Archive, Washington University in St. Louis.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1426907275511-715QV3V3NS40I0X0BXTC/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - On the Passing of Walt Reed</image:title>
      <image:caption>Neysa McMein, cover illustration, Woman's Home Companion, October 1922. Magazine tear sheet, Walt Reed Illustration Archive, Washington University in St. Louis.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2015/3/3/time-and-more-time</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1425443035717-2JKH28YJSZJ7OA9MT3DF/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Marking Time, in Several Senses</image:title>
      <image:caption>D.B. Dowd, 2015 Calendar Page (March 15-21). This started out as a riff on sponges (collaged in below) using a sloppy modular system to create the lettering, like a drunk LED sign. Then I realized I should probably integrate St. Patty's Day.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1425442829711-3O6ZUOJFL7TARBU6LOW5/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Marking Time, in Several Senses</image:title>
      <image:caption>Dowd, 2015 Calendar Page (February 1-7). The Fossils in the upper left are taken from a 1930s American dictionary. Across the fold from Forty-Niners.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1425443246146-E8AC0UB9M9AU9U676W4E/dbdowd_calendar_Apr12-18_2015.jpeg</image:loc>
      <image:title>Graphic Tales - Marking Time, in Several Senses</image:title>
      <image:caption>Dowd, 2015 Calendar Page (April 12-18). Like everybody else, I'm sick of snow and winter. Yellow started to seem like a really good idea. Columns-as-tree-trunks a spontaneous conceit. The lettering at the top reminds me of a Seymour Chwast typeface that I must have been channeling earlier today...</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1425442754853-WQBJMPRDO8L2JNEFK0XE/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Marking Time, in Several Senses</image:title>
      <image:caption>2015 Calendar Page (January 17-24). Still figuring out what to do with the collage element. (Not so good here.) Fraktur type drawn from Bernhard catalogue for Bauer type foundry. What was it with the Germans and Fraktur? Why did it last so long? Bernhard's Fraktur dates to the second decade of the century.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1425442701899-7QYEPFM8R7RYS26U8QIJ/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Marking Time, in Several Senses</image:title>
      <image:caption>2015 Calendar Page (January 25-31). I love the typeface of the upper case JAN: Bernhard's Kursiv Extrafette. The wacky crowns from the turn of the 20th century seem to suggest why World War I happened: that old Edwardian thing had to be killed off. Less seriously, I do like red, blue and tan/cream, as along he right edge.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1425442542981-T5SHM44H37LKYM9QKAYG/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Marking Time, in Several Senses</image:title>
      <image:caption>2015 Calendar Page (January 25-31), filled in and blurred at bit. As if the whole thing weren't geeky enough, many days are filled with detailed swimming yardage and workout times.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1425442884820-WJHL9TA3AC9W7SPDLSYB/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Marking Time, in Several Senses</image:title>
      <image:caption>2015 Calendar Page (January 8-14). Token collage fragment nonetheless inspired the whole image. Edible snail somehow gave way to snake, subsequently equipped with wheels or helium balloon tethers.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1425442946820-AEY19V2HGUAE3AHHUC30/dbdowd_calendar_Feb22-28_2015.jpeg</image:loc>
      <image:title>Graphic Tales - Marking Time, in Several Senses</image:title>
      <image:caption>2015 Calendar Page (February 22-28). A lineup of crystalline structures. Did one of these minerals steal your purse last night, ma'am? A little more intuitive and idiosyncratic response to the collage problem. An odd week, but fun to write in. (Which is, after all, the point.)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2015/2/10/onsite-pencils-day-of-dialogue</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1423639444974-LHA7JM60FG0I8M5TDM2I/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Day of Dialogue: The Basement Tapes</image:title>
      <image:caption>DB Dowd, illustration detail, Videographers in Emerson Auditorium, February 6, 2015.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1423631986969-81ZP8VQEV4S6DU4B3FFM/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Day of Dialogue: The Basement Tapes</image:title>
      <image:caption>Dowd, illustration, Panel Discussion, Gerald Early at far right, post-keynote address–occupying his chair like an athlete between events. At the Med School event on Thursday evening, February 5.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1423639114845-KG0UTVBMSM9UVFMZ1YXY/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Day of Dialogue: The Basement Tapes</image:title>
      <image:caption>Dowd, illustration, Overflow Crowd as Day Winds Down, February 6, 2015. There was a drawing of a panelist in the upper left, but it (like me and–by then–the audience) was tired, so I scrubbed it, leaving the better part of the drawing.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1423638114649-W2K58JQK8D6Q497D5KYD/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Day of Dialogue: The Basement Tapes</image:title>
      <image:caption>Dowd, illustration, Chancellor Wrighton Begins the Proceeedings, February 6, 2015, Emerson Auditorium, Knight Hall. The drawing started with the slowly-filling auditorium, then suddenly shifted to the figure in the double-breasted suit.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1423638279893-TAJEW74BYOKBWNR45HSD/dowd_dialogue_wrighton_detail.png</image:loc>
      <image:title>Graphic Tales - Day of Dialogue: The Basement Tapes</image:title>
      <image:caption>Dowd, illustration, Chancellor Wrighton Begins the Proceeedings, detail. The head is pretty good–better than the figure.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1423638433276-B81KOHY3HEG36WCG5400/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Day of Dialogue: The Basement Tapes</image:title>
      <image:caption>Dowd, illustration, Videographers in Emerson Auditorium. This drawing started in the morning, early, with the cameras in place, accompanied by bored shooters. I returned to it later in the day, when the crowd had filled in. The heads dotting the left half of the spread provided an interesting problem. How many would be enough?</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1423638580364-CUEILTHLFL6K43C61AX3/image-asset.png</image:loc>
      <image:title>Graphic Tales - Day of Dialogue: The Basement Tapes</image:title>
      <image:caption>Dowd, Videographers, detail. This guy's head–which begins to feel pretty abstract–is one of the most appealing passages on the day, for me. Economical. I'm warmed up, but not tired yet. This little element is about 2 inches tall.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1423638684922-K45ZNDUWSG2GPXOMHNF1/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Day of Dialogue: The Basement Tapes</image:title>
      <image:caption>Dowd, illustration, Race is a Social Construction, a morning panel. Professor Rebecca Wanzo emerges as the dominant character. My colleague Denise Ward-Brown is at the far right. (Rebecca was spirited and nuanced; Denise provided experiential and biographical depth.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1423639582968-5R8G0PRF5KE3L9SUBUPY/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Day of Dialogue: The Basement Tapes</image:title>
      <image:caption>Dowd, detail, Race is a Social Construction, Rebecca Wanzo, nonplussed but patientish, with Maketa Wilborn at the drawing board. Rebecca works with graphic novels in her teaching and scholarship, and serves on the board of the Billy Ireland Cartoon Museum at Ohio State. It seemed appropriate, somehow, to render her as a character. And Maketa ran a marathon that day, with style and precision.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1423638931963-516USKJ4TUTSFYRCDLJB/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Day of Dialogue: The Basement Tapes</image:title>
      <image:caption>Dowd, illustration, Discussion of Stereotypes Viewed from Behind, February 6, 2015. I could have worked on this for another half hour, happily. Wanted to draw the paisley, and the constantly shifting poses of the woman on the right and just left of the page break.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2015/2/8/fox-in-the-field-student-journalists-cover-day-of-dialogue-at-wash-u</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1423519858961-J6FVXVGOOBFQX2FKEC64/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Fox in the Field: Student Journalists Cover Day of Dialogue at Wash U</image:title>
      <image:caption>Team picture! Front row, left to right: Leslie Ding, Ria Han, Maya Theus, Brandon Pobrob. Back row, left to right: Sophia Brown, moi, Eden Lewis.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1423464031608-NO5PBH5F92E8ZXOR2VP0/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Fox in the Field: Student Journalists Cover Day of Dialogue at Wash U</image:title>
      <image:caption>Photograph of Gerald Early by Ria Han. Design by Maya Theus.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1423465545568-IWWWXPOJIQTUH9JXLJYN/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Fox in the Field: Student Journalists Cover Day of Dialogue at Wash U</image:title>
      <image:caption>Illustration of Bob Hansman and hand lettering by Eden Lewis.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1423464948812-8US2EJVIN690RV0K64AX/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Fox in the Field: Student Journalists Cover Day of Dialogue at Wash U</image:title>
      <image:caption>Drawing of the medical school setting before the event began by Sophia Brown. She was right; nobody every did pour a glass of water from those pitchers.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1423464274297-PCX5CMW13L2TN0VSVCU7/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Fox in the Field: Student Journalists Cover Day of Dialogue at Wash U</image:title>
      <image:caption>Photograph by Ria Han. I love this image.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1423464867251-S3O9795PF7FC9P5R3JEN/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Fox in the Field: Student Journalists Cover Day of Dialogue at Wash U</image:title>
      <image:caption>Illustration by Brandon Pogrob.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1423464213256-CCRFWEPEPSFRD9BYU8WV/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Fox in the Field: Student Journalists Cover Day of Dialogue at Wash U</image:title>
      <image:caption>Typesetting in Baskerville by Maya Theus.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1423464993064-O5G1997QWK8PCVFZISWY/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Fox in the Field: Student Journalists Cover Day of Dialogue at Wash U</image:title>
      <image:caption>Illustration by D.B. Dowd of the panel following Gerald Early's keynote address.  Also: please note that the illustration in the tweet embedded below is by Eden Lewis.  (For some reason Squarespace doesn't seem to want me to caption the tweet.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1423465640196-7JJLXEALXBFF7S0HVAPU/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Fox in the Field: Student Journalists Cover Day of Dialogue at Wash U</image:title>
      <image:caption>Illustration by Leslie Ding. An aggrieved woman asks a question that ran long. Leslie's economy of line and shape is terrific here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1423464809968-YBEPDW01SMG3B4YZF61J/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Fox in the Field: Student Journalists Cover Day of Dialogue at Wash U</image:title>
      <image:caption>Illustration by Brandon Pogrob. Brandon's drawings are descriptive and funny, yet stop short of being cartoons.  This central character seems energetic but quite world-weary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1423465415916-YKPC1I1KSPXMC1PX44MQ/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Fox in the Field: Student Journalists Cover Day of Dialogue at Wash U</image:title>
      <image:caption>Eden did nice work with hand-drawn type to isolate key sentences and moments.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1423464689821-WI6CPRL6ZU3H651QDRZB/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Fox in the Field: Student Journalists Cover Day of Dialogue at Wash U</image:title>
      <image:caption>On Day 2, Leslie shifted to pencil for some of her drawings. She did a nice job with likenesses (though I prefer the graphic decisiveness of her ink work).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1423464149692-Q7L7GRJA465QWW6IV3BG/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Fox in the Field: Student Journalists Cover Day of Dialogue at Wash U</image:title>
      <image:caption>Photograph by Ria Han. Design by Maya Theus. Rather pithy quote, no?</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1423464521923-WKGO3R5FYCEJQ03POMY8/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Fox in the Field: Student Journalists Cover Day of Dialogue at Wash U</image:title>
      <image:caption>Illustration by Dave Gray. He made a ton of these. Nice pockets of density in a relatively airy drawing.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/27/of-news-and-pictures-then-and-now</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403904336641-DKPGJ3DQWIAXI92QWGU9/Costa_Concordia_listing.jpg</image:loc>
      <image:title>Graphic Tales - Of News and Pictures, Then and Now</image:title>
      <image:caption>Photo credit unavailable (I tried), Costa Concordia, a ship capsized off the coast of Italy on January, 13, 2012. 32 people were confirmed dead. Its captain, Francesco Schettino, was charged with manslaughter; as of January 2015 the case is wending its way through the Italian courts.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403904355985-X4GBG6LJPKYRHMEDZBEL/Alfred_Waud_Antietam.png</image:loc>
      <image:title>Graphic Tales - Of News and Pictures, Then and Now</image:title>
      <image:caption>Alfred Waud, Battle of Antietam, engraving in Harper's Weekly, October 11, 1862. The battle took place on September 17.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403904377477-28PI3WYKB4D60Z68K83O/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Of News and Pictures, Then and Now</image:title>
      <image:caption>Timothy O'Sullivan, Stereophotograph of Alfred Waud in Devil's Den at Gettysburg, 1863.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403904402144-R9H6UWVLJIEKBWT8I3AS/Gardner_Confederate_Dead_Antietam.jpg</image:loc>
      <image:title>Graphic Tales - Of News and Pictures, Then and Now</image:title>
      <image:caption>Alexander Gardner, Confederate Soldiers as they fell by Burnside Bridge, photograph at Antietam battlefield, September 1863.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1421732291363-LX7BX3SOHZ5YGMSXY9N7/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Of News and Pictures, Then and Now</image:title>
      <image:caption>Kleophrades Painter, Sack of Troy Hydria. 5th century BCE. This image and the two below it show the defeat of the Trojans at the hands of the Greeks: the end of Homer's Iliad.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1421732574758-K2RV2TZ0FPW2YBSMLJ3C/image-asset.png</image:loc>
      <image:title>Graphic Tales - Of News and Pictures, Then and Now</image:title>
      <image:caption>King Priam, bleeding and weakly covering his head, awaits the death blow that's coming from Neoptolemos, son of Achilles. Astyanax–son of Hector–is already dead, is draped across Priam's lap.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1421733478097-PL3Q4S0YG7695Z6ARTS3/image-asset.png</image:loc>
      <image:title>Graphic Tales - Of News and Pictures, Then and Now</image:title>
      <image:caption>Ajax, left, comes for Cassandra, who is holding onto the Palladion, sort of a cigar-store-Indian sculpture of Athena.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403904506561-SDRDU3EZLABFWCOG90SM/0304_Rodney_full_600.jpg</image:loc>
      <image:title>Graphic Tales - Of News and Pictures, Then and Now</image:title>
      <image:caption>George Holliday, still image from video footage of the Rodney King beating, on March 3, 1991. Los Angeles, California. Holliday sent his footage to news station KTLA, and outrage resulted. An early example of citizen journalism, made possible by a technological innovation: the consumer grade camcorder.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403904519908-4FWUTA5WMTPV2KAJRBYQ/Gardner_Antietam_buried_Federal.jpg</image:loc>
      <image:title>Graphic Tales - Of News and Pictures, Then and Now</image:title>
      <image:caption>Alexander Gardner, Federal Buried, Confederate Unburied, photograph at Antietam battlefield, September 1863.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403904600391-V85RLSB7DBE60GLWGO8C/Neda_Agha_Soltan.png</image:loc>
      <image:title>Graphic Tales - Of News and Pictures, Then and Now</image:title>
      <image:caption>Still from video footage of the death of Neda Agha-Soltan in Tehran, Iran, on June 13, 2009.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2015/1/11/late-to-the-party</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1421030967020-PL520M3CB10VJ1Y29CRH/image-asset.png</image:loc>
      <image:title>Graphic Tales - Late to the Party</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1421030991233-NKE5Z4EMK61TP5DSUACY/image-asset.png</image:loc>
      <image:title>Graphic Tales - Late to the Party</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2015/1/10/clock-ticking-on-mac-conner-show</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1420910530383-BR4FAJ7OP85AGH4C2PKB/dutta_dowd_conner_talk.jpg</image:loc>
      <image:title>Graphic Tales - Clock Ticking on Mac Conner Show</image:title>
      <image:caption>Your Truly, speaking in front of a giant reproduction of a Mac Conner illustration. If you go to the show, which I urge you to, here's some treasure hunt fun: go find this actual illustration and look at that ring: what's surprising about it? Photograph by Deep Dutta. (Thanks, Deep!)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1420912030338-XVW38O4A6WBJM4L933GA/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Clock Ticking on Mac Conner Show</image:title>
      <image:caption>The Museum of the City of the New York: a Georgian-style mansion at 5th Ave and 103rd.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1420910821487-Z6PLV59VUF49T6ZWZWG6/image-asset.png</image:loc>
      <image:title>Graphic Tales - Clock Ticking on Mac Conner Show</image:title>
      <image:caption>Mac Conner, Illustration for "Where's Mary Smith?" Good Housekeeping, June 1950.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1420910975175-2XC7689EVNJHY6KW3NPD/image-asset.png</image:loc>
      <image:title>Graphic Tales - Clock Ticking on Mac Conner Show</image:title>
      <image:caption>Read this book.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1420911349381-6HEZ71S9KDG3ZNL009RE/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Clock Ticking on Mac Conner Show</image:title>
      <image:caption>Mac Conner, illustration for "There's Death for Remembrance," This Week Magazine, November 13, 1953</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1420911562621-844XJPO6Q3LU0IYOBJQU/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Clock Ticking on Mac Conner Show</image:title>
      <image:caption>Tear sheet, This Week Magazine, November 13, 1953. From the Mac Conner tear sheet file in the Walt Reed Illustration Archive, housed in the Modern Graphic History Library at Washington University.  FROM THE LABEL COPY for the color version, above: Florence and Richard Lockridge’s noir tale “There’s Death for Remembrance” typifies the assignments Mac received from This Week. This two-part story centers on the murder of Fern Hartley, shown here in mid-air, falling down a flight of stairs to her death. Hartley had been attending a dinner party and reunion of high school friends when her incessant reminiscing provoked someone to silence her. The following week Conner’s illustration shows dinner guests looking down at Fern’s lifeless body.  This Week Magazine was a syndicated free newspaper supplement inserted into local Sunday newspapers. Published from 1935-1969, at This Week’s height it appeared in 42 papers nationwide. As many as 13 million people may have seen this image in print, dwarfing the audience for Conner’s magazine work. It’s appropriate that his biggest audience would see such a representative work–featuring the trademark Conner inventive point-of-view.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/18/danish-cartoons-and-visual-rhetoric</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1420731204938-R4G92FQPRL6FNH1S2HEL/image-asset.png</image:loc>
      <image:title>Graphic Tales - Charlie Hebdo, Danish Cartoons and Visual Rhetoric</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1420732860018-PZMKYIZOCHIHOOI9PMVN/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Charlie Hebdo, Danish Cartoons and Visual Rhetoric</image:title>
      <image:caption>A Charlie Hebdo cover presenting Mohammed as "guest editor" (100 lashes if you don't die laughing! reads the voice bubble). The magazine's offices were firebombed soon after. 2011.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1420732106611-Y53XUPG3UEOT2CSW9XDM/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Charlie Hebdo, Danish Cartoons and Visual Rhetoric</image:title>
      <image:caption>Neon signage (no longer illuminated, probably for security reasons) identifying the offices of Jyllands-Posten in Copenhagen. I shot this photograph in 2011.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403109726811-2VILW7DQW0XISW9LOZOX/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Charlie Hebdo, Danish Cartoons and Visual Rhetoric</image:title>
      <image:caption>Ben Shahn smiles at himself and dour Protestants in Self Portrait Among Churchgoers, 1939.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403109772389-A0AN672WRG0JQ5YUZEOE/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Charlie Hebdo, Danish Cartoons and Visual Rhetoric</image:title>
      <image:caption>Visual rhetorician Thomas Nast offers up an anti-Catholic broadside in "American Ganges," published by Harper's Weekly on September 30, 1871 (and reprised with modifications on May 8, 1875). A thorough discussion of the image provided here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1420733385814-DKW6ME1HVIHIANUJDGAJ/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Charlie Hebdo, Danish Cartoons and Visual Rhetoric</image:title>
      <image:caption>Kurt Westergaard, The Prophet, published in Jyllands-Posten, 2005.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2015/1/7/daumier-weeps</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1420667969830-169UHEBYVWKBX65NV7DB/image-asset.png</image:loc>
      <image:title>Graphic Tales - Daumier Weeps</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1420668293465-GV086M2SKM78UBPK25N0/image-asset.png</image:loc>
      <image:title>Graphic Tales - Daumier Weeps</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2015/1/3/onsite-drawing-and-the-uses-of-photography-1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/22e4a806-48c0-4f73-b3a5-30cb6152abef/Screenshot+2025-04-02+at+12.13.46+PM.png</image:loc>
      <image:title>Graphic Tales - Onsite Drawing and the Uses of Photography 1 - Make it stand out</image:title>
      <image:caption>D.B. Dowd, Spartan Holiday No. 1: Shanghai Pictorial, February 2012.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1420300623624-8OY720MBVVTRQV3UBFYV/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Onsite Drawing and the Uses of Photography 1</image:title>
      <image:caption>D.B. Dowd, Military Aircraft, World War II Gallery, United States Air Force Museum, Dayton, Ohio. Sketchbook painting, gouache over pencil. 2009.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1420300443214-ZQ0QXF7BR7797B6DF62M/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Onsite Drawing and the Uses of Photography 1</image:title>
      <image:caption>D.B. Dowd, Sketchbook Notation, pencil. 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1420300477331-IKIN6OW210GVKL3KAHMF/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Onsite Drawing and the Uses of Photography 1</image:title>
      <image:caption>D.B. Dowd, Cargo Planes, World War II Gallery, USAF Museum. Sketchbook drawing, pencil. 2009.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1420301210267-T4Y7X58GI8NZGFSJA7KF/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Onsite Drawing and the Uses of Photography 1</image:title>
      <image:caption>D.B. Dowd, Boats in Winter Drydock, Holland, Michigan. Sketchbook drawing, gouache over pencil. 2008. This was the drawing Dan Zettwoch asked about. What did the pencil look like before I painted it? I didn't scan it beforehand.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1420301320205-HY52I35MI3AU8Q1JEQ2U/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Onsite Drawing and the Uses of Photography 1</image:title>
      <image:caption>D.B. Dowd, final spread in "Shanghai Pictorial," Spartan Holiday No. 1, 2012. The left half of the image was drawn onsite (January 2011) in the Humble Administrator's Garden, in Suzhou, China. (It was about 38 degrees outside.) The key drawing was inked later; secondary color drawn in ink, with digital supplements. The right half of the image was drawn from photo reference. It doesn't depend on a complicated spatial perception, so it was straightforward enough to execute that way. By contrast, I could not have made the left hand drawing from photo reference: it would have collapsed into a flattened mass of undifferentiated foliage.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1420301525273-EW1TN50CR2RSBOW51CNO/Lincolnway_pencil_text+copy+2.jpg</image:loc>
      <image:title>Graphic Tales - Onsite Drawing and the Uses of Photography 1</image:title>
      <image:caption>D.B. Dowd, 2023 Lincolnway East, Massillon, Ohio, brush drawing for autobiographical introduction in "Shanghai Pictorial," Spartan Holiday No. 1, 2012. Drawn within a week of onsite photo shoot, 2011.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1420315409192-WO7BZLQL6R620F6MP6D9/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Onsite Drawing and the Uses of Photography 1</image:title>
      <image:caption>D.B. Dowd, reference photograph, 2023 Lincolnway East, Massillon, Ohio. 2011.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1420300380419-S8CHXYHA0XH8UMF43AVO/dbdowd_Thunderjet.jpg</image:loc>
      <image:title>Graphic Tales - Onsite Drawing and the Uses of Photography 1</image:title>
      <image:caption>D.B. Dowd, Republic F84-E Thunderjet, Korean War Gallery, United States Air Force Museum, Dayton, Ohio. Brush drawing over pencil with digital color. 2010.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/12/28/lvn27gb0vn2r69eyz5pfqjkhrpe19s</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1419809588164-V6QMWVCY10TPGGTRLO8J/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Humbled at Year's End?</image:title>
      <image:caption>The Praying Knight, an unattributed portrait of Herman von Saschsenheim (1430-1508). Stiftskirche, Stuttgart.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1419826248607-D11TQRDMYDYLJ04ZD1QE/image-asset.png</image:loc>
      <image:title>Graphic Tales - Humbled at Year's End?</image:title>
      <image:caption>From my lecture. (As for what it means, another time.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1419808698527-YJQF36LONUDSK9CANT7G/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Humbled at Year's End?</image:title>
      <image:caption>Lori in a cafe on Olgastrasse.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1419810273749-0AMGMG5CLFOQUA6JTZHY/Screen+Shot+2014-12-28+at+5.42.54+PM.png</image:loc>
      <image:title>Graphic Tales - Humbled at Year's End?</image:title>
      <image:caption>The Stiftskirche, Stuttgart. View from the rear of the church, dissimilar towers in view. At left is a(n unrelated) statue of Schiller, surrounded by Christmas market stuff. Wikimedia Commons photograph by Joachim Köhler.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1419810708559-X1V8UADCTD0TGB6D8QLM/image-asset.png</image:loc>
      <image:title>Graphic Tales - Humbled at Year's End?</image:title>
      <image:caption>The Stiftskirche after Allied bombings in May 1944.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1419808634854-1CKSQ2XRGYPWE75W42PK/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Humbled at Year's End?</image:title>
      <image:caption>The Stiftskirche restored. A 1950s barrel vault slathered with asbestos was removed in favor of a gothic quotation in the vaulting and glass panels during a renovation completed in 2003.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1419808505848-IPJ4045Q9J29UH4BFQQ7/image-asset.png</image:loc>
      <image:title>Graphic Tales - Humbled at Year's End?</image:title>
      <image:caption>D.B. Dowd, Nativity, Stiftskirche. 2014. A late gothic scene bracketed by an Annunciation and the Adoration of the Magi; from a sequence that once ran around the church's choir screen. (Choir screens often featured early sculptural comic strips in late medieval churches; such screens divided the chancel from the nave.) Drawn in pencil onsite, inked upon my return in the few first days of December.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1419808550100-RMVBEXHFX8OA3TQ5WKPC/Stuttgart_holiday_card_5x7_crop_det.jpg</image:loc>
      <image:title>Graphic Tales - Humbled at Year's End?</image:title>
      <image:caption>Dowd, Nativity. Detail.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/12/28/beginners-pluck-chip-kidds-go</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1419799496231-E0RZ81EO7TTGH5UTWNWO/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Beginner’s Pluck: Chip Kidd's GO</image:title>
      <image:caption>GO: A Kidd’s Guide to Graphic Design by Chip Kidd, Workman Publishing, 2013. 160 pages with illustrations.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1419799561951-Z8YUXLVHNBSY2HK6HAIH/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Beginner’s Pluck: Chip Kidd's GO</image:title>
      <image:caption>Paired concepts, somewhat frantically presented.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1419799583870-AYG6BJS5JEBQ24SIBGEH/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Beginner’s Pluck: Chip Kidd's GO</image:title>
      <image:caption>A particularly effective spread, from the chapter devoted to typography.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/11/15/geeky-homemade-datebooks</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1416109696161-TS2QFSABMRDUW0EDH0R4/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Creating Time</image:title>
      <image:caption>D.B. Dowd, Calendar Treatment, November 16-22, 2014. Gouache in blank book. The circus-ey type was painted in, sans pencil drawing, starting with the red. Corrected in white.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1416684358108-ZTIQMMQM820QIRAF90JQ/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Creating Time</image:title>
      <image:caption>D.B. Dowd, calendar cover design, 2014. Sprayed blue-on-blue through stencils.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1416684429219-BH5M5ZG88FPTZ3N59YY5/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Creating Time</image:title>
      <image:caption>D.B. Dowd, December 14-20, 2014. A miniature essay in Christmas cliches. From stars and angels to holly and an Advent calendar quote.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1417407254694-5J77G69QQXPHQBP8GCVQ/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Creating Time</image:title>
      <image:caption>Al Parker, Ladies Home Journal cover illustration, December 1946. One of Parker's celebrated Mother/Daughter covers for the magazine (which ran intermittently from 1939 into the early 50s) the scene captures a meta-narrative tracking the postwar baby boom. But from a design perspective, how about that masthead, and those letterforms? Such freedom!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1416684462877-I1TCTUUOP6FZTQW95TFD/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Creating Time</image:title>
      <image:caption>Dowd, December 14-20, detail. I like the little "c" house ornament and the second "e" ornament.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1416684493491-FHKD9DM8X0JQSGP74EHQ/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Creating Time</image:title>
      <image:caption>Dowd, December 14-20, detail 2.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1416684529980-AMSVA2PIQWD6ETP6Z9PU/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Creating Time</image:title>
      <image:caption>Dowd, December 21-27, 2014. Trudging to Bethlehem.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1416684576428-TNYB45C78NKKSCZGJB68/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Creating Time</image:title>
      <image:caption>Dowd, November 30-December 6. Most pages are like this: some hand lettering over seven columns.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1416684389628-SI00HKP9GBWT8MQ6AXMF/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Creating Time</image:title>
      <image:caption>Dowd, December 7-13. A more abstract take on the problem. Using up an old palette.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/11/6/in-nyc-for-american-illustration-33</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
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      <image:title>Graphic Tales - In NYC for American Illustration 33</image:title>
      <image:caption>D.B. Dowd, Pancake Girl with Library Figures, Shanghai, from "The Five Pagodas," Spartan Holiday No. 2, 2013.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1415293576395-YUO7SUQ1GJVMA64RSUAH/image-asset.png</image:loc>
      <image:title>Graphic Tales - In NYC for American Illustration 33</image:title>
      <image:caption>D.B. Dowd, Wraparound Cover Spread from "The Five Pagodas," Spartan Holiday No. 2, 2013. The hand-lettered caption Only to wanderers can come ever new the shock of beauty is from a poem from Du Shenyan (born 646 CE)</image:caption>
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  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/11/4/race-and-class-in-st-louis-late-90s-style-ferguson-before-the-fact</loc>
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    <lastmod>2025-12-16</lastmod>
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      <image:title>Graphic Tales - Sam the Dog in St. Louis: Ferguson Before the Fact</image:title>
      <image:caption>This image and the others below are spreads from Trouble in Trapper City and The Ballad of Hoofer Dupree, Sam the Dog Revisited 1 and 2, respectively. Copyright Ulcer City Publications 2014.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1415131744413-BBBTXKU88O8K5CJ67WOB/image-asset.png</image:loc>
      <image:title>Graphic Tales - Sam the Dog in St. Louis: Ferguson Before the Fact</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1415131802830-4YGCG4TJE9ZF6C87BGYG/image-asset.png</image:loc>
      <image:title>Graphic Tales - Sam the Dog in St. Louis: Ferguson Before the Fact</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1415131846324-OTBTM3QA1OJNTJDSYD3E/image-asset.png</image:loc>
      <image:title>Graphic Tales - Sam the Dog in St. Louis: Ferguson Before the Fact</image:title>
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      <image:title>Graphic Tales - Sam the Dog in St. Louis: Ferguson Before the Fact</image:title>
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  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/10/21/aoe97utjyzjgx7l9vi1whj1bminhnx</loc>
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    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1413919096791-0P05RJH7OO6A51WO08IU/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Text, Image, Artifact: "All the Golden Things"</image:title>
      <image:caption>Alfred (Al) Parker, All the Golden Things, fiction illustration for story by Jack Sher, Good Housekeeping, February 1947.  (This image and others below expand when clicked on.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1413925959667-LEJVX4AONQ0UH4UM2J3D/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Text, Image, Artifact: "All the Golden Things"</image:title>
      <image:caption>Al Parker, reference photograph, "All the Golden Things," 1946-47.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1413926136942-W8RTOWAZ4X4MMHRN5U0I/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Text, Image, Artifact: "All the Golden Things"</image:title>
      <image:caption>Al Parker, reference photograph, "All the Golden Things," 1946-47.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1413926074820-OWS9Z623M86UZQ7LCOXR/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Text, Image, Artifact: "All the Golden Things"</image:title>
      <image:caption>Al Parker, reference photograph, "All the Golden Things," 1946-47.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1413918926100-MBEUJ4HLLDBN9NE9UAOH/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Text, Image, Artifact: "All the Golden Things"</image:title>
      <image:caption>Alex Ross, cover illustration, Good Housekeeping, February 1947.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1413919313557-8CDI82TFW1SPUBCYKBSO/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Text, Image, Artifact: "All the Golden Things"</image:title>
      <image:caption>Detail, fiction sections, Table of Contents, GH.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1413919018319-E4QLHN6ANEZOVNER99EC/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Text, Image, Artifact: "All the Golden Things"</image:title>
      <image:caption>Table of Contents, Good Housekeeping, February 1947.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1413919406935-HYE0T3S2H3CGHI6OFOIN/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Text, Image, Artifact: "All the Golden Things"</image:title>
      <image:caption>All the Golden Things story text, resuming pages 182-183, GH</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1413919498012-EXA0L27O9BS24IM8N52X/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Text, Image, Artifact: "All the Golden Things"</image:title>
      <image:caption>Pages 184-185.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1413919580820-C5BNTMQDC1SIA5AO3VM7/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Text, Image, Artifact: "All the Golden Things"</image:title>
      <image:caption>Pages 186-187.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1413919707541-0WAAFQL0SL0Q4NM8H00K/GH_0247_188-9.jpg</image:loc>
      <image:title>Graphic Tales - Text, Image, Artifact: "All the Golden Things"</image:title>
      <image:caption>Pages 188-189.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1413919892976-R54C5E7F6DKAFQUIENOM/GH_0247_190-1.jpg</image:loc>
      <image:title>Graphic Tales - Text, Image, Artifact: "All the Golden Things"</image:title>
      <image:caption>Pages 190-191.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1413920012386-ZS9TRMDZ4XIGQBDWEPLZ/GH_0247_192-3.jpg</image:loc>
      <image:title>Graphic Tales - Text, Image, Artifact: "All the Golden Things"</image:title>
      <image:caption>Pages 191-192.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1413920108461-LTEJZ858FDTSRB1L1QPW/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Text, Image, Artifact: "All the Golden Things"</image:title>
      <image:caption>Pages 194-195.</image:caption>
    </image:image>
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      <image:title>Graphic Tales - Advertisements, Good Housekeeping February '47</image:title>
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      <image:title>Graphic Tales - Advertisements, Good Housekeeping February '47</image:title>
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      <image:title>Graphic Tales - Advertisements, Good Housekeeping February '47</image:title>
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      <image:title>Graphic Tales - Advertisements, Good Housekeeping February '47</image:title>
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      <image:title>Graphic Tales - Advertisements, Good Housekeeping February '47</image:title>
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      <image:title>Graphic Tales - Advertisements, Good Housekeeping February '47</image:title>
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      <image:title>Graphic Tales - Advertisements, Good Housekeeping February '47</image:title>
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      <image:title>Graphic Tales - Advertisements, Good Housekeeping February '47</image:title>
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    <image:image>
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    <image:image>
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      <image:title>Graphic Tales - "All the Golden Things" Cropped Text</image:title>
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  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/27/we-could-name-heroes</loc>
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    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
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      <image:title>Graphic Tales - We Could Name Heroes</image:title>
      <image:caption>Stuart Davis, Variation on Little Giant Still Life, 1964</image:caption>
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    <image:image>
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      <image:title>Graphic Tales - We Could Name Heroes</image:title>
      <image:caption>D.B. Dowd, Frances Yvette! Plate No. 4 from Cry Mustardville, 1995</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403894071884-2PMJCV4L9V756IWTVHCK/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - We Could Name Heroes</image:title>
      <image:caption>Philip Guston, Gliders, circa 1943</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403894054217-TCDS3GKP91NF2AATAN3V/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - We Could Name Heroes</image:title>
      <image:caption>Guston, Friend–To M.F., 1978</image:caption>
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    <image:image>
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      <image:title>Graphic Tales - We Could Name Heroes</image:title>
      <image:caption>Guston, Pyramid and Shoe, 1977</image:caption>
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    <image:image>
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      <image:title>Graphic Tales - We Could Name Heroes</image:title>
      <image:caption>Dowd, Elk in Cityscape, animation still, Scenes from Starkdale, Ohio, 2006</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1413823495446-KJBE3F6UG3XBTFGRRN56/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - We Could Name Heroes</image:title>
      <image:caption>David Stone Martin, Jam Session at the Philharmonic, jacket cover illustration for Mercury Records, circa 1950.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403894155308-AYHN4KGBC5OPUA3A50H0/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - We Could Name Heroes</image:title>
      <image:caption>Davis, The Paris Bit, 1959</image:caption>
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    <image:image>
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      <image:title>Graphic Tales - We Could Name Heroes</image:title>
      <image:caption>Dowd, spread from The Ballad of Hoofer Dupree, 2014, excerpts from Sam the Dog, St. Louis Post Dispatch, 1997-1999.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403894169458-GBYOYF2LUZ1I7CC5HKXX/Davis_Eggbeater.jpg</image:loc>
      <image:title>Graphic Tales - We Could Name Heroes</image:title>
      <image:caption>Davis, Egg Beater No. 5, 1930</image:caption>
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    <image:image>
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      <image:title>Graphic Tales - We Could Name Heroes</image:title>
      <image:caption>Jimmy Katz, Cassandra Wilson, photograph, 2002</image:caption>
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    <image:image>
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      <image:title>Graphic Tales - We Could Name Heroes</image:title>
      <image:caption>design credit unavailable, Vintage Contemporaries cover design for The Sportswriter, by Richard Ford</image:caption>
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      <image:title>Graphic Tales - We Could Name Heroes</image:title>
      <image:caption>Dowd, Rashomon Pizza Oven, Canton, Ohio. 2010.</image:caption>
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  <url>
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    <lastmod>2025-12-16</lastmod>
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      <image:title>Graphic Tales - Conner's Couples: Electric, Spectral, Dreamy</image:title>
      <image:caption>Mac Conner, illustration for “No Kiss for Kate” by Timothy Acres. Woman’s Day, December 1953. Gouache on illustration board.      </image:caption>
    </image:image>
    <image:image>
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      <image:title>Graphic Tales - Conner's Couples: Electric, Spectral, Dreamy</image:title>
      <image:caption>Mac Conner, “No Kiss for Kate." Detail.            </image:caption>
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    <image:image>
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      <image:title>Graphic Tales - Conner's Couples: Electric, Spectral, Dreamy</image:title>
      <image:caption>Mac Conner, illustration for "The Ghost Takes Charge" by William Brandon.This Week Magazine, December 27, 1953. Gouache, ink, and photographs on illustration board.          </image:caption>
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    <image:image>
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      <image:title>Graphic Tales - Conner's Couples: Electric, Spectral, Dreamy</image:title>
      <image:caption>Mac Conner, fiction illustration for unknown publication, 1950s. Gouache, graphite, and colored pencil on illustration board.</image:caption>
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  <url>
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    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1412277137473-XZFHB0XH0OGEZAHCBXH5/image-asset.png</image:loc>
      <image:title>Graphic Tales - Read the Signs</image:title>
      <image:caption>D.B. Dowd, Bai Lin Real Estate Office, Shanghai. From Spartan Holiday No. 1, 2012.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1412223193965-HOIY2BRVX6ZR481Q7GAY/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Read the Signs</image:title>
      <image:caption>D.B. Dowd, Motel 6, San Rafael, California, 2011. This was my warm-up piece the day I drew Mike Hirshon's wedding.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1412219793672-851B38V39HJHPEYN982H/image-asset.png</image:loc>
      <image:title>Graphic Tales - Read the Signs</image:title>
      <image:caption>D.B. Dowd, detail from "Into the Wilderness," Sam the Dog, Episode 65, St. Louis Post-Dispatch, August 29, 1998. Re-presented in Trouble in Trapper City: Sam the Dog Revisited 1, Ulcer City Publications, October 2014.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1412219423114-634RGMHFQBHVMCJJS4O0/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Read the Signs</image:title>
      <image:caption>D.B. Dowd, Rashomon Pizza Oven, Canton, Ohio 2008.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1412223014739-81MFPF7ASN2P10DSMGXB/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Read the Signs</image:title>
      <image:caption>D.B. Dowd, Bradley's Restaurant, Sketchbook Study, Boulder City, Nevada. 2008.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1412223995970-GIHXD4EE71QK8ZU4QSGD/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Read the Signs</image:title>
      <image:caption>D.B. Dowd, Only to Wanderers, back cover (left) of Spartan Holiday No. 2: The Five Pagodas. Ulcer City Publications, 2013. Hand-lettering, not signage, but surely inspired by it. Not to mention the Spartan Holiday identity, designed (along with SH) by Scott Gericke and me. (2011.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1412223385027-AOSQLDKIKIX19JT0G4UR/image-asset.png</image:loc>
      <image:title>Graphic Tales - Read the Signs</image:title>
      <image:caption>D.B. Dowd, Along Nanjing Road, in Spartan Holiday No. 1: Shanghai Pictorial. Ulcer City Publications, 2012.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1412224395757-NI6U0JNGF6IQIS02LIIJ/image-asset.png</image:loc>
      <image:title>Graphic Tales - Read the Signs</image:title>
      <image:caption>D.B. Dowd, Sappington Market LED sign documentation, pencil drawing. South St. Louis, 2010.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1412219486270-76T7APNWB72SIG8SHTYT/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Read the Signs</image:title>
      <image:caption>D.B. Dowd, animation still, Scenes from Starkdale, Ohio, 2007.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/9/17/yo8b5yi6kpe5ngkgrlf03rkciz2cse</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1411013890874-T1VGCAZ36CVSDMCWPAEW/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - J.G. Posada Visits Oklahoma</image:title>
      <image:caption>Advertisement, Black Eye 2, edited by Ryan Standfest. Rotland Press, 2013. Sort of Saul Bass-ian, no?</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1411022742353-F4JID76R9JF67K76V49N/image-asset.png</image:loc>
      <image:title>Graphic Tales - J.G. Posada Visits Oklahoma</image:title>
      <image:caption>Splash Page, http://rotlandpress.com/</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1411017935342-HMV4L6YKKIY77E94VF57/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - J.G. Posada Visits Oklahoma</image:title>
      <image:caption>José Guadalupe Posada, Shark Attack. Wood engraving, circa 1900.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1411019563342-JXYUYEMMGYTN0TB2MN7D/image-asset.png</image:loc>
      <image:title>Graphic Tales - J.G. Posada Visits Oklahoma</image:title>
      <image:caption>D.B. Dowd, Rodrigo! page in Memory of Posada, insert in Black Eye 2, edited by Ryan Standfest. Rotland Press, 2013.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1411017223038-RUYEKKUST9CQOLDY1T9A/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - J.G. Posada Visits Oklahoma</image:title>
      <image:caption>D.B. Dowd, The End of Clayton Lockett, brush drawing in ink with typography, spread in Chasing Posada. Rotland Press, 2014.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1411017318961-KWRS39OYODOS9GSZ5UG1/image-asset.png</image:loc>
      <image:title>Graphic Tales - J.G. Posada Visits Oklahoma</image:title>
      <image:caption>D.B. Dowd, detail, The End of Clayton Lockett, 2014.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1411017374556-8077J90D85MP4RZVY2VD/image-asset.png</image:loc>
      <image:title>Graphic Tales - J.G. Posada Visits Oklahoma</image:title>
      <image:caption>D.B. Dowd, detail, The End of Clayton Lockett, 2014.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1411019977615-22YZE33L09L8GPY885W3/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - J.G. Posada Visits Oklahoma</image:title>
      <image:caption>Artist unknown, Danse Macabre, hand-colored woodcut, Northern Europe, circa 1500.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/9/7/more-aspirational-heiroglyphics</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1410111998121-UN0W1D2A1N6UQSXFBCFD/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - More Aspirational Heiroglyphics</image:title>
      <image:caption>Illustrator credit unavailable, cover illustration, Popular Mechanics, December 1954. Window-shopping at Christmastime. Dad is checking out the model trains; Junior is jonesing a drill and rotary sander set.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1410111526354-W6CRW0MHE9I3OZ9KWWN4/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - More Aspirational Heiroglyphics</image:title>
      <image:caption>To follow, a selection of whole ads and fragments; above, an example of the latter, a totem of magical mystical mechanical know-how. (Study car repair at home!)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1410111654390-RBOR2KFTQMJ7J3CMMJBZ/Popular_Mechanics_DEC1954_22a_corrected_trim.jpg</image:loc>
      <image:title>Graphic Tales - More Aspirational Heiroglyphics</image:title>
      <image:caption>I'm fixin' me an iron. Sixty years from now they'll call me something French, like an entrepreneur. But I think of myself as more of a would-be inventor.  A tinkerer, really.  (Meanwhile: have I showed you this Flubber stuff I've been working on...?)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1410112316649-V332TN69A70H99B609F1/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - More Aspirational Heiroglyphics</image:title>
      <image:caption>Massive frogs from Louisiana. The Nufend Giants. Mutants, most likely.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1410111594643-VZ5Y1MSJULXOJKLOE1AX/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - More Aspirational Heiroglyphics</image:title>
      <image:caption>Expertise on the accordion has long provided a pathway to beauty, wealth and power.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1410111761099-W8PD5X47QDIATRJM6J8Q/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - More Aspirational Heiroglyphics</image:title>
      <image:caption>Okay, then. I will.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1410111798375-CCN8WRKBF7BIM1CDWRFR/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - More Aspirational Heiroglyphics</image:title>
      <image:caption>My questions, if you must know, begin at the refrigerator, but somehow transcend the appliance. Still: you guys got any beer?</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1410112189840-PDJTHACAD1SFWX16KV8F/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - More Aspirational Heiroglyphics</image:title>
      <image:caption>This is an excellent plan.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1410111893007-FTLR7K8NHUN1EM9DGZMN/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - More Aspirational Heiroglyphics</image:title>
      <image:caption>The Kabbalah of Vaudeville.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1410111849052-L9IT9HEFYMB99IFKVK8T/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - More Aspirational Heiroglyphics</image:title>
      <image:caption>The Boomerang: a metaphor for our times. Two bucks does not begin to cover it.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/9/11/mccauley-conner-nibble-of-the-day</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1410444956994-ZLJHW65H3SPRDUGQH29H/image-asset.png</image:loc>
      <image:title>Graphic Tales - McCauley Conner Nibble of the Day</image:title>
      <image:caption>Mac Conner, Illustration for part one of “The Other Father” by Laura Z. Hobson. Cosmopolitan, November 1949. Gouache and graphite on illustration board. On view at the Museum of the City of New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1410445236182-C0C21RS9U1QCKAY44RYG/image-asset.png</image:loc>
      <image:title>Graphic Tales - McCauley Conner Nibble of the Day</image:title>
      <image:caption>Mac Conner, illustration detail, “The Other Father.” 1949.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1410445169330-ORNM1NB2A64FJHXKWEO4/image-asset.png</image:loc>
      <image:title>Graphic Tales - McCauley Conner Nibble of the Day</image:title>
      <image:caption>Mac Conner, illustration detail, “The Other Father.” 1949.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/9/10/mac-conner-a-new-york-life-90-x-90-day-10</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1410369852837-IGS6C6WFZ3AQ8KG9IE6R/image-asset.png</image:loc>
      <image:title>Graphic Tales - Mac Conner: A New York Life (90 x 90 Day 10)</image:title>
      <image:caption>Mac Conner, illustration for "Bachelor's Choice," by Mary Agnes Thompson, in The Saturday Evening Post, August 2, 1958.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/9/7/picture-lotto-redux</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1410114195342-0X9T3TY1ZTPG1XFQYFBA/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Picture Lotto Problem</image:title>
      <image:caption>C. Clement, Rocking Horse, Picture Lotto gamepiece  for Samuel Gabriel and Sons Company, circa 1950.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1410114579164-VQC1XRKG1LZ99A5OC9D7/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Picture Lotto Problem</image:title>
      <image:caption>Draw Me Grid, Image + Story Course Materials (with annual variation), D.B. Dowd, 2010-2014.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1410238995164-XR9DS7UKAY9RYHVVWYDJ/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Picture Lotto Problem</image:title>
      <image:caption>C. Clement, Pinwheel, circa 1950.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1410114143655-Q3GEOX7Z7C9OR2PA08CH/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Picture Lotto Problem</image:title>
      <image:caption>C. Clement, Picture Lotto Card for Samuel Gabriel and Sons Company, circa 1950.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1410114040531-IINRFJMXG6YLISZPTUW3/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Picture Lotto Problem</image:title>
      <image:caption>C. Clement, Picture Lotto Card for Samuel Gabriel and Sons Company, circa 1950.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1410114225867-7Y83HMWVPSCJNB1DSNUQ/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Picture Lotto Problem</image:title>
      <image:caption>C. Clement, Sewing Machine, circa 1950.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1410115453122-ZAA6VX6J53LUVXSQCGC3/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Picture Lotto Problem</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1410114331686-GP6T6KRW3DLUFKOSLUKV/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Picture Lotto Problem</image:title>
      <image:caption>Golden Funtime Punchout Books, Golden Press, 1962.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1410114288661-Z7JGTBMP3VBBWBR87PRM/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Picture Lotto Problem</image:title>
      <image:caption>Illustrator uncredited, PIcture Lotto Cards, Golden Funtime Books, 1962.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1410114442953-O03CUBG3PP8OOM4SML8P/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Picture Lotto Problem</image:title>
      <image:caption>C. Clement, Television Set, circa 1950.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1410114382181-SK9LYHEFDATBB6LMXPSM/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Picture Lotto Problem</image:title>
      <image:caption>Illustrator uncredited, Puppet on TV, Golden Funtime Books, 1962.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1410114510410-3NITJVREJVPJK8SKD2DW/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Picture Lotto Problem</image:title>
      <image:caption>Fran Allison with Ollie (left) and Kukla (right) from Kukla, Fran and Ollie television program, circa 1950.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/9/6/destination-earth-the-story-of-petroleum</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1410039351250-8LE6XRAG7QAKEPW5FC95/image-asset.png</image:loc>
      <image:title>Graphic Tales - Destination Earth: The Story of Petroleum</image:title>
      <image:caption>Ogg convenes the people, still from Destination Earth, 1956. John Sutherland Productions. Directed by Carl Urbano, Production Design by Tom Oreb and Victor Haboush.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1410039302505-F2Y6L05OQ34VNM1AAWG6/image-asset.png</image:loc>
      <image:title>Graphic Tales - Destination Earth: The Story of Petroleum</image:title>
      <image:caption>Sponsorship slate, still from Destination Earth, 1956.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1410039741787-Q0KY5XR68EHCTR454J3D/image-asset.png</image:loc>
      <image:title>Graphic Tales - Destination Earth: The Story of Petroleum</image:title>
      <image:caption>Colonel Cosmic preaches the twin gospel of competition and fossil fuel, still from Destination Earth, 1956.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1410039586622-89CLYV8I8KVM13BZJKJM/image-asset.png</image:loc>
      <image:title>Graphic Tales - Destination Earth: The Story of Petroleum</image:title>
      <image:caption>The American car-scape, still from Destination Earth, 1956.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1410039648818-KBPCDE808D4F4N3HKHMH/image-asset.png</image:loc>
      <image:title>Graphic Tales - Destination Earth: The Story of Petroleum</image:title>
      <image:caption>Oil exploration, still from Destination Earth, 1956.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1410039411290-F1A6KK4WUFWNYPCOR5G7/image-asset.png</image:loc>
      <image:title>Graphic Tales - Destination Earth: The Story of Petroleum</image:title>
      <image:caption>Ogg's audience, still from Destination Earth, 1956.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1410039507606-YHXV1VXE9O5CPCN9VRSA/image-asset.png</image:loc>
      <image:title>Graphic Tales - Destination Earth: The Story of Petroleum</image:title>
      <image:caption>Colonel Cosmic observing automobiles, still from Destination Earth, 1956.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1410039460736-VTE1N3EV8IAFQCEB1TQV/image-asset.png</image:loc>
      <image:title>Graphic Tales - Destination Earth: The Story of Petroleum</image:title>
      <image:caption>Colonel Cosmic and Ogg the Great, still from Destination Earth, 1956.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/9/6/pmiwveo2621q0lnz7185kw3m89e6m5</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1410030339621-3TQCYSXVZCFM86F7GLFI/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Lively Pictures of "Boring" Things Redux</image:title>
      <image:caption>Illustrator uncredited, Power Tools, section divider illustration, Better Homes &amp; Gardens Handyman's Book, Meredith Corporation, 1957.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1410032397929-8IQIU84X6DPGHLTQCIN4/image-asset.png</image:loc>
      <image:title>Graphic Tales - Lively Pictures of "Boring" Things Redux</image:title>
      <image:caption>Illustrator uncredited, cover illustration, Better Homes &amp; Gardens Handyman's Book, Meredith Corporation, 1957. Note admiring wife in housedress gazing upon hubby with bulging biceps in Richie Cunningham plaid shirt with fishing hat and pipe.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1410031602667-60RU1PG0WFF7HCOZ8TWM/dividertabs009.jpg</image:loc>
      <image:title>Graphic Tales - Lively Pictures of "Boring" Things Redux</image:title>
      <image:caption>Illustrator uncredited, Fastening Techniques, section divider illustration, BH &amp; G Handyman's Book, 1957.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1410031705577-G62YZ45ZBAI00P419QLQ/BetterHomes_HomeRepair_Windows%2Bdoors.jpg</image:loc>
      <image:title>Graphic Tales - Lively Pictures of "Boring" Things Redux</image:title>
      <image:caption>Illustrator uncredited, Windows and Doors, section divider illustration, BH &amp; G Handyman's Book, 1957.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1410031764833-LI2XQTWW9JBH5VLNI2BX/BetterHomes_HomeRepair_Walls%2BFloors.jpg</image:loc>
      <image:title>Graphic Tales - Lively Pictures of "Boring" Things Redux</image:title>
      <image:caption>Illustrator uncredited, Walls and Floors, section divider illustration, BH &amp; G Handyman's Book, 1957.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1410031905285-J7G7VDIJJ199SNE5C4RA/BetterHomes_HomeRepair_Walls%2BFloors_det.jpg</image:loc>
      <image:title>Graphic Tales - Lively Pictures of "Boring" Things Redux</image:title>
      <image:caption>Detail, Walls and Floors.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1410031968789-JE1KHAK52VAMZVCFVDKI/BetterHomes_HomeRepair_BuildingMaterials.jpg</image:loc>
      <image:title>Graphic Tales - Lively Pictures of "Boring" Things Redux</image:title>
      <image:caption>Illustrator uncredited, Building Materials, section divider illustration, BH &amp; G Handyman's Book, 1957.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1410032001455-YW8HM4LIONI3OD8D1895/dividertabs010.jpg</image:loc>
      <image:title>Graphic Tales - Lively Pictures of "Boring" Things Redux</image:title>
      <image:caption>Reference Tables, Wood Screws and Nails, section divider verso, BH &amp; G Handyman's Book, 1957.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1410032068028-QZ26N7NW42CHNCUGHWWW/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Lively Pictures of "Boring" Things Redux</image:title>
      <image:caption>Illustrator uncredited, General Index, section divider illustration, BH &amp; G Handyman's Book, 1957.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/9/2/c0jnwggau6rel6zhvmjsaj6nvhojou</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1409718925171-6Y029YA7B56BXB6AMA6S/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Astroboy: Animated Chiaroscuro</image:title>
      <image:caption>Osamu Tezuka, Mighty Atom (Astro Boy in English), 1963. The show ran in Japan from 1963 to 1966. An American version dubbed in English ran on NBC during the same period.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1409718601501-RO22TV3WF6830Q572MXT/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Astroboy: Animated Chiaroscuro</image:title>
      <image:caption>Astroboy swimming through electrified robot-breath.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1409718670802-AY3YVDL86JSRP59CJC9D/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Astroboy: Animated Chiaroscuro</image:title>
      <image:caption>Ta-da!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1409718711658-M7UGUNTW58VVUQGTE816/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Astroboy: Animated Chiaroscuro</image:title>
      <image:caption>Who or what is that guy on the left? A bipedal anthropomorphized lion cub with aviator's scarf?</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1409718799074-A03XOQZ2N2TUTCP8F8AF/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Astroboy: Animated Chiaroscuro</image:title>
      <image:caption>Robot with Astroboy indigestion.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1409718745865-CVY3XRD0WAE4V47MYUAU/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Astroboy: Animated Chiaroscuro</image:title>
      <image:caption>Some borer thing.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1409718963676-3JQ8NZXRG99QYNNJ600W/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Astroboy: Animated Chiaroscuro</image:title>
      <image:caption>Venetian monopolists with pistolsin Mickey gloves.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1409718995736-4EPUUPC3WF8QD9T1NCRI/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Astroboy: Animated Chiaroscuro</image:title>
      <image:caption>Cartoon Klansmen, sort of.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1409719276165-R32QJ3LABMHOWAUOHFPO/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Astroboy: Animated Chiaroscuro</image:title>
      <image:caption>Caged crooks.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1409718848518-DPVCA41VP02J2TIWKSUT/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Astroboy: Animated Chiaroscuro</image:title>
      <image:caption>Sea serpent; excellent high-contrast frothy water.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1409718889404-XLKKFANOP0WRIPFMADLS/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Astroboy: Animated Chiaroscuro</image:title>
      <image:caption>Ball with cilia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1409719192003-ZU0NFQR5XS21MZEJ35TH/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Astroboy: Animated Chiaroscuro</image:title>
      <image:caption>Ooooh, I'm gonna get these troublemakers.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1409719045030-NOJJDQJ6X2V8ODTSNZFG/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Astroboy: Animated Chiaroscuro</image:title>
      <image:caption>Take that!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1409722239603-89PMAY78DGP8TB6GXU2K/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Astroboy: Animated Chiaroscuro</image:title>
      <image:caption>Colosso!</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/9/2/day-2-of-90-x-90-adventures-in-signage</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1409666760557-48Z7HYXD5BF9Y14OKEFR/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Day 2 of 90 x 90: Adventures in Signage</image:title>
      <image:caption>Postwar Commercial Concrete Poetry, I tell you</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1409667243464-KF6ZLHBZ8FCZJYBQ4FM0/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Day 2 of 90 x 90: Adventures in Signage</image:title>
      <image:caption>Constellation Studios, Lincoln NE</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/8/30/zt3fd6sdugzzqji2wbfeba77iuhue7</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1409455622417-810XA5DKEAHELYH69BIS/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Elizabeth Shippen Green, 90 x 90 No.1</image:title>
      <image:caption>Elizabeth Shippen Green, What angel wakes me from my flowery bed, illustration for a tale from A Midsummer Night's Dream in Tales From Shakespeare by Charles and Mary Lamb, 1922. (Note Bottom with an ass head back left.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1409455908230-EFSBNCIJ9V6EDXBNNSVI/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Elizabeth Shippen Green, 90 x 90 No.1</image:title>
      <image:caption>Elizabeth Shippen Green, Look thou but sweet and I am proof against their enmity, illustration for a tale from Romeo and Juliet in Tales From Shakespeare.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1409456386696-N4TZQ2V8J6C558Y6PLWF/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Elizabeth Shippen Green, 90 x 90 No.1</image:title>
      <image:caption>Elizabeth Shippen Green, The Tempest, illustration in Tales From Shakespeare.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1409456131687-OUBTUE8X2HRN4XM90YAQ/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Elizabeth Shippen Green, 90 x 90 No.1</image:title>
      <image:caption>Elizabeth Shippen Green, illustrator's note with self-portrait in Tales From Shakespeare. I find this is quite charming.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1409456208538-F1VF9U078DSMK7EU9W9W/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Elizabeth Shippen Green, 90 x 90 No.1</image:title>
      <image:caption>Elizabeth Shippen Green, detail, illustrator's note with self-portrait. This is speculation on my part, but the figure leaning in the window with the 30-60-90 triangle is probably ESG's husband Huger Eliiott, an architecture professor, with whom she collaborated on an alphabet book in the 1940s. (A copy of which I would like to find.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1409456055381-MHC5VOKRZ16I4P123ACR/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Elizabeth Shippen Green, 90 x 90 No.1</image:title>
      <image:caption>Elizabeth Shippen Green, frontispiece illustration showing the Bard on his knees, offering a folio to Queen Elizabeth enthroned for Tales From Shakespeare. The predella features a family with young readers kneeling before an elephantine edition of the Lambs' book, possibly the 1866 edition illustrated by Gilbert. An ersatz virgin in glory.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1409456640712-WMFMF4ADEQPRCEK0POEM/image-asset.png</image:loc>
      <image:title>Graphic Tales - Elizabeth Shippen Green, 90 x 90 No.1</image:title>
      <image:caption>Elizabeth Shippen Green, But how have I failed so wretchedly, frontispiece illustration for The Mansion, 1911. Screen shot from the Internet Archive.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1409456519333-RUNSOZOP1LD5CJNII44Q/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Elizabeth Shippen Green, 90 x 90 No.1</image:title>
      <image:caption>Elizabeth Shippen Green, But how have I failed so wretchedly. Lovely little bit of pink waft, no?  Who is that?</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/8/29/a55bi4441urwfmscvnedcfv53kziuy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1409438839610-MQLYIQUHCTKP9BIIBZY6/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - 90 x 90 Starts Monday</image:title>
      <image:caption>D.B. Dowd, North Side Chop Suey, 2011, goauche painting for "Shanghai Pictorial," Spartan Holiday No.1, 2012.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1409437576818-GC0RIQX1WBIZSUT7MFQY/image-asset.png</image:loc>
      <image:title>Graphic Tales - 90 x 90 Starts Monday</image:title>
      <image:caption>D.B. Dowd, illustration from "Meet the Bunny," Episode 64, Sam the Dog, The St. Louis Post-Dispatch, August 15, 1998.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1409434468392-GG5HDTNSSNFRFYERDLKM/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - 90 x 90 Starts Monday</image:title>
      <image:caption>Wu Youru, Forceful Attack at Bac Ninh, Dianshizai Huabao No. 1, 1884. DSZHB was pioneering illustrated newspaper supplement in China, modeled after the Western illustrated news but with a unique Chinese take; Wu was the most skilled and popular of the illustrators to work on the publication. My trip to China in 2011 was partly inspired by a desire to see more of Wu's work. I took this photograph in a Shanghai teahouse, where the owner keeps his complete run of DSZHB (1884-1900). I was lucky to be introduced to him by my daughter-in-law's uncle, Mr. Tuo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1409434107160-TWLY1V8XYGQBFF8VUHI0/wooden_shoe.jpg</image:loc>
      <image:title>Graphic Tales - 90 x 90 Starts Monday</image:title>
      <image:caption>The Wooden Shoe, Holland, Michigan. I took this photograph in June 2012, after perusing the booths. I picked up some copies of Collier's, 1939-1941.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1409436439325-AWHOGO4RA7W8RAAX802B/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - 90 x 90 Starts Monday</image:title>
      <image:caption>Robert O. Reid, cover illustration, Collier's Weekly, October 14, 1939. One of the Collier's issues I acquired at the Wooden Shoe.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/7/17/intersecting-favorites-design-swimming</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1405634509945-SH7PJZ08IPKVMTRD968F/image-asset.png</image:loc>
      <image:title>Graphic Tales - Intersecting Favorites: Design + Swimming</image:title>
      <image:caption>D.B. Dowd, The Shea Classic Shirt, 2014.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1405636157761-52CDSSW81MXXOQX4V7E7/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Intersecting Favorites: Design + Swimming</image:title>
      <image:caption>The color comp we showed to Mary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1405635103178-ESBXNLACK1ZZZ9MNVF63/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Intersecting Favorites: Design + Swimming</image:title>
      <image:caption>Intern Extraordinaire, Kate McCarter, wearing the shirt.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1405636340832-MTO42U0O08DMASCTDL2X/image-asset.png</image:loc>
      <image:title>Graphic Tales - Intersecting Favorites: Design + Swimming</image:title>
      <image:caption>The back of the shirt. Now that I look at it, maybe we should have closed that gap between the distances and the strokes...</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/30/december-studio-notes-part-1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404148573292-L7Y4672YUIZ93TV7E049/davis_landscape_space.jpg</image:loc>
      <image:title>Graphic Tales - December Studio Notes Part 1</image:title>
      <image:caption>Stuart Davis, Shapes of Landscape Space, probably Gloucester, gouache on paper, 1938</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404148607138-0IIO66WS32KYPMGWP7OI/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - December Studio Notes Part 1</image:title>
      <image:caption>N. Glaise, Lettres a Boule Fantaisie, detail from chromolithograph lettering sheet, a loose Plate (X) from (what I think is) Bibliotheque Du Peintre En Batiment, Modeles De Lettres Sur Vingt Tons De Fonds Differents, published by Emile Thezard, Paris, 1901</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404148632597-H4IXEQ225BGOE9BSR13G/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - December Studio Notes Part 1</image:title>
      <image:caption>Stuart Davis, a cityscape, also probably from Gloucester, circa 1940</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404148661517-AIYLBSA0N3I1VF9C5OPZ/guston_untitled_drawing_1950.png</image:loc>
      <image:title>Graphic Tales - December Studio Notes Part 1</image:title>
      <image:caption>Philip Guston, untitled drawing, 1950</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404148678011-85QVELHLJX9WTOYZ1BOT/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - December Studio Notes Part 1</image:title>
      <image:caption>Guston, The Light, oil on canvas, 1964</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404148709844-2M6K46O64MGAMO5AE1PQ/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - December Studio Notes Part 1</image:title>
      <image:caption>Guston, Ancient Wall, oil on canvas, 1976</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404148744945-NHIFJH7FNXYF96R6V455/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - December Studio Notes Part 1</image:title>
      <image:caption>Designer Uncredited, Navajo rug from Teec Nos Pos, Apache County, Arizona. George H.H. Huey, photographer. Issued as a postcard in a set published under the title Navajo Rugs of the Southwest, undated (which I bought at the Denver Art Museum in 2008, I think)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404148760632-SNSFSAXJUMK3VNFZLRFV/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - December Studio Notes Part 1</image:title>
      <image:caption>a Stuart Davis not pinned up now, but on my wall in Paris last July and August, Place des Vosges No. 2, 1928 (the actual place in Paris being worthy of comment, but not here and now)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404148776632-9ALQBV0ML4O6C7MXQC86/brunetti_newyorker_092313.jpg</image:loc>
      <image:title>Graphic Tales - December Studio Notes Part 1</image:title>
      <image:caption>Ivan Brunetti, Goings On Around Town, New Yorker cover, September 23, 2013</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404148785173-63AWPHL1ZNTK9C8OHEYD/brunetti_newyorker_det_092313.jpg</image:loc>
      <image:title>Graphic Tales - December Studio Notes Part 1</image:title>
      <image:caption>Ivan Brunetti, detail, Goings On Around Town.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/30/ignorance-and-indiana</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404148341700-E7YCJ1VAIGJCLL6ZDKG7/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Ignorance and Indiana</image:title>
      <image:caption>historic Indianapolis 500 cars photographed by Steve Zautke.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404148361775-1WN17IDNCXQ0ERIXEL1D/110514IndyVintage023.jpg</image:loc>
      <image:title>Graphic Tales - Ignorance and Indiana</image:title>
      <image:caption>historic Indianapolis 500 cars photographed by Steve Zautke.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404148402657-PMA0HTGCVN2AN1354RB7/110514IndyVintage094.jpg</image:loc>
      <image:title>Graphic Tales - Ignorance and Indiana</image:title>
      <image:caption>historic Indianapolis 500 cars photographed by Steve Zautke.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/30/spartan-holiday-meets-pecha-kucha</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404148120332-B9NM2GQ0WWN8PXYP3ZYK/dbdowd_gericke_pk_slide_baker.png</image:loc>
      <image:title>Graphic Tales - Spartan Holiday Meets Pecha Kucha</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404148126114-LHPW91OP0HFF572SECA5/Gastreich_PK_dowd_gericke1.png</image:loc>
      <image:title>Graphic Tales - Spartan Holiday Meets Pecha Kucha</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404148150180-B23X46V2BFY16JZ9TP3T/Gastreich_PK_dowd_gericke2.png</image:loc>
      <image:title>Graphic Tales - Spartan Holiday Meets Pecha Kucha</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404148185091-AHDTNVY5FHX1F62XX4VU/image-asset.png</image:loc>
      <image:title>Graphic Tales - Spartan Holiday Meets Pecha Kucha</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404148224560-OTLIDUSVE4NGDSBBT3H5/image-asset.png</image:loc>
      <image:title>Graphic Tales - Spartan Holiday Meets Pecha Kucha</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404148255123-MDLK8UNPUILT2DPG59QE/image-asset.png</image:loc>
      <image:title>Graphic Tales - Spartan Holiday Meets Pecha Kucha</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/30/revived-december-magazine</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404147830313-2OW4OQZG3M3N9UCJOS1X/image-asset.png</image:loc>
      <image:title>Graphic Tales - Revived december Magazine</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404147858288-UKPH45WDQASUMHZVHY9X/henry.gif</image:loc>
      <image:title>Graphic Tales - Revived december Magazine</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404147873495-ARNPFK3MMVQARK1JOFT7/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Revived december Magazine</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404147893077-E4M1PYNLWXLI1UECU6ZL/december_sketch1.jpg</image:loc>
      <image:title>Graphic Tales - Revived december Magazine</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404147925831-CXFNFRDNQGX9KMYX6TYV/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Revived december Magazine</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404147948821-FZ6ELJXUZNLHDXWOV6E3/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Revived december Magazine</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404147980391-5U5V1QKZKZJDVL2Z07T3/dbdowd_key_drawing.jpg</image:loc>
      <image:title>Graphic Tales - Revived december Magazine</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/30/walt-reeds-archive-comes-to-st-louis</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404147607273-06OMS4TJ53U41NAKX4I6/Leyendecker_crimson_conquest_1907.jpg</image:loc>
      <image:title>Graphic Tales - Walt Reed's Archive Comes to St. Louis!</image:title>
      <image:caption>J.C. Leyendecker, book cover design, The Crimson Conquest, 1907</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404147627593-35GJXYL8HEOZO5OTJP2L/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Walt Reed's Archive Comes to St. Louis!</image:title>
      <image:caption>the cover of Walt Reed's Illustrator in America, featuring a reproduction of The Nation Builders (1903) by Howard Pyle</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404147649139-U8EFMNEZDP3U4F1BJNQ9/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Walt Reed's Archive Comes to St. Louis!</image:title>
      <image:caption>Harry Stacy Benton, painting for Cream of Wheat advertisement, 1908</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404147671549-O27Y1CHEBNNDJZ5LQ5TN/lowell_life_man_with_blinders.png</image:loc>
      <image:title>Graphic Tales - Walt Reed's Archive Comes to St. Louis!</image:title>
      <image:caption>Orson Lowell, cartoon for Life Magazine, September, 1912. (Yes, that's a man on a leash wearing horse blinders. Tension over gender roles?) The Lowell drawing is surprisingly large in scale, and shockingly refined. We have three such drawings in the collection. We also have 82 small studies by Lowell. So much more to see!</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/30/an-illustrated-thank-you-card-for-starters</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404147501390-VCV989Q7JGZQT294FIWC/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - An Illustrated Thank-You Card, for Starters</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404147519593-DC25YWTWDIW21YMZ6RU2/dear_professor_red_det.jpg</image:loc>
      <image:title>Graphic Tales - An Illustrated Thank-You Card, for Starters</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/30/gatsby-lays-a-west-egg</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404147266944-YMV3RXWZ0F0TGA7DG8LV/Gatsby_times_square.png</image:loc>
      <image:title>Graphic Tales - Gatsby Lays a West Egg</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404147288783-6DWUXHE0DRCNFF1NK6GW/Gatsby_Graphics.jpg</image:loc>
      <image:title>Graphic Tales - Gatsby Lays a West Egg</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404147301512-G36RDE5Q5QNEL1CVF5RF/billboard_eyes.jpg</image:loc>
      <image:title>Graphic Tales - Gatsby Lays a West Egg</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404147341071-DIL8OCDVL7HMNA35UIFH/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Gatsby Lays a West Egg</image:title>
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      <image:title>Graphic Tales - Gatsby Lays a West Egg</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404147381676-1H6CSQB9TV96JQ5XHB7F/Great_Gatsby_DiCaprio.jpg</image:loc>
      <image:title>Graphic Tales - Gatsby Lays a West Egg</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404147394395-ZI7GPYM92QD91O1L5A0Z/Leyendecker_CharlesBeach_arrow_ad1922_72dpi_1.jpg</image:loc>
      <image:title>Graphic Tales - Gatsby Lays a West Egg</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/30/like-illustrated-grammar</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404146942447-MUW1OI9WEO8E17UGQ7YZ/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Like, Illustrated Grammar</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404146964572-9JUQ5XOUMS3RAVGXFN4Q/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Like, Illustrated Grammar</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404147002221-HTTEC5IRCS3SI2UIKJIH/sentence_procession.jpg</image:loc>
      <image:title>Graphic Tales - Like, Illustrated Grammar</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404147021003-0EFE2TX9514PY643L992/sentence_show_3.jpg</image:loc>
      <image:title>Graphic Tales - Like, Illustrated Grammar</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404147062334-UHRNJ8B604YBTPW49NLF/grammar_milktruck_1.jpg</image:loc>
      <image:title>Graphic Tales - Like, Illustrated Grammar</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404147084112-AD6BK7JH0D1MYRVN0KES/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Like, Illustrated Grammar</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404147098497-OZROW58VKAVN78UGB3KH/grammar_boat_2.jpg</image:loc>
      <image:title>Graphic Tales - Like, Illustrated Grammar</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404147124850-2LNKUIFXWA40YRDSQ41T/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Like, Illustrated Grammar</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404147148877-SOPF48JLKJR3FNUAADPI/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Like, Illustrated Grammar</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/30/in-pursuit-of-variety</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404146358277-Z8F5FFDRI308UFGYPHS1/shot+construction_pov.jpg</image:loc>
      <image:title>Graphic Tales - In Pursuit of Variety</image:title>
      <image:caption>Point of view. Where is the "camera" relative to our two characters?</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404146381164-N5H1MXP8UHHYGRMFXII6/shot+construction_pov2.jpg</image:loc>
      <image:title>Graphic Tales - In Pursuit of Variety</image:title>
      <image:caption>Space missions. Moving the camera around provides a sense of variety.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404146404491-XVDCDMJ4OSTTKW680AWR/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - In Pursuit of Variety</image:title>
      <image:caption>Scale: how wide or tight is the shot on our character? How does our sense of what the shot is for change with position and cropping?</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404146427873-6WOW2IKK57W6EOVYDM5C/shot+construction_placement.jpg</image:loc>
      <image:title>Graphic Tales - In Pursuit of Variety</image:title>
      <image:caption>The position of things–even important things–does not have to be central every time!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404146561945-DGSRFLHKAA07181QZ2WM/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - In Pursuit of Variety</image:title>
      <image:caption>Osamu Tezuka, Astro Boy No. 1, by Osamu Tezuka. Mighty Atom (Astro Boy to American audiences) was created in the 1950s. The creation myth, “The Birth of Astro Boy” was a later addition by Tezuka.English edition published by Dark Horse Comics, 2002  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404146587842-57055L1BLSA9366YMTCR/caniff_steve_canyon_020348.jpg</image:loc>
      <image:title>Graphic Tales - In Pursuit of Variety</image:title>
      <image:caption>Milton Caniff, Steve Canyon daily comic strip, February 3, 1948.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1511806932729-ZMOLH7G1BYWK14IFIQ47/Caniff_terryandthepiratesproof_122946.jpg</image:loc>
      <image:title>Graphic Tales - In Pursuit of Variety</image:title>
      <image:caption>Milton Caniff, Terry and the Pirates, December 29, 1946 Sunday strip.   </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404146333981-SMUHCW3D4GZK1DRI9PPS/Herge_King_Ottoman_chase_det2.jpg</image:loc>
      <image:title>Graphic Tales - In Pursuit of Variety</image:title>
      <image:caption>Hergé, panel from King Ottokar's Sceptre, a Tintin adventure that takes place in an imaginary eastern European county governed by a purportedly virtuous but besieged monarchy. 1939.    </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404146460978-IML4132IRMRZL83XJ8YA/Herge_King_Ottoman_chase_sm.jpg</image:loc>
      <image:title>Graphic Tales - In Pursuit of Variety</image:title>
      <image:caption>Hergé, page design from King Ottokar's Sceptre.     </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404146479593-C6EIAH1RLTBF3CURQ85E/Herge_King_Ottoman_chase_det.jpg</image:loc>
      <image:title>Graphic Tales - In Pursuit of Variety</image:title>
      <image:caption>Love this shot. Er, panel.    </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404146498490-PP1X3DZRU4EF7YPR1ZAS/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - In Pursuit of Variety</image:title>
      <image:caption>The motorcycle chase scene broken down into abstract compositional studies.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404146510321-XEOTAI1SA4S3LAMP51S3/image-asset.png</image:loc>
      <image:title>Graphic Tales - In Pursuit of Variety</image:title>
      <image:caption>The second and third registers on the chase scene page.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404146630710-TF223QK5AKH3KVYYCLU5/caniff_steve_canyon_090148_sm.jpg</image:loc>
      <image:title>Graphic Tales - In Pursuit of Variety</image:title>
      <image:caption>Milton Caniff, Steve Canyon Sunday strip, August 1, 1948</image:caption>
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      <image:caption>Photographer(s) uncredited, detail of photographic collage on the table of contents page of Gala, September 1958</image:caption>
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      <image:caption>Photographer uncredited, "Yank Pin-up Girl K.T. Stevens," Yank: The Army Weekly, May 19, 1944</image:caption>
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      <image:caption>CGI illustration of Lara Croft, Tomb Raider; game developed by Core Design, published by Eidos Interactive.</image:caption>
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      <image:caption>Cover illustration Stare magazine, December 1961</image:caption>
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      <image:caption>Photographer uncredited, Glenda Graham (with houseplant), Stare</image:caption>
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      <image:caption>Gil Elvgren, Pin-up Girl with Parrot, circa 1950</image:caption>
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      <image:caption>photographer uncredited, cover design, Gala magazine, September 1958</image:caption>
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      <image:caption>Jon Whitcomb, fiction illustration, Ladies Home Journal, September 1946</image:caption>
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      <image:caption>William Glackens, Loading Horses on the Transports at Port Tampa, Inkwash and Chinese white, field sketch on assignment for McClure’s Magazine, 1898. Collection, Library of Congress.</image:caption>
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      <image:caption>Charles Sheeler and Paul Strand, still from Manhatta, 1921.</image:caption>
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    <image:image>
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      <image:title>Graphic Tales - Thinking for the Screen, Homeric Period</image:title>
      <image:caption>Still from Manhatta.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404143074121-VKK314NJOMS38JB9MWV3/Manhatta+%2814%29.jpg</image:loc>
      <image:title>Graphic Tales - Thinking for the Screen, Homeric Period</image:title>
      <image:caption>Still from Manhatta.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404143108586-02FJQENP4F5LX3PGSUG1/Manhatta+%2810%29.jpg</image:loc>
      <image:title>Graphic Tales - Thinking for the Screen, Homeric Period</image:title>
      <image:caption>Still from Manhatta.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404143121776-QH3WAK2KMYM4XV8JIDGG/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Thinking for the Screen, Homeric Period</image:title>
      <image:caption>Still from Manhatta.  (Doesn't this look exactly like a Sheeler painting?)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404143158933-NEPRH1IRA5QH1MD9X3OP/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Thinking for the Screen, Homeric Period</image:title>
      <image:caption>Still from Manhatta.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404143185409-UQYBRPPC5SP360YSD11N/Manhatta+%286%29.jpg</image:loc>
      <image:title>Graphic Tales - Thinking for the Screen, Homeric Period</image:title>
      <image:caption>Still from Manhatta.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404143197173-QLIOVMBPJZG78L030CC8/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Thinking for the Screen, Homeric Period</image:title>
      <image:caption>End of day, end of story. Still from Manhatta.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/30/big-day</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404142080660-MFZI38WF86JNUK5EXK5X/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Big Day!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404142106575-47LOINE8VK4ON3B97ZT7/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Big Day!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404142124584-IPEBG15VFDYRR06RL8JL/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Big Day!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404142151162-0S8LZHRXOOH3HPWZQN7P/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Big Day!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404142189701-D6FPSDV1G20A3XURNRTT/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Big Day!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404142210070-XJSZYJURHSMQERTK88IS/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Big Day!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404142248863-66QHZVVU0FQWUXSD1D96/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Big Day!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404142262224-1Q0U2HAP81AJNU3U7UTR/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Big Day!</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/30/getting-in-the-zone</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404141853564-6IHDB3TY0J41AUI1HIPY/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Getting in the Zone</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404141880971-KGZ54TOZXCBMPIXH94XI/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Getting in the Zone</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404141901592-KJB90WQT3Q1NGFVM5TXG/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Getting in the Zone</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404141911310-F3WMDNTXEGGTYHERHSZP/Codemaster_Telegraph_Signal_Set_Boxtop_det3.jpg</image:loc>
      <image:title>Graphic Tales - Getting in the Zone</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404141940918-PU1EHH697EJSX1M22HSB/Davis_codemaster.jpg</image:loc>
      <image:title>Graphic Tales - Getting in the Zone</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404141963564-01VXYOQOKKON73TQZTE8/Codemaster_earlier_version.png</image:loc>
      <image:title>Graphic Tales - Getting in the Zone</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/30/visual-journalism-roundup-seeing-things</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404140981384-3S5MSO2D35DBA56FAG2H/Waud_OSullivan_DevilsDen_Gettysburg.jpg</image:loc>
      <image:title>Graphic Tales - Visual Journalism Roundup: Seeing Things</image:title>
      <image:caption>Timothy O’Sullivan, Alfred Waud, in Devil’s Den, Gettysburg 1863, a red-blue anaglyph version of two stereoscopic photographs, uniting photographer, illustrator, and a disorienting historical moment; Designer uncredited, Guns in the U.S. Navy information graphic, The New York World, July 3, 1898 (reproduced in the book The World on Sunday: Graphic Art in Joseph Pulitzer's Newspaper (1898-1911) by Nicholson Baker and Margaret Brentano</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404141016549-YNX9RM99US19ZP6VDL0E/Guns_of_the_US_Navy_July_3_1898_The_World_On_Sunday.jpg</image:loc>
      <image:title>Graphic Tales - Visual Journalism Roundup: Seeing Things</image:title>
      <image:caption>Johann Carolus, publisher, the German language Relation, published in Strassbourg,1609</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404141031328-U3M19JGF7QB41HF9T5G5/Carolus_Relation_1609_Strassburg.png</image:loc>
      <image:title>Graphic Tales - Visual Journalism Roundup: Seeing Things</image:title>
      <image:caption>generally recognized as the first newspaper, it first appeared in 1605, and was quickly followed by many more such publications</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404141051212-XEO69Q53YTW6VDKROXXO/image-asset.png</image:loc>
      <image:title>Graphic Tales - Visual Journalism Roundup: Seeing Things</image:title>
      <image:caption>The first issue of the Baltimore Sun, published May 17, 1837</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404141085895-JLRJOZS59FIDRBAQEGQA/Nemesis_Steamer_Destroying_War_Junks_ILN_1842.png</image:loc>
      <image:title>Graphic Tales - Visual Journalism Roundup: Seeing Things</image:title>
      <image:caption>Nemesis steamer destroying Chinese war junks in the Canton Riverduring the First Opium War; Illustrated London News, November 12, 1842</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404141122670-C0O6UGU1B1DFOT8RMSIT/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Visual Journalism Roundup: Seeing Things</image:title>
      <image:caption>Alfred Waud,Attack of the Louisiana Tigers on a Battery of the 11th Corps at Gettysburg, (July 1, 1863) ink and Chinese white on brown paper; the wood engraving in Harpers of the same scene, published as a half-page illustration on August 8, 1863, the third consecutive issue to provide extensive coverage of the battle</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404141148994-XT8777YSQNZDJ0DRSS7O/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Visual Journalism Roundup: Seeing Things</image:title>
      <image:caption>D.B. Dowd, At the Royale, Election Eve, Election Sketchbook, published by the St. Louis Beacon, November 4, 2008</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404141169575-7DD1L41US8Q8PX6RI0MA/image-asset.png</image:loc>
      <image:title>Graphic Tales - Visual Journalism Roundup: Seeing Things</image:title>
      <image:caption>Alfred Waud, Battle of Antietam, wood engraving published by Harper's Weekly, October 11, 1862</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404141196301-PAZ0V7CZDWZCLPC1G4PI/image-asset.png</image:loc>
      <image:title>Graphic Tales - Visual Journalism Roundup: Seeing Things</image:title>
      <image:caption>Alexander Gardner, Confederate Dead near Dunker Church, Antietam, 1862</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404141231718-15OE7TR5R5B6NI0XHIH4/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Visual Journalism Roundup: Seeing Things</image:title>
      <image:caption>A. Berhaus and C. Upham, Washington, D.C.––The attack on the President’s life––Scene in the ladies’ room of the Baltimore and Ohio Railroad depot––The arrest of the assassin; from sketches by our special artist’s [sic] A. Berhaus and C. Upham; Frank Leslie’s Illustrated Newspaper, July 16, 1881, an image cited by Nerone in a footnote to support the claim he makes re: careful reconstruction</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404141247467-RW6J36BN0TTDLP41GHSB/FeiYingGe_9_1890_wuyouru2+copy2.jpg</image:loc>
      <image:title>Graphic Tales - Visual Journalism Roundup: Seeing Things</image:title>
      <image:caption>Wu Youru, A Balloon Race in America, FeyYingGe Huabao No. 3, October 1890</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404141289687-17KRAUAI0MAZ0L980837/Toshihide_Big_Victory.png</image:loc>
      <image:title>Graphic Tales - Visual Journalism Roundup: Seeing Things</image:title>
      <image:caption>Migita Toshihide and Akiyama Buemon, Big Victory: Our Fleet Sank Two Russian Ships, the Varyag and Korietz Respectively, on February 9, 1904 at the Port of Jinsen (Chemulpo),1904</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404141324650-THKZPRMUSMMOVMPZNBJQ/Riis03_smaller.jpg</image:loc>
      <image:title>Graphic Tales - Visual Journalism Roundup: Seeing Things</image:title>
      <image:caption>Jacob A. Riis, Dens of Death, circa 1890</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404141349727-4P31TE9HDPNOUXPCFGKG/Noir03+copy_smaller.jpg</image:loc>
      <image:title>Graphic Tales - Visual Journalism Roundup: Seeing Things</image:title>
      <image:caption>Tom Howard, The Execution of Ruth Snyder, The New York Daily News, January 13, 1928</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404141385757-LK1AUAER3D7F8G99IW6N/Weaver_Woolworth3.jpg</image:loc>
      <image:title>Graphic Tales - Visual Journalism Roundup: Seeing Things</image:title>
      <image:caption>Robert Weaver, suite of images from What's Come Over Old Woolworth?, Fortune Magazine, January 1969</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404141399948-FW1IPDV5DO58GI3913RM/Weaver_Woolworth1.jpg</image:loc>
      <image:title>Graphic Tales - Visual Journalism Roundup: Seeing Things</image:title>
      <image:caption>Robert Weaver, suite of images from What's Come Over Old Woolworth?, Fortune Magazine, January 1969</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404141420415-FFJ3EP4AFQQE2JW4DNT0/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Visual Journalism Roundup: Seeing Things</image:title>
      <image:caption>Lynn Pauley, on assignment for the New Yorker, Bombed Murrah Building, Oklahoma City, 1994</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/30/klaus-rules</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404140751701-Z10AFK3MROU5UXXFP9G5/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Klaus Rules</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404140786122-3FKA8BZ27H8GSNBIIM24/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Klaus Rules</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404140793850-N0RF3QAFQJN7QR2M0ZYT/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Klaus Rules</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/30/the-new-journalism-illustration</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404140481779-D5GSTAC8NO5J6MC5WGQ7/Weaver_Woolworth3.jpg</image:loc>
      <image:title>Graphic Tales - The New Journalism &amp; Illustration</image:title>
      <image:caption>Robert Weaver, suite of images from What's Come Over Old Woolworth?, Fortune Magazine, January 1969</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404140500130-LMIG7W6HSST7K8KZFUNK/image-asset.png</image:loc>
      <image:title>Graphic Tales - The New Journalism &amp; Illustration</image:title>
      <image:caption>Photographer credit unavailable, Photograph of Tom Wolfe, cover, New York Magazine, February 14, 1972</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404140521316-WUH2TS1CAPCPZ9VL9T5W/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - The New Journalism &amp; Illustration</image:title>
      <image:caption>Robert Weaver, suite of images from What's Come Over Old Woolworth?, Fortune Magazine, January 1969</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404140562281-URIXEAQV4T31DHAUYP5T/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - The New Journalism &amp; Illustration</image:title>
      <image:caption>Robert Weaver, suite of images from What's Come Over Old Woolworth?, Fortune Magazine, January 1969</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404140603193-HCV2RSOTXJL9SKVX39O2/Weaver_Woolworth2.jpg</image:loc>
      <image:title>Graphic Tales - The New Journalism &amp; Illustration</image:title>
      <image:caption>Robert Weaver, suite of images from What's Come Over Old Woolworth?, Fortune Magazine, January 1969</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404140633417-TAGQ242AUJ9LF7RYT892/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - The New Journalism &amp; Illustration</image:title>
      <image:caption>Robert Weaver, suite of images from What's Come Over Old Woolworth?, Fortune Magazine, January 1969</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/30/facts-truth-art-gall</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404140212776-T4XIH8PY5MS7C8Z3QBJ7/26mcdonald-articleLarge.jpg</image:loc>
      <image:title>Graphic Tales - Facts, Truth, Art, Gall</image:title>
      <image:caption>Henrik Kubel &amp; A2/SW/HK (a London design shop), Fact, typographic illustration, New York Times Book Review, February 26, 2012</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1404140239024-GVPZSGF3MTXZUWSW4DOK/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Facts, Truth, Art, Gall</image:title>
      <image:caption>Illustrator credit unavailable, Falling Burglar, Le Petit Journal Illustrated Supplement, Paris, Sunday May 14, 1899</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/27/calendar-geekery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403904729705-YFQX91YT6627AQAIO2OZ/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Calendar Geekery</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403904775074-HNH2WAWWM6MP619B0XWM/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Calendar Geekery</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403904806642-XHM27V63DL1PXZ7JPJV8/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Calendar Geekery</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403904836524-6JJGCW0LRNOMH2VER2EH/Mar_sample+1.jpg</image:loc>
      <image:title>Graphic Tales - Calendar Geekery</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403904855787-897BABEXD2O9W3A0NXAQ/palette.jpg</image:loc>
      <image:title>Graphic Tales - Calendar Geekery</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403904882197-PI8PR3KDF9UQR8DH7FRL/image-asset.jpeg</image:loc>
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      <image:title>Graphic Tales - Aspirational Hieroglyphics</image:title>
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      <image:title>Graphic Tales - Aspirational Hieroglyphics</image:title>
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  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/27/periodicals-and-the-history-of-illustration</loc>
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    <lastmod>2025-12-16</lastmod>
    <image:image>
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      <image:title>Graphic Tales - Periodicals and the History of Illustration</image:title>
      <image:caption>designer unknown, ornamental typographic cover design</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403903610999-ONFMXLXMF98G2PB3SXUY/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Periodicals and the History of Illustration</image:title>
      <image:caption>St. Nicholas, November 1875 (the issue in which Howard Pyle's first published illustration appeared)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403903630190-QQ7KX5ISHH4TXO71153S/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Periodicals and the History of Illustration</image:title>
      <image:caption>Jessie Willcox Smith, Mother and Child with Easter Lily, cover illustration for Collier’s, 1904</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403903649658-3TF4EKP7Q0AQNJOLTRK8/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Periodicals and the History of Illustration</image:title>
      <image:caption>F.X. Leyendecker (troubled brother of J.C.), The Flapper, cover illustration of Life Magazine, 1922</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403903676973-3GDVKFXMWYRD2QJSNWOF/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Periodicals and the History of Illustration</image:title>
      <image:caption>Norman Rockwell, The Double Take, cover illustration for the Saturday Evening Post, March 1, 1941</image:caption>
    </image:image>
    <image:image>
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      <image:title>Graphic Tales - Periodicals and the History of Illustration</image:title>
      <image:caption>Al Parker, Groucho Marx, cover illustration for TV Guide; April 27, 1957</image:caption>
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    <image:image>
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      <image:title>Graphic Tales - Periodicals and the History of Illustration</image:title>
      <image:caption>George Lois, art director, Muhammad Ali as St. Sebastian, cover photograph for Esquire, April 1968.</image:caption>
    </image:image>
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  <url>
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    <lastmod>2025-12-16</lastmod>
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      <image:title>Graphic Tales - Sequential Narrative</image:title>
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  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/27/a-divine-project</loc>
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    <lastmod>2025-12-16</lastmod>
    <image:image>
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      <image:caption>Cover design by Joe Sullivan and Amy Olert, Jack Dowd: A Remembrance. 2007.</image:caption>
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      <image:caption>Joe Sullivan and Amy Olert, Jack Dowd page spread.</image:caption>
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    <image:image>
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      <image:caption>D.B. Dowd, cover design for In Pursuit of God's Kingdom, by Rev. James F. Dowd, 2011.</image:caption>
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      <image:caption>Susie Ellsworth, designer; D.B. Dowd, illustrator; page design for In Pursuit of God's Kingdom. 2011.</image:caption>
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      <image:caption>Dowd, spot illustration, In Pursuit of God's Kingdom.</image:caption>
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    <image:image>
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      <image:title>Graphic Tales - A Divine Project</image:title>
      <image:caption>Dowd, spot illustration, In Pursuit of God's Kingdom.</image:caption>
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  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/27/july-20-a-red-letter-day</loc>
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    <image:image>
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      <image:title>Graphic Tales - July 20: A Red Letter Day!</image:title>
      <image:caption>Moon Explorer, tin toy by Yonezawa, 1960s; and Capsule 6, tin toy by Masudaya, 1960s; both photographs by Yukio Shimizu, reproduced in Robots, Spaceships and Other Tin Toys, Taschen, 2006 (first edition 1996)</image:caption>
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    <image:image>
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      <image:title>Graphic Tales - July 20: A Red Letter Day!</image:title>
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    <image:image>
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      <image:title>Graphic Tales - July 20: A Red Letter Day!</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403902466163-97U9JIU5SJX0QEOX8BIT/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - July 20: A Red Letter Day!</image:title>
      <image:caption>Moon Explorer, tin toy by Yonezawa, 1960s; and Capsule 6, tin toy by Masudaya, 1960s; both photographs by Yukio Shimizu, reproduced in Robots, Spaceships and Other Tin Toys, Taschen, 2006 (first edition 1996)</image:caption>
    </image:image>
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  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/27/bizarre-visual-artifact-of-the-week</loc>
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    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403902164470-POXYSL8VH72WVZO6CPUW/Sundblom_Stonewall_Jackson_coca_cola.jpg</image:loc>
      <image:title>Graphic Tales - Bizarre Visual Artifact of the Week</image:title>
      <image:caption>Haddon Sundblom, Stonewall Jackson on the march...ready for a fresh start after a short rest period, Coca-Cola ad, Ladies Home Journal, October 1931</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403902198063-A3Z04R5SJ4D2ZCI6RK0M/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Bizarre Visual Artifact of the Week</image:title>
      <image:caption>James Rosenquist, I Love You With My Ford, 1961</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403902216215-U1JDGVORW110ZF5DJFE6/Coca-Cola-Art_Christmas_Santa11.jpg</image:loc>
      <image:title>Graphic Tales - Bizarre Visual Artifact of the Week</image:title>
      <image:caption>Haddon Sundblom, For Sparkling Holidays, Coca-Cola ad, circa 1935</image:caption>
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  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/27/rockwell-kent</loc>
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    <lastmod>2025-12-16</lastmod>
    <image:image>
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      <image:title>Graphic Tales - Rockwell Kent</image:title>
      <image:caption>Rockwell Kent, selected illustrations and initial capitals, Paul Bunyan, by Esther Shepard and designed by Rockwell Kent, Harcourt Brace, 1924</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403901784249-QK6P9SGXVWZVZJ04LDQJ/rockwell_kent_iceberg.jpg</image:loc>
      <image:title>Graphic Tales - Rockwell Kent</image:title>
      <image:caption>Kent, Early November: North Greenland, oil on canvas, 1933</image:caption>
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    <image:image>
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      <image:title>Graphic Tales - Rockwell Kent</image:title>
      <image:caption>Rockwell Kent, selected illustrations and initial capitals, Paul Bunyan, by Esther Shepard and designed by Rockwell Kent, Harcourt Brace, 1924</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403901835226-4TWV74HB2UDU0SZMBX6K/Paul_Bunyan_Kent+2.jpg</image:loc>
      <image:title>Graphic Tales - Rockwell Kent</image:title>
      <image:caption>Rockwell Kent, selected illustrations and initial capitals, Paul Bunyan, by Esther Shepard and designed by Rockwell Kent, Harcourt Brace, 1924</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403901856114-WKZ96OAR9WAP87VI4NG7/Paul_Bunyan_Kent+4.jpg</image:loc>
      <image:title>Graphic Tales - Rockwell Kent</image:title>
      <image:caption>Rockwell Kent, selected illustrations and initial capitals, Paul Bunyan, by Esther Shepard and designed by Rockwell Kent, Harcourt Brace, 1924</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403901892925-7JN467JZWE4HXAAONPPT/Paul_Bunyan_Kent+1.jpg</image:loc>
      <image:title>Graphic Tales - Rockwell Kent</image:title>
      <image:caption>Rockwell Kent, selected illustrations and initial capitals, Paul Bunyan, by Esther Shepard and designed by Rockwell Kent, Harcourt Brace, 1924</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403901924206-4T6NVOZVE66XKH9DWY85/earle_bunyan.jpg</image:loc>
      <image:title>Graphic Tales - Rockwell Kent</image:title>
      <image:caption>Eyvind Earle, backgrounds for Paul Bunyan, animated short, Walt Disney Studios, 1958</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403901967618-XY34U159WZ3QVZ0NM27O/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Rockwell Kent</image:title>
      <image:caption>Eyvind Earle, backgrounds for Paul Bunyan, animated short, Walt Disney Studios, 1958</image:caption>
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  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/27/serials-wordmarks</loc>
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    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
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      <image:title>Graphic Tales - Serials &amp; Wordmarks</image:title>
      <image:caption>Designer unknown, Super Science wordmark, A Popular Publication, 1943</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403900563917-I83SP3D5BRZ5Y4I26HGQ/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Serials &amp; Wordmarks</image:title>
      <image:caption>Robert O. Reid, cover illustration, Collier's, August 3, 1940</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403900621607-32TG1KEO2UU6ZJOHQCXY/Zenithradiotheearlyyears_zenith.jpg</image:loc>
      <image:title>Graphic Tales - Serials &amp; Wordmarks</image:title>
      <image:caption>Designer unknown, wordmark for Zenith Radio, circa 1925</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403900631318-3XYC77FF5NB1XX56ZCPX/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Serials &amp; Wordmarks</image:title>
      <image:caption>Designer unknown, bottle cap designs, Ritz Grapefruit and Jurk Lemon soda, mid-twentieth century</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403900641865-3YNZ05HN73WWPFA6KD41/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Serials &amp; Wordmarks</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403900683045-2Q90HHPSCDRDH6GG62U7/VOGUE_revista_-_logo.png</image:loc>
      <image:title>Graphic Tales - Serials &amp; Wordmarks</image:title>
      <image:caption>designer unattributed (though somebody has to know this–a little help?), Vogue Magazine wordmark</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403900695691-OL127NROSCYGSZ2692DI/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Serials &amp; Wordmarks</image:title>
      <image:caption>Cuneyt Akeroglu, cover photograph, Vogue Turkey, 2010</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403900726768-K6Z0BWYSN9YUPGYBR7AS/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Serials &amp; Wordmarks</image:title>
      <image:caption>designer unknown, wordmark for Lev Gleason’s Crime Does Not Pay, early 1950s, with various color treatments</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403900748133-IA5H247V9ZLHAGBCJH5Q/gleason-crimenotpay2_wordmark2.jpg</image:loc>
      <image:title>Graphic Tales - Serials &amp; Wordmarks</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403900763373-G7FM1M6EKLOTYDAX10U0/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Serials &amp; Wordmarks</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403900812266-XNLZNCDMKW4HT3AIS73R/Holiday-Giusti_September-1957.jpg</image:loc>
      <image:title>Graphic Tales - Serials &amp; Wordmarks</image:title>
      <image:caption>George Giusti, cover design for Holiday Magazine, 1957</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403900839689-QP1GLSCQW3JKDLMIR33A/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Serials &amp; Wordmarks</image:title>
      <image:caption>George Giusti, cover design for Holiday Magazine, 1965</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403900891413-ZCUACHQY5YL2UIPJRJ6Y/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Serials &amp; Wordmarks</image:title>
      <image:caption>D.B. Dowd and Melanie Reinert, Ulcer City wordmark, 2004, modified 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403900919752-LASLZSD03ADUBPKTMY20/mordiPingst_OlleEksell_1953.jpg</image:loc>
      <image:title>Graphic Tales - Serials &amp; Wordmarks</image:title>
      <image:caption>Olle Eskell, Mord i Pingst wordmark, 1953</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403901010667-57EW768PTDRG2ENFVC2N/AcmeNoveltyLibary_ChrisWare_2006_cover.jpg</image:loc>
      <image:title>Graphic Tales - Serials &amp; Wordmarks</image:title>
      <image:caption>Chris Ware, wordmark for Rusty Brown, from Acme Novelty Library, 2006; Ware, cover design for the Acme Novelty Library based on midcentury Childcraft book covers, 2006</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403901057439-X4NZS3OYGT10H7B9GN2S/Childcraft_BookCover_FieldEnterprises_1949.jpg</image:loc>
      <image:title>Graphic Tales - Serials &amp; Wordmarks</image:title>
      <image:caption>Milo Winter (speculative), cover design for Childcraft Books Volume 14, Science and Industry, Field Enterprises, 1949</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403901119077-LGNO50ZRN00YOA6NYAZC/Mozart_AlexStienweiss_1947.jpg</image:loc>
      <image:title>Graphic Tales - Serials &amp; Wordmarks</image:title>
      <image:caption>Alex Steinweiss, Mozart: Quintet for Clarinet and Strings in A Major, record jacket design, Columbia Records, 1947</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403901148159-LICRQL7906RSO8J5OWUT/RangelandRomances_0148.jpg</image:loc>
      <image:title>Graphic Tales - Serials &amp; Wordmarks</image:title>
      <image:caption>designer unknown, wordmark for Rangeland Romance, a Popular Publication, January 1948</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403901190682-3EANCF5NZ3GENUJ3O4CT/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Serials &amp; Wordmarks</image:title>
      <image:caption>designer unknown, title slate, Flash Gordon Conquers the Universe, Universal Pictures, 1940, based on Alex Raymond's adventure strip Flash Gordon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403901231362-BHXZZ5NXXCDCGDZQ5XAA/Terry_Pirates_wordmark1.jpg</image:loc>
      <image:title>Graphic Tales - Serials &amp; Wordmarks</image:title>
      <image:caption>finally, Milton Caniff, wordmark for Terry and the Pirates, 1944 (that is, this particular strip is 1944; an Art Deco-ish version of the mark appeared in 1934, when the strip debuted).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/27/memorial-day</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403900300613-P2AEBCU5K8WITNXN73HA/Memorial_Day_truck.jpg</image:loc>
      <image:title>Graphic Tales - Memorial Day</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/embedded-pictures-and-writing-about-same</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403819392481-N4W62TXH9DXKY5MILQXQ/Camel-Colliers-022936.jpg</image:loc>
      <image:title>Graphic Tales - Embedded Pictures, and Writing About Same</image:title>
      <image:caption>Camel Cigarette adverstisement, Collier’s, February 29, 1936. In addition to selling cigarettes, the ad provides cross-promotion for Camel Caravan, a variety show sponsored by Camel that ran on CBS Radio beginning in 1933, and survived in revised forms until 1954.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/27/colorful-comic-detective</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403899929774-TK7PX4XYDKAOFY9UV1VN/dicktracy_still_10.jpg</image:loc>
      <image:title>Graphic Tales - Colorful Comic Detective</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403899962630-GWJ0UQZJIS3CJ4LR2Y9T/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Colorful Comic Detective</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403899989022-113IDPJMMJ0EJMWJBF29/dicktracy_still_33.jpg</image:loc>
      <image:title>Graphic Tales - Colorful Comic Detective</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403900028419-UBPS1J1HGJ0S2L6G7AZ1/dicktracy_still_53.jpg</image:loc>
      <image:title>Graphic Tales - Colorful Comic Detective</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403900041484-ZNSUC59PQJZHENM33MJ1/dicktracy_brow.jpg</image:loc>
      <image:title>Graphic Tales - Colorful Comic Detective</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403900059125-NW4YA0B5VSZZC56U107E/dicktracy_still_7.jpg</image:loc>
      <image:title>Graphic Tales - Colorful Comic Detective</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403900096491-HOJ8TY5FOW7W4WNAZE0Y/dicktracy_flattop.jpg</image:loc>
      <image:title>Graphic Tales - Colorful Comic Detective</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403900110144-AQBTD4NPMY9AW1VWR5U7/dicktracy_still_30.jpg</image:loc>
      <image:title>Graphic Tales - Colorful Comic Detective</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403900162712-8UOLOHL0O0GJFT8OZFWI/dicktracy_still_4.jpg</image:loc>
      <image:title>Graphic Tales - Colorful Comic Detective</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403900185242-L78AJON9U4EYTWRWJ7DY/dicktracy_still_47.jpg</image:loc>
      <image:title>Graphic Tales - Colorful Comic Detective</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403900218518-T1H0Y9ULOYD18P67DY6A/dicktracy_still_18.jpg</image:loc>
      <image:title>Graphic Tales - Colorful Comic Detective</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/27/kevin-meet-myron</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403899702829-TRPND0X99A9ZNTDHZYX2/Myron_Exile_smaller.jpg</image:loc>
      <image:title>Graphic Tales - Kevin, Meet Myron</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403899723211-U5D33LXYJU8PGN86GQPF/phila-show-hang.jpg</image:loc>
      <image:title>Graphic Tales - Kevin, Meet Myron</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403899744939-DJH2SWE7O4GOGUSED5ZN/Myron_det.jpg</image:loc>
      <image:title>Graphic Tales - Kevin, Meet Myron</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403899765198-REHHP2M0UMM6GYNMYQ5W/4d0a4dc87a1cf.image.jpg</image:loc>
      <image:title>Graphic Tales - Kevin, Meet Myron</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/27/rhetorical-pictures</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403899306449-C5YC0Z61F5KLVRZQE044/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Rhetorical Pictures</image:title>
      <image:caption>Brian Cronin, 2002</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403899356014-LOBO8DBGHV395LDRYFTG/nast_ganges2.jpg</image:loc>
      <image:title>Graphic Tales - Rhetorical Pictures</image:title>
      <image:caption>Thomas Nast, 1876</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403899362418-YQCP7SPSENNZDGZN7507/Frazier_IllustratedVoice50_MorePower_a.jpg</image:loc>
      <image:title>Graphic Tales - Rhetorical Pictures</image:title>
      <image:caption>Craig Frazier, 2002</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403899401324-CIJRUX0YPIMGAV5D68MR/suter-sept11-oped_2.jpg</image:loc>
      <image:title>Graphic Tales - Rhetorical Pictures</image:title>
      <image:caption>David Suter, 2001</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403899409791-NM1V0B10ASZJ49BCDNMC/GB03_N2.jpg</image:loc>
      <image:title>Graphic Tales - Rhetorical Pictures</image:title>
      <image:caption>Christoph Niemann, 2004</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403899473450-NHO27XEAROP9OY4RBWWV/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Rhetorical Pictures</image:title>
      <image:caption>D.B. Dowd, 2003</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/27/pump-it-up</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403898818988-ZAGHOT1KSIFD9RKGEWVC/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Pump It Up</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403898841160-3ATIJGA79A6BL4ETOCFO/picture_lotto_4.jpg</image:loc>
      <image:title>Graphic Tales - Pump It Up</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403898864068-QJO73ZM5BTA9B1TXLUQQ/Davis_NewYork-Paris_No3_smaller.jpg</image:loc>
      <image:title>Graphic Tales - Pump It Up</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403898896719-EPUC815WF8BDJ5WAH5E4/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Pump It Up</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403898921155-TM4CIGZ08J2XRW8GVBBL/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Pump It Up</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403898982039-QGUYUVM12FQDALOGWNM9/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Pump It Up</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/27/visual-news-of-the-world-flaneur-no-2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403898487294-BYUTZXC6069Y1HTD0XBV/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Visual News of the World: Flaneur No. 2</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403898544967-I9P6MBQ7HN9LWPRBRLW6/Carrier_slate.png</image:loc>
      <image:title>Graphic Tales - Visual News of the World: Flaneur No. 2</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403898550046-VWSEP3C7LHRE26KZO836/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Visual News of the World: Flaneur No. 2</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403898580033-WWWXGPYFD8DNEL0KEA7B/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Visual News of the World: Flaneur No. 2</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403898612899-T6S2SS7RBYDT6CAJ5G1H/Carrier_plane_diving.png</image:loc>
      <image:title>Graphic Tales - Visual News of the World: Flaneur No. 2</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403898651963-7Z75KM9PPD8PWCNBP1VF/Carrier_deck.png</image:loc>
      <image:title>Graphic Tales - Visual News of the World: Flaneur No. 2</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403898659161-S5PK9F7EEFLV8CIZB7N7/image-asset.png</image:loc>
      <image:title>Graphic Tales - Visual News of the World: Flaneur No. 2</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/27/flaneurs-war-no-1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403897920097-FJRZVM5JBH14LXS19NLD/Waud_Gettysburg_day1.jpg</image:loc>
      <image:title>Graphic Tales - Flaneurs @War No. 1</image:title>
      <image:caption>Alfred Waud, Attack of the Louisiana Tigers on a Battery of the 11th Corps at Gettysburg, (July 1, 1863) ink and Chinese white on brown paper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403897970363-TQSNAX9YUCA7R8728TBT/Waud_Raccoon_Ford_sketch.jpg</image:loc>
      <image:title>Graphic Tales - Flaneurs @War No. 1</image:title>
      <image:caption>Waud, Reconnoisance [sic.] by Buford’s Calvary Towards the Rapidan River, ink and china white on brown paper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403897960466-9QJFZM30ZIXTBYRSMKLI/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Flaneurs @War No. 1</image:title>
      <image:caption>Waud,Army of the Potomac–General Buford Attacked the Enemy at Raccoon Ford, September 14, 1863, wood engraving in Harper’s Weekly, October 3, 1863</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403898002373-QMOB2DP3EN4U9K4VG8LX/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Flaneurs @War No. 1</image:title>
      <image:caption>Wu Youru, Forceful Attack at Bac Ninh, DSZHB No. 1, 1884</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403898030100-M48TKVW5PPBUC2RYBP9V/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Flaneurs @War No. 1</image:title>
      <image:caption>Nakamura Shuko, Great Japanese Naval Victory off Haiyang Island, woodblock print, 1894</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403898048863-R5G62WJN9UTQFHB007YB/manet_olympia.jpg</image:loc>
      <image:title>Graphic Tales - Flaneurs @War No. 1</image:title>
      <image:caption>Edouard Manet, Olympia, oil on canvas, 1863</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403898084837-1XM6MDJBPM0P8SNP8CSL/Constantin_Guys_Regiment.jpg</image:loc>
      <image:title>Graphic Tales - Flaneurs @War No. 1</image:title>
      <image:caption>Constantin Guys, Reviewing the Regiment, inkwash illustration, n.d.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403898131672-CFGPXG5Z7NRFGTTDHDGX/shoppers.jpg</image:loc>
      <image:title>Graphic Tales - Flaneurs @War No. 1</image:title>
      <image:caption>William Glackens, The Shoppers, oil on canvas, 1907</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403898140312-6UN6C2PEAPBJ1OQTU2W6/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Flaneurs @War No. 1</image:title>
      <image:caption>William Glackens, Loading Horses on the Transports at Port Tampa, Inkwash and Chinese white, field sketch on assignment for McClure’s Magazine, 1898</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403898162995-N54ZG31YJ59VWNG0J9OT/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Flaneurs @War No. 1</image:title>
      <image:caption>John Sloan, McSorley's Bar, oil on canvas, 1912</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403898186344-T5M3RCTIFJ0X85WHQNSF/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Flaneurs @War No. 1</image:title>
      <image:caption>John Sloan, Ludlow Massacre, magazine cover forThe Masses, June 1914</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/27/trippy-shanghai</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403897275351-UEXK9NK7QJE4VXMU021V/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Trippy Shanghai</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403897345299-2XEF1GQZEBGXJ2GLKKVH/Boat_Huangpu.png</image:loc>
      <image:title>Graphic Tales - Trippy Shanghai</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403897372631-26CXJZ3IQG5S4VQYISY4/Trippy_TV_Shanghai.png</image:loc>
      <image:title>Graphic Tales - Trippy Shanghai</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/27/notes-on-platemaking-and-printing</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403895087017-SXE5XWRNXNCB1VTVTAP6/Woodcuts_Sion2.jpg</image:loc>
      <image:title>Graphic Tales - Notes on Platemaking and Printing</image:title>
      <image:caption>The Sion Textile, North Italian (probably Venetian) woodcut on linen depicting the Legend of Oedipus, oldest extant printed textile in Europe, second half of the 14th century</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403895106862-WIBWA9MNAETGU7VCUTFA/3012645140_278db8b0b4.jpg</image:loc>
      <image:title>Graphic Tales - Notes on Platemaking and Printing</image:title>
      <image:caption>The Martyrdom of St. Erasmus, an unattributed early German woodcut, likely Bavaria, 1400-1450</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403895128197-37C9QKC2O90XUEPRFHW2/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Notes on Platemaking and Printing</image:title>
      <image:caption>Albrecht Dürer, details from Four Horsemen of the Apocalypse, woodcut, circa 1497-98</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403895177441-8K7EHFN2VNHPR3XHDTFT/duhrer+apocalpse+detail2a.jpg</image:loc>
      <image:title>Graphic Tales - Notes on Platemaking and Printing</image:title>
      <image:caption>Albrecht Dürer, details from Four Horsemen of the Apocalypse, woodcut, circa 1497-98</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403895196728-B47G5Z7EJFJGCRR7LBLW/daumier4a.jpg</image:loc>
      <image:title>Graphic Tales - Notes on Platemaking and Printing</image:title>
      <image:caption>Honoré Daumier, Les 100 Robert Macaire, lithograph, 1838</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403895216696-19WM58EREHSX7NR3HJO2/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Notes on Platemaking and Printing</image:title>
      <image:caption>illustrator uncredited, Hühner(Chicken Breeds), Meyers Lexicon, 1894</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/27/is-you-is-or-is-you-aint-my-artwork</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403894742625-2HGHKBIZG1UIMY2QD6NJ/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Is You Is or Is You Ain't my Artwork</image:title>
      <image:caption>Janet Smalley, Southwest American Indian paper dolls, Jack and Jill Magazine, August 1950</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403894762260-XSD3GBLOS1T1SZFREUUP/Reid_NYT_061709.jpg</image:loc>
      <image:title>Graphic Tales - Is You Is or Is You Ain't my Artwork</image:title>
      <image:caption>Robert O. Reid, periodical illustration, circa 1940</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403894784655-D6SWRY9TQV4LEHJ88ZO9/whaam-deconstructing-lichtenstein.jpg</image:loc>
      <image:title>Graphic Tales - Is You Is or Is You Ain't my Artwork</image:title>
      <image:caption>Irv Novick, air combat comic panel, All-American Men at War #89, January-February 1962</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403894806349-6I2Z4DEMST41JXGFMHDO/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Is You Is or Is You Ain't my Artwork</image:title>
      <image:caption>Roy Lichtenstein, WHAAM, magna on canvas, 1963, photograph by Matt Duarte, 2010(?)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403894848312-JF4KQ8JUDBCIM6XWO687/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Is You Is or Is You Ain't my Artwork</image:title>
      <image:caption>D.B. Dowd, Northwest American Indian Gallery, Denver Art Museum, pencil drawing on sketchbook spread, 2008</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403894894160-AKS0CAZTW24G7816UL50/22-1.jpg</image:loc>
      <image:title>Graphic Tales - Is You Is or Is You Ain't my Artwork</image:title>
      <image:caption>Joe Shuster, cover illustration, Action Comics #22, March 1940</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/27/through-the-looking-glass-china</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403894617059-DGAO7EYTBRHLIVQXAL5H/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Through the Looking-Glass: China</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/27/operator-operator</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403894516158-2W00WKW6JEMJPLBTO4HT/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Operator? Operator!</image:title>
      <image:caption>Tel-Tales No. 1, “Cut Lines &amp; Intricate Minds.” Story by Donald Zettwoch, comic by Dan Zettwoch. A mini-comic one-off. 2010.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/27/whats-my-verb</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403892880166-9VH34Q1QK100W2UYF3S3/Parker-GovntGirl-030043LOW-RESscaled2.jpg</image:loc>
      <image:title>Graphic Tales - What's My Verb?</image:title>
      <image:caption>Al Parker, Government Girl, goauche on board in the collection of the Modern Graphic History Library at Washington University (and courtesy of Kit and Donna Parker), Ladies Home Journal, 1943)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403892900779-Y6Q4J12PVRCFVCAYVONS/bunny_frankenstein2.jpg</image:loc>
      <image:title>Graphic Tales - What's My Verb?</image:title>
      <image:caption>Al Parker, "Frankenbunny" (or so I call it), 1960</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/27/alex-eben-meyer</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403892751233-HMIIMZAAERZUHWTONIIF/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Alex Eben Meyer</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/27/stories-artifacts</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403892624042-S4ST5IFK6HUE98IN0YNT/dbdowd_Simple_Simon_with_Neon_printing.jpg</image:loc>
      <image:title>Graphic Tales - Stories &amp; Artifacts</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403892644624-UTJ2EY6NJGGSLL8TQ2IE/dbdowd_On_this_farm_he_had_a_cow_1.jpg</image:loc>
      <image:title>Graphic Tales - Stories &amp; Artifacts</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403892664508-PF91HNR9P3OFQ44FHPRU/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Stories &amp; Artifacts</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/27/yellow-kids-and-anonymity</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403892433576-FQ9ZDSET8I109BYJLCJM/outcault-yk-dogcatcher1.jpg</image:loc>
      <image:title>Graphic Tales - Yellow Kids and Anonymity</image:title>
      <image:caption>R.F. Outcault, "What they did to the Dogcatcher in Hogan's Alley," New York World, September 20, 1896. Published shortly before Hearst hired him away from Pulitzer in October of that year.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403892457676-FR7V0LYKKSZIY8UBTIEU/outcault-yk-dogcatchdet11.jpg</image:loc>
      <image:title>Graphic Tales - Yellow Kids and Anonymity</image:title>
      <image:caption>R.F. Outcault, "What they did to the Dogcatcher in Hogan's Alley," New York World, September 20, 1896. Published shortly before Hearst hired him away from Pulitzer in October of that year.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403892479233-8CMNCDD8FCINXDZ8UJ9M/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Yellow Kids and Anonymity</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403892505461-E752YLEKWI4U5J8OUG9H/yellow_kid_placard.jpg</image:loc>
      <image:title>Graphic Tales - Yellow Kids and Anonymity</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/ra-parker-meets-mary-shelley</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403819918624-8ZG0UUTH4K6W2LL3HTSO/raparker-frankenstein-she1.jpg</image:loc>
      <image:title>Graphic Tales - R.A. Parker Meets Mary Shelley</image:title>
      <image:caption>Robert Andrew Parker, Trembling with passion, I tore to pieces the thing on which I was engaged. Parker's Illustrated Frankenstein, Clarkson N. Potter, 1976.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403819935810-7F2F1O8EPU01E564A88H/raparker-frankenstein-fire1.jpg</image:loc>
      <image:title>Graphic Tales - R.A. Parker Meets Mary Shelley</image:title>
      <image:caption>Parker, In my joy I thrust my hand into the live embers, but quickly drew it out again with a cry of pain.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403819967503-WATKLAH18K5LJG9N4AI3/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - R.A. Parker Meets Mary Shelley</image:title>
      <image:caption>Parker, I lighted the dry branch of a tree and danced with fury around the devoted cottage.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403819998124-SEH2786I0JLG2WK8H16G/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - R.A. Parker Meets Mary Shelley</image:title>
      <image:caption>Parker, I saw, by the light of the moon, the demon at the casement.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/robert-andrew-parker</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1499458021280-KYSNUT8T2YIJ79P7OCLG/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Robert Andrew Parker</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403819790035-429TPG6DOMMVVFM9WQGA/RAP_invite_back.jpg</image:loc>
      <image:title>Graphic Tales - Robert Andrew Parker</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/on-drawing-and-citizenship</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403819678568-WT3DH5XJHUHK90H3RDKB/dbdowd_Sappington_Signage_design_comp_smaller.jpg</image:loc>
      <image:title>Graphic Tales - On Drawing and Citizenship</image:title>
      <image:caption>D.B. Dowd, Old MacDonald color study, Ink and digital color. 2010.                </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1409460114722-IQYDDMLZ0BFWBNAYK590/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - On Drawing and Citizenship</image:title>
      <image:caption>D.B. Dowd, On This Farm He Had a Cow, Ink and digital color. 2010.                    </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1409460007135-6XVTO1F2GG65BZGMC260/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - On Drawing and Citizenship</image:title>
      <image:caption>D.B. Dowd, Trees near Grinnell, Iowa, gouache painting. 2009.                    </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403819686603-Y6T1W06ZC63NSON9OC7F/24_prj_starkdale_cover.jpg</image:loc>
      <image:title>Graphic Tales - On Drawing and Citizenship</image:title>
      <image:caption>D.B. Dowd, Animation Still, Scenes from Starkdale, Ohio, 2006-7.                   </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1409460520208-UNK61KMLXFY88GBNOXLR/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - On Drawing and Citizenship</image:title>
      <image:caption>D.B. Dowd, Animation Still, Scenes from Starkdale, Ohio, 2006-7.                 </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1409460048551-JDZV2UXT9U7VU49I95HF/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - On Drawing and Citizenship</image:title>
      <image:caption>D.B. Dowd, Michigan Drydock, gouache painting. 2008.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/27/ink-as-architecture</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403887362697-KI2BBGS0DKDHYLBN3YKN/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Ink as Architecture</image:title>
      <image:caption>Designer uncredited, McDonald's Custom Built Hamburgers, design for paper cup, 1957 (?)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403887392093-P1KQDH7OWAREDY8XMHPD/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Ink as Architecture</image:title>
      <image:caption>Lowell Hess, two-color spot illustration for Collier's Weekly, undated.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403886057235-QZ16BY93RM16Y9ULPGF3/Hess_2color_7.jpg</image:loc>
      <image:title>Graphic Tales - Ink as Architecture</image:title>
      <image:caption>Lowell Hess, two-color spot illustration for Collier's Weekly, undated.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403886947514-82K11VSOI00YPLCUT60X/Untitled.jpg</image:loc>
      <image:title>Graphic Tales - Ink as Architecture</image:title>
      <image:caption>Rea Irvin, Everybody was Mr. and Mrs. J. Dinsmore Tew, illustration for Snoot if you Must, by Lucius Beebe. 1943.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403887420641-LYT3NJVUXFV2AH3N7UE5/Hess_2color_9.jpg</image:loc>
      <image:title>Graphic Tales - Ink as Architecture</image:title>
      <image:caption>Lowell Hess, spot illustration for Collier's Weekly (?), July 1957.                          </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403887446086-HH568K1L5ET6C5XT84KB/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Ink as Architecture</image:title>
      <image:caption>Lowell Hess, fiction illustration for Who's afraid of the big bad bug?  Every Woman Magazine, June 1951.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403887029132-QS2ZYTG7B2J6TUJI6441/Hess_2color_Bug_Gun_left-1.jpg</image:loc>
      <image:title>Graphic Tales - Ink as Architecture</image:title>
      <image:caption>Lowell Hess, detail, Who's afraid of the big bad bug?</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/an-exchange</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403820104086-BFURB71FGLFRXLVY22AO/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - An Exchange</image:title>
      <image:caption>Ad for Deep Sea diving school in Popular Mechanics, August 1950, courtesy of the blog Modern Mechanics.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/poetic-reportage</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403818078128-IF5W0M4MW3DU42GPL8T0/meredith_nelson_3.jpg</image:loc>
      <image:title>Graphic Tales - Poetic Reportage</image:title>
      <image:caption>Meredith Nelson, Russian Reportage Series, 2009.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403818096580-6613VPH5004TDP8BUJMV/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Poetic Reportage</image:title>
      <image:caption>  Nelson, East St. Louis, Illinois, 2009.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403818110095-070L2KHMSGVSCTYP4YJG/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Poetic Reportage</image:title>
      <image:caption>  Nelson, Russian Reportage, 2009.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Graphic Tales - Poetic Reportage</image:title>
      <image:caption>  Nelson, Russian Reportage, 2009.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/toby-thane-neighbors</loc>
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    <lastmod>2025-12-16</lastmod>
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      <image:title>Graphic Tales - Toby Thane Neighbors</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403817958029-CR9SSH1HSB0O9TWKC4CO/TTNeighbors2.jpg</image:loc>
      <image:title>Graphic Tales - Toby Thane Neighbors</image:title>
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      <image:title>Graphic Tales - Toby Thane Neighbors</image:title>
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  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/packing-for-paradise-what-to-bring</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2025-12-16</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403817720236-8U4TPE0A65W0JXEFK9JX/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Packing for Paradise: What to Bring?</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403817742314-A8REO0ZENO0MYC4P7UWR/Leyendecker_Kuppenheimer_Mermaid_c1930_72dpi+copy.jpg</image:loc>
      <image:title>Graphic Tales - Packing for Paradise: What to Bring?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403817764752-65TPTCZ7UODI61HOA8YW/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Packing for Paradise: What to Bring?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403817801955-VUO8NN6QZJAC5XJT0R2O/image-asset.png</image:loc>
      <image:title>Graphic Tales - Packing for Paradise: What to Bring?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403817819612-DOEJ3BFKZVNALHFNLYJW/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Packing for Paradise: What to Bring?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403817855293-J92C0FP12PDLFN8DKL30/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Packing for Paradise: What to Bring?</image:title>
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  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/of-judgment-serpents</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403817558348-GBKV6JWPVDQTMGZYVNY1/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Of Judgment &amp; Serpents</image:title>
      <image:caption>Sculptor Unknown, Laocoön and His Sons, Marble, Roman production, mid-1st Century CE. Excavated in 1506, housed in the Vatican Museum.                                         </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403817579487-63GKXUZ64KQLYTPNMSAN/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Of Judgment &amp; Serpents</image:title>
      <image:caption>Jay Ward, producer, still from "Peabody's Improbable HIstory," a recurring feature on the animated television show, Rocky and Bullwinkle, 1959-64. Note the "marble" Peabody wrestling with sea serpent in background, over Sherman's shoulder. An explicit Laocoön quote.                               </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403817614872-8G6IEPWGDGG7NOF1AJO2/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Of Judgment &amp; Serpents</image:title>
      <image:caption>Jay Ward, producer, still from "Peabody's Improbable HIstory,"</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/class-tomorrow-greenberg-and-rockwell-together-again</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403817365448-MWEMUHT8BHYQIUFT1TQD/Shuffletons_Barbershop_300.jpg</image:loc>
      <image:title>Graphic Tales - Class Tomorrow: Greenberg and Rockwell, Together Again!</image:title>
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      <image:title>Graphic Tales - Class Tomorrow: Greenberg and Rockwell, Together Again!</image:title>
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      <image:title>Graphic Tales - Class Tomorrow: Greenberg and Rockwell, Together Again!</image:title>
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    <image:image>
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      <image:title>Graphic Tales - Class Tomorrow: Greenberg and Rockwell, Together Again!</image:title>
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  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/cars-and-trucks</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403819211209-99JIGGZFYIRCTDGNMF7A/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Cars and Trucks</image:title>
      <image:caption>Cars and Trucks. A Little Golden Book, Illustrated by Richard Scarry. Golden Press, New York. 1951. Golden Books were jointly produced by Simon &amp; Shuster, New York, and Western Publishing Company, Inc., Racine, Wisconsin.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Graphic Tales - Cars and Trucks</image:title>
      <image:caption>Cars and Trucks. A Little Golden Book, Illustrated by Richard Scarry. Golden Press, New York. 1951. Golden Books were jointly produced by Simon &amp; Shuster, New York, and Western Publishing Company, Inc., Racine, Wisconsin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403819240019-E7S9EI0ZP1854FV4GE41/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Cars and Trucks</image:title>
      <image:caption>Cars and Trucks. A Little Golden Book, Illustrated by Richard Scarry. Golden Press, New York. 1951. Golden Books were jointly produced by Simon &amp; Shuster, New York, and Western Publishing Company, Inc., Racine, Wisconsin.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/happy-birthday-david-d-dowd-jr</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
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      <image:title>Graphic Tales - Happy Birthday, David D. Dowd, Jr.!</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403818271354-XAL6NWJEXXGHZJ77YFVX/Saalburg-Esquire-030035_Dad.jpg</image:loc>
      <image:title>Graphic Tales - Happy Birthday, David D. Dowd, Jr.!</image:title>
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    <image:image>
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      <image:title>Graphic Tales - Happy Birthday, David D. Dowd, Jr.!</image:title>
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    <image:image>
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      <image:title>Graphic Tales - Happy Birthday, David D. Dowd, Jr.!</image:title>
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      <image:title>Graphic Tales - Happy Birthday, David D. Dowd, Jr.!</image:title>
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  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/chevron-supreme-1958</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
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      <image:title>Graphic Tales - Chevron Supreme, 1958</image:title>
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    <image:image>
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      <image:title>Graphic Tales - Chevron Supreme, 1958</image:title>
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  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/27/jean-paul-fuzzy-wuzzy</loc>
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    <lastmod>2025-12-16</lastmod>
    <image:image>
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      <image:title>Graphic Tales - Jean-Paul Fuzzy Wuzzy</image:title>
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    <image:image>
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      <image:title>Graphic Tales - Jean-Paul Fuzzy Wuzzy</image:title>
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      <image:title>Graphic Tales - Jean-Paul Fuzzy Wuzzy</image:title>
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  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/27/in-praise-of-bernie-fuchs</loc>
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    <lastmod>2025-12-16</lastmod>
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      <image:title>Graphic Tales - In Praise of Bernie Fuchs</image:title>
      <image:caption>Bernie Fuchs Sports Illustrated cover from 1961</image:caption>
    </image:image>
    <image:image>
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      <image:title>Graphic Tales - In Praise of Bernie Fuchs</image:title>
      <image:caption>Bernie Fuchs Sports Illustrated cover from 1970</image:caption>
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    <image:image>
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      <image:title>Graphic Tales - In Praise of Bernie Fuchs</image:title>
      <image:caption>Bernie Fuchs Sports Illustrated cover from 1974</image:caption>
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  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/27/space-by-implication</loc>
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    <lastmod>2025-12-16</lastmod>
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      <image:title>Graphic Tales - Space by Implication</image:title>
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      <image:title>Graphic Tales - Space by Implication</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403888222292-835LZQ76AA6300TU9E2Z/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Space by Implication</image:title>
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      <image:title>Graphic Tales - Space by Implication</image:title>
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      <image:title>Graphic Tales - Space by Implication</image:title>
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  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/27/figures-and-conventions</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
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      <image:title>Graphic Tales - Figures and Conventions</image:title>
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    <image:image>
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      <image:title>Graphic Tales - Figures and Conventions</image:title>
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      <image:title>Graphic Tales - Figures and Conventions</image:title>
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    <image:image>
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      <image:title>Graphic Tales - Figures and Conventions</image:title>
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  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/27/the-offhand-thing</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2025-12-16</lastmod>
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      <image:title>Graphic Tales - The Offhand Thing</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403887732698-XA1B6XFGQD0FW1V1KF6A/Dowd_planner_Jun07_Jan08.jpg</image:loc>
      <image:title>Graphic Tales - The Offhand Thing</image:title>
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      <image:title>Graphic Tales - The Offhand Thing</image:title>
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    <image:image>
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      <image:title>Graphic Tales - The Offhand Thing</image:title>
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      <image:title>Graphic Tales - The Offhand Thing</image:title>
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  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/27/a-curators-perspective</loc>
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    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
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      <image:title>Graphic Tales - A Curator's Perspective</image:title>
      <image:caption>Joaquin Sorolla y Bastida, Two Sisters, Valencia, 1909; oil on canvas; now in the collection of the Art Institute of Chicago, once in the collection of the Saint Louis Art Museum (SLAM).            </image:caption>
    </image:image>
    <image:image>
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      <image:title>Graphic Tales - A Curator's Perspective</image:title>
      <image:caption>Under the Awning, 1910, the only Sorolla painting SLAM kept. Oil on canvas; Collection of the Saint Louis Art Museum</image:caption>
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  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2015/1/20/a-terrible-day</loc>
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    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
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      <image:title>Graphic Tales - A Terrible Day</image:title>
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  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/27/a-noseful-of-that</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403890455752-3MQY9DOY0XKX4608TLSV/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - A Noseful of That</image:title>
      <image:caption>Robert O. Reid, fiction illustration, unknown issue of Colliers, circa 1940.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Graphic Tales - A Noseful of That</image:title>
      <image:caption>Robert O. Reid, interior illustration for the August 26, 1939 edition of Collier's.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/27/the-new-visuality</loc>
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    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403890187026-TTWBHLQ6PSSG1XSDK1I0/JBL_OpeningCeremony_1600.jpg</image:loc>
      <image:title>Graphic Tales - The New Visuality</image:title>
      <image:caption>Photo credit unavailable, Photograph from inside the "Bird's Nest," opening ceremonies, Beijing Olympics, China, August 8, 2008</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403889890668-UTHJ2GL19J3CNWZWZFBG/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - The New Visuality</image:title>
      <image:caption>Gustave Moreau, Oedipus and Sphinx, 1864</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403889918879-GTSUSQ2HGB4DU47P85P7/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - The New Visuality</image:title>
      <image:caption>Winslow Homer, Rebel Soldiers on Night Patrol, Harper's Weekly, May 17, 1862</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403889940569-QSN6IDJPBGT5CYXXMTYF/YorkCountyPennsylvania_severeweather_0602_2006+copy.gif</image:loc>
      <image:title>Graphic Tales - The New Visuality</image:title>
      <image:caption>Reflectivity scan showing thunderhead volume, York County, Pennsylvania, June 2, 2006, National Oceanic and Atmospheric Administration</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403889964956-1I4R2MEKSRS1M4U4LE87/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - The New Visuality</image:title>
      <image:caption>Meret Oppenheim, Fur-lined Teacup, 1936</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403889992319-N8OVYXAGT1YV8LUNB8AI/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - The New Visuality</image:title>
      <image:caption>Ken Levine, game designer, Screen Shot from BioShock, a first-person shooter game developed by Irrational Games (now known as 2K Boston/2K Australia), 2008</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403890025366-HI54WB0507HLYBWVD631/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - The New Visuality</image:title>
      <image:caption>Ben Shahn,Hebrew Alphabet, date unavailable</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403890068706-UUA52NC6G75LOAJLWKBR/abu-ghraib2.jpg</image:loc>
      <image:title>Graphic Tales - The New Visuality</image:title>
      <image:caption>Photo credit uncertain (Charles Graner?); Prisoner at Abu Ghraib Prison, Iraq, 2004</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403890084545-YR0SWPT0SE4ZIDVHVP45/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - The New Visuality</image:title>
      <image:caption>Illustrator uncredited, Actors Card, Old Gypsy Fortune-Telling game, Whitman Publishing, Racine Wisconsin, 1936</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403890123463-H1JP8ONKM2UZKQX3B2F1/Beijing_opening_dancing_written_characters.jpg</image:loc>
      <image:title>Graphic Tales - The New Visuality</image:title>
      <image:caption>U.S. Army photo by Tim Hipps, Chinese Dancers Emerging from "Moveable Type Blocks," opening ceremonies Beijing Olympics</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403890154263-99E6OGDT7U1E9UR0RKOT/dowd_100fly_ozarks_2009_smaller+copy.jpg</image:loc>
      <image:title>Graphic Tales - The New Visuality</image:title>
      <image:caption>finally, for the record, to establish that I'm not a couch potato who brandishes sports metaphors cheaply, that's me swimming the 100 butterfly (if not especially fast) at the Ozark Zone SCY Masters Swimming Meet in March of this year; Photograph by Andrew Dowd (my son, whose photoblog may be seen here.)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/27/i-r-3-avant-garde-and-twitch</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403889437750-ECS612SDVVD2NLAFBBZS/Flora_pg42_1953-19561.jpg</image:loc>
      <image:title>Graphic Tales - I &amp; R 3: Avant-Garde and Twitch</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403889465138-EMJBRDU92GK181PMT0BX/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - I &amp; R 3: Avant-Garde and Twitch</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403889493182-QBL0GLJR54AAGYMS34Q6/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - I &amp; R 3: Avant-Garde and Twitch</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403889520956-WDOR7YS9E1OE09W13QK8/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - I &amp; R 3: Avant-Garde and Twitch</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403889567327-XE6RIQLPSJWI18HTUMD9/beckhoff-colliers-022440-21.jpg</image:loc>
      <image:title>Graphic Tales - I &amp; R 3: Avant-Garde and Twitch</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403889589523-JPBZOW0K5UN1JX8I7SEN/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - I &amp; R 3: Avant-Garde and Twitch</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403889652305-IQDL1ZMI8UMYIITV77LM/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - I &amp; R 3: Avant-Garde and Twitch</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403889684134-2N1YNPIJA0GPKDV2DPAC/ware-corrigan-lamp1.jpg</image:loc>
      <image:title>Graphic Tales - I &amp; R 3: Avant-Garde and Twitch</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/27/illustration-and-resentment-2-kerry-james-marshall</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403889013202-88B9R65SVK2UY2LVAFNJ/marshall-bettergardens.jpg</image:loc>
      <image:title>Graphic Tales - Illustration and Resentment 2: Kerry James Marshall</image:title>
      <image:caption>Kerry James Marshall, Better Homes, Better Gardens, 1994 [note the art historical reference to Expulsion from the Garden scenes in the placement and orientation of the figures]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403889034813-KRYPXIJHRIO61UUQT3EE/sargent9.jpg</image:loc>
      <image:title>Graphic Tales - Illustration and Resentment 2: Kerry James Marshall</image:title>
      <image:caption>John Singer Sargent, The Wyndam Sisters, 1899</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403889052187-IHB1ZJWXFK1JDBZ3X8PR/Marden_Uxmal_91-93.jpg</image:loc>
      <image:title>Graphic Tales - Illustration and Resentment 2: Kerry James Marshall</image:title>
      <image:caption>Marshall, Watts 1963, 1995</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403889203711-6QE8D7HS6FMIL7ICHMU2/Marshall_Watts_1963.jpg</image:loc>
      <image:title>Graphic Tales - Illustration and Resentment 2: Kerry James Marshall</image:title>
      <image:caption>Brice Marden,Uxmal, 1991-93</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403889140827-KWCYV5AV54QT12NEEH78/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Illustration and Resentment 2: Kerry James Marshall</image:title>
      <image:caption>Marshall, Our Town, 1995</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/27/illustration-and-resentment-1-panter-rumble</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403892125154-NR4RD3724EPCNHOZ539R/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Illustration and Resentment 1: Panter Rumble</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403892177734-VJ9ZMTH5ZOUJIRTLID1I/18_powers_inkwash_L.jpg</image:loc>
      <image:title>Graphic Tales - Illustration and Resentment 1: Panter Rumble</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403892207128-97DW8VXSLX4Z9CO9M0MJ/dicktracy-color.jpg</image:loc>
      <image:title>Graphic Tales - Illustration and Resentment 1: Panter Rumble</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403892244573-K6F3EZOZN0J0QZ79VVG5/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Illustration and Resentment 1: Panter Rumble</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403892277515-JOM89S0NNLFJK3LYQNNE/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Illustration and Resentment 1: Panter Rumble</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/27/watchmen-1-book-report</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403891892115-FYGVZ5UMNOICC2E9UL2S/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Watchmen 1: Book Report</image:title>
      <image:caption>Promotional digital desktop, Watchmen motion picture, 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403891909463-S03MRIXA2B5KBTFQWSGX/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Watchmen 1: Book Report</image:title>
      <image:caption>Jack Kirby, Ben Grimm, panel from an issue of The Fantastic Four, 1964</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403891929647-DB5DEKGSXEINZV0OQ4C7/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Watchmen 1: Book Report</image:title>
      <image:caption>Seth, page 115 from It's a Good Life if You Don't Weaken, 1996</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403891955543-XXLOKQKNQUK4LEOJ0YG4/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Watchmen 1: Book Report</image:title>
      <image:caption>Joe Shuster, cover, Action Comics #33, February 1939</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/27/commercial-modernism-grab-bag</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403891537990-VPOD1MER20QEF62PE9IJ/searsandroebuck1900.jpg</image:loc>
      <image:title>Graphic Tales - Commercial Modernism Grab Bag</image:title>
      <image:caption>Illustration unattributed, Sears Roebuck Catalogue, 1900; image captures the reach of the mails, the advent of the woman-as-consumer, aggressive, vulgarian color, and some great display lettering</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403891565944-O64K53IZ3CU9AAHF33Z2/OSullivan_Gettysburg_Reynolds.jpg</image:loc>
      <image:title>Graphic Tales - Commercial Modernism Grab Bag</image:title>
      <image:caption>Timothy O'Sullivan, The Field Where General Reynolds Fell, Gettysburg, Pennsylvania, silver print, 1863; among other things, this photograph anticipates the dethroning of documentary illustration, then nearing its height in the Civil War era; from a purely visual perspective, the image highlights the new pictorial sensibility of the machine: the focus on the corpses brings the viewer's gaze down, very nearly past the horizon line, opening up an abstract field of composition unconcerned with the grand pictorialism of declamatory history painting–instead, a gritty look-at-that! as well as a new kind of two-dimensional design for images</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403891593537-QBC223Y60SRRX917HY3A/Yokohama_print_.jpg</image:loc>
      <image:title>Graphic Tales - Commercial Modernism Grab Bag</image:title>
      <image:caption>Hashimoto Sadahide, Picture of Western Traders at Yokohama Transporting Merchandise, 1861; here, a flattened-space window onto the east-west exchange which, moving from Japan to Europe and America, had such an influence on visual modernism, dubbed japonisme by the French</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403891617941-0MZZCXDYN374J1BG6MCY/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Commercial Modernism Grab Bag</image:title>
      <image:caption>Le Bois Protat, the earliest extant European woodcut block known, dated to 1380; a historically signficant item, but also, a perfectly good example of one-color line art, just like the next example</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403891744162-M7UBWY5B42GCPPIFWDEL/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Commercial Modernism Grab Bag</image:title>
      <image:caption>Unattributed, El Exigente, the choosy coffee buyer, packaging illustration for Savarin Coffee, c.1977</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/27/waiting-pictured</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403891279918-HHWYWNX215XW4JAN32Q5/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Waiting, Pictured</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403891302159-G3A3WDX2MP8R46UF8LJT/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Waiting, Pictured</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403891331303-054P6I4TP76RM3JN058K/dbdowd_Characters_Waiting_det_car_smaller.jpg</image:loc>
      <image:title>Graphic Tales - Waiting, Pictured</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403891368475-5TEOHM0MFWER05ALFQW3/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Waiting, Pictured</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/27/leyendecker-parrish-sontag</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403890811620-OOBIXZG02BJMB5ICKRMF/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Leyendecker, Parrish &amp; Sontag</image:title>
      <image:caption>J.C. Leyendecker, Cupid, Saturday Evening Post cover, February 15, 1936</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403890835021-3TSR9JRNEIR3YG8YUEZW/parrish-dinkybird1.jpg</image:loc>
      <image:title>Graphic Tales - Leyendecker, Parrish &amp; Sontag</image:title>
      <image:caption>Maxfield Parrish, Dinkybird, 1904</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403890859577-UY2177I6FZOVNYRM6CYU/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Leyendecker, Parrish &amp; Sontag</image:title>
      <image:caption>Leyendecker, six Saturday Evening Post covers, 1923-24 (with particular note of the homoeroticized lifeguard, middle bottom row)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403890888753-F9SLEFAOL6WOLCR53QGG/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Leyendecker, Parrish &amp; Sontag</image:title>
      <image:caption>Maxfield Parrish, Daybreak, 1922. This image, of vaguely sexualized pre-adolescent girls decamped to a sunwashed Arcadian villa, was issued as a single sheet lithographic print for home sales in 1922. It sold fantastic numbers of copies. It has been reliably estimated that Daybreak appeared on a wall in 1 out of every 4 American homes by 1930.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403890951856-WH8SMA7A7CFTMCKGDOTT/Leyendecker_Kuppenheimer_Mermaid_c1930_72dpi.jpg</image:loc>
      <image:title>Graphic Tales - Leyendecker, Parrish &amp; Sontag</image:title>
      <image:caption>Leyendecker, Kuppenheimer Clothing ad (with mermaid!), circa 1930</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403890979055-BBLVQR2SWH0247VKM5T9/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Leyendecker, Parrish &amp; Sontag</image:title>
      <image:caption>Leyendecker, Arrow Collar ad, Charles Beach, model, 1922</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403891011993-D9QHUONKN5NSMMJE4633/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Leyendecker, Parrish &amp; Sontag</image:title>
      <image:caption>Leyendecker, Watering the Lillies, Saturday Evening Post cover, March 27, 1937</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403891040862-ZCTM3HGL23KY6ZJNX8DV/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Leyendecker, Parrish &amp; Sontag</image:title>
      <image:caption>Leyendecker, Baby Forges Ahead, Saturday Evening Post cover, December, 1930</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/canyonlands-and-arches-spared-industrial-scenes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403817154412-FPRMSUZ414RLN1CZ7EOZ/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Canyonlands and Arches Spared Industrial Scenes</image:title>
      <image:caption>Photograph from the Grand Valley Trail, at the southern end of the Island in the Sky mesa in Canyonlands National Park. The canyon walls at the convergence of the Colorado and Green Rivers are visible beyond the rock shelf that dominates the image. The snaking line at the left is a road that follows the famous White Rim trail.</image:caption>
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  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/toward-devils-garden-on-a-snowy-day</loc>
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      <image:title>Graphic Tales - Toward Devil's Garden on a Snowy Day</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403817017759-UXLS7BQ3C88RCHMQLIF1/dbdowd_devils_garden2.JPG</image:loc>
      <image:title>Graphic Tales - Toward Devil's Garden on a Snowy Day</image:title>
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    <image:image>
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      <image:title>Graphic Tales - Toward Devil's Garden on a Snowy Day</image:title>
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    <image:image>
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      <image:title>Graphic Tales - Toward Devil's Garden on a Snowy Day</image:title>
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  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/transition</loc>
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    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403816354548-YHHA9A6CIZAEFXWBIPVI/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Transition</image:title>
      <image:caption>DB Dowd, Ulcer City logotype, 2506 Sutton Boulevard</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403816402284-TY534VGPFNA61L4CNRWN/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Transition</image:title>
      <image:caption>DB Dowd Parking Lot with Red Jeep, 2008</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403816424512-DWB0ESXKK49GV9WUXWOC/karen_kunc_system_07.jpg</image:loc>
      <image:title>Graphic Tales - Transition</image:title>
      <image:caption>Karen Kunc, System, woodcut, 2007</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403816450773-AR5JTPDTV1EG7RFRTDQ3/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Transition</image:title>
      <image:caption>Theodore Davis, The Fur-Trapper, wood engraving, Harpers Weekly, [date]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403816465039-O4LKISXUU69FUJ68PY5X/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Transition</image:title>
      <image:caption>Dowd, Petting Zoo, linoleum reduction cut from Visit Mohicanland, 1995-2008</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403816478241-UTCSPBBOG492EN01ZJAI/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Transition</image:title>
      <image:caption>Dowd [creative director] character ensemble desktop wallpaper SamtheDog.com, 2001</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403816524547-5TX613K2GL5EI2B33GUQ/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Transition</image:title>
      <image:caption>Dowd with the Visual Communications Research Studio [illustrator/creative director] Woodland Biome Mural, detail, from MySci Hands On Science, 2005-2006</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403816539527-BEZSN1W6EIOBW7SX8UH6/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Transition</image:title>
      <image:caption>Dowd with VCRS [illustrator] animation still, Your Heart, Missouri Baptist Medical Center, 2006</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403816576069-WPYBUHY3CKK8QS85YODE/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Transition</image:title>
      <image:caption>Dowd, Ulcer City, animation still from The Doughboy, 2004</image:caption>
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    <image:image>
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      <image:title>Graphic Tales - Transition</image:title>
      <image:caption>Dowd,Summer Sky Looking North, Moab Utah, 2008</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403816613965-PEWZ4YEDQ0IQX20AOLYG/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Transition</image:title>
      <image:caption>Dowd, At the Royale, Election 2008 Reportage Project, St. Louis Beacon</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403816624285-IRL2VW7G68FP6M2WU1PD/dbdowd_Phillips_Girl_working_small.jpg</image:loc>
      <image:title>Graphic Tales - Transition</image:title>
      <image:caption>Dowd, Gas Station Girl, graphite and gouache, 2008</image:caption>
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    <lastmod>2025-12-16</lastmod>
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      <image:title>Graphic Tales - Arches National Park, Landscape &amp; Oil</image:title>
      <image:caption>South Window Arch, Arches National Park</image:caption>
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    <image:image>
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      <image:title>Graphic Tales - Arches National Park, Landscape &amp; Oil</image:title>
      <image:caption>The Windows Section of the park</image:caption>
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    <image:image>
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      <image:title>Graphic Tales - Arches National Park, Landscape &amp; Oil</image:title>
      <image:caption>North and South Window Arches, eroded into the same sandstone fin.</image:caption>
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  <url>
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      <image:title>Graphic Tales - Well I Guess That Explains It</image:title>
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    <image:image>
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      <image:title>Graphic Tales - Well I Guess That Explains It</image:title>
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  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/signs-signs-everywhere-signs</loc>
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    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
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      <image:title>Graphic Tales - Signs Signs, Everywhere Signs</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403815968999-O3HN0D61YVV2VDUHO66K/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Signs Signs, Everywhere Signs</image:title>
    </image:image>
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  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/drafting-history-in-graphite</loc>
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    <lastmod>2025-12-16</lastmod>
    <image:image>
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      <image:title>Graphic Tales - Drafting History, in Graphite</image:title>
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  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/closing-up-november-4</loc>
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    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403815801372-24WFOF4UTFDHB2KR617L/19_Election08_VFW.jpg</image:loc>
      <image:title>Graphic Tales - Closing Up, November 4</image:title>
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  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/election</loc>
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    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403815693613-PFFB5UWKLN941W2YS82U/countyelection_big.jpg</image:loc>
      <image:title>Graphic Tales - Election</image:title>
      <image:caption>George Caleb Bingham's account of another Missouri election, this one in 1846</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/democracy-illustrated-election-sketchbook</loc>
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    <lastmod>2025-12-16</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403815576866-FERZEL8YPRCW0SFARC9F/5_Election08_LaneTabernacle1_dbdowd.jpg</image:loc>
      <image:title>Graphic Tales - Democracy Illustrated: Election Sketchbook</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403815612008-74R74N8M32TZ82R2FYWD/9_Election08_LaneTabernacle5_dbdowd.jpg</image:loc>
      <image:title>Graphic Tales - Democracy Illustrated: Election Sketchbook</image:title>
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  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/cassiopeia-does-the-twist</loc>
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    <lastmod>2025-12-16</lastmod>
    <image:image>
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      <image:title>Graphic Tales - Cassiopeia Does the Twist</image:title>
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    <image:image>
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      <image:title>Graphic Tales - Cassiopeia Does the Twist</image:title>
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    <image:image>
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      <image:title>Graphic Tales - Cassiopeia Does the Twist</image:title>
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    <lastmod>2025-12-16</lastmod>
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      <image:title>Graphic Tales - Obama &amp; Rockwell Together Again</image:title>
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    <image:image>
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      <image:title>Graphic Tales - Obama &amp; Rockwell Together Again</image:title>
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    <image:image>
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      <image:title>Graphic Tales - Obama &amp; Rockwell Together Again</image:title>
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  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/hypnotico-vamooso-skiddeeski-twentolio</loc>
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    <lastmod>2025-12-16</lastmod>
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      <image:title>Graphic Tales - Hypnotico Vamooso Skiddeeski Twentolio</image:title>
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    <image:image>
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      <image:title>Graphic Tales - Hypnotico Vamooso Skiddeeski Twentolio</image:title>
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    <image:image>
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      <image:title>Graphic Tales - Hypnotico Vamooso Skiddeeski Twentolio</image:title>
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    <image:image>
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      <image:title>Graphic Tales - Hypnotico Vamooso Skiddeeski Twentolio</image:title>
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  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/congrats-to-phelps-but-lezak-is-my-hero</loc>
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    <lastmod>2025-12-16</lastmod>
    <image:image>
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      <image:title>Graphic Tales - Congrats to Phelps, but Lezak is my Hero!</image:title>
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  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/canyon-drawing</loc>
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    <lastmod>2025-12-16</lastmod>
    <image:image>
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      <image:title>Graphic Tales - Canyon Drawing</image:title>
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  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/delicate-arch-panorama-dialogue</loc>
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    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
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      <image:title>Graphic Tales - Delicate Arch Panorama + Dialogue</image:title>
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  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/delicate-arch-drawings</loc>
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    <lastmod>2025-12-16</lastmod>
    <image:image>
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      <image:title>Graphic Tales - Delicate Arch Drawings</image:title>
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    <image:image>
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      <image:title>Graphic Tales - Delicate Arch Drawings</image:title>
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      <image:title>Graphic Tales - Delicate Arch Drawings</image:title>
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    <image:image>
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      <image:title>Graphic Tales - Delicate Arch Drawings</image:title>
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    <image:image>
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      <image:title>Graphic Tales - Delicate Arch Drawings</image:title>
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  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/travel-drawings-moab-utah</loc>
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    <lastmod>2025-12-16</lastmod>
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      <image:title>Graphic Tales - Travel Drawings: Moab, Utah</image:title>
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    <image:image>
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      <image:title>Graphic Tales - Travel Drawings: Moab, Utah</image:title>
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    <image:image>
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      <image:title>Graphic Tales - Travel Drawings: Moab, Utah</image:title>
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  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/barry-barry-quite-contrary</loc>
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    <lastmod>2025-12-16</lastmod>
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      <image:title>Graphic Tales - Barry Barry Quite Contrary!</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403814248813-6B4V97SPETQSFT1EAFOV/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Barry Barry Quite Contrary!</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403814266708-LMZTEM1J0RTBL1KTUQJZ/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Barry Barry Quite Contrary!</image:title>
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    <image:image>
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      <image:title>Graphic Tales - Barry Barry Quite Contrary!</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403814340739-K9MKNKYHSLA7H7LAS0IA/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Barry Barry Quite Contrary!</image:title>
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    <image:image>
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      <image:title>Graphic Tales - Barry Barry Quite Contrary!</image:title>
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  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/more-on-lichtenstein-and-sources</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403813528309-BSIV6N0858129HNI7GRR/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - More on Lichtenstein and Sources</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403813553092-ZS04SVT11N803BH3QOR7/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - More on Lichtenstein and Sources</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403813580363-P7JTC95XNLBAUJV0WJY3/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - More on Lichtenstein and Sources</image:title>
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      <image:title>Graphic Tales - More on Lichtenstein and Sources</image:title>
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  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/orozco-to-dartmouth-kilroy-was-here</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403813901076-TRE004OS33C25FSZCU93/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Orozco to Dartmouth: Kilroy Was Here!</image:title>
      <image:caption>Jose Clemente Orozco, The Epic of American Civilization, fresco cycle, Baker Library, Dartmouth College, Hanover, New Hampshire. 1932-34. Panel 11, Cortez and the Cross.                     </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403813927241-J8D4SSURL11LMMAEMNX0/Orozco14.jpg</image:loc>
      <image:title>Graphic Tales - Orozco to Dartmouth: Kilroy Was Here!</image:title>
      <image:caption>Orozco, Dartmouth fresco cycle, Panel 12, The Machine.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403813952778-GTDQXOJD6K3K5JV3OQ60/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Orozco to Dartmouth: Kilroy Was Here!</image:title>
      <image:caption>Norman Rockwell, The Art Critic, Saturday Evening Post cover illustration, April 16, 1955.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1405433584429-BS3JNLEWUEJPOGCKF47X/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Orozco to Dartmouth: Kilroy Was Here!</image:title>
      <image:caption>Norman Rockwell, Murder in Mississippi, story illustration for "Southern Justice," Look magazine, June 29, 1965.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403813971094-0XUHNMA5T1L50PNEOG5T/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Orozco to Dartmouth: Kilroy Was Here!</image:title>
      <image:caption>Buster Keaton in The General, 1926.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403814006847-XHMMH0SRL19LOKTVLUDW/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Orozco to Dartmouth: Kilroy Was Here!</image:title>
      <image:caption>Orozco, Dartmouth fresco cycle, Panel 17, Modern Human Sacrifice.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403814029192-UF2KORW1DBCVFY43BZN0/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Orozco to Dartmouth: Kilroy Was Here!</image:title>
      <image:caption>Orozco, Dartmouth fresco cycle, Panel 15, Gods of the Modern World.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403814061968-I652USWP02SFBKQX8FWP/Orozco16.jpg</image:loc>
      <image:title>Graphic Tales - Orozco to Dartmouth: Kilroy Was Here!</image:title>
      <image:caption>Orozco, Dartmouth fresco cycle, Panel 14, HIspano-America.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Graphic Tales - Orozco to Dartmouth: Kilroy Was Here!</image:title>
      <image:caption>Orozco, Dartmouth fresco cycle, Panel 3, Ancient Human Sacrifice.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/painted-ink-printed-balloons</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403813026270-YM0538UL0JTG5OHCKL2R/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Painted Ink, Printed Balloons</image:title>
      <image:caption>Roy Lichtenstein, Forget it! Forget Me!, 1962</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403813081048-7R2FJL3ZSYW4B153VIXH/Davis-pl153-1956.jpg</image:loc>
      <image:title>Graphic Tales - Painted Ink, Printed Balloons</image:title>
      <image:caption>Stuart Davis, Colonial Cubism, 1956</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403813099327-3CTGS3TM2D36NNPLW8GI/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Painted Ink, Printed Balloons</image:title>
      <image:caption>Lichtenstein, Happy Tears, 1964</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403813141804-T524MD0BI0H843DU2YDW/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Painted Ink, Printed Balloons</image:title>
      <image:caption>Milt Caniff, Terry and the Pirates Sunday strip, single panel, 1944</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403813154187-EFNS4XZOPND7OKBBKHSQ/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Painted Ink, Printed Balloons</image:title>
      <image:caption>Caniff, Terry, daily strip panel, 1937</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403813179910-4SCEEV7XN3AQULWAMTSJ/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Painted Ink, Printed Balloons</image:title>
      <image:caption>Illustrator unknown, cover, Exotic Romances, No. 28, circa 1955</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403813221771-K8KVOWIQWUKZV2M24SZW/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Painted Ink, Printed Balloons</image:title>
      <image:caption>Illustrator unknown, cover, Range Romances, February 1951</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403813252046-GDB2ZKPVNCKRT9FQTY47/LifeRomances_coverLOW-RES+copy.jpg</image:loc>
      <image:title>Graphic Tales - Painted Ink, Printed Balloons</image:title>
      <image:caption>cover, Life Romances, circa 1950</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403813273000-JFN4CRPKUW4RH5N9TMK8/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Painted Ink, Printed Balloons</image:title>
      <image:caption>Philip Guston, The Street, 1977[?]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/on-speed-racer</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
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      <image:title>Graphic Tales - On Speed Racer</image:title>
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    <image:image>
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      <image:title>Graphic Tales - On Speed Racer</image:title>
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      <image:title>Graphic Tales - On Speed Racer</image:title>
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  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/cartooning-campaigning-part-two</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
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      <image:title>Graphic Tales - Cartooning &amp; Campaigning Part Two</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403812507373-OH2RCKI714QH94K67XS5/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Cartooning &amp; Campaigning Part Two</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403812537203-KL8FXGYYBVJOH49R14SW/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Cartooning &amp; Campaigning Part Two</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403812554740-4Q73S4SZAVLU2AGLB844/Popeye_Sindbad15.jpg</image:loc>
      <image:title>Graphic Tales - Cartooning &amp; Campaigning Part Two</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403812574105-DQJA3F7XC30KGNLN51M6/snowwhite19.jpg</image:loc>
      <image:title>Graphic Tales - Cartooning &amp; Campaigning Part Two</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403812616014-JX8INHCY4Y2K2ONGSQSF/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Cartooning &amp; Campaigning Part Two</image:title>
    </image:image>
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      <image:title>Graphic Tales - Cartooning &amp; Campaigning Part Two</image:title>
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    <image:image>
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      <image:title>Graphic Tales - Cartooning &amp; Campaigning Part Two</image:title>
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    <image:image>
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      <image:title>Graphic Tales - Cartooning &amp; Campaigning Part Two</image:title>
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    <image:image>
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      <image:title>Graphic Tales - Cartooning &amp; Campaigning Part Two</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403812784889-HJ2EDU71S5K66TTEOJ0C/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Cartooning &amp; Campaigning Part Two</image:title>
    </image:image>
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  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/cartooning-campaigning-part-one</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403812302332-03K40JPYG921SDU6V37M/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Cartooning &amp; Campaigning Part One</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403812322050-QOO8ZD70SPQG3WVSNVG1/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Cartooning &amp; Campaigning Part One</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/spring-is-here</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403812181559-9FNPANMNM4R8FVD27IYV/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Spring is Here</image:title>
      <image:caption>Thelma Mortimer, WHC, May 1936</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403812213946-H9GOW3XSSXIFI8O7OKZG/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Spring is Here</image:title>
      <image:caption>Thelma Mortimer, WHC, May 1936</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/productive-restrictions</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403811633604-LLWSLRR20VTMDSOIZVMQ/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Productive Restrictions</image:title>
      <image:caption>Osamu Tezuka, Mighty Atom (Astro Boy in English), 1963. The show ran in Japan from 1963 to 1966. An American version dubbed in English ran on NBC during the same period.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403811681215-WRKZNMF2IJWKXJFRPVZD/Astroboy_title19.jpg</image:loc>
      <image:title>Graphic Tales - Productive Restrictions</image:title>
      <image:caption>Osamu Tezuka, Mighty Atom (Astro Boy in English), 1963. The show ran in Japan from 1963 to 1966. An American version dubbed in English ran on NBC during the same period.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403811711076-9Y4VQZ8MPJ6THMWOVPJN/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Productive Restrictions</image:title>
      <image:caption>Osamu Tezuka, Mighty Atom (Astro Boy in English), 1963. The show ran in Japan from 1963 to 1966. An American version dubbed in English ran on NBC during the same period.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403811742642-Y7HWZMFXRSSL7ZSZ9A3N/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Productive Restrictions</image:title>
      <image:caption>Osamu Tezuka, Mighty Atom (Astro Boy in English), 1963. The show ran in Japan from 1963 to 1966. An American version dubbed in English ran on NBC during the same period.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403811790421-ZUS3MLMFDN6FFFMFEVFL/Astroboy_title14.jpg</image:loc>
      <image:title>Graphic Tales - Productive Restrictions</image:title>
      <image:caption>Osamu Tezuka, Mighty Atom (Astro Boy in English), 1963. The show ran in Japan from 1963 to 1966. An American version dubbed in English ran on NBC during the same period.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403811801598-IHWJC5IUD5ACYG2OFHPM/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Productive Restrictions</image:title>
      <image:caption>Osamu Tezuka, Mighty Atom (Astro Boy in English), 1963. The show ran in Japan from 1963 to 1966. An American version dubbed in English ran on NBC during the same period.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403811846817-VZ866Z4IC687J8BCDIBO/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Productive Restrictions</image:title>
      <image:caption>Osamu Tezuka, Mighty Atom (Astro Boy in English), 1963. The show ran in Japan from 1963 to 1966. An American version dubbed in English ran on NBC during the same period.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403811861040-WLS6ZMXYK2RKZO084OQE/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Productive Restrictions</image:title>
      <image:caption>Osamu Tezuka, Mighty Atom (Astro Boy in English), 1963. The show ran in Japan from 1963 to 1966. An American version dubbed in English ran on NBC during the same period.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403811889116-QJAF3CKIBE5R0ZHOIZ3V/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Productive Restrictions</image:title>
      <image:caption>Osamu Tezuka, Mighty Atom (Astro Boy in English), 1963. The show ran in Japan from 1963 to 1966. An American version dubbed in English ran on NBC during the same period.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403811915857-SP938F9YY75NP39WBNLC/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Productive Restrictions</image:title>
      <image:caption>Osamu Tezuka, Mighty Atom (Astro Boy in English), 1963. The show ran in Japan from 1963 to 1966. An American version dubbed in English ran on NBC during the same period.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403811928312-BGVIQHZRUHNKFUBSKZHE/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Productive Restrictions</image:title>
      <image:caption>Osamu Tezuka, Mighty Atom (Astro Boy in English), 1963. The show ran in Japan from 1963 to 1966. An American version dubbed in English ran on NBC during the same period.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403811963172-P0ZJDT3EFVS9E3GTZ724/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Productive Restrictions</image:title>
      <image:caption>Osamu Tezuka, Mighty Atom (Astro Boy in English), 1963. The show ran in Japan from 1963 to 1966. An American version dubbed in English ran on NBC during the same period.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403812007459-FBRHN227SKJ46Y63VQSK/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Productive Restrictions</image:title>
      <image:caption>Osamu Tezuka, Mighty Atom (Astro Boy in English), 1963. The show ran in Japan from 1963 to 1966. An American version dubbed in English ran on NBC during the same period.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403812025037-QZXAME0P0POS090H1ONN/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Productive Restrictions</image:title>
      <image:caption>Osamu Tezuka, Mighty Atom (Astro Boy in English), 1963. The show ran in Japan from 1963 to 1966. An American version dubbed in English ran on NBC during the same period.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403812060829-L7R7IUV2TDIXBMK3J1YP/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Productive Restrictions</image:title>
      <image:caption>Osamu Tezuka, Mighty Atom (Astro Boy in English), 1963. The show ran in Japan from 1963 to 1966. An American version dubbed in English ran on NBC during the same period.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/comics-cinema-stories-and-storyboarding</loc>
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    <lastmod>2025-12-16</lastmod>
    <image:image>
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      <image:title>Graphic Tales - Comics &amp; Cinema: Stories and Storyboarding</image:title>
      <image:caption>Osamu Tezuka, Astroboy, a still from the title sequence for the television show of the same name. 1962.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1405546275799-64CBT8URHY792NBKZOMZ/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Comics &amp; Cinema: Stories and Storyboarding</image:title>
      <image:caption>Tezuka, still from Astroboy title sequence.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403811098488-W9U4LNSAG20GX9I4J6DV/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Comics &amp; Cinema: Stories and Storyboarding</image:title>
      <image:caption>Walt Disney Studios, storyboard frame with textual description, Steamboat Willie, 1928              </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403811137329-IVCPAUUKWBCWTAG1KVHZ/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Comics &amp; Cinema: Stories and Storyboarding</image:title>
      <image:caption>Wilhelm Busch, bilderbogen image sequence, Potted Peter, 1864                                                      </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403811077404-6ZCXGZIVA1NVYVMLZZEQ/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Comics &amp; Cinema: Stories and Storyboarding</image:title>
      <image:caption>Milton Caniff, Terry and the Pirates Sunday masthead, December 29, 1946</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403811185955-HEEPMGCSSC7MPMWYKWAJ/Caniff_frames1_122946.jpg</image:loc>
      <image:title>Graphic Tales - Comics &amp; Cinema: Stories and Storyboarding</image:title>
      <image:caption>Caniff, a sequence of panels from Terry, December 29, 1946</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403811221874-2PNZ4QR62071CPAIPZ4J/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Comics &amp; Cinema: Stories and Storyboarding</image:title>
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    <image:image>
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      <image:title>Graphic Tales - Comics &amp; Cinema: Stories and Storyboarding</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403811316254-Y4YOA0X3V4QG4TJTNXKJ/Caniff_frames4_46.jpg</image:loc>
      <image:title>Graphic Tales - Comics &amp; Cinema: Stories and Storyboarding</image:title>
      <image:caption>                     </image:caption>
    </image:image>
    <image:image>
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      <image:title>Graphic Tales - Comics &amp; Cinema: Stories and Storyboarding</image:title>
      <image:caption>Hergé, comic book page, The Secret of the Unicorn, Volume 11 in The Adventures of Tintin, 1942-43</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/illustrators-and-culture</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
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      <image:title>Graphic Tales - Illustrators and Culture</image:title>
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  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/larry-rivers-robert-weaver-comparanda</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403805195020-7W095RHQOEQESBAQPQ86/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Larry Rivers &amp; Robert Weaver: Comparanda</image:title>
      <image:caption>Larry Rivers, Dutch Masters, 1991 (a restatement in print form of earlier works)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403805226911-E11V2VE4EPF4D1LH3RCB/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Larry Rivers &amp; Robert Weaver: Comparanda</image:title>
      <image:caption>Larry Rivers, Parts of the Face, circa 1960</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403805262957-WU1OGRXCS7KZJMROIDS8/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Larry Rivers &amp; Robert Weaver: Comparanda</image:title>
      <image:caption>Emanuel Leutze, Washington Crossing the Delaware, 1851</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403805317325-PFH3YSYDLX4YYDT3M10O/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Larry Rivers &amp; Robert Weaver: Comparanda</image:title>
      <image:caption>Larry Rivers, Washington Crossing the Delaware, 1953</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403805337606-4KSN2LFPD2RLT42ZPDJR/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Larry Rivers &amp; Robert Weaver: Comparanda</image:title>
      <image:caption>Jackson Pollock, Autumn Rhythm, 1952</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403805387392-34ZPM70RYLMGTNOQB49W/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Larry Rivers &amp; Robert Weaver: Comparanda</image:title>
      <image:caption>Andy Warhol, Brillo Box, 1964 Warhol, installation shot of same</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403805419777-AIVA6OWYHRQHY7SKHKZN/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Larry Rivers &amp; Robert Weaver: Comparanda</image:title>
      <image:caption>Larry Rivers, Africa, 1957(?)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403805446392-4Y9B09E4C7GHTVRB9CKB/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Larry Rivers &amp; Robert Weaver: Comparanda</image:title>
      <image:caption>Robert Weaver, illustration for Esquire, 1959</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403805480652-YHE0PPW225SXBU0ATHUK/Weaver_Kennedy1_det1.jpg</image:loc>
      <image:title>Graphic Tales - Larry Rivers &amp; Robert Weaver: Comparanda</image:title>
      <image:caption>Robert Weaver, illustration for Esquire, 1959</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403805533924-8QJ8SD8596R2OCISSJG2/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Larry Rivers &amp; Robert Weaver: Comparanda</image:title>
      <image:caption>Robert Weaver, illustrations for Sports Illustrated, feature on Lombardi’s Green Bay Packers, date uncertain</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403805557183-J6CZ2CT6W3DSG905W9R6/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Larry Rivers &amp; Robert Weaver: Comparanda</image:title>
      <image:caption>Robert Weaver, Brief Lives, Pool Hall, date uncertain</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/earles-sleeping-beauty-big-reptiles</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
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      <image:title>Graphic Tales - Earle's Sleeping Beauty &amp; Big Reptiles</image:title>
      <image:caption>Eyvind Earle, production design, Sleeping Beauty, Walt Disney Studios, 1959</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403803854267-ALZ3OMGLSAISD1369JI4/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Earle's Sleeping Beauty &amp; Big Reptiles</image:title>
    </image:image>
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      <image:title>Graphic Tales - Earle's Sleeping Beauty &amp; Big Reptiles</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403803912455-J3OJPG901D3JEXRVCBF9/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Earle's Sleeping Beauty &amp; Big Reptiles</image:title>
      <image:caption>Reference photographs, uncredited, Sleeping Beauty</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403803946563-O5QUM4TAHZ47UWE33TW7/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Earle's Sleeping Beauty &amp; Big Reptiles</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403803973713-50KSI4ADRG9607CH94W5/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Earle's Sleeping Beauty &amp; Big Reptiles</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403804022555-4P38AM42TQU7DA84J9VY/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Earle's Sleeping Beauty &amp; Big Reptiles</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403804055333-7YDOVC4ZAXKSAKTKT2IO/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Earle's Sleeping Beauty &amp; Big Reptiles</image:title>
      <image:caption>Reference photographs, uncredited, Sleeping Beauty</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403804090254-R7TES8R8HFD4ZG2LLIVO/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Earle's Sleeping Beauty &amp; Big Reptiles</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403804145306-HSVK0LI01ZHCD9228LOP/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Earle's Sleeping Beauty &amp; Big Reptiles</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403804169179-K9PVYE0TLA61K3U35QTR/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Earle's Sleeping Beauty &amp; Big Reptiles</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403804267279-RWHLGUNL42615OYPQZZP/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Earle's Sleeping Beauty &amp; Big Reptiles</image:title>
      <image:caption>Production still, Episode 18, "The Arena,"Star Trek. Aired January 19, 1967</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/i-love-a-parade</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
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      <image:title>Graphic Tales - I Love a Parade</image:title>
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  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/aristotle-and-comics</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403799995077-IEAEPEVFROP5ASQCQOYP/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Aristotle and Comics</image:title>
      <image:caption>Bob Kane, Sunday newspaper strip, Batman, panel showing Two-Face. 1946.                  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403800158711-B3XSSXJ4JYZG94TZV73U/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Aristotle and Comics</image:title>
      <image:caption>Chris Ware, page from Jimmy Corrigan, The Smartest Kid on Earth, Acme Novelty Library, serialized 1995-2000. Graphic novel compiled and published 2000 by Pantheon.                 </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403800214879-G8E74ITKQFBKY7MG90SO/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Aristotle and Comics</image:title>
      <image:caption>Winsor McCay, Little Nemo and Impy clamber over buildings in Manhattan, Little Nemo in Slumberland, New York Herald, September 22, 1907</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/four-color-puzzles</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403803066651-QV3HY22C4XL9H7QS6JVW/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Four-Color Puzzles</image:title>
      <image:caption>Joseph Low, illustrated entries for "fair," “trains" and "trap," Rainbow Dictionary, World Publishing Company, Cleveland, 1947</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403803093586-YOLCZPMLQX2FDDIAKZF0/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Four-Color Puzzles</image:title>
      <image:caption>Joseph Low, illustrated entries for "fair," “trains" and "trap," Rainbow Dictionary, World Publishing Company, Cleveland, 1947</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/on-purposive-images-and-analytical-separatism</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403802751457-E9WSHVABJ9V2S76WIFGV/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - On Purposive Images and Analytical Separatism</image:title>
      <image:caption>Package design, New Shinola Scuff Armor for white shoes. A product of Best Foods, a division of Corn Products Company, Indianapolis, Indiana. Circa 1960</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/in-the-cultural-garage</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403802938442-0RKBUG9TKWBGAAVLT6LL/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - In the Cultural Garage</image:title>
      <image:caption>R.F. Outcault, "Buster Brown" comic reprint in Buster Brown's Antics, 1903. The Brown Shoe Company and Washington University are in conversation about bringing the Brown Shoe Archives to the Modern Graphic History Library, where they will provide a wonderful opportunity to study the development of modern merchandising and cartooning, among many other things. The deal has not been finalized, but the company authorized us to mention it in the MGHL catalogue as a developing story. An enlightened and generous move, on the company's part. I have my fingers crossed; I worked with the collection in curating a show in 2004, and it is fabulous resource.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/brief-note-on-the-primacy-of-pictorial-function</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403802638363-674CIQ9DS5W7LCG6YGVH/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Brief Note on the Primacy of Pictorial Function</image:title>
      <image:caption>T.D Skidmore, fiction illustration in Collier's, October 17, 1931</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/commercial-images-an-evolutionary-scheme</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403802516803-HY77JHMR070GHMNF4BZL/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Commercial Images: An Evolutionary Scheme</image:title>
      <image:caption>Content copyright DB Dowd, 2007; design by Mike Costelloe; art direction by Sarah Phares</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/chief-wahoo-exacts-karmic-penalty-sox-in-7</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403801901463-D07EIZ6ZISD7VWG32Y3A/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Chief Wahoo Exacts Karmic Penalty; Sox in 7</image:title>
      <image:caption>Chief Wahoo figure with neon tracing, once mounted atop Municipal Stadium, Cleveland. Stadium razed in 1996. Sign moved to the Western Reserve History Society in the University Circle district, on Cleveland's East Side. Contextualizing narrative presented on placard next to display. Figure approximately 15 feet tall.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/indian-summer-roundup-wahoo-meets-herbie</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403801488809-RDZUZU1IZSSJ7A3S9911/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Indian Summer Roundup: Wahoo Meets Herbie</image:title>
      <image:caption>Exhibition case, Milwaukee Braves, 1953-1965, Wisconsin Historical Society, 2003</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403801545743-7PLFRTI8WI2PTYIX1MV2/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Indian Summer Roundup: Wahoo Meets Herbie</image:title>
      <image:caption>Todd Peterson, The Aviary, 2005 [?] screenprint</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403801574150-C6CA599ENEO0C5W2POHP/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Indian Summer Roundup: Wahoo Meets Herbie</image:title>
      <image:caption>Eric Wells, news photograph, The MetroWest Daily News, Framingham, Massachusetts, January 9, 2007</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403801621160-XTBKIYFYYGM6PC31HOUC/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Indian Summer Roundup: Wahoo Meets Herbie</image:title>
      <image:caption>Political Map, State of Nebraska, The New International Encyclopedia, Dodd Mead and Company, New York, 1908</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403801655437-UD96A3XZ7KFOK5CW54UW/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Indian Summer Roundup: Wahoo Meets Herbie</image:title>
      <image:caption>Herbie Husker, University of Nebraska Mascot</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403801696558-COM2KW4Z4N8D1XN1XP06/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Indian Summer Roundup: Wahoo Meets Herbie</image:title>
      <image:caption>Osamu Tezuka, still from Astro Boy title sequence, Tezuka Productions, 1962</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/wahoo-yellowpony-and-graphic-indians</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403801010383-NI4P1AOXK66NF8CQT74P/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Wahoo, Yellowpony and Graphic Indians</image:title>
      <image:caption>Indian Chief smoking “peace pipe” with boy, When a Cowboy Needs a Horse, Walt Disney Productions, 1956, directed by Bill Justice</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403801051071-EHEULS26SUPA0N4UZ3DR/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Wahoo, Yellowpony and Graphic Indians</image:title>
      <image:caption>Chester Gould, Dick Tracy comic book cover, n.d. Dell Publications</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403801094771-TDENRTZ188N216D0TEJ1/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Wahoo, Yellowpony and Graphic Indians</image:title>
      <image:caption>Chester Gould, Dick Tracy comic book cover, n.d. Dell Publications</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403801137766-OV32IPYHPY40ADS8UQ5I/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Wahoo, Yellowpony and Graphic Indians</image:title>
      <image:caption>Joseph Low, cover illustration for “Indians,” Rainbow Dictionary, World Publishing Company, Cleveland, 1947</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403801168414-3O5TGZ7B7GSJY3OHK90C/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Wahoo, Yellowpony and Graphic Indians</image:title>
      <image:caption>Joseph Low, entry for “Indians,” Rainbow Dictionary, World Publishing Company, Cleveland, 1947</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403801206408-VZQNCX8PXN4ETB57V971/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Wahoo, Yellowpony and Graphic Indians</image:title>
      <image:caption>animation still depicting easily foiled Indian ambush from When a Cowboy Needs a Horse</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403801229370-8U2AWVGOAI4R6E38GX0K/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Wahoo, Yellowpony and Graphic Indians</image:title>
      <image:caption>animation still depicting easily foiled Indian ambush from When a Cowboy Needs a Horse</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403801251037-YJO4TUF7CPJ2J3VHEPY2/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Wahoo, Yellowpony and Graphic Indians</image:title>
      <image:caption>animation still depicting easily foiled Indian ambush from When a Cowboy Needs a Horse</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/26/the-cleveland-stereotypes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403800462396-HHCE5A79SV1FLMGHUFMP/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - The Cleveland Stereotypes</image:title>
      <image:caption>Jeff Suntala, Bob Feller</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403800500027-92JJIL547ATI7MFJEJHL/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - The Cleveland Stereotypes</image:title>
      <image:caption>Chief Wahoo logotype, in use from 1951 to 1972, and again since 1980</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403800529217-RQ75GE80623NZHHY6VH4/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - The Cleveland Stereotypes</image:title>
      <image:caption>Erwin Hess, cover art for Big Chief Wahoo and the Magic Lamp, a Better Little Book, Whitman Publishing, 1940</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403800599193-079O6Q4XSJ4POZDGKX5S/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - The Cleveland Stereotypes</image:title>
      <image:caption>D.B. Dowd, "Spirit Animal Pheasant," reduction linocut from Visit Mohicanland, 2007</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403800636435-WL0PJC82K2HA1VMIXHGN/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - The Cleveland Stereotypes</image:title>
      <image:caption>Chief Wahoo logotype, in use from 1946 to 1950</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403800681685-EE73ZU5UPZ99AFJYUIBH/AlvisandMcDowellComposite.jpg</image:loc>
      <image:title>Graphic Tales - The Cleveland Stereotypes</image:title>
      <image:caption>baseball cards, Max Alvis and Sam McDowell, 1964</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403800719291-2FJO3AQ14C164P9BJNFP/clevelmu.jpg</image:loc>
      <image:title>Graphic Tales - The Cleveland Stereotypes</image:title>
      <image:caption>scoreboard at cavernous Municipal Stadium on the Lakefront in Cleveland, opened in 1931, demolished in 1996</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/20/a-considered-paean-to-goodnight-moon</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403897690668-VEYAY8FDR3A61RL7HY1J/hurd-moon-light2.jpg</image:loc>
      <image:title>Graphic Tales - A Considered Paean to Goodnight, Moon</image:title>
      <image:caption>Clement Hurd, illustration for Goodnight, Moon, by Margaret Wise Brown, published by Harper &amp; Brothers, 1947.       </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403897741614-TJQFCM403Q3Q77HXDABD/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - A Considered Paean to Goodnight, Moon</image:title>
      <image:caption>Clement Hurd, the concluding illustration in Goodnight, Moon.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/20/territory-v-spatial-displays-for-information</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403300438505-49MUHGZI2DEIFE35HJZY/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Territory V: Spatial Displays for Information</image:title>
      <image:caption>Stuart Davis, Landscape with Garage Lights, 1932</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403300480565-2WAFJTKKPFEX9I7NTPO1/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Territory V: Spatial Displays for Information</image:title>
      <image:caption>Philip Guston, Martial Memory, 1941.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403300860259-TDL4DB0RYOIJRT1NO8JR/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Territory V: Spatial Displays for Information</image:title>
      <image:caption>Frederick Richardson, “Cold and Raw the North Winds Blow,” in the Volland Edition Mother Goose, 1915</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403300512241-8EQO13D812MO9IBABR2U/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Territory V: Spatial Displays for Information</image:title>
      <image:caption>John Emslie, The Earth’s Annual Revolution Around the Sun, James Reynolds and Sons, London, 1851</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403300542489-U6GQVS2IBRCG5UMIUM9V/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Territory V: Spatial Displays for Information</image:title>
      <image:caption>Designer uncredited, infographic on the development of the letter E, The World Book Encyclopedia, 1964 edition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403300573749-7EQWW9BA34E5BVOV5NWJ/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Territory V: Spatial Displays for Information</image:title>
      <image:caption>J. Otto Seibold, an array of boats in Mr. Lunch Borrows a Canoe, 1994.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403300658122-V43VU0D2QKIRFFID9XQP/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Territory V: Spatial Displays for Information</image:title>
      <image:caption>Seibold, Mr. Lunch paddles over the top of the world, watched over by constellations, in Mr. Lunch Borrows a Canoe.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403300687514-NDAUV7UJTT45ZDTGFNSI/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Territory V: Spatial Displays for Information</image:title>
      <image:caption>illustrator uncredited, Schutzeinrichtungen II, in Meyer's Lexicon, 1894.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403300716102-6CSIYOZDYFBPMJLHO4YV/GermanEncycloInsects_scheme.jpg</image:loc>
      <image:title>Graphic Tales - Territory V: Spatial Displays for Information</image:title>
      <image:caption>Distribution of primary illustrated information, Schutzeinrichtungen II.                </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403300757156-ONIE3QO71U10OQF3TBTW/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Territory V: Spatial Displays for Information</image:title>
      <image:caption>Clement Hurd, an early spread from Goodnight Moon, 1947.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/20/territory-iv-professional-labels</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403300029506-LURYK84EWQWHLGSY7M59/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Territory IV: Professional Labels</image:title>
      <image:caption>Philip Guston, San Clemente, 1974</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403300058223-3KQHBYRN87GEI5EEG6F1/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Territory IV: Professional Labels</image:title>
      <image:caption>Bob Flynn, Bewilderment, posted at Drip!(www.bobjinx.blogspot.com) on November 15, 2006</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403300086869-L67UXBMNHTF3D07ELXFG/leyendecker_arrow_dance.jpg</image:loc>
      <image:title>Graphic Tales - Territory IV: Professional Labels</image:title>
      <image:caption>J.C. Leyendecker, Arrow Shirt Ad, circa 1930</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403300126073-W6G2X10CGPJM748K0OCF/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Territory IV: Professional Labels</image:title>
      <image:caption>Austin Briggs, Flash Gordon daily strip, 1940</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403300160826-UT4DQR7W2XJ1TGCDUAHB/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Territory IV: Professional Labels</image:title>
      <image:caption>Guston, Painter's Table, 1970</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403300294582-2G4P3T0MGVJGYXIEJN0B/dowd-sd-81.jpg</image:loc>
      <image:title>Graphic Tales - Territory IV: Professional Labels</image:title>
      <image:caption>D.B. DowdSam the Dog, episode 81, St. Louis Post-Dispatch, December 19, 1998</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/18/territory-iii-the-informational-image</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403111285468-6AVVRS885CV5NWTP7EG0/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Territory III: The Informational Image</image:title>
      <image:caption>an uncredited, somewhat zany pictorial graph from a story on the American economy in the January 5, 1953 issue of Life magazine. I will return to this suite of illustrations in another post</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403111319714-LJ5V2MSHM8Z16RB3F6JG/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Territory III: The Informational Image</image:title>
      <image:caption>John James Audobon, watercolor illustration of the Crested Caracara, or Brazilian Caracara Eagle (polyborus plancus), painted near St. Augustine, Florida on November 27, 1831</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403111357610-DJB2NA22JS8N9HCR2GMN/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Territory III: The Informational Image</image:title>
      <image:caption>Pablo Picasso, Still Life with Skull and Pitcher, 1945</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403111400137-8AVB8R2BZQD5NOT4YJ5P/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Territory III: The Informational Image</image:title>
      <image:caption>the work of the distinguished Mr. Emslie</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403111427812-ETGXQASADANVNKN5V337/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Territory III: The Informational Image</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403111553099-0MCMJSI7BFZLFDLCHS87/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Territory III: The Informational Image</image:title>
      <image:caption>an illustration of the neurological system from Meyers' Lexicon, a German encylopedia from 1894.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/18/defining-the-territory-i-rockwell-addendum</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403111067524-HXEAO6HWL92GTP1CRPUY/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Defining the Territory I: Rockwell Addendum</image:title>
      <image:caption>Norman Rockwell, The Art Critic, Saturday Evening Post Cover, April 16, 1955.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/18/defining-the-territory-ii-plasticity</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403110597582-M3PDQESHBFD5EDP2X191/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Defining the Territory II: Plasticity</image:title>
      <image:caption>Jim Flora, Columbia Records Publication Coda, August 1945    </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403110613764-WHJSLVEEXLWN23UUV2EP/Davis_ParisRework_1959.jpg</image:loc>
      <image:title>Graphic Tales - Defining the Territory II: Plasticity</image:title>
      <image:caption>Stuart Davis, The Paris Bit, 1959, a reworking of Rue Lipp, a Parisian view from 1928.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403110626876-FMMQDII2RRGK6PQOY3T1/NebraskaHolidayVillaSign1.jpg</image:loc>
      <image:title>Graphic Tales - Defining the Territory II: Plasticity</image:title>
      <image:caption>Roadside signage, Beatrice, Nebraska, 2004  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403110638645-G06LWA1JT5XDDU219LCN/gillCap_deposition.jpg</image:loc>
      <image:title>Graphic Tales - Defining the Territory II: Plasticity</image:title>
      <image:caption>Eric Gill, deposition capital, The Four Gospels, Golden Cockerel Press, 1931</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403110679460-709F595JCS6L03NGLGTJ/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Defining the Territory II: Plasticity</image:title>
      <image:caption>Still from Genndy Tartakovsky's Samurai Jack pilot, 2001</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/18/defining-the-territory-i-visualizing-fantasy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403109925382-YFV8VUVEAGO85CX41OI8/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Defining the Territory I: Visualizing Fantasy</image:title>
      <image:caption>The endpapers from Wyeth's Treasure Island, 1911; Howard Pyle, “Pirates used to do that to their captains now and then,” Illustration from “The Sea Robbers of New York” by Thomas A. Janvier.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403109963376-A941ZUDDHR1UL0IIZ624/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Defining the Territory I: Visualizing Fantasy</image:title>
      <image:caption>Harper’s Monthly Magazine, November 1894. (Notation shows that the original painting was a gift to Fredric Remington, a fellow illustrator)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403110037100-QXV6ZVGPAKIT2ISH8X3R/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Defining the Territory I: Visualizing Fantasy</image:title>
      <image:caption>Wonder Stories cover illustration, September 1935</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403110348994-KXNWAOHVXECODAJ8SPKP/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Defining the Territory I: Visualizing Fantasy</image:title>
      <image:caption>film still from Sky Captain and the World of Tomorrow, 2004.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/18/aspirations-intentions</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403108450256-TWUCBADMF1Z7491CMIZZ/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Aspirations &amp; Intentions</image:title>
      <image:caption>Harry Beckhoff, We went over to the paddock, a mob of Irene's picture fans tagging her. Two-color illustration for Collier's Weekly, January 23, 1937</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/2014/6/18/coming-soon</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403109581242-ARXYBOZ5DILJOV2A73L9/NY+top+brand.jpg</image:loc>
      <image:title>Graphic Tales - Coming Soon</image:title>
      <image:caption>Illustration uncredited, cover design for The Making of Modern America, published in 1960 by Houghton Mifflin.          </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403109636940-HQCUJIFFZU5CK11PUNEN/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Coming Soon</image:title>
      <image:caption>Spot illustration uncredited, Making of Modern America, Table of Contents.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403109390692-IH98YZLQQ4AMQB6FD38J/spot3.jpg</image:loc>
      <image:title>Graphic Tales - Coming Soon</image:title>
      <image:caption>Ditto.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403109358678-2QQPV48BIY3BS3C6NQ5J/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Coming Soon</image:title>
      <image:caption>Same.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1403109333298-A3T772MEXJKPP3TDKN5N/image-asset.jpeg</image:loc>
      <image:title>Graphic Tales - Coming Soon</image:title>
      <image:caption>Hey, is that guy French? What is he doing in our textbook? Somebody call Texas!</image:caption>
    </image:image>
  </url>
  <url>
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  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/tag/Robert+Andrew+Parker</loc>
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  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/tag/Rhetorical+Pictures</loc>
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  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/tag/In+Pursuit+of+Variety</loc>
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  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/tag/In+the+Cultural+Garage</loc>
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    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/tag/Display+That%21+%28Examples+%2B+Commentary%29</loc>
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  </url>
  <url>
    <loc>https://www.dbdowd.com/graphic-tales-blog/tag/Territory+III%3A+The+Informational+Image</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.dbdowd.com/illustration-history</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-09-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1498940605917-ZKPEXLREKJS2G9ERPY7O/Screen+Shot+2017-07-01+at+3.22.12+PM.png</image:loc>
      <image:title>Illustration History</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/illustration-history/2019/9/13/joseph-christian-leyendecker-j-c</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1576364384653-M4380BLVW8RL9IWZ12MX/pic-32.jpg</image:loc>
      <image:title>Illustration History - Joseph Christian Leyendecker (J. C.)</image:title>
      <image:caption>J. C. Leyendecker, Arrow Collar Advertisement, 1932.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1576365259513-ZU3UEFMW35M811EHUQZ0/11%2BF.%2BX.%2BLeyendecker%2B1922%2Bart%2B%26%2Bvintage%2Bfl.jpg</image:loc>
      <image:title>Illustration History - Joseph Christian Leyendecker (J. C.)</image:title>
      <image:caption>F. X.. Leyendecker, Flapper, Life Magazine cover illustration, February 1922.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1576365485723-G84VR2MQHYXJ3BNQRMU8/leyendecker-post-fairy+copy.jpg</image:loc>
      <image:title>Illustration History - Joseph Christian Leyendecker (J. C.)</image:title>
      <image:caption>J. C. Leyendecker, Easter, Saturday Evening Post cover illustration, 1937.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1576364949345-9XKNXLMUJ8DFNYYRY7JN/Screen+Shot+2019-12-14+at+5.05.38+PM.png</image:loc>
      <image:title>Illustration History - Joseph Christian Leyendecker (J. C.)</image:title>
      <image:caption>J. C. Leyendecker, Sailors, Collier’s t cover illustration, November 10, 1917.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1576364182287-YHAL90GBZO98ENQ5C5F0/pic-19.jpg</image:loc>
      <image:title>Illustration History - Joseph Christian Leyendecker (J. C.)</image:title>
      <image:caption>J. C. Leyendecker, Oarsmen, Saturday Evening Post cover illustration, August 6, 1932.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1576364488693-MPO5B1M5JVJQV9HPOD9K/pic-72.jpg</image:loc>
      <image:title>Illustration History - Joseph Christian Leyendecker (J. C.)</image:title>
      <image:caption>J. C. Leyendecker, Thanksgiving 1628-1928, Saturday Evening Post cover illustration, November 24, 1928.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1576363999513-S0GKUUK7DLKTW9ODQ7QG/1916.-Joseph-Christian-Leyendecker-Football-Hero.-Colliers-November-18-1916-1.jpg</image:loc>
      <image:title>Illustration History - Joseph Christian Leyendecker (J. C.)</image:title>
      <image:caption>J. C. Leyendecker, Football Player, study for Saturday Evening Post cover illustration, 1916.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1576366012288-LV2H2ADSMZEEG7CJFNT2/Screen+Shot+2019-10-23+at+9.22.27+AM.png</image:loc>
      <image:title>Illustration History - Joseph Christian Leyendecker (J. C.)</image:title>
      <image:caption>J. C. Leyendecker, Goodbye Summer, Saturday Evening Post cover illustration, 1934. Leyendecker meets Jim Crow. The porter is a running trope on Post covers in the 30s and 40s.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/illustration-history/2019/9/13/maxfield-parrish</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1576274258795-EW3UL2Z0SL08VWY5Q9HD/Parrish019_sm.jpg</image:loc>
      <image:title>Illustration History - Maxfield Parrish</image:title>
      <image:caption>Maxfield Parrish, Daybreak, illustration for home use as wall art, published by The House of Art, 1922.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1576274221997-LLSE8HE3B2WY7ID3ZLDD/Parrish011.jpg</image:loc>
      <image:title>Illustration History - Maxfield Parrish</image:title>
      <image:caption>Maxfield Parrish, The King and Queen Might Eat Thereof, and Noblemen Besides, Advertisement for Jell-O gelatin, 1922.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1576275005208-3FLGF1AFJ6A4LCJVULRH/Parrish_Golden_Age_page91.jpg</image:loc>
      <image:title>Illustration History - Maxfield Parrish</image:title>
      <image:caption>Maxfield Parrish, “On to the garden wall…” illustration for The Golden Age, by Kenneth Grahame, 1900.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1576275577729-7FY2LIA6NO100SFN0ITV/Screen+Shot+2019-12-13+at+4.18.56+PM.png</image:loc>
      <image:title>Illustration History - Maxfield Parrish</image:title>
      <image:caption>Maxfield Parrish, Ecstasy, illustration for Edison Mazda Lamps calendar, 1930.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1632318751957-0RG0CFARJ8JRH78YPPH3/Parrish_Contentment_detail.png</image:loc>
      <image:title>Illustration History - Maxfield Parrish - Make it stand out</image:title>
      <image:caption>Maxfield Parrish, detail from Contentment, an Edison Mazda Lamps calendar illustration from 1928. (This is the “girls on rocks” genre Parrish self-deprecatingly swore off in the 1930s.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1576333781296-NKT5Y2WLUWGXL1C7ZBMD/Screen+Shot+2019-12-14+at+8.29.09+AM.png</image:loc>
      <image:title>Illustration History - Maxfield Parrish</image:title>
      <image:caption>Maxfield Parrish, Dusk, greeting card for Brown &amp; Bigelow, 1942.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1576273578240-JQ5OOCB7N3O9BJ7G6UI9/Parrish021_sm.jpg</image:loc>
      <image:title>Illustration History - Maxfield Parrish</image:title>
      <image:caption>Maxfield Parrish, The Dinkey-Bird, illustration for Eugene Field poem in the Ladies Home Journal, reproduced soon thereafter in the book Poems of Childhood, 1904. (see below)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1632318555066-9USVLJBUC0SV9CMIWP25/Parrish_Fields_cover.jpg</image:loc>
      <image:title>Illustration History - Maxfield Parrish - Make it stand out</image:title>
      <image:caption>Maxfield Parrish, cover illustration for Poems of Childhood, by Eugene Field, Scribners, 1904. This was the first Parrish book to include full color illustrations.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1576274789896-BO6JTTOMV0JIS27J3ROX/Parrish_Golden_Age_cover.jpg</image:loc>
      <image:title>Illustration History - Maxfield Parrish</image:title>
      <image:caption>Book cover for The Golden Age, by Kenneth Grahame, 1900.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1576333609975-SK5FGKO0FMHL5TQ4QLM0/5989203320_e67fa3fd35_k.jpg</image:loc>
      <image:title>Illustration History - Maxfield Parrish</image:title>
      <image:caption>Maxfield Parrish, advertising illustration for Djer-Kiss Toilet Water, 1917.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1576274813371-PTYBHV3DSJJ0D669W9R9/Parrish_Golden_Age_dragon.jpg</image:loc>
      <image:title>Illustration History - Maxfield Parrish</image:title>
      <image:caption>Maxfield Parrish, “Once more were damels rescued…” illustration for The Golden Age, by Kenneth Grahame, 1900.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1576333093557-11HKTOVT6IME6XU7JOUX/parrish-cinderella1.jpg</image:loc>
      <image:title>Illustration History - Maxfield Parrish</image:title>
      <image:caption>Maxfield Parrish, Cinderella, illustration for Harper’s Bazaar, 1914.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/illustration-history/2019/8/14/edward-kemble</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1576044283988-RVJ6A07KANLCT0F7B5J7/Kemble001_June1890_crop_det2.jpg</image:loc>
      <image:title>Illustration History - Edward W. Kemble [often, E.W.]</image:title>
      <image:caption>E.W. Kemble, Bric-A-Brac, a feature captioned “The ‘Possum Hunt.” A detail from larger cartoon (see other reproductions) in Century Magazine, June 1890. The shabbily dressed peg-legged black man is involved in some physical comedy in pursuit of an opossum–a mammalian bottom-feeder, by convention the most contemptible quadruped. Ugly humor, by any measure.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1576045279630-3Z9KR0HSP0B20D4GDN9R/kemble_edwa_1884_001.jpg</image:loc>
      <image:title>Illustration History - Edward W. Kemble [often, E.W.]</image:title>
      <image:caption>E.W. Kemble, Huckleberry Finn, Frontispiece from novel of the same name by Mark Twain. 1884.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1576045405094-07OXHV8YDTXAQOUZHYJX/Kemble002.jpg</image:loc>
      <image:title>Illustration History - Edward W. Kemble [often, E.W.]</image:title>
      <image:caption>Title page, “Kemble Edition” of Huck Finn, published in 1927. Designed to profit from then-septugenarian illustrator’s reputation. A fetish for Harper &amp; Brothers marketing purposes—a la “The Director’s Cut.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1576046449024-YOKVTD1K71886NBOCGS1/kemble_edwa_1911_002_panel.jpg</image:loc>
      <image:title>Illustration History - Edward W. Kemble [often, E.W.]</image:title>
      <image:caption>Kemble, The Chocolate Drops panel, showing dialogue in caption form, in exaggerated dialect. The use of dialect was common. (I have an estate sale copy of an etiquette manual [circa 1930] written in the cleanest prose possible devoted to the arts of consideration and manners, which nonetheless relies on the trope of an old African American elevator operator who delivers wry observations on human behavior in thick dialect.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1576047265547-X0CEN9DWMSQY789QTVPD/Kemble004_det.jpg</image:loc>
      <image:title>Illustration History - Edward W. Kemble [often, E.W.]</image:title>
      <image:caption>E.W. Kemble, Huck and Jim, spot illustration. Huckleberry Finn, by Mark Twain, published 1884 (this printing, 1927). Page 100.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1576045147207-VYVCPEKKADUC2NG5X5PU/Kemble001_June1890_det_single.jpg</image:loc>
      <image:title>Illustration History - Edward W. Kemble [often, E.W.]</image:title>
      <image:caption>Kemble’s Possum Hunter, 1890.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1576044940866-KI9EP9MSN7DKXHSHD395/Kemble001_June1890_sm.jpg</image:loc>
      <image:title>Illustration History - Edward W. Kemble [often, E.W.]</image:title>
      <image:caption>E.W. Kemble, Bric-A-Brac, in Century Magazine, June 1890.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1576045700237-4O79NTX2YW5WXCBDKMCV/Kemble003.jpg</image:loc>
      <image:title>Illustration History - Edward W. Kemble [often, E.W.]</image:title>
      <image:caption>E.W. Kemble, Huck and Jim, Chapter 10 header illustration. Huckleberry Finn, by Mark Twain, published 1884 (this printing, 1927).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1576045742531-PYYORV6VR8MNSWU7G2PP/Kemble005.jpg</image:loc>
      <image:title>Illustration History - Edward W. Kemble [often, E.W.]</image:title>
      <image:caption>E.W. Kemble, The king and duke rehearsing Shakespeare, Chapter 21 header illustration. Huckleberry Finn, by Mark Twain, published 1884 (this printing, 1927).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1576046223487-AMJ0FPJM5EU1FI1KJNPH/kemble_edwa_1911_002.jpg</image:loc>
      <image:title>Illustration History - Edward W. Kemble [often, E.W.]</image:title>
      <image:caption>E.W. Kemble, The Chocolate Drops, comic strip for the American Examiner, 1911. The fetishization of dark skin–chocolate!–is plain.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/illustration-history/2019/8/14/howard-pyle</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1575871473141-17DIE849I4TQYSKBO7NG/tumblr_mwmo3n92021rom810o1_1280.jpg</image:loc>
      <image:title>Illustration History - Howard Pyle</image:title>
      <image:caption>Howard Pyle, "Dead Men Tell no Tales," illustration for a story of the same name by Morgan Robertson, Collier's, December 17, 1899. The oil painting is in the Kelly Collection of American Illustration. Implicit in this narrative is the impending doom of the k</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1575870935732-KUT095U1XKW764ND6LAM/Pyle_Ant_and_Grasshopper_HarpersW_12291883.jpg</image:loc>
      <image:title>Illustration History - Howard Pyle</image:title>
      <image:caption>Howard Pyle, The Ant and the Grasshopper, cover illustration, Harper’s Weekly, December 29, 1883.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1575869898049-7MR4XDEZNKYB1M3GRUBF/SS7731863_7731863_12518622.jpg</image:loc>
      <image:title>Illustration History - Howard Pyle</image:title>
      <image:caption>Howard Pyle, Marooned, illustration for "Buccaneers and Marooners of the Spanish Main," written by Howard Pyle. Harper's Magazine August-September 1887. This wood engraving is Pyle’s first treatment of this image. A more forlorn version was painted in 1909.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1575870437525-VLNUUXP6439ULVQVS9CD/Screen+Shot+2019-12-08+at+11.46.37+PM.png</image:loc>
      <image:title>Illustration History - Howard Pyle</image:title>
      <image:caption>Howard Pyle, Marooned, oil on canvas, 1909. In the collection of the Delaware Art Museum, which has an extensive collection of Pyle works.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1575867912913-E7LNEY3EL8PUYZM3RAL4/battle-nashville-painting.jpeg</image:loc>
      <image:title>Illustration History - Howard Pyle</image:title>
      <image:caption>Howard Pyle, The Battle of Nashville, 1906. Minnesota Statehouse, Saint Paul, Minnesota.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1575873892562-NPRQH56WJZG5UO23U86K/Pyle_Yellow_Birds.jpg</image:loc>
      <image:title>Illustration History - Howard Pyle</image:title>
      <image:caption>Howard Pyle, There is a Flock of Yellow Birds Around Her Head, 1892. Illustration for “Giles Corey, Yeoman, by Mary E. Wilkins, Harper’s New Monthly, December 1892. This is the grisaille painting, which accounts for the warm brown cast to the image. The halftone (Viewing the Battle of Bunker Hill below, for comparison) is less atmospheric.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1575871739665-LK5U2K81VC0LQ11PBXQV/pyle-bunkerhill-halftone.jpg</image:loc>
      <image:title>Illustration History - Howard Pyle</image:title>
      <image:caption>Howard Pyle, Viewing the Battle of Bunker Hill, halftone illustration from grisaille painting. Appeared in “Colonies and Nation,” by Woodrow Wilson, Harper’s New Monthly, October 1901. The relationship between this source painting, the halftone exposure, and the artifact of the printing plate is discussed in my book Stick Figures: Drawing as a Human Practice. See Chapter 3, “The Printed Image,” pages 68-71.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1575872326943-Y04ERONKJD9N8MNP49JG/Pyle_Guareded_by_English_Soldiers_1904.jpg</image:loc>
      <image:title>Illustration History - Howard Pyle</image:title>
      <image:caption>Howard Pyle, Guarded by Rough English Soldiers, story illustration for Saint Joan of Arc, by Mark Twain. Harper’s New Monthly, December 1904. I photographed this painting at the Brandywine Museum in September 2019. It’s a useful picture to use to reflect on how illustrations work. The two soldiers occupy space in the foreground, formally blocking an escape. But they are much larger than Joan, at left, and relative scale does not seem to have been managed systematically. In fact, they entire space falls apart on inspection. How does the wall work at right? Is it a doorway? Is it the darkened back corner of the room? Beats me. The picture is really an assemblage of characters, two foreclosing the exit of another. The spatial logic of the room is given short shrift, to keep the viewer focused on character and story. Pyle does not care about the specifics of the interior, and it shows.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1575868063615-ZQSKE0X9KVG3JCLSJVLX/Pyle_Fight_Began_printed.jpg</image:loc>
      <image:title>Illustration History - Howard Pyle</image:title>
      <image:caption>Howard Pyle, Then the Real Fight Began, story illustration for “Pennsylvania’s Defiance of the United States,” by Hampton L. Carson. October 1908. Four-color halftone reproduction. Picking up on the discussion in the last caption, re: Joan of Arc, look at the relationship between the sailors and the deck. Do those feet sit on that surface? Does light fall on that deck? Not really—there are no shadows or gradations. Again, Pyle is much less focused on mass and weight than he is on story.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1575868098980-XZH5RR3KMTMVOMK54PWS/Pyle_Fight_Began_Separations.jpg</image:loc>
      <image:title>Illustration History - Howard Pyle</image:title>
      <image:caption>Production plates for Then the Real Fight Began. 1908. The four-color halftone reproduction for the project was printed successively from these four copper plates, photo-etched from color separations in a then relatively new photomechanical color platemaking and printing process now known as CMYK. The color balance was still a little shaky. The color print (above) looks somewhat little acidic. These plates and many others like them are part of the Walt Reed Illustration Archive at the Dowd Modern Graphic History Library at Washington University.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/illustration-history/2016/2/1/jessie-wilcox-smith</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454614343516-I9XNPW88S3N8CKC5GJOI/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Jessie Willcox Smith</image:title>
      <image:caption>Jessie Wilcox Smith, cover for Collier's Magazine. January 1904.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454614428890-12Z16GRTND1E0CVHM06K/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Jessie Willcox Smith</image:title>
      <image:caption>Jessie Wilcox Smith, cover for Collier's Magazine. March 16, 1907.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454614504561-VDCCTS5I768I4Z4MAYMT/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Jessie Willcox Smith</image:title>
      <image:caption>Jessie Wilcox Smith, cover for the Christmas edition of Collier's Magazine. 1912.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1576334302557-DS8AAY9NSNA6N60OT8O6/SF_711_JWSmith_Morning.jpg</image:loc>
      <image:title>Illustration History - Jessie Willcox Smith</image:title>
      <image:caption>Jessie Willcox Smith, Mother’s Morning, illustration for Scribner’s Magazine, 1902.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454362727003-QUA8IWRI6SBEF81Q95DN/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Jessie Willcox Smith</image:title>
      <image:caption>Jessie Wilcox Smith, cover for Good Housekeeping Magazine. May 1921.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454621295388-RA32X6GOQ20XAHU5OE28/illhouse_smithjw_whc_191521_2874.jpg</image:loc>
      <image:title>Illustration History - Jessie Willcox Smith</image:title>
      <image:caption>Jessie Wilcox Smith, ad for ordering an illustrated calendar. Women's Home Journal. 1915.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454362886405-GI0V7T0WII06NXQYT0H2/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Jessie Willcox Smith</image:title>
      <image:caption>Jessie Wilcox Smith, cover for Good Housekeeping Magazine. July 1927.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454614178907-29Z0CRJH6Y3PJK5Z781W/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Jessie Willcox Smith</image:title>
      <image:caption>Jessie Wilcox Smith, print advertisement for Fleischmann's Yeast in the Ladies Home Journal. January 1920.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454613909315-PA4Q5HC907HVBGZTQL3V/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Jessie Willcox Smith</image:title>
      <image:caption>Jessie Wilcox Smith, black and white print ad for Ivory Soap in The Redbook Magazine. 1920.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454362659269-20NHBXM5JMJNBL18H4I7/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Jessie Willcox Smith</image:title>
      <image:caption>Jessie Wilcox Smith, cover for Good Housekeeping Magazine. January 1919.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454614582366-GA6O3JFOV2WNU41DUO57/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Jessie Willcox Smith</image:title>
      <image:caption>Jessie Wilcox Smith, cover for Collier's Magazine. April 30, 1904.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454362930544-SZVLFXVIPQMR3DF2TA23/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Jessie Willcox Smith</image:title>
      <image:caption>Jessie Wilcox Smith, cover for Good Housekeeping Magazine. December 1933.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454362996430-8Q92HKA6112VFJOL5KCE/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Jessie Willcox Smith</image:title>
      <image:caption>Jessie Wilcox Smith, cover for Good Housekeeping Magazine. December 1927.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454363029858-C44GMY92Z1COO9XL5OMC/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Jessie Willcox Smith</image:title>
      <image:caption>Jessie Wilcox Smith, cover for Good Housekeeping Magazine. September 1922.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454614674514-85NDQVZ98DB1XLEBLL7L/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Jessie Willcox Smith</image:title>
      <image:caption>Jessie Wilcox Smith, print ad for Campbell's Vegetable Soup, found in Ladies Home Journal. May 1931.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454362960730-13KIMYNKM8I5JTSUH3AF/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Jessie Willcox Smith</image:title>
      <image:caption>Jessie Wilcox Smith, cover for Good Housekeeping Magazine. December 1932.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/illustration-history/2019/8/12/newell-convers-wyeth-nc</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1565636311200-DP7EB6X8Z3M2X2RBTFLE/Wyeth004.jpg</image:loc>
      <image:title>Illustration History - Newell Convers Wyeth [N.C.]</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1565641633226-OLT6YZK11LQU0470VG5Y/Wyeth_IsraelHands.jpg</image:loc>
      <image:title>Illustration History - Newell Convers Wyeth [N.C.]</image:title>
      <image:caption>N.C. Wyeth, “One more step, Mr. Hands, and I’ll blow your brains out.” Illustration for Treasure Island, Scribner’s Classics edition. 1911.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1565636733427-M94850ENMQ5ASY83KQ19/Wyeth001.jpg</image:loc>
      <image:title>Illustration History - Newell Convers Wyeth [N.C.]</image:title>
      <image:caption>N.C. Wyeth, The Bronco Buster, 1902. This image was used as the cover illustration for The Saturday Evening Post, February 21, 1903.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1565637791062-BG75CGU7FN7OSS45CK9J/Wyeth_Life_092221sm.jpg</image:loc>
      <image:title>Illustration History - Newell Convers Wyeth [N.C.]</image:title>
      <image:caption>N.C. Wyeth, Stand and Deliver, cover illustration, Life Magazine, September 22, 1921.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1565637319702-JUG5VK5Q6T5712J5T409/Wyeth027.jpg</image:loc>
      <image:title>Illustration History - Newell Convers Wyeth [N.C.]</image:title>
      <image:caption>N.C. Wyeth, “Montana” The Last Stand, McClure’s Magazine cover illustration, September 1906</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1565640747399-K2NKUD6LK9BNS7ZBHMH6/Wyeth006.jpg</image:loc>
      <image:title>Illustration History - Newell Convers Wyeth [N.C.]</image:title>
      <image:caption>N.C. Wyeth, The Pony Express, 1912 Used in N.W. Ayer Advertisements for American Telephone and Telegraph Company. (See below)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1565641112277-Y40LXMSZ6S1SZ1E6QTAV/literal_resize_full.jpg</image:loc>
      <image:title>Illustration History - Newell Convers Wyeth [N.C.]</image:title>
      <image:caption>Advertisement, American Telephone and Telegraph Company, 1912.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1565643351551-OIFTAX8FPQ2HPJ9RCC2W/Wyeth003.jpg</image:loc>
      <image:title>Illustration History - Newell Convers Wyeth [N.C.]</image:title>
      <image:caption>N.C. Wyeth, Bronco Buster, illustration for Cream of Wheat advertisement (rare for its omission of the COW chef Rastus). 1906. Here is NCW dusting off a success [SEE Post cover, 1903] and re-executing, for mercenary purposes. COW was a major advertiser in American periodicals, often on the inside front cover of the Saturday Evening Post and the Ladies Home Journal.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1565636413713-5JIXMN9HSI3O7NUJME8C/Wyeth008.jpg</image:loc>
      <image:title>Illustration History - Newell Convers Wyeth [N.C.]</image:title>
      <image:caption>N.C. Wyeth, endpaper illustration, The Last of the Mohicans, Scribner’s Classics edition, 1919.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1565636931929-U3NJFRWVOSCC8NKQK4M6/Wyeth010.jpg</image:loc>
      <image:title>Illustration History - Newell Convers Wyeth [N.C.]</image:title>
      <image:caption>N.C. Wyeth, “Nature in the Raw is seldom MILD,” advertising illustration for Lucky Strike, 1932. The ad copy references the Fort Dearborn Massacre, an event (otherwise called the Battle of Fort Dearborn) in which Potawatomie Indians defeated American troops, an engagement in the War of 1821. (August 15, 1812.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1565645031813-014OA1F05CE0NQOX5H07/Wyeth026sm.jpg</image:loc>
      <image:title>Illustration History - Newell Convers Wyeth [N.C.]</image:title>
      <image:caption>N.C. Wyeth, Library Adventure, cover illustration, Ladies Home Journal, March 1922.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1565645316476-LT2LONVQY01D6R73MCVQ/Wyeth007.jpg</image:loc>
      <image:title>Illustration History - Newell Convers Wyeth [N.C.]</image:title>
      <image:caption>N.C. Wyeth, Corn Harvest, 1935. Much of Wyeth’s painting (that is, image-making for non-applied contexts) tended toward the backward-looking. Here is a horse-drawn harvest in the 1930s. There is an American regionalist quality to this work (and others of the decade) that begin to feel somewhat more modern.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/illustration-history/2019/9/13/coles-phillips</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1572295134312-FUH4T3TFJP90PSQQ5ZP7/phillips_overland01+copy_det_sm.jpg</image:loc>
      <image:title>Illustration History - C. Coles Phillips</image:title>
      <image:caption>Coles Phillips, Do your bit—but keep fit—The car of the hour. Advertising illustration (detail) plugging “the famous 35 horsepower Overland,” for Willys-Overland. 1917.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1572308049423-R4HS3OB8ZWPMVBE1O0B9/phillips_suitors_frontispiece.jpg</image:loc>
      <image:title>Illustration History - C. Coles Phillips</image:title>
      <image:caption>C. Coles Phillips, Hezekiah, the frontispiece from The Siege of the Seven Suitors, by Meredith Nichols, 1910.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1572298287993-RFC2AMIMHDW8SVC1KTZT/phillips_oneida_magichour.jpg</image:loc>
      <image:title>Illustration History - C. Coles Phillips</image:title>
      <image:caption>Coles Phillips, The Magic Hour, 1924. The painting (for an Oneida Community Plate advertisement) is in the Kelly Collection of American Illustration.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1572308948013-LWZLN4N3XTLEA3UXKGYY/image-asset.jpeg</image:loc>
      <image:title>Illustration History - C. Coles Phillips</image:title>
      <image:caption>Coles Phillips, advertising illustration for Holeproof Hosiery, circa 1922.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1572297482063-2EIEUC3LTNFPNNLUFL10/phillips_holeproofhosiery2.jpg</image:loc>
      <image:title>Illustration History - C. Coles Phillips</image:title>
      <image:caption>Coles Phillips, advertising illustration for Holeproof Hosiery, circa 1920.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1572295399261-EMHV0U0E1EKZMC96XMNC/phillips_overland01+copy_smallest.jpg</image:loc>
      <image:title>Illustration History - C. Coles Phillips</image:title>
      <image:caption>Coles Phillips, Do your bit—but keep fit—The car of the hour. Advertising illustration for Willys-Overland. 1917. Whole ad.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1572296351081-R0JQ9MODF5COJGC2ER4G/phillips_LIFE_010610+copy_sm.jpg</image:loc>
      <image:title>Illustration History - C. Coles Phillips</image:title>
      <image:caption>C. Coles Phillips, One Girl Power, Life magazine cover illustration, January 6, 1910. This sample set of Phillips images seems to be leaning strongly into the overlap of fadeaway girls and cars, but the pairing is provocative for showing the increased emphasis on women as active characters with rising sway in the society and marketplace.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1572295534716-TXL5T7KJC5JVFBHVX0OR/phillips_girl_driving.jpg</image:loc>
      <image:title>Illustration History - C. Coles Phillips</image:title>
      <image:caption>Coles Phillips. A fadeaway girl goes for a joyride (That’s my commentary, not a title, reminiscent of the Life cover shown above—where the car fades away.) Another ad, also for Overland. 1915. This is a detail, but effectively shows the whole illustration. The focus is entirely on the woman driver—the car is not shown!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1572295827313-3AOJ94ZE75VX0VP83LRZ/phillips_LIFE_082411+copy.jpg</image:loc>
      <image:title>Illustration History - C. Coles Phillips</image:title>
      <image:caption>C. Coles Phillips, Net Results, Life magazine cover illustration, August 24, 1911. An interpretation of the girl-as-manipulator / trapper-of-hapless-suitors trope, much in vogue during the aughts and teens. Anxiety about gender roles accompanied the rise of women as consumers and citizens with their own claims. (Versions of that unease would mark the ensuing century in a series of episodes, arguably without cease).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1572294816983-C6XKJZ8DGC30YKMDIS4I/phillips_cole_mghl00019_191502_006.jpg</image:loc>
      <image:title>Illustration History - C. Coles Phillips</image:title>
      <image:caption>Coles Phillips, Girl in the Library, cover illustration for Good Housekeeping, February 1915.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1572295709572-WOVU7MQYRQ9XTCNT2SQZ/phillips_LIFE_040721_sm2post.jpg</image:loc>
      <image:title>Illustration History - C. Coles Phillips</image:title>
      <image:caption>Coles Phillips, In a Position to Know, LIfe Magazine cover illustration, April 7, 1921.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1572297321653-360WSUALWA76TF7A4IVY/phillips_vitralite_lores.jpg</image:loc>
      <image:title>Illustration History - C. Coles Phillips</image:title>
      <image:caption>Coles Phillips, advertising illustration for Vitralite Enamel, 1924.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/illustration-history/2019/8/13/edward-penfield</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1566928257873-OB56UBRF46BFMUV04OS3/overhere1.jpg</image:loc>
      <image:title>Illustration History - Edward Penfield</image:title>
      <image:caption>Edward Penfield, Will You Help the Women of France? Save Wheat, poster design, U.S. Food Administration, 1918.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1566927857982-ZIDHK4D5DNV328FAOUJX/image-asset.png</image:loc>
      <image:title>Illustration History - Edward Penfield</image:title>
      <image:caption>Edward Penfield, poster advertising Harpers Magazine, September 1894. Lithograph.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1566928149671-TIDRZ7SHE55T1EAQUA2Z/image-asset.png</image:loc>
      <image:title>Illustration History - Edward Penfield</image:title>
      <image:caption>Edward Penfield, The Girl on the Land Serves the Nation’s Need, poster design, YWCA Land Service Committee, 1918.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1566927026682-9S6PFCCBRMHPT3P140O9/penfield_edwa_1895_004.jpg</image:loc>
      <image:title>Illustration History - Edward Penfield</image:title>
      <image:caption>Edward Penfield, poster advertising Harpers Magazine, March 1895. Lithograph.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1566927291324-FFSCUSQJD2IJK8J4LSMS/Penfield_Harpers_August_1894.png</image:loc>
      <image:title>Illustration History - Edward Penfield</image:title>
      <image:caption>Edward Penfield, poster advertising Harpers Magazine, August 1894. Lithograph.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1566927918450-ALYE4T5DD16Y06821PJ3/penfield_edwa_1897_0003.jpg</image:loc>
      <image:title>Illustration History - Edward Penfield</image:title>
      <image:caption>Edward Penfield, poster advertising The Martian, 1897. Lithograph.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1566928006611-6J361EWA1ATKITNRD12X/penfield_edwa_19070511_001.jpg</image:loc>
      <image:title>Illustration History - Edward Penfield</image:title>
      <image:caption>Edward Penfield, Dutch Girl cover illustration, Saturday Evening Post, May 11, 1907.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/illustration-history/2019/8/7/ethel-reed</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1566572112039-6ET77L1HWYA66JX95ZFY/reed_ethel_1895_005.jpg</image:loc>
      <image:title>Illustration History - Ethel Reed</image:title>
      <image:caption>Ethel Reed, Miss Träumerei, poster design for Lamson Wolffe &amp; Company, Boston, 1895. Lithograph.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1566572353352-R4GU2N91SEU6ZHB941QQ/reed_ethel_1895_002.jpg</image:loc>
      <image:title>Illustration History - Ethel Reed</image:title>
      <image:caption>Ethel Reed, Is Polite Society Polite?, poster design for Lamsom, Wolffe &amp; Company, Boston. 1895. Lithograph.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1566571511063-2AS0HCRG0008NTTWXJER/reed_ethel_1895_001.jpg</image:loc>
      <image:title>Illustration History - Ethel Reed</image:title>
      <image:caption>Ethel Reed, A Virginia Cousin &amp; Bar Harbor Tales, poster design for Lamson Wolffe &amp; Co., Boston, 1895. Lithograph. Note the presence of wash tonalities in the bodice of the dress, achieved through the use of tusche, a greasy ink solution used in lithography. Those grays are not photomechanical halftones—they bear the autographic signature of the medium.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1566571865481-AHBKZUPLTTGJL9CUJTJQ/reed_ethel_1895_004.jpg</image:loc>
      <image:title>Illustration History - Ethel Reed</image:title>
      <image:caption>Ethel Reed, Uncle Sam’s Church, poster design for Lamson, Wolffe &amp; Company. Boston, 1895. Lithograph.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1566572269423-MRARH1UU00UKFBD9DA90/reed_ethel_1896_006.jpg</image:loc>
      <image:title>Illustration History - Ethel Reed</image:title>
      <image:caption>Ethel Reed, In Childhood’s Country, poster design for Copeland and Day, Boston. 1896. Lithograph.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/illustration-history/2019/8/13/henri-toulouse-lautrec</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1566960344488-TVUZDC34LT8BV8ZIHBOR/383px-Lautrec_moulin_rouge%2C_la_goulue_%28poster%29_1891.jpg</image:loc>
      <image:title>Illustration History - Henri de Toulouse-Lautrec</image:title>
      <image:caption>Henri de Toulouse-Lautrec, Moulin Rouge: La Goulue. Poster advertisement. 1891. As noted in the biographical sketch, HTL’s first poster. LIthograph. The sweet spot between description and abstraction has yet to fully develop. The yellow “barbell” thing at left does not see to participate in the spatial array. An oddity.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1566935897460-GZ0S8SM2GJBMBH5MRUMP/Posters_Paris_Lautrec_147.jpeg</image:loc>
      <image:title>Illustration History - Henri de Toulouse-Lautrec</image:title>
      <image:caption>Henri de Toulouse-Lautrec, La Troupe de Mademoiselle Eglantine, poster advertisement for dance performance, 1895.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1566949374601-O3J72TORDN7TH526S5DU/Posters_Paris_Lautrec_135.jpeg</image:loc>
      <image:title>Illustration History - Henri de Toulouse-Lautrec</image:title>
      <image:caption>Henri Toulouse-Lautrec, Reine de Joie par Victor Joze, chez tous les libraries (Queen of Joy, at all bookstores) poster advertisement for novel. 1892. LIthograph. An essay in edge and line. There are no black contour lines, with the exception of the “queen's” eyes and eyebrows: all else is black shape. The portly banker has pea-green hear and his head defined by a countour line of the same color; his companion’s face is delineated in red line and red lips. The value composition is a little out of whack, as the orange middle value should probably sit more evenly between the light yellow and green (both light values) and the flat black (dark as can be). At any rate, a wonderfully sophisticated semi-crudity. Colored blobs; not an illusion.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1566949503613-E0V48RWQWEQ9LT6XMI3O/Posters_Paris_Lautrec_136.jpeg</image:loc>
      <image:title>Illustration History - Henri de Toulouse-Lautrec</image:title>
      <image:caption>Henri de Toulouse-Lautrec, Ambassadeurs: Aristide Bruant dan son cabaret. Poster advertisement. 1892. LIthograph. The Victoria and Albert (London) entry for Ambassadeurs reads as following: ”This poster advertises an event with the singer Aristide Bruant at the Ambassadeurs nightclub in Paris, 1892. Bruant, a satirical singer and a friend of the French artist Henri de Toulouse-Lautrec (1864-1901), insisted that Lautrec design this poster. The director of the Ambassadeurs disliked its dramatic and uncompromising style, but since Bruant said he would not perform unless the poster remained, it was used both outside the theatre and inside to decorate the proscenium arch.” Link here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1566961353581-IYAUS6IYDUS5LF8QUJ6J/Toulouse_Lautrec_divan_Japonais.png</image:loc>
      <image:title>Illustration History - Henri de Toulouse-Lautrec</image:title>
      <image:caption>Henri de Toulouse-Lautrec, Divan Japonais, poster advertisement, 1893. Lithograph.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/illustration-history/2019/8/13/jules-chret</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1566710456100-BM8OYUJMFD3OEAVEMWLM/Posters_Paris_Cheret_87.jpeg</image:loc>
      <image:title>Illustration History - Jules Chéret</image:title>
      <image:caption>Jules Chéret, Folies Bergere: Loïe Fuller, advertising poster, 1897</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1566710279055-GC4RLVLXLNOBB5NL5XSN/Posters_Paris_Cheret_90.jpeg</image:loc>
      <image:title>Illustration History - Jules Chéret</image:title>
      <image:caption>Jules Chéret, Pippermint, advertising poster, 1899.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1566929111771-0BVSTJBKM7VWNL2SWL6J/Posters_Paris_Cheret_detail.jpg</image:loc>
      <image:title>Illustration History - Jules Chéret</image:title>
      <image:caption>Chéret, Pippermint, 1899, detail. Click to enlarge. Note the control of value through modulation of tone on the stone using a grease crayon. This shows the autographic qualities of hand-lithography, through which the surface of the finely-ground stone provides a natural “dot pattern” that halftones would be used to mimic, photomechanically.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1566710341891-36HA9L7S01CUH9MZCT84/Posters_Paris_Cheret_84.jpeg</image:loc>
      <image:title>Illustration History - Jules Chéret</image:title>
      <image:caption>Jules Chéret, Pantomimes Lumineuses, advertising poster for early motion picture screening, 1898.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1566710387779-GA8BVBYREHL98EN44IJE/Posters_Paris_Cheret_70.jpeg</image:loc>
      <image:title>Illustration History - Jules Chéret</image:title>
      <image:caption>Jules Chéret, Folies Bergere: Les Hanion-Lees, advertising poster, 1878. This project, earlier in Chértet’s career, does not show the same atmospheric handling of color and light visible in the posters above, but manages nice modulation of value between the manic, highly-saturated central character and the figures behind him. Also nice use of negative form, notably the puff of locomotive smoke that crosses over his lower leg. Spatially quite sophisticated.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/illustration-history/2019/8/13/alphonse-mucha</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1566962239602-SZUVBCBK0EWC4S44AGEB/Posters_Paris_Mucha_119.jpeg</image:loc>
      <image:title>Illustration History - Alphonse Mucha</image:title>
      <image:caption>Alphonse Mucha, advertising poster for Cycles Perfecta, 1898.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1566964660208-ACOHAZCF4R2HHL3SQWVA/Mucha_JOBCigarettePapers_1898.jpeg</image:loc>
      <image:title>Illustration History - Alphonse Mucha</image:title>
      <image:caption>Alphonse Mucha, advertising poster for Job Cigarette Papers, 1898.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1566964740766-90PK87J4FNMKSWO4TBE6/Mucha_NestleFood_1897.jpeg</image:loc>
      <image:title>Illustration History - Alphonse Mucha</image:title>
      <image:caption>Alphonse Mucha, advertising poster for Nestlé’s Food for Infants, 1897. A reminder that many large brands of today (Quaker Oats, Coca-Cola, Kellogg’s, etc.) were already in business in the 19th century.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1566965181228-HZMOYQR4E1NFQ5BRAQZA/mucha_moet.jpg</image:loc>
      <image:title>Illustration History - Alphonse Mucha</image:title>
      <image:caption>Alphonse Mucha, advertising poster for Moët Chandon, 1899.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1566934293769-T1YFE57GXEXANKAS0EF6/Posters_Paris_Mucha_114.jpeg</image:loc>
      <image:title>Illustration History - Alphonse Mucha</image:title>
      <image:caption>Alphonse Mucha, poster design for Gismonda, starring Sarah Bernhardt. Executed late 1894, posted January 1895. Theatre de la Renassiance, Paris. Lithograph.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1566964476848-10E7QYL900WF5TK896JK/Mucha_Medea_1898.jpeg</image:loc>
      <image:title>Illustration History - Alphonse Mucha</image:title>
      <image:caption>Alphonse Mucha, poster design for Medée, starring Sarah Bernhardt. Theatre de la Renassiance, Paris. 1898. Lithograph.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1566964935420-8GDP148TNAVKDNV4PRA3/Posters_Paris_Mucha_115.1.jpeg</image:loc>
      <image:title>Illustration History - Alphonse Mucha</image:title>
      <image:caption>Alphonse Mucha, poster design for Lorenzaccio, starring Sarah Bernhardt. Theatre de la Renassiance, Paris. 1896. Lithograph.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1566962076307-GGVJG8DW5I613PBRFOYN/Mucha_Biscuits_1896.jpeg</image:loc>
      <image:title>Illustration History - Alphonse Mucha</image:title>
      <image:caption>Alphonse Mucha, advertising poster for Biscuit Lefevre-Utile, 1896.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/illustration-history/2016/5/17/women-illustrators-and-creative-ancestry</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1463631332308-N6EKLCSZAUG4YLPJVPJ0/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Women Illustrators and Creative Ancestry</image:title>
      <image:caption>Kay Draper, The Toy Shop, from The Alpha Individual Arithmetics, Book One, Part II. Ginn and Company, 1929.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1463963787847-BM63LPZPSU761QQY4FVL/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Women Illustrators and Creative Ancestry</image:title>
      <image:caption>Neysa McMein, Cover Illustration for McCall's. June 1932.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1463661535215-YT6TBAD1KG9EAP0ODP7Q/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Women Illustrators and Creative Ancestry</image:title>
      <image:caption>Ethel Franklin Betts, color illustration of "The Story of Hansel and Gretel" from Fairy Tales from Grimm. Edited with an intro written by Hamilton W. Mabie. Published in 1909 by Edw. Stern &amp; Co. Inc.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1463631468741-S4EOASOIH72QEOCXBA9N/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Women Illustrators and Creative Ancestry</image:title>
      <image:caption>Jane Oliver, cover illustration for This Week Magazine. December 5, 1954.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1463661847545-GDH9I2T9UZDBORRAF5I6/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Women Illustrators and Creative Ancestry</image:title>
      <image:caption>Clara Elsene Peck, detail of illustration for "Twelve Hours' Treasure". Written by Phyllis Wyatt Brown. The Delineator, December 1914.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1463631591470-A2KDWYC5K9NVTPAI025P/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Women Illustrators and Creative Ancestry</image:title>
      <image:caption>Grace Drayton, Dolly Dingle's Twin Cousins.  Pictorial Review, February 1930.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/illustration-history/2016/5/16/elizabeth-buchsbaum</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1463682956938-QJRGGQCGMZDPTV6O5RO5/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Elizabeth Newhall (Buchsbaum)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1463581799289-DMJU4BH7QOND50144Z2Z/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Elizabeth Newhall (Buchsbaum)</image:title>
      <image:caption>Elizabeth Buchsbaum, Animals Without Backbones (2nd edition). Written by Ralph Buchsbaum. 1st Edition published in 1938, 2nd edition in 1948 by University of Chicago Press.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1463680265572-6IXD8FIPCZOK210SOG8V/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Elizabeth Newhall (Buchsbaum)</image:title>
      <image:caption>Elizabeth Buchsbaum, Animals Without Backbones. Interior structure of a hydra.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1463680783085-C7IMZ1YUTBTO854BPVF0/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Elizabeth Newhall (Buchsbaum)</image:title>
      <image:caption>Elizabeth Buchsbaum, Animals Without Backbones. Detail, Hydra.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1463681306459-L2ASEZJHV0IAAUVZ18YX/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Elizabeth Newhall (Buchsbaum)</image:title>
      <image:caption>The clean-looking scans on this page are from a copy of AWB in the offsite stacks at Washington University. This slightly crappy-looking scan is from the water-damaged estate sale copy I bought years ago. I posted this image in 2008. Brad Buchsbaum's mention of MC Escher's planaria and the Ralph Buchsbaum connection to same was provoked by this image.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1463680396268-3C4NIEYW6KKF6V8LMDXT/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Elizabeth Newhall (Buchsbaum)</image:title>
      <image:caption>Elizabeth Buchsbaum, Animals Without Backbones. Invertebrate Chordates, chapter header illustration.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1463582963207-6IEV4LG2RHJ4MZKKGTEY/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Elizabeth Newhall (Buchsbaum)</image:title>
      <image:caption>Elizabeth Buchsbaum, Animals Without Backbones (. Illustration of the parasitic life cycle of a freshwater clam.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1463582777794-6HYBBL025YHCWBQY3MZ6/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Elizabeth Newhall (Buchsbaum)</image:title>
      <image:caption>Elizabeth Buchsbaum, Animals Without Backbones (2nd edition). Cutaway diagram inside a worm.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1463582428949-D4HFTZBR50GZ3GGCWDVU/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Elizabeth Newhall (Buchsbaum)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1463582090601-952L63AUTZ1O9R1VMZLO/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Elizabeth Newhall (Buchsbaum)</image:title>
      <image:caption>Elizabeth Buchsbaum, Animals Without Backbones (2nd edition). Starfish innards.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/illustration-history/2015/11/13/jessie-gillespie</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1453407762647-JKHQCZDQUT57GXVXIP12/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Jessie Gillespie (Willing)</image:title>
      <image:caption>Gillespie, ad for Holmes &amp; Edwards silverware. Ladies Home Journal. June 1920.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1463449674536-2X1U7DDGSGCLHH8OTMDQ/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Jessie Gillespie (Willing)</image:title>
      <image:caption>Jessie Gillespie, Today only_49 Cents. Ink and china white drawing for Life magazine, circa 1912. This image pays off Roger Reed's insight that Gillespie was keenly attuned to women's fashion.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1463449919880-7KLK1MQG5LFD5KXQ8RKW/image-asset.png</image:loc>
      <image:title>Illustration History - Jessie Gillespie (Willing)</image:title>
      <image:caption>Gillespie, detail. The Darwinian spectacle of bargain-hunting.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1463449995827-BIJLL8B55TWVPSL6N2YB/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Jessie Gillespie (Willing)</image:title>
      <image:caption>Gillespie, detail. A girl, neglected.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1463450083202-71NO29LPOXK6VMJWFG48/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Jessie Gillespie (Willing)</image:title>
      <image:caption>Gillespie, detail. Little brother is trampled by the herd.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449259668178-OIM4QP1S62JMPC8G3QRZ/gillespie_01.jpg</image:loc>
      <image:title>Illustration History - Jessie Gillespie (Willing)</image:title>
      <image:caption>Jessie Gillespie, accompanying illustrations for an article.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449182653406-MVKG9LAKVHAE4JIP0JIM/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Jessie Gillespie (Willing)</image:title>
      <image:caption>Jessie Gillespie, accompanying illustrations for an article in The Sunday Magazine.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1453838790033-0C613RSJYKVAY6ML8SGF/gillespie_soldiersilhouettes_1918_6.jpg</image:loc>
      <image:title>Illustration History - Jessie Gillespie (Willing)</image:title>
      <image:caption>Jessie Gillespie, illustration. Soldier Silhouettes On Our Front by William L Stidge. Published Charles Scribners' Sons in 1918. Reprint in 2015 by Facsimile Publisher, Delhi, India. The ghostly atmospherics of these images are striking and creepy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1455046844842-EHDQ8PT3X4P72M1KV5RW/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Jessie Gillespie (Willing)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1453838895897-7PDGHQODUM3A1IVMGLNB/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Jessie Gillespie (Willing)</image:title>
    </image:image>
    <image:image>
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      <image:title>Illustration History - Jessie Gillespie (Willing)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1453838822765-T0ARFXV6R5CGV7LTRAIW/gillespie_soldiersilhouettes_1918_2.jpg</image:loc>
      <image:title>Illustration History - Jessie Gillespie (Willing)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1455046925774-EW8P9373UGE430HST7BL/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Jessie Gillespie (Willing)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449182686949-NSNSW2P4VXE42011U4PG/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Jessie Gillespie (Willing)</image:title>
      <image:caption>Jessie Gillespie, cover illustration for The What-Shall-I-Do Girl. Written by Isabel Woodman Waitt. Published by L.C. Page and Company in 1913.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449182807600-XB4ZVX4033Q2C7169RN6/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Jessie Gillespie (Willing)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449182907010-E56R6OWDN8KAJ9FF2BWD/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Jessie Gillespie (Willing)</image:title>
      <image:caption>Jessie Gillespie, chapter header illustrations for The What-Shall-I-Do Girl. Written by Isabel Woodman Waitt. Published by L.C. Page and Company in 1913.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449182757123-Z1BV8N780ZUFZC5LH7GX/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Jessie Gillespie (Willing)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449182723344-TA4CV7TBVCCXU15JU87F/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Jessie Gillespie (Willing)</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/illustration-history/2015/11/13/ethel-franklin-betts</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1453408101374-H2T1I9ZPUOCUF7VO2B5J/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Ethel Franklin Betts</image:title>
      <image:caption>Ethel Franklin Betts, color illustration of "Snow-White and Rose-Red" from Fairy Tales from Grimm. Edited with an intro written by Hamilton W. Mabie. Published in 1909 by Edw. Stern &amp; Co. Inc.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1463961522909-DFUK9WEJXJOBSSYFLKE4/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Ethel Franklin Betts</image:title>
      <image:caption>Ethel Franklin Betts, cover design for Fairy Tales from Grimm. Edited with an introduction written by Hamilton W. Mabie. Published in 1909 by Edw. Stern &amp; Co. Inc.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1453408385258-GMTHFQS98HVD3GYC2TBS/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Ethel Franklin Betts</image:title>
      <image:caption>Ethel Franklin Betts, color illustration of "The Story of Hansel and Gretel" from Fairy Tales from Grimm. 1909.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1463961352170-RPLMKYFS7BIYZ2TLY6LU/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Ethel Franklin Betts</image:title>
      <image:caption>Ethel Franklin Betts, pen drawing illustration of "The Story of Little Red Cap" (or Little Red Riding Hood) from Fairy Tales from Grimm. 1909.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1453408275755-QHC692OXWGAX78G51THQ/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Ethel Franklin Betts</image:title>
      <image:caption>Ethel Franklin Betts, pen drawing for "The Story of Hans in Luck" from Fairy Tales from Grimm. 1909.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1463961130400-L59Q125I92B4NBIKO3WI/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Ethel Franklin Betts</image:title>
      <image:caption>Ethel Franklin Betts, frontsipiece illustration of Rumplestiltskin with illustrated and hand-lettered title page of Fairy Tales from Grimm. 1909.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1447970827774-93PAE2Q1MVUUJ5KBJPHV/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Ethel Franklin Betts</image:title>
      <image:caption>Ethel Franklin Betts, Cover Illustration for Collier's Magazine. Volume XXXI, Number 8. May 23, 1903.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1447970854820-W5MCCCHZ3IBADX95SL60/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Ethel Franklin Betts</image:title>
      <image:caption>Ethel Franklin Betts, "Manners Change, Not Men". Harper's Monthly Magazine. Interior Illustration for a story by Edward Sanford Martin. September 1900.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/illustration-history/2015/11/13/nell-brinkley</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1447970328802-6D8J4JXW89045XK6L1YX/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Nell Brinkley</image:title>
      <image:caption>Nell Brinkley, "The Dark Side and the Fair Side".</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449494365712-1OWLE1QHLYPWRZSZF4ZM/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Nell Brinkley</image:title>
      <image:caption>Nell Brinkley, print ad for the Nell Brinkley Bob Curler.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1447968862902-TJTARSR9PEIDPFCBF20P/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Nell Brinkley</image:title>
      <image:caption>Nell Brinkley, "The Honey-Moon: A Wordless Story". 1914.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1453408624789-NBDB6RU93R80FM4L8A0W/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Nell Brinkley</image:title>
      <image:caption>Nell Brinkley, cover for the Sunday Dayton Journal. July 26, 1936.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1447970424183-WS0NT8BBZ32DVWVRZ3DF/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Nell Brinkley</image:title>
      <image:caption>Nell Brinkley, "The Adventures of Cupid". American Sunday Monthly Magazine.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1447970457787-XZ25XHZYSFEYVUC0SGCG/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Nell Brinkley</image:title>
      <image:caption>Nell Brinkley, "The Adventures of Cupid". American Sunday Monthly Magazine.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449494440218-KUXWO6S9PNZQ2TK1WSRH/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Nell Brinkley</image:title>
      <image:caption>Nell Brinkley, "Golden Eyes and Her Hero Bill Over There". Cover of the American Weekly supplement within the Los Angeles Examiner. January 19, 1919.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449494500797-MXWISC7OPSI0P73VXFPI/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Nell Brinkley</image:title>
      <image:caption>Nell Brinkley, "Betty and Billy and their Love Through the Ages". Cover of the American Weekly supplement within the Sunday Milwaukee Telegram. April 2, 1922.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1447968933123-BPDD6BN6W2W3MSELOE9J/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Nell Brinkley</image:title>
      <image:caption>Nell Brinkley. 1924.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/illustration-history/2015/11/13/fanny-young-cory</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449179275508-LACNEHPJXA99JZV6E528/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Fanny Young Cory</image:title>
      <image:caption>FY Cory, interior illustration. Harper's Bazaar, 1903.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449180311962-512LXQMU4BHV994HVBDO/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Fanny Young Cory</image:title>
      <image:caption>FY Cory, Front Cover for The Fanny Cory Mother Goose. Bobs-Merrill Company Publishers. 1913.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449179705607-4JMFQQ5UZANC8TSWQI2E/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Fanny Young Cory</image:title>
      <image:caption>FY Cory, endpapers for The Fanny Cory Mother Goose. Bobs-Merrill Company Publishers. 1913.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449180205880-529LG6BWCQQ56RR08G89/cory_mothergoose_1913_threewisemen.jpg</image:loc>
      <image:title>Illustration History - Fanny Young Cory</image:title>
      <image:caption>FY Cory, The Fanny Cory Mother Goose.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1453413526255-K697ZMTOL387Y3I00T4J/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Fanny Young Cory</image:title>
      <image:caption>FY Cory, The Fanny Cory Mother Goose.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1453413566027-7W69S4M59R3I7WP9PMXI/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Fanny Young Cory</image:title>
      <image:caption>FY Cory, The Fanny Cory Mother Goose.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449180367555-8PUDYH7BBY8MDTKDRYBU/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Fanny Young Cory</image:title>
      <image:caption>FY Cory, The Fanny Cory Mother Goose.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1453409817588-WN7M0CFRS80NDVTIOTVV/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Fanny Young Cory</image:title>
      <image:caption>Fanny Cory, "Little Miss Muffet" No. 11. Magazine published quarterly by Best Books, Inc. Copyright 1937, 1938, 1948 by King Features Syndicate, Inc.  December 1948.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1453410291569-J3DMXKNQA568NQLAVR7Z/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Fanny Young Cory</image:title>
      <image:caption>Fanny Cory's "Little Miss Muffet" was a daily strip. When King Features sought to repurpose and reprint her strip in a comic book format (common practices) they did so by slapping garish color on what had been a somewhat austere black-and-white project.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1453410270129-HJ0FAJX99ZA1ZJEK0KDF/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Fanny Young Cory</image:title>
      <image:caption>Cory, "Little Miss Muffet," distorted by chirpy, "active" color.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1453410975394-RCG0S0G7Z1SBERBCZ2V0/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Fanny Young Cory</image:title>
      <image:caption>Cory, "Little Miss Muffet." The night scene depicted above gives a slightly better sense of the original strip. The emphasis on value captures the simplified character of Cory's key drawing, which can be overwhelmed by King Features' high-keyed color palette.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449178602587-MISSLXNA1OGRU37KZSJ4/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Fanny Young Cory</image:title>
      <image:caption>FY Cory, another piece from "Fairy Series". Watercolor painting. 1930. It was later accompanied by text in the Fairy Alphabet Book: "Q is for Queen / Asleep in her bower/ Which is made by the shade/ Of a clematis flower."</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449178940298-37WBUVUHYAF67JU5SNHR/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Fanny Young Cory</image:title>
      <image:caption>FY Cory, a piece from "Fairy Series". Watercolor painting. 1930.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449178123065-ELBMGCPFDX3WAOUBO3TU/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Fanny Young Cory</image:title>
      <image:caption>FY Cory, a piece from "Fairy Series". Watercolor painting. 1930.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/illustration-history/2015/11/13/gladys-rockmore-davis</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1447971282790-BPVVLP21OMG4H2U7HPIW/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Gladys Rockmore Davis</image:title>
      <image:caption>Gladys Rockmore Davis, Cover Illustration. Ladies' Home Journal. November 1947.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1453506024615-OED2ZMID8K0UJ49JZRG1/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Gladys Rockmore Davis</image:title>
      <image:caption>Gladys Rockmore Davis, Johnson &amp; Johnson Ad, Ladies Home Journal, circa 1950.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/illustration-history/2015/11/13/edna-eicke</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1447971390846-9P2EJRLDA09WWAKR9PCB/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Edna Eicke</image:title>
      <image:caption>Edna Eicke, Cover Illustration for The New Yorker. December 18, 1948.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/illustration-history/2015/11/13/anne-harriet-fish</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1447971883133-SD95GNMGWRJW66SU11QN/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Anne Harriet Fish</image:title>
      <image:caption>Anne Fish. Vanity Fair. November 1915.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1447972159710-YLQBAOH8MIW27GH334C4/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Anne Harriet Fish</image:title>
      <image:caption>Anne Fish, "Great Moments at the Movies". Vanity Fair. December 1916.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1447971580218-1ZMTOMQY2AI3X1HCLF0G/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Anne Harriet Fish</image:title>
      <image:caption>Anne Fish, "The Dazzle Fish" (top) and "The Riviera" (bottom). Print ad illustrations for Abdulla and Co., Ltd.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1447971633366-ZRAE9CGVW7NNDAGKFYJN/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Anne Harriet Fish</image:title>
      <image:caption>Anne Fish, "The Once Rich". Harper's Bazaar. January 1929.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1447971775392-53DQ9DKTVYRHZ9M58IRR/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Anne Harriet Fish</image:title>
      <image:caption>Anne Fish, "The Riviera Face". Harper's Bazaar. January 1929.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1447972115676-H54MD1K0WULS4BOS4T5O/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Anne Harriet Fish</image:title>
      <image:caption>Anne Fish. Vanity Fair. February 1921.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1447972248335-8JVXGGSINL01OHOW5CSK/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Anne Harriet Fish</image:title>
      <image:caption>Anne Fish. Vanity Fair. December 1916.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/illustration-history/2015/11/13/ruth-sigrid-grafstrom</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1447972491088-BSYF90AWNDHBMKOZJ75Y/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Ruth Sigrid Grafstrom</image:title>
      <image:caption>Ruth Grafstrom, "Coat and Dress from Rose AMado and from I. Magnin". Vogue. September 1, 1935.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1447972422261-RTNKHE00NTJPUVR53RM4/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Ruth Sigrid Grafstrom</image:title>
      <image:caption>Ruth Grafstrom, "A wrap-around over your suit". Vogue. June 1, 1932.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1447972454936-0ETTRNAMVNE4VIUB2V8K/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Ruth Sigrid Grafstrom</image:title>
      <image:caption>Ruth Grafstrom, "Striped Woollens are Autumn News". Vogue. August 15, 1933.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/illustration-history/2015/11/13/helen-e-hokinson</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1447972842931-5JP60VWYQZAGFQYYVXDJ/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Helen E. Hokinson</image:title>
      <image:caption>Helen E. Hokinson, Cover Illustration for The New Yorker. September 19, 1942.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1447972651313-HDE67ITT7G6XQ6MENVEB/illhouse_hokins_nyorke_19400516_2347.jpg</image:loc>
      <image:title>Illustration History - Helen E. Hokinson</image:title>
      <image:caption>Helen E. Hokinson, Cover Illustration for The New Yorker. March 16, 1940.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1447972736449-PLQNJIKMGBZN0CC16N89/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Helen E. Hokinson</image:title>
      <image:caption>Helen E. Hokinson, Cover Illustration for The New Yorker. May16,  1942.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1447972875613-D6SJHJUJ2NWHQ9OGASTD/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Helen E. Hokinson</image:title>
      <image:caption>Helen E. Hokinson, Cover Illustration for The New Yorker. September 25, 1943.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/illustration-history/2015/11/13/the-hollings-lucille-webster-holling-holling-c-holling</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448050396471-TAKT9BJ4HAHFDZPVI77P/image-asset.jpeg</image:loc>
      <image:title>Illustration History - The Hollings</image:title>
      <image:caption>Lucille Holling + H.C. Holling, Frontispiece from Little Folks of Other Lands. Written by Watty Piper.  Published in 1929 by Platt &amp; Munk, republished 1943.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448050617545-HCNB11WN9MJ0FMK862GC/image-asset.jpeg</image:loc>
      <image:title>Illustration History - The Hollings</image:title>
      <image:caption>Lucille Holling + H.C. Holling, Children of Other Lands. Written by Watty Piper. Published in 1929 by Platt &amp; Munk, republished 1943.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448050563561-FWRL1P1K473TUEEAZWUB/image-asset.jpeg</image:loc>
      <image:title>Illustration History - The Hollings</image:title>
      <image:caption>Lucille Holling + H.C. Holling, Little Folks of Other Lands. Written by Watty Piper.  Published in 1929 by Platt &amp; Munk, republished 1943.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448050920502-58DT8H5KGHWZ59DQ75AW/image-asset.jpeg</image:loc>
      <image:title>Illustration History - The Hollings</image:title>
      <image:caption>Lucille W. Holling, Kimo: The Whistling Boy. Written by Alice Cooper Bailey. Published in 1928 by The Wise-Parslow Co.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448126618700-YJ6K6FI5QX7C7HT6NRXF/image-asset.jpeg</image:loc>
      <image:title>Illustration History - The Hollings</image:title>
      <image:caption>Lucille Webster Hollings, A Thrilling Tale of Burma, cover illustration for Oriental Stories: Fascinating Tales of the East. Autumn 1931. I am breaking my own rule, and including an image not in the Reed Archive or my own library. This image appears in a blog post by Terence Hanley devoted to Lucille Holling at Tellers of Weird Tales.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448050989395-8ZERJ0B7103EO8QWXA7K/image-asset.jpeg</image:loc>
      <image:title>Illustration History - The Hollings</image:title>
      <image:caption>Lucille W. Holling, Kimo: The Whistling Boy. Written by Alice Cooper Bailey. Published in 1928 by The Wise-Parslow Co.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448051030906-2UZUDJ684AO4Q3AAWU3X/image-asset.jpeg</image:loc>
      <image:title>Illustration History - The Hollings</image:title>
      <image:caption>Lucille W. Holling, Detail from Kimo: The Whistling Boy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1447973769914-BB15U5LLAMC71XE34HZ9/image-asset.jpeg</image:loc>
      <image:title>Illustration History - The Hollings</image:title>
      <image:caption>Lucille W. Holling, Detail from Kimo: The Whistling Boy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448050353143-XS0QZZ144MUXU8OXT96J/hollimgl_Kimo_Bailey_FrontistPiece.jpg</image:loc>
      <image:title>Illustration History - The Hollings</image:title>
      <image:caption>Lucille W. Holling, Frontispiece of Kimo: The Whistling Boy. Written by Alice Cooper Bailey. Published in 1928 by The Wise-Parslow Co.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/illustration-history/2015/11/13/elizabeth-shippen-green</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1576177981535-ZLD4GPW0AQXCY5BNLZQ7/shippeng_1904_006.jpg</image:loc>
      <image:title>Illustration History - Elizabeth Shippen Green</image:title>
      <image:caption>Elizabeth Shippen Green, “The Child,” cover illustration for calendar project with Jessie Willcox Smith, published 1903.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1576178148845-4S7TNJM3QV8QNEGJCHSS/shippeng_1904_007.jpg</image:loc>
      <image:title>Illustration History - Elizabeth Shippen Green</image:title>
      <image:caption>Elizabeth Shippen Green, Playing Parcheesi, illustration for March/April 1904 calendar page.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454264372378-DF5Y47ENY5YEGJA09KEM/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Elizabeth Shippen Green</image:title>
      <image:caption>Elizabeth Shippen Green, Tales from Shakespeare. By Charles and Mary Lamb. Published by David McKay Company, 1922.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1463455976686-VD4SWQVMR5ZKJJ7848KV/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Elizabeth Shippen Green</image:title>
      <image:caption>Elizabeth Shippen Green, Playthings, illustration for "The Mind of a Child," Harper's Monthly, December 1906. (As printed.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1576187862917-SD6HTGMKPN8A4VBFMMR2/shippeng_eliz_190612_005.jpg</image:loc>
      <image:title>Illustration History - Elizabeth Shippen Green</image:title>
      <image:caption>Elizabeth Shippen Green, Paper Doll Books Number 2, illustration for "The Mind of a Child," Harper's Monthly, December 1906. Same series as above.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1576187711567-NT826PLAD49NWB0F5MJB/shippeng_eliz_190503_004.jpg</image:loc>
      <image:title>Illustration History - Elizabeth Shippen Green</image:title>
      <image:caption>Elizabeth Shippen Green, The Five Little Pigs, from a feature titled “The Mistress of the House,” Harper’s Monthly, August 1905</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454264747240-NMF1AQDB0YEYGQ2HZCTN/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Elizabeth Shippen Green</image:title>
      <image:caption>Elizabeth Shippen Green, Tales from Shakespeare. 1922.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454264414500-0A1EQZ46GBD018KI0DGN/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Elizabeth Shippen Green</image:title>
      <image:caption>Elizabeth Shippen Green, Tales from Shakespeare. 1922.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454264355145-38GDWE5B29X1FE3OPS7U/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Elizabeth Shippen Green</image:title>
      <image:caption>Elizabeth Shippen Green, black and white chapter header illustration from Tales from Shakespeare. 1922.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454264789166-RT28YL4E1G4XFHX10K81/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Elizabeth Shippen Green</image:title>
      <image:caption>Elizabeth Shippen Green, black and white chapter header illustration from Tales from Shakespeare. 1922.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454264678487-7TVS5VQ68ITKNZ8UHTK7/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Elizabeth Shippen Green</image:title>
      <image:caption>Elizabeth Shippen Green, black and white chapter header illustration from Tales from Shakespeare. 1922.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454264440868-69WVQHG7SDXVSN2PEV53/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Elizabeth Shippen Green</image:title>
      <image:caption>Elizabeth Shippen Green, black and white chapter header illustration from Tales from Shakespeare. 1922.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454267520941-PIURWJOOEP3T6IKI0R6U/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Elizabeth Shippen Green</image:title>
      <image:caption>Elizabeth Shippen Green, illustration from The Mansion. Written by Henry van Dyke. Published by Harper &amp; Brothers, 1911.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454267476931-UG2CHTDFUG92NG0796I8/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Elizabeth Shippen Green</image:title>
      <image:caption>Elizabeth Shippen Green, illustration from The Mansion. 1911.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454267537921-KPVG2888CGMZ855UURAN/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Elizabeth Shippen Green</image:title>
      <image:caption>Elizabeth Shippen Green, illustration from The Mansion. 1911.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454267509903-45DQYL3W0CEPCMVXWCRO/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Elizabeth Shippen Green</image:title>
      <image:caption>Elizabeth Shippen Green, illustration from The Mansion. 1911.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454267551298-6ZAPT619DE38FXLARKA7/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Elizabeth Shippen Green</image:title>
      <image:caption>Elizabeth Shippen Green, illustration from The Mansion. 1911.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/illustration-history/2015/11/13/christina-malman</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449261736669-28WCBJP8DSBUK0JFDWTJ/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Christina Malman</image:title>
      <image:caption>Christina Malman, Cover Illustration for The New Yorker. December 1940.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449261933421-SNKN5EGXSZEI5UFO9W7V/illhouse_malman_nyorke_19400224_2482.jpg</image:loc>
      <image:title>Illustration History - Christina Malman</image:title>
      <image:caption>Christina Malman, Cover Illustration for The New Yorker. February 1940.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449261654265-USHP86W6URDA9ESSLDFV/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Christina Malman</image:title>
      <image:caption>Christina Malman, Cover Illustration for The New Yorker. May 1942.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449261860350-27MASMBD0UOOVYILEHRN/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Christina Malman</image:title>
      <image:caption>Christina Malman, Cover Illustration for The New Yorker. July 1940.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/illustration-history/2015/11/13/neysa-moran-mcmein</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448052015484-49LYK0DTA2AFKKNI68UZ/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Neysa Moran McMein</image:title>
      <image:caption>Neysa McMein, Cover Illustration for McCall's. June 1932.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448052126612-WF6HMMWTF5DFTMC7XOMD/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Neysa Moran McMein</image:title>
      <image:caption>Neysa McMein, Cover Illustration for The Saturday Evening Post. March 17, 1917.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448052217735-BNPVG1CHEDS35YKT0ONI/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Neysa Moran McMein</image:title>
      <image:caption>Neysa McMein, Cover illustration for McCalls. September 1923.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448052298516-KLHH5AVKS2OGNREJA2K9/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Neysa Moran McMein</image:title>
      <image:caption>Neysa McMein, Print ad for Cadillac. The Ladies Home Journal. July 1923.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448052615499-62O08QNOMTVUHF42DO9I/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Neysa Moran McMein</image:title>
      <image:caption>Neysa McMein. Unknown.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448052868353-BZPQ7T0X0WEEZ16KFFWZ/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Neysa Moran McMein</image:title>
      <image:caption>Neysa McMein. Unknown original artwork.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448052080902-F91ETLJ5VPNCRFZX8BU0/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Neysa Moran McMein</image:title>
      <image:caption>Neysa McMein, Cover Illustration for McCall's. January 1934.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448052458418-XJPDZZ7JGH7R08QVLJ34/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Neysa Moran McMein</image:title>
      <image:caption>Neysa McMein, Cover Illustration for McClure's. July 1917.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448052568060-W0ZW9YIFMZRR0ST02FQS/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Neysa Moran McMein</image:title>
      <image:caption>Neysa McMein, Print ad for American Chicle Company. The Saturday Evening Post. April 1920.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/illustration-history/2015/11/13/dorothy-monet</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448053302554-Z6CW3R86CP39JWYWR1IZ/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Dorothy Monet</image:title>
      <image:caption>Dorothy Monet, "Beauty is Certainly Deep" in the Women's Home Companion. May 1955.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448053332325-WSAKMMNIVJHDNJ7DBDCS/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Dorothy Monet</image:title>
      <image:caption>Dorothy Monet, Print ad for Coca Cola. This Week Magazine. September 1, 1957.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448053387563-MRG5I02OOA6W81B50PP4/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Dorothy Monet</image:title>
      <image:caption>Dorothy Monet, Print ad for Old Gold Cigarettes. Collier's Magazine. June 29, 1946.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448053433528-WITNSCAATDQUA5ULS88Y/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Dorothy Monet</image:title>
      <image:caption>Dorothy Monet, "Bachelor Apartment" by Albert N. Williams. Collier's Magazine. August 17, 1946.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448053485257-DTTQVECJU3RCGFNW9H5Z/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Dorothy Monet</image:title>
      <image:caption>Dorothy Monet, Interior illustration for Women's Home Companion. September 1952.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448053665315-5H2R309W0F9NP8Z5BJSS/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Dorothy Monet</image:title>
      <image:caption>Dorothy Monet, "Beautiful Thief" by Margaret Culkin Banning. Women's Home Companion. February 1953.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/illustration-history/2015/11/13/fanny-munsell</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448053917574-FH46WZF8EVOMHOYEQVPL/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Fanny Munsell</image:title>
      <image:caption>Fanny Munsell, "Watching Them, Janet Felt a Thousand Years Old," story illustration for "Young Love," by Elizabeth Jordan. Harper's Monthly Magazine. January 1915.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448053869529-Z5F9I25KPXJW9X15GH3Q/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Fanny Munsell</image:title>
      <image:caption>Fanny Munsell, "He Lingered to Propose to Her, While the Conductor Stood Waiting". Harper's Monthly Magazine. Story illustration for "Young Love," by Elizabeth Jordan. Harper's Monthly Magazine. January 1915.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/illustration-history/2015/11/13/evaline-ness</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454013193135-3UG7J5JWX761WTKCTRRQ/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Evaline Ness</image:title>
      <image:caption>Evaline Ness, illustration from Favorite Fairy Tales Told in Italy. Written by Virginia Haviland. Published by Little, Brown and Company, 1965.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1463435404650-MIBBXH06ES8F5TDN21QU/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Evaline Ness</image:title>
      <image:caption>Photo credit unavailable. An elegant-looking Evaline Ness in her studio, published in American Artist, January 1956. She designed the tapestry behind her. Adrienne P., A blogger at the Free Library of Philadelphia, where I first encountered this image, has (sensibly) argued that "Cate Blanchett should play her in the movie."</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1453844189539-B83CC0834NDR05P27H0E/ness_ThistleandThyme_Leodhas_1962_6.jpg</image:loc>
      <image:title>Illustration History - Evaline Ness</image:title>
      <image:caption>Evaline Ness, illustration from Thistle and Thyme: Tales and Legends from Scotland. Written by Nic Leodhas. Published by Holt, Rinehart and Winston in 1962.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1453844387368-5GVO33FUWU2NEELFUNHH/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Evaline Ness</image:title>
      <image:caption>Evaline Ness, illustration from Thistle and Thyme: Tales and Legends from Scotland.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454013320804-8FXKAORQEJ3C1E87CR93/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Evaline Ness</image:title>
      <image:caption>Evaline Ness, illustration from Thistle and Thyme: Tales and Legends from Scotland.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454013040837-11BUJQW7IFQ2F1K996YH/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Evaline Ness</image:title>
      <image:caption>Evaline Ness, spread from Favorite Fairy Tales Told in Italy. Written by Virginia Haviland. Published by Little, Brown and Company, 1965.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454013206959-UXCXCIK33XUN6MM71T6Y/ness_toldinitaly_haviland_1965_3.jpg</image:loc>
      <image:title>Illustration History - Evaline Ness</image:title>
      <image:caption>Evaline Ness, illustration from Favorite Fairy Tales Told in Italy. 1965</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454013224990-P5E3HSX23LBRALGRLTXW/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Evaline Ness</image:title>
      <image:caption>Evaline Ness, illustration from Favorite Fairy Tales Told in Italy. 1965</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454013276794-CXH7PJA3DYUPKNOYHSJZ/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Evaline Ness</image:title>
      <image:caption>Evaline Ness, spread from Favorite Fairy Tales Told in Italy. 1965</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454017886998-GQH3L6JUT322DWQWIFM8/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Evaline Ness</image:title>
      <image:caption>Evaline Ness, cover illustration for Sam, Bangs &amp; Moonshine. After three consecutive years of runner-up-dom, earning Caldecott Honor status (1963-1965), Ness won the Caldecott Prize with this book in 1966.  Published by Holt, Rinehart and Winston, 1966.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454017979930-B0R2ABSY2GFQGF255ODI/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Evaline Ness</image:title>
      <image:caption>Evaline Ness, cover illustration for Sam, Bangs &amp; Moonshine.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454017964551-EHUYKUKNRAEOO09TG0S8/ness_sambangs_1966_3.jpg</image:loc>
      <image:title>Illustration History - Evaline Ness</image:title>
      <image:caption>Evaline Ness, cover illustration for Sam, Bangs &amp; Moonshine.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448054111569-IS7BDKOLI6SL25OOY004/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Evaline Ness</image:title>
      <image:caption>Evaline Ness, "One Lucky Girl Was Claiming Bill's Attention". Unknown Publication.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448054140709-1PU5HOLPVRS75CHUHAVY/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Evaline Ness</image:title>
      <image:caption>Evaline Ness, "She Sat There Without Any Idea What to Say". Unknown Publication.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/illustration-history/2015/11/13/grace-gebbie-drayton-wiederseim</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448054974943-Y1S6FIDD8ENV53HK7UFC/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Grace Gebbie Drayton (Wiederseim)</image:title>
      <image:caption>Grace Drayton, Print ad for Campbell's Tomato Soup. Ladies Home Journal. January 1919.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448055027519-NVM38J27NKFIZIZGSHZK/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Grace Gebbie Drayton (Wiederseim)</image:title>
      <image:caption>Grace Drayton, "Dolly's Letter" by Margaret G. Hay. Poem illustration. Sunday Magazine. December 11, 1910.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448054934732-0OYB2WF300UMYTCOAIKV/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Grace Gebbie Drayton (Wiederseim)</image:title>
      <image:caption>Grace Drayton, Cover illustration. Leslie's Illustrated Weekly Newspaper. The Schweinler Press. May 15, 1913.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448055133728-JOGXX6AZIU1NHQPREJ06/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Grace Gebbie Drayton (Wiederseim)</image:title>
      <image:caption>Grace Drayton, print ad for Campbell's Tomato Soup. Unknown publication. 1920.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1455918012504-R1MY8VPLJM0IJYJ0DJ7K/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Grace Gebbie Drayton (Wiederseim)</image:title>
      <image:caption>Grace Drayton, Dolly Dingle's Twin Cousins. Pictorial Review, February 1930. These children are Campbell's-Kid-esque, but Drayton somehow managed to keep renaming them under her own copyright.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448054846613-BAMR4ZRC3F1K1WLSFMEH/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Grace Gebbie Drayton (Wiederseim)</image:title>
      <image:caption>Grace Drayton, Campbells advertisement. Delineator Magazine. December 1917.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448055071644-T1VZDDXF83YNF2ECAM27/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Grace Gebbie Drayton (Wiederseim)</image:title>
      <image:caption>Grace Drayton, print ad for Campbell's Vegetable Soup. Unknown publication. June 1918.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/illustration-history/2015/11/13/helene-nyce</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449491283817-7XJENJD1F9AF5PP49A7F/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Helene Nyce</image:title>
      <image:caption>Helene Nyce, "Flossie Fisher's Funnies: This Little Pig Went to the Market" in the Ladies Home Journal. July 1915.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449491459205-9A6DO8FMU3R3H85FSOXF/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Helene Nyce</image:title>
      <image:caption>Helene Nyce, "Flossie Fisher's Funnies: Flossie Goes Blackberrying" in the Ladies Home Journal. August 1912.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449491856086-TCEHEP6LPNXESDQPUTSV/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Helene Nyce</image:title>
      <image:caption>Helene Nyce, Detail from "Flossie Fisher's Funnies: This Little Pig Went to the Market" in the Ladies Home Journal. August 1912.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449492456476-X8PS1VGLINI9OT6GIJPM/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Helene Nyce</image:title>
      <image:caption>Helene Nyce, Detail from "Making Themselves Welcome at Cinderella's Palace" in the Ladies Home Journal. June 1915.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449491790355-AWIO87Y9NBYDUSWEPE2Q/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Helene Nyce</image:title>
      <image:caption>Helene Nyce, "The Blue-Button Twins" in the Ladies Home Journal. March 1913.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449492584566-7CBUFDUNAOFZE5EFUQNX/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Helene Nyce</image:title>
      <image:caption>Helene Nyce, The Adventures of the Greyfur Family, written by Vera Nyce. Version published in 1917 by the J.P. Lippincott Company.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449492684501-PDGHQRKPJTT08GALA5ZH/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Helene Nyce</image:title>
      <image:caption>Helene Nyce, The Adventures of the Greyfur Family.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449492755382-KSPJV6YCKKY1233M6GTQ/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Helene Nyce</image:title>
      <image:caption>Helene Nyce, The Adventures of the Greyfur Family.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449491353504-73U6AYPP9KY0OHWAIQIY/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Helene Nyce</image:title>
      <image:caption>Helene Nyce, "Flossie Fisher's Funnies: Tommy's Accident Brings a Merry Christmas" in the Ladies Home Journal. December 1913.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449491220417-7BP5GM919DE3N53SW1V9/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Helene Nyce</image:title>
      <image:caption>Helene Nyce, "Flossie Fisher's Funnies: Making Themselves Welcome at Cinderella's Palace" in the Ladies Home Journal. June 1915.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/illustration-history/2015/11/19/jane-oliver</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448056293781-DUCEM1ZCRZDWT6E3A8A2/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Jane Oliver</image:title>
      <image:caption>Jane Oliver, cover illustration for This Week Magazine. December 5, 1954.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448056324801-YOKH8HPQD7L1APKH9K4Z/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Jane Oliver</image:title>
      <image:caption>Jane Oliver, Interior illustration for Collier's Weekly Magazine.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448056245804-SV3C5OQ7DUPHV2J4HTKP/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Jane Oliver</image:title>
      <image:caption>Jane Oliver, Interior illustration for This Week Magazine. July 1954.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448056216580-X7O7VL06WJFCSEWGQYIV/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Jane Oliver</image:title>
      <image:caption>Jane Oliver. Interior Illustration for This Week Magazine. May 1954.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448056195442-6FOSXUGA8NYQE750CT8X/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Jane Oliver</image:title>
      <image:caption>Jane Oliver, Print ad for Sheraton Hotels.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448056167206-VUP92FZ18RGG6RD40X2T/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Jane Oliver</image:title>
      <image:caption>Jane Oliver, "Side of Store, Key West". Watercolor. American Artist Magazine. January 1957.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448056068313-AI3B4LS4WY03NX6FFXPZ/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Jane Oliver</image:title>
      <image:caption>Jane Oliver. Holiday Card. Undated.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/illustration-history/2015/11/19/rose-oneill</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449494709140-L26R2U98ZGNLWSI7B8T5/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Rose O'Neill</image:title>
      <image:caption>Rose O'Neill, Jell-O ad. 1920.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449494609106-NXF11DNK2WYV5O5FP5GC/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Rose O'Neill</image:title>
      <image:caption>Rose O'Neill, Kewpie illustration.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449495071339-41UC11NBMU2VOORDX9HQ/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Rose O'Neill</image:title>
      <image:caption>Rose O'Neill, Kewpie supplement. Good Housekeeping. July 1914. O’Neill concocted the Kewpies in her cartooning work, then used them to launch one of the first mass-market toys. She would use the Kewpies as a vehicle for many years, though her artistic pursuits ranged notably beyond them.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449494913051-AIXQVAEUG0KND4HZ78UO/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Rose O'Neill</image:title>
      <image:caption>Rose O'Neill, "Kewpieville," Ladies Home Journal. February 1926. For a time O’Neill had a running feature under this title in LHJ. It consisted of light verse with cartoon drawings. The detail of the dragonfly (below) suggests that she had considerable range as a draftsperson, endowing the creature (and the Kewpies) with persuasive mass and volume, as well as plenty of animated vitality.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1461955258328-AAZX1X27HGP5GNW6FAEK/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Rose O'Neill</image:title>
      <image:caption>Rose O'Neill, detail of dragonfly and Kewpies in "Kewpieville," Ladies Home Journal. February 1926.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1461958882477-0ZSO4UZX3FXSF5OA1HTO/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Rose O'Neill</image:title>
      <image:caption>Rose O'Neill, detail of signature, Ladies Home Journal. February 1926.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449494986382-D3LUAYQRQ9HEWHHDBD4I/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Rose O'Neill</image:title>
      <image:caption>Rose O'Neill, "Kewpieville". Ladies Home Journal. May 1927.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449494791313-NJU29KCGMW4XWTNTYMPW/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Rose O'Neill</image:title>
      <image:caption>Rose O'Neill, Jell-O ad in the Ladies Home Journal. February 1919.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/illustration-history/2015/11/19/maribeth-olson</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448055713117-YMKDL8SVQQK4L3N8K75T/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Maribeth Olson</image:title>
      <image:caption>Meribeth Olsen, "Lady with a Secret". Good Housekeeping Magazine. March 1961.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448055751544-8MEM830JM67V1H7G3GQP/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Maribeth Olson</image:title>
      <image:caption>Maribeth Olson, "McCall's Beauty Department: The Most Precious Skin in the World...Yours!". McCall's Magazine.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448055833709-HY60C81OCG1GG5IORT2R/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Maribeth Olson</image:title>
      <image:caption>Maribeth Olson, Interior Story Illustration for Redbook. December 1959.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/illustration-history/2015/11/19/violet-oakley</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448054461233-UIWSXCEMFGBV70FP35T8/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Violet Oakley</image:title>
      <image:caption>Violet Oakley, The Constitutional Convention and the Birth of the Union. Senate Murals, Pennsylvania Capitol Building. Dedicated in 1917. The images shown here were torn from a promotional booklet published by the State of Pennsylvania about Oakley's murals.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448054412369-C1N4962AD7LZ9ECNK3MF/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Violet Oakley</image:title>
      <image:caption>Violet Oakley, The Dedication of the Living to the Preservation of the Union. Senate Murals, Pennsylvania Capitol Building. Dedicated in 1917.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448054528510-EU77P43F9NVPGQG3AQ2V/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Violet Oakley</image:title>
      <image:caption>Violet Oakley, Penn Turns from the World to Hear and to Heed the Quakers Preaching in the Field at Oxford. Reception room murals, Pennsylvania Capitol Building. Unveiled in 1906.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448054498089-48JYO0YPXAN6KF3K7YFV/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Violet Oakley</image:title>
      <image:caption>Violet Oakley, Penn Driven from his Father's House and his Father's Ambitious Hopes is Arrested for Preaching. Reception room murals, Pennsylvania Capitol Building. Unveiled in 1906.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/illustration-history/2015/11/19/fern-bisel-peat</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1463509965466-4TRE1U5B5NN5EE6TTKI3/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Fern Bisel Peat</image:title>
      <image:caption>Fern Bisel Peat, Children's Playmate cover illustration. August 1938. Published by A.R. Mueller Printing Co, Cleveland, Ohio. More Children's Playmate covers and interior spreads appear below. The magazine was the most durable engagement of Peat's long career.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1463544190418-MSCQQHTIF8R5D7KVEM0K/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Fern Bisel Peat</image:title>
      <image:caption>Fern Bisel Peat, Children's Playmate cover illustration. February 1952. Published by A.R. Mueller Printing Co, Cleveland, Ohio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449498292548-J1U804HQUMC4DYTIUZJ9/peat_fern_bisel_rags_cover.jpg</image:loc>
      <image:title>Illustration History - Fern Bisel Peat</image:title>
      <image:caption>Fern Bisel Peat, cover illustration for Rags. Published by Saalfield Publishing Company in 1929. In a sort of proto-Toy Story tale, the doll Rags interacts with other toys and playthings. The stitchery on her face falls short of charmingly handmade, and feels a bit Frankensteinian.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449498857385-EL4PPAPUKRMWAVV5SXYV/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Fern Bisel Peat</image:title>
      <image:caption>Fern Bisel Peat, Rags. Published by Saalfield Publishing Company in 1929. Note several regrettable visual tropes born of a children-of-the-world conceit; a yellow-skinned "oriental" doll in Rags' right arm, and an African-American "pickaninny" doll in her left. The baby in the carriage has been replaced by a monkey. All told the Rags project, which I picked up at an antique shop in St. Louis, is fairly creepy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449498918587-MG1LGQGG1M6OD2R3I7V1/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Fern Bisel Peat</image:title>
      <image:caption>Fern Bisel Peat, Rags. Published by Saalfield Publishing Company in 1929.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449498800046-2VAAA4CDEJP8YM9AFR04/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Fern Bisel Peat</image:title>
      <image:caption>Fern Bisel Peat, book illustration in Rags. Published by Saalfield Publishing Company in 1929.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1463510044632-PCH2482ADN39N9AF6DLS/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Fern Bisel Peat</image:title>
      <image:caption>Fern Bisel Peat, Children's Playmate cover illustration. July 1948.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1463510633695-FSOAA2EEU3E31993WZPZ/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Fern Bisel Peat</image:title>
      <image:caption>Fern Bisel Peat, Playmate cover illustration. August 1948.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1463510204659-NK9JDN7FOBAHXKLV83OS/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Fern Bisel Peat</image:title>
      <image:caption>Fern Bisel Peat, Playmate cover. March 1939.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1463510419134-FCV2QC9WZTKIJJIYPRM9/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Fern Bisel Peat</image:title>
      <image:caption>Fern Bisel Peat, paper cutout illustrations, Playmate. March 1939.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1463510465919-YL1BFXEGLNYT7WOCCG2G/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Fern Bisel Peat</image:title>
      <image:caption>Fern Bisel Peat, paper cutout illustrations, Playmate. July 1948.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1463511427217-F5BA1LVDCQTO996G61DV/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Fern Bisel Peat</image:title>
      <image:caption>Fern Bisel Peat, paper cutout illustrations, Playmate. November 1948.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449498638349-NJW5UNV3EZUNRPZW6NMB/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Fern Bisel Peat</image:title>
      <image:caption>Fern Bisel Peat, cover illustration for Child's Garden of Verses by Robert Louis Stevenson. Published by Saalfield Publishing Company in 1940.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449499146807-JE9FQ204MY581XIX010Y/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Fern Bisel Peat</image:title>
      <image:caption>Fern Bisel Peat, Child's Garden of Verses by Robert Louis Stevenson. Published by Saalfield Publishing Company in 1940.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449499020459-4B54SJKPIQWP5P9EM1F9/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Fern Bisel Peat</image:title>
      <image:caption>Fern Bisel Peat, Child's Garden of Verses by Robert Louis Stevenson. Published by Saalfield Publishing Company in 1940.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449499084380-LBGCDWNLBSOCFW60K0V5/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Fern Bisel Peat</image:title>
      <image:caption>Fern Bisel Peat, Child's Garden of Verses by Robert Louis Stevenson. Published by Saalfield Publishing Company in 1940.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449499647092-NGCXJ4QYL5JP4WP5BBGP/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Fern Bisel Peat</image:title>
      <image:caption>Fern Bisel Peat, Child's Garden of Verses by Robert Louis Stevenson. Published by Saalfield Publishing Company in 1940.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449499386720-GP9R5PIEA6P9W7F05LLI/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Fern Bisel Peat</image:title>
      <image:caption>Fern Bisel Peat, Child's Garden of Verses by Robert Louis Stevenson. Published by Saalfield Publishing Company in 1940.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/illustration-history/2015/11/19/clara-elsene-peck</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448057617015-H2MXDYZJU7YF8OMMNEND/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Clara Elsene Peck</image:title>
      <image:caption>Clara Elsene Peck, "King's Great Aunt: Will You Permit this Insolence, Your Majesty?". Ladies Home Journal. June 1921.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448057347704-NLRBNQKTFWUBVW8ZTKOP/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Clara Elsene Peck</image:title>
      <image:caption>Clara Elsene Peck. A Lady of King Arthur's Court. Written by Sara Hawks Sterling. 1907.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448057785780-D3YZQLX9NN7K48F9D00R/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Clara Elsene Peck</image:title>
      <image:caption>Clara Elsene Peck. A Lady of King Arthur's Court. Written by Sara Hawks Sterling. Frontispiece. 1907.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448057765329-BYC2F4SDF8GBNY2746D3/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Clara Elsene Peck</image:title>
      <image:caption>Clara Elsene Peck, "Let us go, she said. Life is Before Us." A Lady of King Arthur's Court. Written by Sara Hawks Sterling. Book Illustration. 1907.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448057641770-OYLWSB42JCPW1ONWT24R/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Clara Elsene Peck</image:title>
      <image:caption>Clara Elsene Peck, Ivory Soap print advertisement. The Saturday Evening Post. May 15, 1920.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448057821126-X9OTQNULXDB9B4D2LOCS/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Clara Elsene Peck</image:title>
      <image:caption>Clara Elsene Peck, In the Border Country. Title Page. Written by Josephine Daskam Bacon. 1909.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448057481227-0QKRDJV02XWX2QCZOH4A/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Clara Elsene Peck</image:title>
      <image:caption>Clara Elsene Peck, In the Border Country. Written by Josephine Daskam Bacon. Book Illustration. 1909.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448057586980-AETWTO3SH9BUSQESUWZF/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Clara Elsene Peck</image:title>
      <image:caption>Clara Elsene Peck, "Twelve Hours' Treasure". Written by Phyllis Wyatt Brown. The Delineator. December 1914.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448057576873-U2YRX7NOEILO7S4IN3K2/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Clara Elsene Peck</image:title>
      <image:caption>Clara Elsene Peck, "Doctors". Written by Grace Robinson. Liberty Magazine. April 5, 1930.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448057498756-05K9UP5G1YS6ZTRPW51R/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Clara Elsene Peck</image:title>
      <image:caption>Clara Elsene Peck, "Doctors". Written by Grace Robinson. Liberty Magazine. April 5, 1930.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1463959994738-JON03E88VQS1F63FI5YM/image-asset.png</image:loc>
      <image:title>Illustration History - Clara Elsene Peck</image:title>
      <image:caption>Malcolm Kildale, cover illustration, Treasure Chest comics, Volume 2, No. 13, February 1947. Clara Elsene Peck had a three page comic feature in this issue devoted to the story of "Young George Washington."  Note: this image was acquired from the Grand Comics Database. It is not in the Walt Reed Archive, and I have not seen the Clara Peck story referred to above.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/illustration-history/2015/11/19/mary-petty</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448056823006-16MQTHVVTAHSLK39W60P/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Mary Petty</image:title>
      <image:caption>Mary Petty, cover illustration for The New Yorker. April 10, 1943.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448056787539-LH9OBA5O4IFVPID1FRGO/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Mary Petty</image:title>
      <image:caption>Mary Petty, cover illustration for The New Yorker. March 14, 1942.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448056872430-NK5HEZUYIT1SD9SOXY57/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Mary Petty</image:title>
      <image:caption>Mary Petty, cover illustration for The New Yorker. July 18, 1942.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/illustration-history/2015/11/19/martha-sawyers</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448058920560-W2J4017YZRYX82URGDI1/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Martha Sawyers</image:title>
      <image:caption>Martha Sawyers, Cover illustration for Colliers. December 7, 1946. This is a complicated image. The publication date of the magazine is five years to the day after the Japanese attack at Pearl Harbor. The U.S. has won the war, and costume clues in the left foreground tell us that the blonde bathing woman is an occupying American military officer. She regards a Japanese periodical (perhaps uncomprehendingly) while an Japanese woman–some sort of an attendant–scrubs her back. The illustration conveys matter-of-fact subjugation, a mixture of national and (implicitly) racial triumph.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448058736874-0TIBDXYL3PG2BHZ7SEBH/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Martha Sawyers</image:title>
      <image:caption>Martha Sawyers, interior illustration. Colliers Magazine. May 1943.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448058765203-WNNXZOWTPS9IGB7RQ57R/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Martha Sawyers</image:title>
      <image:caption>Martha Sawyers, "China Sky". Written by Pearl S. Buck. Colliers Magazine. February 1941.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448058700996-EOEWQFXKEJUEPFKEZ5GT/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Martha Sawyers</image:title>
      <image:caption>Martha Sawyers, "China Sky". Written by Pearl S. Buck. Colliers Magazine. February 1941.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448058781557-U9CTM0E4T03IZIUVXIJE/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Martha Sawyers</image:title>
      <image:caption>Martha Sawyers, portrait of Mrs. Bashiran. Sketch from Delhi, India. Colliers Magazine. February 1946.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448058804942-AWR62F2BM4GOZWM7CAZX/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Martha Sawyers</image:title>
      <image:caption>Written and illustrated by Martha Sawyers, "Women in Seclusion". Colliers Magazine. February 1946.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448058823011-C1FSDA1L5JDAYG3QQ50V/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Martha Sawyers</image:title>
      <image:caption>Martha Sawyers, "Honorable Homecoming". Written by Mona Gardner. Colliers Magazine. June 1941.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448058846870-CCAHRVPVTSI8LFMG56Y2/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Martha Sawyers</image:title>
      <image:caption>Martha Sawyers, interior illustration. Colliers Magazine. October 1940.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448058874808-6ZIA56TG385AJTH5BOXQ/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Martha Sawyers</image:title>
      <image:caption>Martha Sawyers, "Death in the Pot". Written by Walter Duranty. Colliers Magazine. November 1941.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1448058898382-N98D47ER8D6WTIR5FHRR/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Martha Sawyers</image:title>
      <image:caption>Written and Illustrated by Martha Sawyers, "The Face of China". Colliers Magazine. December 1945.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/illustration-history/2015/11/19/the-reeses-emily-and-walter</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449469874272-3HB8XMHZ1NOUL4K3GUKK/image-asset.jpeg</image:loc>
      <image:title>Illustration History - The Reeses (Emily and Walter)</image:title>
      <image:caption>The Reeses, Print ad for Scranton filet nets and lace curtains. Ladies Home Journal. October 1918.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449470861262-0S4FI5GN5JV9D1DHASUD/image-asset.jpeg</image:loc>
      <image:title>Illustration History - The Reeses (Emily and Walter)</image:title>
      <image:caption>The Reeses, Print ad for Wolfhead Undergarments. Ladies Home Journal. March 1920.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449470562385-3QEDLF55WS50LLBVG3H6/image-asset.jpeg</image:loc>
      <image:title>Illustration History - The Reeses (Emily and Walter)</image:title>
      <image:caption>The Reeses, Print ad for Williams' Talc Powder. Ladies Home Journal. May 1919.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449470148124-VTVICZXMJ6I1AD8YM8ZR/reeses_TheLadiesHomeJournal_WarnerCorsetting_100022.jpg</image:loc>
      <image:title>Illustration History - The Reeses (Emily and Walter)</image:title>
      <image:caption>The Reeses, Print ad for Warner Corseting. Ladies Home Journal. October 1922.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449488169132-9BEL6B41UR4UKN1WLTWP/image-asset.jpeg</image:loc>
      <image:title>Illustration History - The Reeses (Emily and Walter)</image:title>
      <image:caption>The Reeses, Print ad.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449468141145-G6O9RPKDNFH0SGXN1WI2/reeses_LeisureVassarOxford_1920.jpg</image:loc>
      <image:title>Illustration History - The Reeses (Emily and Walter)</image:title>
      <image:caption>The Reeses, Print ad for Leisure Vassar Oxford. 1920.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1449469420895-DK8N2PJEOHSFMB9ZVQMN/image-asset.jpeg</image:loc>
      <image:title>Illustration History - The Reeses (Emily and Walter)</image:title>
      <image:caption>The Reeses, Print ad in Ladies Home Journal. July 1922.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/illustration-history/2016/1/21/ruth-eastman</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1453412755699-9WT2MQ36BZKQU8AWKX7D/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Ruth Eastman</image:title>
      <image:caption>Ruth Eastman, cover for McCall's Magazine. January 1916.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1453412798954-OPQ6IFHM3ZAYTL7UOAND/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Ruth Eastman</image:title>
      <image:caption>Ruth Eastman, cover for Today's Housewife. May 1917.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1453412707170-UZ1AR4GFE224ZHXXBFGO/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Ruth Eastman</image:title>
      <image:caption>Ruth Eastman, cover for McCall's Magazine. March 1915.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/illustration-history/2016/1/21/kay-draper</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454015046166-1HTJ6NFE03E3LJJ420BG/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Kay Draper (Kayren Draper)</image:title>
      <image:caption>Kay Draper, Living Arithmetic: Grade 3. Written by Guy T. Buswell and Lenore Joh. The book also contains illustrations by artists Herbert Paus, Florence Heyn, and George van Werveke. Published by Ginn &amp; Co. These images were scanned from the 1947 edition. The book was first published in 1938, and I believe that the illustrations would have been executed for the first printing. Herbert Paus was doing Collier's covers in the late 1930s, and his work for Buswell and Joh's book consisted of fully modeled genre scenes in color and black and white. Draper's efforts, by contrast, were limited to these one- and two-color images that ran atop pages; such images provide visual breaks, but are sometimes referred to as decorations, a gendered term.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1457902212785-2EC03TOIWUZEE4M3QVSB/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Kay Draper (Kayren Draper)</image:title>
      <image:caption>Kay Draper, Title page with spot illustration, The Alpha Individual Arithmetics, Book One, Part II. Ginn and Company, 1929.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1457902615633-F1XEPRO2NIQNC1VX3QMI/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Kay Draper (Kayren Draper)</image:title>
      <image:caption>Kay Draper, The Toy Shop, from The Alpha Individual Arithmetics, 1929. Draper's two-color work for this schoolbook project is more subtly manifested, due to specifications permitting modulated optical values and tonalities.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454014977883-T3AEIXHALY6H6NEXRKVF/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Kay Draper (Kayren Draper)</image:title>
      <image:caption>Kay Draper, Living Arithmetic: Grade 3. 1938.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454015079794-MP5LNASEDAUAY38OG87B/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Kay Draper (Kayren Draper)</image:title>
      <image:caption>Kay Draper, Living Arithmetic: Grade 3. 1938.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454015102409-SXX18GH5GIVXF95TZT6H/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Kay Draper (Kayren Draper)</image:title>
      <image:caption>Kay Draper, Living Arithmetic: Grade 3. 1938.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454015026896-VMC62PCFAM71HILHJJ1J/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Kay Draper (Kayren Draper)</image:title>
      <image:caption>Kay Draper, Living Arithmetic: Grade 3. 1938.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454015135144-KW9Y44ZMGI1PI8DO7MS1/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Kay Draper (Kayren Draper)</image:title>
      <image:caption>Kay Draper, Living Arithmetic: Grade 3. 1938.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454015003705-1EPYAZ1YXWN4EZ0KSAOO/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Kay Draper (Kayren Draper)</image:title>
      <image:caption>Kay Draper, Living Arithmetic: Grade 3. 1938.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454014865910-5DCWZVU6YDRC3AFAVFLF/draper_daybyday_1950_5.jpg</image:loc>
      <image:title>Illustration History - Kay Draper (Kayren Draper)</image:title>
      <image:caption>Kay Draper, illustrations for Day by Day, a Quinlan Basic Reader. Written by Myrtle Banks Quinlan. Published by Allyn and Bacon, 1950.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454014851446-MUILB0DCHXMQWIU9T4SD/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Kay Draper (Kayren Draper)</image:title>
      <image:caption>Kay Draper, Day by Day. 1950.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454014923545-PMW8NLRXX2PFGK8G7B0T/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Kay Draper (Kayren Draper)</image:title>
      <image:caption>Kay Draper, Day by Day. 1950.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454017708707-XVR5NASBX02D91PW8SGY/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Kay Draper (Kayren Draper)</image:title>
      <image:caption>Kay Draper, Day by Day. 1950.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454017692623-W9Q89JFZUEOV49W60UPJ/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Kay Draper (Kayren Draper)</image:title>
      <image:caption>Kay Draper, Day by Day. 1950.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454017680480-DXW8KOAP0XXRXZE15VEV/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Kay Draper (Kayren Draper)</image:title>
      <image:caption>Kay Draper, Day by Day. 1950.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454014807631-2BEGA3JH98D3HNNQLXWC/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Kay Draper (Kayren Draper)</image:title>
      <image:caption>Kay Draper, Day by Day. 1950.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454014795249-W6O4SY6N5V4E5RWHIB8E/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Kay Draper (Kayren Draper)</image:title>
      <image:caption>Kay Draper, Day by Day. 1950.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/illustration-history/2016/1/26/florence-and-margaret-hoopes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454019566563-4KP74YXEUJUKW9UXLG5W/aliceandjerry_dayindayout_cover.jpg</image:loc>
      <image:title>Illustration History - The Hoopes Sisters</image:title>
      <image:caption>Day In and Day Out book cover. Written by Mabel O' Donnell &amp; Alice Carey. Published by Row, Peterson and Co, 1936.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454019635437-TVGHNFYL6J5JVN9WTDNU/image-asset.jpeg</image:loc>
      <image:title>Illustration History - The Hoopes Sisters</image:title>
      <image:caption>Singing Wheels book cover. Written by Mabel O' Donnell. Published by Row, Peterson and Co, 1940.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454019591472-TAC4NC8NL1L9MGY0FNOF/image-asset.jpeg</image:loc>
      <image:title>Illustration History - The Hoopes Sisters</image:title>
      <image:caption>Singing Wheels book cover. Written by Mabel O' Donnell and Alice Carey. Published by Row, Peterson and Co, 1936.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454019693982-GIDT4BF89YL0IOWOZYRZ/hoopes_dayindayout_1936_1.jpg</image:loc>
      <image:title>Illustration History - The Hoopes Sisters</image:title>
      <image:caption>Hoopes, Day in and Day Out. 1936.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454620622168-NZD89KOL1TQPAYQ3WMRS/image-asset.jpeg</image:loc>
      <image:title>Illustration History - The Hoopes Sisters</image:title>
      <image:caption>Hoopes, If I Were Going. 1936.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454620651325-2KR1FYEMJJCAX2IZLYA7/image-asset.jpeg</image:loc>
      <image:title>Illustration History - The Hoopes Sisters</image:title>
      <image:caption>Hoopes, If I Were Going. 1936.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454620730826-OVSXGDSZQM3LZWDE7136/image-asset.jpeg</image:loc>
      <image:title>Illustration History - The Hoopes Sisters</image:title>
      <image:caption>Hoopes, If I Were Going. 1936.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454620757866-4IFS41NLKXUOCRJEXNDK/image-asset.jpeg</image:loc>
      <image:title>Illustration History - The Hoopes Sisters</image:title>
      <image:caption>Hoopes, If I Were Going. 1936.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454620949522-552QFQ0RSFUXM5NZUTRM/image-asset.jpeg</image:loc>
      <image:title>Illustration History - The Hoopes Sisters</image:title>
      <image:caption>Hoopes, If I Were Going. 1936.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454019797802-OPWY5MRZNNWWZ67IWDG3/hoopes_downtheriverroad_3.jpg</image:loc>
      <image:title>Illustration History - The Hoopes Sisters</image:title>
      <image:caption>Hoopes, Down the River Road. 1938.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454019581006-FI9IFNKEWX4Z7HDZMZDS/aliceandjerry_downtheriverroad_cover.jpg</image:loc>
      <image:title>Illustration History - The Hoopes Sisters</image:title>
      <image:caption>Down the River Road book cover. Written by Mabel O' Donnell. Published by Row, Peterson and Co, 1938.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454019817873-Q3X725LRCDRSFKHPT0UG/image-asset.jpeg</image:loc>
      <image:title>Illustration History - The Hoopes Sisters</image:title>
      <image:caption>Hoopes, Down the River Road. 1938.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454621008772-35CQMJEVRA4WXTPGJ6BQ/image-asset.jpeg</image:loc>
      <image:title>Illustration History - The Hoopes Sisters</image:title>
      <image:caption>Hoopes, Neighbors on the Hill. 1943.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454621057157-6OF6YOXOINWAAOWPH75E/image-asset.jpeg</image:loc>
      <image:title>Illustration History - The Hoopes Sisters</image:title>
      <image:caption>Hoopes, Neighbors on the Hill. 1943.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454621107089-KHJAGQ7NN5BENWXH4PDB/image-asset.jpeg</image:loc>
      <image:title>Illustration History - The Hoopes Sisters</image:title>
      <image:caption>Hoopes, Neighbors on the Hill. 1943.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454019762057-1DAMFJRTVJQQGN97HY43/image-asset.jpeg</image:loc>
      <image:title>Illustration History - The Hoopes Sisters</image:title>
      <image:caption>Hoopes, Singing Wheels. 1938.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454019840380-U8EBWBFPPOYRVVUGHW2P/hoopes_singingwheels_1940_1.jpg</image:loc>
      <image:title>Illustration History - The Hoopes Sisters</image:title>
      <image:caption>Hoopes, Singing Wheels. 1938.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454019721728-LE7ZN1K7UER5KEGDSRLU/image-asset.jpeg</image:loc>
      <image:title>Illustration History - The Hoopes Sisters</image:title>
      <image:caption>Hoopes, Day in and Day Out. 1936.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454019616127-ZI1PP8GDB7EFD78E7G61/aliceandjerry_neighborsonthehill_cover.jpg</image:loc>
      <image:title>Illustration History - The Hoopes Sisters</image:title>
      <image:caption>Neighbors on the Hill book cover. Written by Marjorie Flack and Mabel O' Donnell. Published by Row, Peterson and Co, 1943.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454019732138-LGLK0KJZFJJ1TVXHD99E/hoopes_dayindayout_1936_2.jpg</image:loc>
      <image:title>Illustration History - The Hoopes Sisters</image:title>
      <image:caption>Hoopes, Day in and Day Out. 1936.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454019844913-GCE4QIW0XSGKA661WBMW/image-asset.jpeg</image:loc>
      <image:title>Illustration History - The Hoopes Sisters</image:title>
      <image:caption>Hoopes, Singing Wheels. 1938.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454019872409-MRXANSL8BSUPNKUKK2VJ/image-asset.jpeg</image:loc>
      <image:title>Illustration History - The Hoopes Sisters</image:title>
      <image:caption>Hoopes, Down the River Road. 1938.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454621081319-PGS0D8COSIYAAIVXCNYK/image-asset.jpeg</image:loc>
      <image:title>Illustration History - The Hoopes Sisters</image:title>
      <image:caption>Hoopes, Neighbors on the Hill. 1943.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/illustration-history/2015/11/13/alice-beard</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1447452197187-2L1XRTKO7CPMPGED1PWA/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Alice Beard</image:title>
      <image:caption>Alice Beard, Cover Illustration. Sunday Magazine of the Rocky Mountain News. October 29, 1911.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1447452060423-TB6FLBXSLEVRQR47C47E/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Alice Beard</image:title>
      <image:caption>Alice Beard, Cover Illustration. Harper's Weekly Magazine. December 18, 1909.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454014495448-JUGBNVWIDASIGUATQTWF/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Alice Beard</image:title>
      <image:caption>Alice Beard, frontispiece in the novel Elizabeth Bess, by E.C. Scott. Published The Macmillan Company, 1917.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454014506285-MQWPBEXGJEBHGZOFHDL5/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Alice Beard</image:title>
      <image:caption>Alice Beard, illustration from Elizabeth Bess. 1917.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454014527161-MATQU3SEPLE4ZM8TU4IX/beard_elizabethbess_1917_3.jpg</image:loc>
      <image:title>Illustration History - Alice Beard</image:title>
      <image:caption>Alice Beard, illustration from Elizabeth Bess. 1917.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1454014516466-M3S2ALUQ74EA54Z8Y8NI/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Alice Beard</image:title>
      <image:caption>Alice Beard, illustration from Elizabeth Bess. 1917.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dbdowd.com/illustration-history/2015/11/13/anne-whelan-betts</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1447452619997-T4790YKKE1H62YWA0T5G/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Anna Whelan Betts</image:title>
      <image:caption>Anna Whelan Betts, "Easter Bonnet". in Century Magazine. April 1904.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1447452668683-TIXQ2SDTTUCE2GH4P93V/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Anna Whelan Betts</image:title>
      <image:caption>Anna Whelan Betts. "The New Game" Frontispiece for Century Magazine. August 1904.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1447452921478-68L01J1C6WL6NI8XCPBA/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Anna Whelan Betts</image:title>
      <image:caption>Anna Whelan Betts. "Tether Ball". Everybody's Magazine. August 1903.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1447452871999-LPD4MRAD64YY4L4RV8PT/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Anna Whelan Betts</image:title>
      <image:caption>Anna Whelan Betts. "Angling". Everybody's Magazine. August 1903.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/538f6225e4b08958227ffcb5/1447452961377-XTZ9YAFF3SI4TGXX0DPH/image-asset.jpeg</image:loc>
      <image:title>Illustration History - Anna Whelan Betts</image:title>
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